man i don't know i just really love this scene okay

anonymous asked:

Hello there! I really enjoy reading your headcanons! They're very well done! I was wondering if you would be willing to do the RFA + Saeran and how you think they would react to the MC getting hit on by a very pushy man/men like in a club or something. Like MC tells them kindly that she's not interested and that she's taken but they don't leave her alone and that's when MM boy comes in. You don't have to do this if you don't want to or aren't comfortable with it though, so no worries!

thank you so much! i’m very happy you like them -u- i hope you also enjoy what i’ve written for your request~

-Admin Ace in Space


  • no
  • no no no
  • okay this boy is such a sweetheart and such a darling but there are certain things he absolutely cannot deal with
  • and that gross, pushy man trying to get you to go out with him is one of them
  • how does that guy not notice how uncomfortable you are???
  • so Yoosung takes a deep breath and puffs up and comes up next to you
  • wraps his arm around you and gives the guy a terrifying glare
  • which is especially terrifying because it’s so unexpected from this cutie patootie
  • he really wants to fight that guy but also doesn’t want to cause a scene so he just walks away with you
  • fingers digging into your side because he’s so upset
  • once you’re away from the creep he hugs you tightly and kisses you
  • won’t let go of you for the rest of the night but what if MC needs to pee


  • men are wolves
  • and that dude trying to get you to dance with him is the worst kind
  • Zen is pissed
  • you keep repeating that you have a boyfriend and that he works out every day but Creepy McCreeperson is not. getting. it.
  • he tries to grab your hand and regrets it about 0.0005 seconds later
  • because Zen punches him
  • actually punches him
  • and then turns to you and gently takes your hand, kissing it before leading you away
  • holds your hand super tight and complains about the guy very loudly
  • “who does he think he is to be hitting on my angel?”
  • “I told you MC, men are wolves”
  • doesn’t make it sound like it’s your fault tho, instead comforts you bcs creepy men are scary
  • he’s kind of riled up but won’t release the beast unless you initiate it


  • her reaction depends on the specific situation
  • if the guy just won’t shut up but doesn’t do anything physical, she casually walks up to you two
  • “oh hi, are you MC’s friend? I’m their girlfriend”
  • she’s all smiles but it’s actually kind of scary
  • and she just keeps talking and walks away with you at the same time
  • but if the guy tries to touch you or grab you
  • u kno he ded
  • Baehee knows judo
  • and then he’s either on the floor or leaving in pain and embarrassment
  • and, like a magical knight in shining armor, Jaehee holds out her hand for you to take
  • and you two ride off into the sunset


  • this creepy dude clearly wants Jumin Han to hate him
  • because hitting on MC is the way to do that
  • he’s possessive, but he’s mainly angry because you’re so uncomfortable
  • and he never, ever wants the love of his life to be uncomfortable
  • so he walks up behind you, puts his hand on your back, and just leads you away in the middle of the guy’s sentence
  • doesn’t even acknowledge that creep’s existence
  • he’s usually very quick to rush to your side when something like this happens but if it escalates before he can swoop in, he sends his bodyguards instead
  • and holds your hand as they escort the creep out
  • then does what he can to comfort you and cheer you up again
  • offers to sue the dude
  • you say yes


  • when he sees a random guy hit on you, at first he doesn’t know what to do
  • because BOOM insecurities hit him hard
  • what if that guy is actually better for you??? my babe no
  • but once he notices you trying to get the guy to leave by constantly mentioning that you have a boyfriend
  • he is a) so so happy bcs YAY MC LOVES ME and b) annoyed bcs that dude still doesn’t get the damn hint
  • so he does what he does best
  • runs up to you and kisses you hard
  • drags you away whilst still kissing you
  • you actually have to remind him that air is a thing you need bcs he gets so lost in the kiss
  • like Yoosung, he’s super clingy afterwards
  • never wants to let you go ever
  • he also hacks the dude’s phone and bank account bcs why the hell not


