many of them in fact

anonymous asked:

For looks/outfits: Rose's season one costumes or season two costumes.

oooh, starting out with the hard questions!!

with season two we get the Iconic looks of TIP/TSP and the tragically short glimpse of plaid in Love and Monsters and also The Idiot’s lantern skirt and Tooth and Claw outfit, plus the pirate shirt that makes an appearance at the end of School Reunion and her Look in GiTF. and the red jacket in Age of Steel/Rise of the Cybermen before she changed into the server’s outfit. and the Doomsday beach scene look was A+ (but seriously look at this tragically short lived plaid Look. i’m not over the fact that we literally just got a glimpse of it and not a full ep)

never gonna be over it. or this.

but in s1 we get the Rose look with that grey shirt with the open shoulders, the Dalek look (hot damn @ that white tank) and the Cardiff dress, and the Boomtown scarf and denim skirt look, and the Iconic Long Game outfit. the union jack shirt!!

Originally posted by boyandabluebox

okay i’m gonna stop before i list like… all of her outfits.

so basically i love rose in whatever she’s wearing but i have to go s1 because of the long game outfit and the cardiff dress and the boomtown outfit. like #iconic.

(also i’m s1 trash and no one’s ever gonna change me)

make me choose between two things!

Let boys cry.
Let boys be gentle and soft and allow them to admit whatever supposed “weaker” feelings they have wrapped up inside.
Let boys sob because they are as human as any one of us and making out that suppressing those things makes them “stronger” or “more of a man”, is hurtful and is in fact just as prejudice as telling a woman that they cannot stand up for their own rights.

Don’t forget that males too have hearts and as a matter of fact, many of them are too frightened to reveal their emotions and are coming to believe that such sensations aren’t allowed to be felt by them. Which is madness! Let boys feel.

Give them flowers. Hold them. Tell them that they matter. Tell them it’s okay. Let them sob into your shoulder because it’s alright. It’s normal. It’s what we do. Please don’t make them conceal it if they are hurting. They have every right to tears as any woman. Please.

idolsidle  asked:

Give me apartment hcs. I live for that shit. Give us all apartment hcs. Give the people what they want amalas

ABSOLUTE!! YES!! PLEASE!! THANK YOU!!!
Hip Hop Au - Random Fact

Iwaizumi lives in a cheap 2 store apartment complex where he rents a little one room apartment at the ground floor

It’s a more poor neighborhood placed on the border to downtown and the city’s “China Town” (which is a more mixed than actually only Chinese district).
The apartment is small and cheap.

He doesn’t own much. Never had lots to bring with him from his uncle’s house when he moved out and never were able to afford many new things.
His place is small but he keeps it organized and well sorted. However it’s not a real nice place. Due being on the ground floor and not having many windows it’s more dark. The apartment block itself is worn down and not in the best condition. The floor of his apartment is some run down old linoleum and every once in a while the warm water of his shower is acting up.
At least the apartment complex has some washing machines and tumble dryers in the basement which he can use for some coins so he doesn’t have to go to a laundromat.

Oikawa’s living situation is different and way better.
He lives in an old but nice brick apartment house where he rents a cozy 2 bedroom apartment.

The neighborhood is to be gentrified in the future but for now still authentic, diverse and not really expensive. It’s an old blue-collar worker area with lots of brick houses and small shops and pubs and a more early industrial look.
Slowly more students and artists move close to the area as they love the mix of affordable rents and nice old buildings.

Oikawa has a bedroom and a spare room which he uses as a living room/music room. The kitchen is small but cozy and the bathroom doesn’t have a shower but an old bathtub with a shower head.
The rooms (not kitchen and bathroom) have old timber floor board. They are a bit worn down and could use some sanding but they still add to a nice and cozy atmosphere.

Although Oikawa doesn’t own a washing machine so he has to spend time at the laundromat or just drops by at the youth center and bugs Kuroo to use the washing machine there.

