mary(ib)

anonymous asked:

I'm not sure if anybody's already said this, but when Sherlock catches the teacup in TLD everyone seems to focus on Sherlock dropping the gun to do so, symbolising him dropping everything else to save the gay love, but I can't help but think about what happens next, Sherlock has a gun pulled on him by a woman he trusts. D'you think that Sherlock abandoning the gun to save the tea is meant to parallel him ignoring the signs that Mary was dangerous because he was too focused on John's happiness?

Hmm, that’s pretty deep Nonny. Huh. I can see the metaphor / parallels here. Ouch.

How can Sherlock survive the true Final Problem if Moriarty and Mary have stolen the story?

Moriarty loves stories, fairytales. He planned everything like one. If we need to understand everything that happened since TRF, we just need to understand Appointment in Samarra. This is the key behind everything.

Sherlock is the merchant trying to outrun/outwit Death. If we consider Moriarty to represent Death (and Mary ultimately taking his title and his place in the narrative), Sherlock must find the one path to survive the Fall.

It begins with Sherlock/the merchant meeting Moriarty/Death and understanding, no, knowing that this person will take his life. So, he runs, he runs from his life in an attempt to escape his fate.

So, in the Reichenbach Falls, Sherlock fakes his death, thinking he’s done it. There was just a little problem with that plan:

The tale of Sir Boast-a-Lot, TRF never was the Final Problem, the same way the first meeting between the merchant and Death wasn’t supposed to end with the merchant’s death. Yes, Sherlock managed to escape Moriary’s plan but that was pointless. His appointment wasn’t in St Barthelemy Hospital.

Nor here.

Or even that, whatever that was.

We need to focus on this.

Because, ultimately Sherlock has been warned times and times again. Moriarty said it many times “I owe you a fall.” Not this little magic trick, no, don’t be silly. I’ll burn you, I’ll burn, the heart out of you. Survive this little game and you’ll have the privilege of seeing my real work.

Now, that’s more like it. You’ve got to admit, that’s sexier.

We both know you don’t care about your reputation, about the press slandering you. We both know that’s not your pressure point. But look how you care about John Watson. Well, your little pet, I’m going to take it from you. Let’s see how far you’re willing to go for him. That wife. Such a poor soul, so tragic. I’m sure she didn’t actually want to kill you, you were clearly a threat to her, if only you’ve told her you wanted to help her. Oh you did? Oopsie.

Well, the woman you call Mary? She’s going to take you everything, she will even break your little toy and there is nothing you can do about it. Enjoy the show.

Because John has always been and will always be his heart. He is the reason he decides to restart his, he is the reason he hasn’t killed himself like Jim. Separate them and death will be a kinder fate.

Somewhere, John or Sherlock is in terrible danger, dying and unable to escape his end. The electrocardiogram is still beating in TAB, like a phantom pain the wound still hurts Sherlock, John may or may have not escaped the bullet (no, a fuming gun don’t throw sleeping darts, it just can’t) “Eurus” shot.

Who cares how Sherlock survive the Reichenbah Falls? This wasn’t the point, this never was the Final Problem. Season 3 and Season 4 are the real thing.

Like a throwback to Jim in TRF, ‘Mary’ has become the author, the one calling the shots and stripped John of any narrative power. That is absolutely devastating, how can they survive if the two vilains have taken over the story so completely?

“Sherlock Holmes will now wear the silly hat because Mary liked it. It just felt right.She changed and illuminated the path of the show.”

Now that she is the one calling the shots, both men’s hearts are effectively reduced to ashes. Their identities have been stripped and they have become actors in their own lives.

Who you really are, it doesn’t matter. It’s all about the legend, the stories, the adventures.

This is Appointment in Samarra, you can’t avoid Death, not when the vilains are the one reading the story since TRF. This is predeterminism, all roads were leading to this ending. No matter how much Sherlock’s struggled, the author aka Jim/Mary has always planned this ending. Resistance has always been futile.

And yet… there is one fic that managed to save the merchant. Appointment in Sumatra may be a mere fanfic, Sherlock has succeeded in changing the ending. Mary, the new author, may have stripped John of everything that was him, he remains the first narrator.

The game isn’t over. This is a struggle between the two authors that have decided to destroy the story and the fans who need to find the one path that will save the merchant. Jim/Mary vs Sherlock and John, or if we are very daring between Mofftiss and the fans.

Samarra can be avoided but dear God, that’s going to a hell of a ride to save Sherlock Holmes. We just need to completely rewrite the ending, to let John take back his narrative power and let him lead Sherlock to Sumatra and avoid Samarra.

Only that.