  • he really hates violence and confrontation
  • just wants a peaceful life let the man be happy dammit
  • and so when he notices that someone’s hitting on you, he’s a little bit unsure of what to do
  • but once it becomes clear that you are really, really not happy with the situation
  • soft boi is right there for you
  • “excuse me, but MC is too wonderful for someone like you to be talking to them”
  • BURN
  • his voice is still so calm and soothing and soft tho???
  • and the creep is really confused bcs he’s offended but the atmosphere is so relaxed???
  • and V really doesn’t make a big deal out of it, he simply leaves with you, pressing kisses to the top of your head
  • actually asks you what you want him to do in situations like this because he wants to help you as much as he can


  • what’s there to say?
  • as soon as someone is making you feel upset or uncomfortable or a negative emotion in any way
  • Saeran Wrap is there to wreck their shit
  • makes sure none of them get away with it
  • will only stop if you ask him to
  • if he’s not allowed to fight all the creeps, then he’ll pull out his signature death glare
  • might threaten them too
  • afterwards he keeps looking you up and down as if to check if you’ve broken something
  • he’s just so so worried that someone might hurt you, physically and mentally
  • he’s kind of awkward about it but eventually hugs you tightly and promises to protect you
  • he also shows more of his soft side, especially if you’ve just seen him kick a dude in the nuts
  • because whilst he wants to protect you, he also doesn’t want to scare you with his own violence

“Is Bruce in here?” Tim figured he might be— Bruce spent a lot of time in the children’s wing of Wayne Enterprises. There were a dozen or so kids in daycare most weekdays, and Bruce liked to hang out.

Tim liked to hang out too. They had nice snacks, and he’d known most of the kids since they were toddlers. And sometimes naps were mandatory.

“Conference call,” Damian told him. (For someone who claimed to hate naps, snackfood, kids, and humanity in general, Damian also spent a lot of time in the children’s wing.) “I don’t know where.” 

He went back to what he was doing, which was arranging a set of pewter soldiers into a complex model of a battlefield, presumably for the benefit of the preschooler sitting next to him. 

“What’s this?”

“The Battle of Issus, 333 BC.”

“Right, obviously.” Tim decided he was curious, so he settled down on the mats to watch.  Damian finished his model; he pulled a marker from the art table and used it as a pointer. 

“Okay. This is the Macedonian army, outnumbered but in the better tactical position, south of the Pinarus River. Their leader is Alexander the Great. And this—” He pointed to his enemy line. “—is the Achaemenid Empire. They’re about to lose.”

Damian tapped his marker on the Macedonian right. “This is the companion calvary, Alexander’s elite force, and they—” he cut off when he noticed his pupil digging in the toy bin, clearly distracted. The kid came up with a battered Transformer, which he set behind Damian’s lines. 

“Elliot. Alexander did not have robots.”

“But,” said Tim, rummaging through the box himself, “did he have wizards?” He pulled a bearded magician out of the tub and held it up for Damian to see. 

“You know he didn’t.”

Tim passed the wizard to Elliot. “But what if he did?”


“How would that go?”


“Abracadabra, Alexander!” Elliot yelled, gleefully smashing through Damian’s entire left flank.

“Damn it, Drake.” Damian sighed in frustration— not quite the rise Tim was hoping for, but still something. He dropped Elliot’s discarded robot back into the box.

“I don’t know what you were expecting,” Tim told him. “Elliot’s four. He’s too young for— what is this— military history?”

“He was doing fine before you showed up.” Damian started to re-erect his soldiers, but he gave it up after Elliot came in for a second pass. “Which is typical, isn’t it?”

“Good one.”

“Thank you.” Damian crossed his arms. “Fine. I’ll bite. When is he supposed to learn this kind of thing?”

“High school? Maybe never.”

“That can’t be right.”

“Have I ever lied to you?”

“Frequently.” Damian rolled his eyes. “I’m getting a second opinion.”