Oikawa’s apartment is about 48 m² so really a nice amount of space for him where as Iwa’s apartment is only about 28 m².                                

anonymous asked:

Not su critical, but I wish there was less human episodes and plot's loose ends weren't left forgotten for literal ages. I just, idk, feel like crewniverse wants us like lars or ronaldo too much

i mean, by definition it’s not forgotten if it’s brought up again. the show is just very long-term and demands you have a lot of patience sometimes (which makes it satisfying when it happens, but it can also be frustrating before that).

on the subject of humans: i’m not always super invested, but there’s always a rewarding or clever element. i like connie, kiki and sadie a lot. greg’s alright. the cool kids too. while onion’s not my favorite, his episodes tend to be solid and gives us interesting steven-characterization (onion gang was quite nice, they finally made me emotional about both onion and steven’s loneliness).

i have a buddy who loves lars with all his heart - i know he’s not the most popular character, but i like him alright, too. he’s the kind of teenager who can be a jerk without being a one-note bully. there’s a good post going around about you kinda need to see the humans to feel the payoff of them (spoilers) seemingly getting kidnapped in this next bomb, which will be another interesting mix of the human and magical elements of the show.  

Originally posted by cartoonfan98

the “slice of life” elements also has another important function, which i think is vitally important - in fantasy / sci-fi stories, there’s a lot of Othering. by which i mean, strictly good vs evil escapism where a lot of the time, the enemy is so inhuman they might as well be a natural disaster, not a person. good and evil is often decided by which magical species or alien race you belong to, not who you are as a person. 

slice of life is the complete opposite - you have your jerks, but they’re still human. those stories rarely end with anyone being murdered for their crimes and this being portrayed as a “victory”. it’s pretty common that while the main character’s perspective expands, we get to know even those characters who we assumed were just cruel or bullies. everyone has some struggle going on, and the punishments for their crimes are not that they’re irredeemable or die. rather, they’re allowed to actually develop and/or have nuances to them.

Originally posted by relatablelarsquotes

both sci-fi and fantasy also have an expectation of war in recent years - there’s the expectation of constant high stakes and people getting killed. the plot is expected to constantly be the focus - we need to find the Thing to fight the Dark Side. we need to get to Place before Evil gets there first. the Chosen One needs to collect all five Orbs, four of which symbolize the four friends, and the fifth one will awaken her own power. the Enemy needs to be Stopped, their reasons are (usually) irrelevant.

on the other side, slice of life is very personal: everything is character-driven, and their motivations is the main reason to watch it. i saw a lot of surprise that “yuri on ice” didn’t have a traditional villain - my response was basically “…well, yeah, it’s slice of life”. that’s kinda how it usually works. especially in anime - you may not get to know every character equally well, and some will be deeply flawed, but no one is sorted into a box labelled “inhuman” or “evil”. 

so what’s my point? well, steven universe continuously trains its audience to see slice-of-life elements in the ~magical space conflict. it tells you to see the characters through a ‘human’ lens, even the characters who aren’t human. part of how it does this is by adding surprising amounts of empathy and human solutions - not just to the beach city problems, but to the gem problems as well. 

the first time we see two diamonds together - the Intergalactic Tyrants™ who most fanart depict as the final boss overlords all the “less-awful” characters will unite against in a Final Battle? oh, they’re grieving the loss of their fellow diamond. blue diamond is crying. their pearls are there, standing as a reminder of the hierarchy they champion, but neither element ruins the other - they can be sympathetic and deeply flawed at the same time. when it’s towards the people they care about, they even seem well-intentioned. yellow diamond chastises blue for not being a good leader to her people.

Originally posted by gemsingifs

part of the reason this seems natural is because the show has portrayed its human characters as flawed, not as a faceless mass of “good people” who must be saved from the evil alien race. so it makes sense it would work the other way around too - everyone’s got their own stuff to deal with, and everyone makes (sometimes massive) mistakes. 

we’re expected to see both gems and humans as people. part of this is because of the human side of steven’s upbringing - the old crystal gems are used to meeting allies and enemies, steven is mostly used to meeting people, even if he (like everyone) has his own biases between them, or thinks some of them are “mean”.

despite some people’s consistent insistence that any jerk we’re introduced to is just a villain, that’s it, end of story, steven universe continues to challenge those assumptions. time and time again. that’s part of why it’s so vital (to me) that no one are just killed off or bubbled forever, because the show has laid the groundwork that every life is unique, and suffering is never a good thing. 

it can be a trade-off, like how we’re exploring rose’s shattering of pink diamond, and yknow, there WAS a war in the style of sci-fi/fantasy, but the show is critical of that solution. pink’s shattering did not, in fact, end the conflict - her death left countless gems leaderless, mourning and FAR from ‘liberated’ (in fact, many of them hate the crystal gems), and earth was still under the slow threat of the cluster… and how was that cluster solved again? not by force, but by talking to a hostile and vicious little green alien. then getting her help to reach the huge, suffering eldritch abomination in the center of the earth… which was also stopped by communication, not by force.

Originally posted by kathon

the human side of the show helps steven cope with gem life, make connections that are important to him, develop his character and fuel his desire to help.

i know some will insist these are unrelated, but i think without steven’s human side, he would really “just” be another crystal gem. an empathetic one, who is curious about people, but not on this level. not one who opposes the idea of not just shattering, but wants to find a way to connect with everyone (as he is like no one and everyone), and has the kind of boundless optimism where he refuses to accept that this is just “the way things are”, or that suffering is ever necessary. everything is always changing on earth, and because of that, steven wants to believe everything can always change. 

6

“I don’t get it. We have a life. You and I. We got out. And you want to go back to the cage?”

“No. I want to b r e a k the cage.”

Joyride #11 (Boom! Studios)

Ouat spoiler :

The Final Battle is the Charming family playing monopoly for the entire two episodes

Druid Week: Druids in the Game

As a DM:

Versatility:

Druids already have a huge part in most roles, so they don’t need much in terms of catering. A bard might need to feel more involved in a campaign, but a support druid can also provide utility, tankiness, damage… they can Wild Shape or cast a spell whenever they need anything! They are one of the most versatile classes in the entire game. If they need encouragement, give them a variety of challenges (as you should always be doing, really) to force them to take more creative problem-solving measures.

Environment:

Make unique landscapes and environments for the druid. You don’t have to do it every time, but every once in a while feel free to go overboard. Floating midair land masses, waterfalls that flow upward, geysers of acid, an insect hive the size of a city… just describe some beauty shot that can really tug at the druid’s magic-strings. They will be interested in the unique plants and animals and magic there, which can influence how you populate such a land. Not to mention the other players will love such a wondrous place, too.

Fauna:

One thing a lot of DMs forget is to give druids a place to excel. Druids fall flat inside an enclosed dungeon. Give them space out in the open; in the wild. Give the druid some non-magical beasts to interact with. DMs always forget that regular threats like lions, tigers, and bears exist and with a druid, these often turn into roleplaying encounters rather than combat ones. Speak with Animals, Animal Friendship, Beast Bond, Beast Sense, Animal Messenger, Dominate Beast, Locate Creature, and Commune with Nature can all interact with beasts in some way. Beasts are everywhere if the druid is looking for them.

Flora:

Another thing to keep in mind is plant life. I just did a whole two-part post about Herbalism as a more fleshed-out system for 5e. Part 1 is just a pipeline of dice tables to make up new herbs. The herb could play a minor role in a story or adventure, or it could simply be a useful tool that exists in your world. For instance, I once had some herbs with yellow flowers that would act as healing potions, but you could only eat them twice within 24 hours or you would get sick. Ever since then, the players could find those herbs elsewhere and have a unique source of HP instead of a boring old potion. Plus they have the a-ha moment of realizing they found something useful on their own instead of opening a chest and finding it there. Part 2 of the Herbalism Guide was more about how to use the herbs as potion ingredients, as medicine, and as spell components. If you want to go the extra mile or want ideas for what herbs could do, use it!

Mood:

Just like clerics, druids can have supernatural senses that can add to the mood of an adventure. Imagine if you were a druid PC and the DM says “The druid senses something off about this forest. It makes you feel sick.” or “This jungle is in agony. You empathize with its pain, which feels like insects stinging you all over your body, and you can almost hear the wails of the trees.” Druids could make an Insight check to try and feel how a beast is feeling in the same way. It singles out the druid, identifies the problem as environmental corruption, and enhances the mood. What more could a DM want.