“I’ll wait.”

Damian checked the room for potential allies. “Thomas?” he called over his shoulder, “You learned military strategy as a kid, right?”

Duke looked up from the book he was reading to a pair of kindergardeners. “Just you, man.”

“Told you.” Tim fished a bag of plastic ninja from the toy box and arranged them pointedly into a row. “How are you still surprised by this kind of thing?”

Damian glared at him. “Okay, first of all? I’m not a— hold on a second. Elliot!”

Elliot froze with a large, plastic dinosaur held aloft over the battlefield. He drew it sheepishly back to his chest. “Sorry.”

“Not in the calvary wing,” Damian told him. “You’ll scare the horses.”

“Here?” Elliot pointed to the front of the phalanx.



“Aim for his center.” Damian turned back to Tim. “Anyway. Why are you still talking to me? I thought we had an agreement about unnecessary contact.”

Keep reading

Matthew Daddario Quotes
  • "We call our shoes ‘sneakers,’ right? But they're not really sneaking."
  • "Can't wait till they invent phones with keyboards."
  • "I don't know this guy. He came to hang out so I complimented his hair."
  • "How many artichokes can you eat in one sitting?"
  • "No, go back to my idea!"
  • "Maybe, they'll throw the books out. Just not follow the books anymore."
  • "Hey guys did everyone floss today? You gotta floss every day. Otherwise, your dentist makes you feel bad."
  • "I play piano but I won't call it a talent."
  • "I'm the funniest person in the cast and that's simply because everybody else is so painfully unfunny."
  • "There is literally no memory left in my phone. I took fourteen thousand blue sky photos and I need all of them."
  • "Send him photos of fried chicken and crab cakes."
  • "I have a dentist appt tomorrow. I'm not gonna brush my teeth tonight. Also not going to shower. This is going to be painful for everyone."
  • "You are not trash, you are lovely!"
  • "Don't sign contracts in your blood. It's usually not required by any reputable party."
  • "He's slippin' out his little tongue eating snail treats off the ground."
  • "I will eat anywhere in the house. I'll eat cheese crackers in bed!"
  • "He looks down and sees this wonderful man. He hops down there and smooches that man right on the face. Right in front of everyone."
  • "'s not fair that he is more handsome than me!!!"
  • "Don't do the hokey pokey around witches."
  • "They're never gonna release the deleted scenes to you guys because they're racy and inappropriate."
  • "This video is going on social media!"
  • "I'm ashamed to admit I lied about the selfies. The phone is 98% cow pictures and I can't delete them. I need a new phone. Forgive me."
  • "Thank god I started sandpapering my feet when I was four."
  • "Is Alec appreciating at an increased rate because of an increase in demand? Or is it the same rate as before."
  • "Note, some alpaca do not appreciate head pats."
  • "If humans lived in barns, we'd be smelly, too."
  • "Had to delete all my cow photos to make room for selfies, so I will say 'I appreciate you, cows.'"
  • "Wow. It's spelled Gollum. Wow. So disappointed. Hiding my own cell phone for the next two weeks."
  • "You're a little kitty cat. Yummy, yummy, yummy, yummy kitty cat, kitty cat."
  • "Sometimes when I travel between dimensions, I think, man, I should really buy a sailboat."
  • "If I was running for President, my VP would be a well trained golden retriever."
  • "Who's not going to watch Hamlet in space? I mean, Space Hamlet!"
  • "I just think we should all acknowledge what is awesome about Harry!"
  • "I like eating food after dark."
  • "Generally, people avoid kissing their sister in a healthy life."
  • "If you don't like my zebra leggings, it's because you just don't understand zebra leggings."
  • "I think we should provide more showers for cows."
  • "If I'm having a bad day, I eat pizza."
  • "I hope Google uses the same algorithm to encrypt my email as my pocket does to tie knots with my headphones."
  • "I would own a farm. Not like growing crops but maybe have a few animals like cows, and maybe an alpaca or a llama. I would chop wood all day."
  • "Dog. #dog. Dog. Dog."
  • "Had fun tweeting with/at you guys. Phone is about to die. Gonna go get more double-A batteries."
  • "The jackhammer has been joined by his friend, the concrete saw. Rare that you get two music legends right outside your window like this."
  • "Interdimensional cat smuggling is severely punished. But you can make a killing on the black cat market."
  • "You should just give up on me like I did. So done with me right now I can't even."
  • "What am I fan of? No one's ever asked me this before! Oh man."
  • "I don't know why they say that. I think they're poking fun at me."
  • "Congrats. You deserve that sailboat."
  • "I don't know. I don't have any pet peeve. Yapping little dogs, I guess. Buttons that don't go up right."
  • "Donkeys look like rabbit horses."
  • "Everyone is all, 'follow your heart.' If that worked I'd be watching Shadowhunters in my spaceship."
  • "Am I making this up?"
  • "I don't condone it, but I understand it, and therefore, I will not pass judgment on it."
  • "I can eat a pound of pork rinds."
  • "I am your bird king!"
  • "Baby pigs or baby cows? They're both good options."
  • "I have deleted a single photo from my phone. I have room for one selfie. Living on the edge. If it happens, no second chances."
  • "She gets it at a Shadowhunter tailor where we get all our stuff. Are you serious?"
  • "My cell phone is not the most important thing in my life. It just feels that way."
  • "Kill her immediately. Problem solved."
  • "You're not me? Most people aren't, in my experience."
  • "Man I've spent a whole year talking about sailboats and I could have just jumped on this SHIP."
  • "Reminder not to cite 'game of thrones' as my motivation for getting into politics."
  • "To all the people who threaten to punch me in the face... Do I have to be concerned or is that a love thing?"
  • "Put this on?! Fit it on my body?!"
  • "I’m going to shave today. Nobody will recognize me and I’ll have to reintroduce myself to all my friends."
  • "Don't get me started on this question."
  • "Okay, quick question. What does it mean when someone says they are your 'trash?' Asking for a friend..."
  • "Wait, 'SexyBack' is by Justin Timberlake?"
  • "Everyone's smooching everyone and Alec just wants to do his job. That's why he's the best and deserves a big smooch."
Fall For You (M) | 02