As a Player:

Get the Most Out of the Game:

Ask your DM questions about the flora and fauna and traits of the setting. When you travel to a new area in-game, be sure to cast Commune with Nature and get a lay of the land. This can add to the experience and provide vital information on targets for Locate spells, herbalism, and beast-influencing spells. Don’t be afraid to ask your DM for strange things that might not exist in the standard rules like “Can my druid think of any herbs that could cure paralysis in this environment?” The DM might find that intriguing and make it a plot point (making things a bit easier on the DM and giving you a potential solution to your problems to boot).

Don’t be afraid to request unique creatures to Wild Shape into, even if they aren’t in the book! I don’t see jellyfish in the Monster Manual but if a player asked me for it, I would just turn them into a Poisonous Snake with no land speed and 10 ft. swim speed, but maybe increase the poison damage a tad. And heck, who says there aren’t Giant Jellyfish in the realm of D&D? Use a Giant Poisonous Snake for that! You could easily reskin monsters like that, especially for cosmetic reasons. In the tropics? Turn into a Giant Parrot instead of a Giant Eagle. In the tundra? Turn into a Snow Hare instead of a Badger to better hide in the snow. In the desert? Turn into a Coyote instead of a Wolf. There are so many animals in the world, there is no excuse for creativity on your end as a druid!

Wild Shape:

Optimize the usage of your Wild Shape. Pick the right animals for the right jobs!

  • Mobility/Scout: Giant Elk, Deer, Hyena, Horses, Flying Snake, Giant Owl, Giant Eagle, Giant Badger, Ape, Panther, Giant Toad, and Giant Crab all have either fast movement or unique movement (fly, swim, climb, burrow).
  • Tackle: Lion, Panther, Allosaurus, Giant Octopus, Crocodile, Giant Constrictor, Giant Toad, and Giant Crab can all knock enemies prone or restrain them.
  • Poison Damage: Poisonous Snake, Giant Scorpion, Giant Spider, and Female Steeder (OotA) all have poison that can deal damage to those not resistant.
  • Sustained Damage: Wolf, Giant Crocodile, Tiger, Giant Boar, Ape, and Dire Wolf all deal reliable damage and have adequate tank.
  • Tank: Warhorse, Black Bear, Giant Constrictor, Rhino, Ankylosaurus, Whale, Elephant, Hulking Crab, Triceratops, and Mammoth all have a bunch of HP and AC.
  • Spy: Mule, Horses, Cat, Frog, Crab, Snakes, and Spiders are great at hiding and some have blindsight! Crag Cat (SKT) has Nondetection as well!
  • Thumbs: APES HAVE THUMBS. Which means that they can manipulate things other animals can’t. Also: You can wield your weapons while in Wild Shape!

Other tips: use summoned minions or your allies to help flank enemies while in Wild Shape. Cast buffs before you Wild Shape, make sue they don’t require concentration if you want them to stack, otherwise you can at least concentrate on one thing while in Wild Shape. If you are in a long dungeon with little to no rest,  save Wild Shape for big fights when the tank is worn down or save it for utility when the other casters are low on spells. Also for grappler beasts knock the enemies down before you grapple. Then they can’t move and when they break grapple they can’t get back up as easily!

Spells:

Buffs: Druids are great for buff spells. Be sure to buff yourself before entering Wild Shape! ex: Enhance Ability, Faerie Fire, Longstrider, Barkskin, Stoneskin, Protection from Energy, Antilife Shell

Zoning: Druids have crowd control spells, but many of them control crowds through zoning. Take advantage of the fact that you are the largest influence on the surrounding environment. You get to change the battlefield to your advantage! These are big, flashy spells that make the druid fun. Use them to put obstacles in front of creatures to slow their advances, make it harder for creatures to dodge, provide cover for your party, or force enemies into a trap. “Oh there’s a Wall of Fire there I better go around it” [gets bottlenecked by ranged PCs instead of taking fire damage] ex: Wind Wall, Wall of Fire, Entangle, Plant Growth, Spike Growth, Flame Sphere, Sleet Storm, Insect Plague, Wall of Stone, Wall of Thorns, Bones of the Earth (such a cool spell)

Minions: In D&D 5e, most ACs are nearly the same thanks to Bounded Accuracy. So more attack rolls equals more damage. Minions help with this, and druids can get plenty using Conjure Elementals, Conjure Fey, Conjure Woodland Beings, and Conjure Animals! Not to mention spells like Awaken and Dominate Beast to get more allies.

Healing: Druids are good at healing. Note that Healing Word is a bonus action and has range, unlike Cure Wounds. Druids also get the Restoration spells and Reincarnate, which is less powerful than Resurrection and such, but hey it’s something!

Damage: Druids can output damage, mostly through their zoning spells, but also with some neat single-target spells. Note that Moonbeam and Blight are rare sources of Radiant and Necrotic damage, respectively.

Utility: Druids have utility. Various divination spells can break the game if you are clever. Several spells help you get where you want to go or get rid of enemy spells. Use them liberally unless you have a Wizard to lighten the necessity for utility spells. ex: Speak with Plants/Animals, Water Breathing, Animal Messenger, Pass Without Trace, Find Traps, Locate Object/Animals/Plants, Gust of Wind, Detect Poison/Disease, Detect Magic, Dispel Magic, Meld into Stone, Scrying, Tree Stride, Commune with Nature

4

You know what I love about season four Sterek? Despite the fact that we didn’t get many scenes of them together, we still got to see more of how much Stiles cared for Derek.

First, Stiles refusing to leave even though the pack suggested it, but he wanted to stay back to find Derek regardless and even said that they could go, he just couldn’t think to leave without Derek.

Second, the look of worry that immediately flashes across Stiles’ features when he sees Derek’s name in the deadpool.

Third, how relieved Stiles was when Derek and himself weren’t eaten alive by Liam. (In the scene, he also places his hand on Derek’s arm and sort of strokes or squeezes at some point.)

Fourth, we all already know this one. Still a beautiful scene.

We were already aware that Stiles truly did care about Derek, but this season sealed that and even made it clear that Derek matters to Stiles more than we understood before.

Since white people never understand simple statements unless people of color repeat them ten times, let me say this again: racism is taught. Racism is not a belief pre-determined by biology, neuroanatomy, genetics, or anything else. Racism is how white supremacy manifests. White supremacy is the reason that white people are taught to be racist since childhood, and white supremacy is the reason everyone, including people of color, grow up embedded in a racist environment. White entitlement is maintained by the mechanisms of white supremacy. It propagates through imperialism, modern slavery, police brutality and other forms of state violence, incarceration, and even education. There is no excuse or explanation for racism other than white supremacy - no, working-class white people aren’t racist because of capitalism wreaking havoc on their lives; white women aren’t racist because of patriarchy; white LGBT people aren’t racist because of heternormativity; white disabled and neurodivergent people aren’t racist because of ableism. 

That white supremacist groups are able to appeal to all these classes of white people who are marginalized on some axis is proof of white supremacy - even though these specific groups of white people may face some type of marginalization and even violence, they still align with their race because it affords them a facade of power. And look, this has been the case for hundreds of years. Poor Irish immigrants in the south (USA), who were quite literally seen as the dregs of Southern society, were not only still regarded better than black people, but they themselves celebrated that at least they weren’t grouped with black people. Unions and labor organizations routinely discriminated against black people, against East Asian immigrants, and against Jewish people - in fact, many of them were created to combat the onset of immigrant labor. Plenty of white feminist and white LGBT activists contribute their time to racist and imperialist causes and organizations to “empower” themselves. Similarly, if you’re going to tell me that I should excuse racist white neurodivergent people because “they don’t have the same handle on objective reality and are susceptible to being racist because of that”, not only are you inadvertently exposing your own ableism, but you’re also telling me that neurodivergent people of color don’t matter and that people of color should be “fine” with violence if it’s coming from a white neurodivergent person. 

White neurodivergent people are not racist because of their home circumstances or neurochemical imbalances or developmental dysfunctions or symptoms of mental illness. They are racist because even they are socialized to be racist. White supremacy affords power to even the most marginalized white people because even the most marginalized white people will still gain the benefits of white socialization and will still be regarded as superior to all people of color. Moreover, neurodivergent people of color who may also struggle with cognitive functions and perceptions of objective reality aren’t enacting racist violence. So to say that racism is symptomatic of mental illness is meaningless. 

thefoxninja17  asked:

As a Christian, how have you responded to the people who try to disprove and denounce your faith with science and evolution?