gif ©

Summary: You hate a lot of things about Jeon Jungkook; you hate his arrogance, his reputation, and his pet name for you to name a few. But most of all, you hate how right it feels for you to fall into his arms, and how easy it is to fall for him.
Word Count: 10,272
Genre: fuckboy!Jungkook, college au, hate to lust to-

Part 01. Part 03 + Drabbles

It wasn’t over.

After your night with Jungkook he was on your mind more than ever. You didn’t go to any parties in the following days, but you couldn’t help but think of him during the evening, of if he was drinking to get drunk or to maintain appearances as he brought another girl to his bed. The idea of him, wrapped around a random girl, his tongue shoved down her throat, didn’t bother you.

No, what angered you was how he continued to consume your thoughts, even though you hated him more than you’d ever hated anyone else.

It wasn’t fair.

Keep reading

anonymous asked:

I know you ship wolfstar and remadora but remadora is so unhealthy? I don't get why you ship it

The thing is, I don’t really see it’s unhealthy? I mean, I understand the argument against Remadora…to a point. 

The main arguments against Remadora are that : 

  • It came out of nowhere
  • It’s toxic because Tonks/The Order (primarily Molly) pressured Remus into a relationship that he had legitimate concerns about 

A lot of Remus and Tonks’ relationship happens behind the scenes. The books (I’m going to ignore the films because of how horribly they treated Remus and Tonks’ characters and relationships) are through Harry’s eyes. He doesn’t even see Remus and Tonks that much, so he’s not going to notice a lot about them. Also, Remus and Harry aren’t all that close, so it’s not like Harry is going to sit down with Remus and go “so you and Tonks, eh?”  Now, I like Harry, but that kid is one of the blindest teenage boys I’ve ever read in a book series. It took him five books to realize Ginny always had a crush on him (and even then Hermione had to break it down for him) and seven books to realize that Hermione and Ron were destined to be together. So him not noticing Remus and Tonks sending love-eyes at one another in the background is obviously not going to make readers notice it. 

But in those moments where Harry isn’t paying attention to anything other than Voldemort, Cho Chang and Draco Malfoy, I imagine Remus and Tonks spent quite a lot of time together. The Order was recalled in July and, according to Pottermore, Tonks confessed her feelings to Remus that following spring… So I think that’s ample time to fall in love with someone. Stake-outs, hours spent in Number 12. Tonks probably spent most of her free time at Grimmauld - it’s sort of hard to keep hanging out with other friends and such when you’re apart of a secret rebellion, ya know?

And as for it being an unhealthy relationship… Well. People cite the hospital scene as the big toxic moment in the series…  They’ve probably had that conversation time and time again, and that particular moment - the hospital scene - is quite a tense moment for the pair. Dumbledore has just been killed. Without Dumbledore, what the hell is the Order going to do? Dumbledore was the rock of the Order; if everything went to shit, it’d be okay because they still had Albus Dumbledore. And now he’s gone. And yet, Fleur Delacour is still thinking about a wedding. So, yeah, Tonks may have made a mistake bringing it up in front of everyone, but characters make mistake and given how high the levels of tension were already, have a small breakdown isn’t completely unreasonable. P L U S (can  you tell i have a lot of opinions about this shit) Tonks has been depressed for the last year because a) her boyfriend is trying to get himself killed b) her cousin who she was just getting to know was just murdered c) bellatrix fucking lestrange wants her dead and d) SHE’S LITERALLY ON THE FRONT LINE OF A FUCKING WAR LET A BRO BE STRESSED OUT WITHOUT CALLING HER PATHETIC AIGHT

Plus, Remus isn’t an idiot. Remus is one of the most stubborn characters in that books; he’s never given in the wolf, into depression, into the shit that the Wizarding World has thrown at him. Do you really think he’d marry a girl that he didn’t want to marry just because Molly Weasley told him to? Because Tonks was upset? I think that’s a massive discredit to his character. 

TLDR; remus and tonks are one of the most realistic couples in the potter series because their relationship goes through such an arc and that’s how life works not every couple is peaches and ice cream you have problems especially when you’re fighting on the front lines of a war and yeah they have problems but they talk them through because they’re adults and that’s what you do when you care about someone in a relationship 

thresbian  asked:

hey mom! i know you have a lot of prompts so you don't even need to respond but i was wondering if you would include a badass black lesbian in a fic? like maybe an 18 year old girl that is recruited for the DEO and meets Alex and then Alex and Maggie become her mentors or something. i don't really see myself represented like anywhere so it would mean a lot! but honestly you don't have to.

Okay so first off, the two main characters in my novel are badass black lesbians, so if and when that gets published – life goals, I’m in the process of sending it out to agents… – I’m just saying….

Maggie notices her first.

She always seems to be on the edge of this week’s crime scenes, always seems to be there just before the NCPD Science Division rolls up. She notices, and she takes note.

But she doesn’t say anything, not yet. Not until one of the other guys on the team notices, and that’s when Maggie jumps into action.

Because when he notices, he assumes she’s had something to do with the spate of Cadmus attacks. Of course he assumes: the girl has gorgeous, natural hair, and perfect, dark brown skin under her denim jacket, her tall black boots. Of course he assumes she has something to do with the attacks.

Maggie grits her teeth, and Maggie tells him in no uncertain terms what she will do to him if he finishes the sentence accusing a young girl of being involved in brutal attacks just because she’s Black.