Calmly.

I don’t agree with the belief that science and faith cannot coexist. Yes, many of the greatest minds in history never practiced religion, however, just as many of the greatest minds did. These minds did not believe their faith contradicted what they studied from the world around them, and these individuals have greatly impacted the way we study the world. Max Planck? Issac Newton? Lord Kelvin? The very men we name units of measurement after? They believed in God. In fact, many of them became stronger believers the MORE science marched forwards.

“In the last few years astronomy has come together so that we’re now able to tell a coherent story of how the universe began. This story does not contradict God, but instead enlarges [the idea of] God.”

Joel Primack, co-developer of the cold dark matter theory

However, I also believe that denying science is just as narrow-minded and arrogant as denouncing religion as intellectually stagnant. I believe that is completely disrespectful towards those individuals who have dedicated their lives towards the noble goal of understanding the world around us. Yes, some scientists are arrogant and dishonest, but every group has some of those kinds of people so let’s not paint in broad strokes. Scientists put a lot of work into what they do; show them some appreciation.

Some Awesome Female Avant-Garde Artists

Now I have always been a very big fan of unconventional art movements. Not only do I appreciate how those art movements have influenced what we see today, but the history that prompted them is rather revolutionary. Today, I want to appreciate the women who aren’t as well-known as the great Frida Kahlo. This post is more focused in the late 1910’s, to the 1930’s period. It is to honour some of the out-of-the-box women that I admire so much, from all sorts of movements. Here we go!

Helen Lundeberg (1908–1999)

Not just a formally taught and talented artist, but Lundeberg was actually one of the founders of what would be known as the Post-Surrealism art movement, later leaning to abstraction in the 1950’s. She was not only talented, but extremely intelligent, earning a place at Stanford University for “brilliant children.” Now while I said I would focus on the lesser-known artists, Lundeberg is a rather more famous one. However she is a tough one to leave out. She was especially famous during the 1930’s. She was in charge to create multiple murals, and her exhibitions (including her early solo exhibits) were very successful. It’s interesting to see her works evolve during her life, yet remain distinctly recognizable as hers.

Above: Portrait of Inez, 1933, by Helen Lundeberg (1908–1999).

Sophie Taeuber-Arp (1889-1943)

Certainly a woman ahead of her time, Sophie Taeuber-Arp’s artwork as a painter, sculptor, textile designer, furniture, interior designer, architect and dancer all scream “modern woman.” She studied different art forms, primarily textile art, formally in some areas. She was quite heavy in the Dada scene, yet her Constructivist works are probably her most recognizable. Her use of colours of her geometric forms are what draw the eye. Taeuber-Arp’s talent and hard work earned her a position teaching weaving and other textile arts at the Zürich Kunstgewerbeschule (Zürich University of the Arts). She was a woman that appreciated art in all its forms, and many appreciated the way she presented them. In fact, her flexibility and talent is appreciated today, as she is, in fact, the only woman on the current series of Swiss banknotes in Switzerland.

Above: Oval Composition with Abstract Motifs, 1922, by Sophie Taeuber-Arp (1889-1943).

Marguerite Zorach (1887-1968)

Another intelligent artistic lady on the list, Marguerite Zorach became interested in art at a very young age. She, luckily, was blessed with very supportive parents that encouraged her to study everything related with liberal arts. People generally don’t get as unconventional as Zorach really was. Influenced by friends such as Picasso and Matisse, she is naturally recognized for her Fauvist work. Even her husband commented “I just couldn’t understand why such a nice girl would paint such wild pictures.” It may sound like he didn’t approve, but her husband (William Zorach) loved the way she stood out from a crowd. While she settled her “wild” painting side and became more focused on her family, she was titled president to the New York Society of Women Artists. Throughout her life Zorach experimented in all kinds of art media - even making clothes. You can certainly tell the different influences and evolution of her works. Because of this she received mixed criticism throughout her artistic years, yet her works are remembered today.