Because Maggie knows – she just knows, knows from the way this girl’s eyes flit carefully over the smoking streets, knows from the way the girl shields the eyes of a passing littler kid from seeing the bodies strewn on the street, knows from the way the girl watches the cops, counts the cars and notes their deployment, not for plotting, but for her protection – that the girl has nothing to do with the attacks.

“Hey kid,” Maggie calls, keeping her voice the way it sounds when she’s off duty as best as she can.

The girl stiffens and her legs twitch like she wants to bolt. Maggie holds up her hands in surrender. “Hey, it’s okay. My name’s Maggie.”

But the girl is staring at her badge.

“Yeah, I’m NCPD. But that’s not why I’m talking to you. I keep seeing you around this week. Always around the Cadmus attacks.” The girl says nothing, but she watches Maggie closely, and Maggie keeps her hands raised. Keeps her hands far away from her gun.

“They hurt someone you love, didn’t they? That why you keep coming around? Investigate yourself because who the hell can trust the cops to care, right?”

The girl narrows her eyes and Maggie smiles. “I’m off shift soon as I sign some paperwork – why don’t I take you to lunch and we can exchange what we know, see if we make any progress together?”

The girl looks for a moment like she might run, but maybe it’s something in Maggie’s eyes, or maybe it’s the way her hands are still raised in surrender, but the girl nods, and Maggie grins softly. “Wait right here.”

She doesn’t share any classified intel, but she gives what she can and she learns a lot. The girl’s best friend had disappeared in the Cadmus attack on the bus station last week, and she’d uncovered quite a few strands of evidence that Maggie’s colleagues had failed to turn up.

But that’s not all that Maggie learns. She learns that the girl’s name is Yve, that she’s eighteen. That she’s graduating high school in a few weeks, that she wants to be a bioengineer more than anything. That she’s got a quick sense of humor, and that she’s got a raging crush on one of the girls in her class. That she wants more than anything to put her skills to use to put down Cadmus, but she doesn’t want to be a cop, and she doesn’t know where else to try.

“Detective,” Yve interrupts herself halfway through the milkshake Maggie insisted on buying her. Her body is stiff, suddenly, and her eyes are fixed keenly on something over Maggie’s shoulder. “Get down.”

She says it calm and she says it low, and Maggie ducks just in time.

A laser that looks and sounds disturbingly like the one Cyberborg Superman shot her with explodes the old juke box behind their booth, and Maggie reaches under the table to grab Yve’s hands.

“You good?”

Yve nods. “You stay down here, you understand me? No heroics.”

Screams and the sounds of people running out fill the diner, and more shots land just above the table.

She shoots a text off to Alex – ping my phone NOW – and draws her gun.

“Stay put,” she whispers to Yve again, harshly, and she kneels back up on the booth, in an instant finding her targets and firing.

She hits one Cadmus lackey, and he hesitates but doesn’t fall. She fires again, again, again, ducks to reload, jumps over the booth and slams her elbow into the side of man’s head who thought he could surprise her from behind.

He curses and he sneers, and she gets two shots off, and they’re ineffective and she does the only thing she can – she keeps shooting, both her guns out, shooting one across the diner and one right in front of her, backing away from the booth she was just buying a kid a milkshake in, drawing Cadmus fire away from Yve.

The backs of her knees slam into a wall in a moment, and finally the Cadmus soldier at the far end of the restaurant can’t take any more bullets, and he falls.

The one right in front of her, though, with the pale skin and the blonde hair and the sneer? He’s closing his hands around her throat.

And then he’s collapsing and Maggie is gasping for breath and she’s looking across the room at her girlfriend, weapon drawn but eyebrows raised. She didn’t fire a shot. She hadn’t had to.

Because Yve is standing over the man who’d been hurting Maggie, her jaw set and her knuckles tight around a frying pan.

Maggie gapes at her, and she shrugs with a grin. “I work out. You okay?”