Above: Death of a Miner, 1930, by Marguerite Zorach (1887-1968).

Pan Yuliang (1899-1977)

Truly a woman to differ from the mainstream (and possibly my favourite on this list). Pan Yuliang is considered China’s “first woman in the country to paint in the Western style.” Unlike many of the woman included in this list, Yuliang did not come from a family of prominence. Just at the age of 14, she was sold by her uncle to a brothel and forced into prostitution. In an amazing turn of events, however, she was noticed by a kind wealthy man who brought her freedom. Becoming his second wife and adopting his last name, he sponsored her education and allowed her artistic abilities to flourish. Because of her talent, fast learning, and hard work, she was accepted in not only the Shanghai Art School, but also numerous schools in Europe. This even included Italy’s Roman Royal Art Academy. Pan Yuliang wasn’t particularly loved by all in China, however. Her works caused some outrage in her home country, and she eventually settled in France, where her paintings were more appreciated.

Above: Detail of Self-portrait, 1936, by Pan Yuliang (1899-1977).

Aleksandra Ekster (1882-1949)

Another abstract woman to appreciate, Russian painter Aleksandra Ekster uniquely used her skills for design purposes. Because of her extraordinary designs, she was required to work in numerous fabulous cities, from places in her home country of Russia, to the romantic Paris, France. Thanks to her prominent and wealthy family, Ekster was free to study art formally, later graduating from Kiev Art School. Her life was the ultimate art fantasy, as she organised meetings at her studio for Russia’s “intellectual elite.” This included artists, writers, and poets. While she never stuck with just one movement, but varied in many revolutionary avant-garde art movements of her time, her style is completely unique and consistent. She is known distinctly for her fashion designs, which were not only completely wearable, but also very memorable.

Above: Costume design for Romeo and Juliette, 1921, by Aleksandra Ekster (1882-1949).

The fact that like…basically every single one of the lesbians (and a solid amount of the other queer folks, esp girls) that watch skam believe that vilde is a lesbian proves so much about her. The amount of lesbian girls who can relate to her, who see themselves in her and even the other wlw who see the bits of themselves that like girls reflected in vilde is so indicative of how many characteristics and habits she shares with them. The fact that her compulsive heterosexuality and dissatisfaction with boys and overcompensation and much more is so obvious and so relatable to so many lesbians goes to show not only how much the world needs more lesbian characters, but also how much of a lesbian vilde is. And the fact that her obvious admiration of Eva and her fixation on Noora possibly being queer and her thoughts on Isak and Eskild are so commonly talked about by the many other wlw in this community (and even mlm) is another indicator of how gay she is. Just the sheer amounts of queer folks who see themselves in Vilde should be proof enough that she’s a lesbian, and even if she isn’t, it’s proof that she should be.

*holding a frightened and confused zookeeper at gunpoint and screaming at them* alright motherfucker start talking, HOW MANY FUCKING TAPIR FACTS DO YOU KNOW!?!? HOW MANY FUN AND EDUCATIONAL FACTS ABOUT TAPIRS DO YOU KNOW BITCH TELL ME ALL THE FUCKING TAPIR FACTS!!!

Little Monster part 2

MASTERLIST

Pairing: Professor!Steve Rogers x reader

Warnings: A couple bad words?

Word count: 1.773

Summary: First class, first time meeting with professor Rogers. An old friend returns and raises some questions.

A/N: Some of you asked for more insight on how Steve looks at things… Well lucky you!

Part 1

Keep reading

anonymous asked:

Hey, I'd recommend not using the term "a-spec" in relation to ace/aros. A-spec is a term inherently used with the autistic community and they're rather upset and offended by this adoption by a community that has no legitimate claim to it, it's rather crass in all honesty. Hope you take this into consideration.

@tara-hates-maps @autismserenity

…..Many autistic people have said that it did not come from them, and in fact, it came from the automotive industry, so if anyone were to be mad, it would be them. “On the spectrum” is autistic language. “A-spec” is for aces and aros. Funny enough, someone searched the tag, and the only use of “a-spec” someone could find for autism was about a month ago. While ace people have been using it for…years. 5ish. 

Short answer: How many other people did you send this to? No.