Maggie accepts Alex’s embrace as she rubs her own neck and tilts her head. “Hey Yve. Remember what you were saying about wanting to fight Cadmus, do the whole saving the world thing?” She glances at Alex, and she smiles.

“Let’s clean up and finish that lunch. My girlfriend and I can tell you all about a little organization called the DEO.”

“The hell is this place, Detective?”

It’s a week later and Maggie’s done her arguing with J’onn, and J’onn’s done his begrudging admiration of Alex’s girl’s judgment, and J’onn’s granted the necessary clearances.

“Told you it was like a James Bond spy hideout,” Maggie nudges Yve in the shoulder, and Alex snorts and beams at her girlfriend openly.

“Welcome to the DEO,” Alex spreads her hands back, spinning around as she walks the corridor as agents nod at Yve formally, respectfully.

“You’ll spend the next five months in training, twelve hours a day. Physical, mental, you name it. And on the side, you can work with me and with Agent Schott – and Detective Sawyer – to come up with a way to find your friend. And we will find him, Yve.”

Yve’s eyes are wide and her full lips are open and she’s staring all around. “Twelve hours a day, and work on the side?” She grins and flips up the collar of her denim jacket. “I can do that. But uh – what’s the training?”

“To see when you can beat me,” Alex deadpans, and J’onn catches Maggie’s eye behind Yve’s back and grins.

“Alright, Agent Danvers. Beat you? I took out that Cadmus ass with a flipping frying pan from a diner kitchen.”

“Yeah, after I loaded him through with bullets!”

“Still, Detective. Beating your girlfriend? Sorry, but uh… I’ll get there. When do we start?”

Alex grins and leads her to the green room.

“Right now.”

anonymous asked:

Okay, I REALLY need some positivity after that episode. We didn't get any Fitzsimmons fitzsimmonsing, I don't even think they talked to each other... And what in the world was that ending??? How are we supposed to wait a whole year to figure out? I'm also scared for what season 5 will be like... What if they mess it up? Ugh. This does not look good. I'm losing all hope and faith in this show. Any positivity would be great! Thanks!!!

Originally posted by destinysblogthing

Okay Anon, let me see what I can do here for you.  

Was that the ending we wanted or even that they built up to all season when is comes to Fitzsimmons.  To many in the fandom it wasn’t enough, but to the writers it was.   “Their’s is a forever love” and “They will only ever love each other” was the pay off they were building up too.  I think they underestimated the toll that the Framework Arc and lack of time together all season was going to take on the fandom.

That scene in the pod is so profound and so epic that it shall live in infamy as one of the best scenes of the series…and no words were even spoken.  Simple touches enough to convey a thousand words.  

Originally posted by bridget-malfoy-stilinski-hale

And speaking of payoff…we did get THIS.  Jemma getting a chance to unload a ton of bullets into Fitz’s kidnapper/tormentor.  Honestly it was a scene I wanted so bad and I didn’t think we’d get.  AND Jemma got a go at Fitz’s horrible father!  She got not one but two of his tormentors!  That’s our girl, no one messes with her man.

Originally posted by rosamund-pike

We did get Fitzsimmons Fitzsimmonsing a little bit, no not bickering in the lab but we got the fake out parallel from Season 2 with Fury’s tool box on steroids.  They tricked the crazy, intelligent, evil infused former Android and baited her right into the trap that lead to her defeat!.  Fitz got to use the LMD how he intended it for, to protect Jemma.  Allowing AIDA to attack and think she’d killed the real Jemma.  Thus the LMD protected her just as Fitz had intended.  And Fitz got a bit of poetic justice in being able to use her own tech/creation against AIDA.  

I also see that scene with Coulson on the Zephyr where he said I know you guys have a lot to talk about but now they have to deal with AIDA as almost the writers way of acknowledging that as well.  They were saying yes, there has been trauma, they do need to talk, but we don’t have time right now.   And its true, they didn’t really.   The bright side is they are going to do what the fandom wants and have Fitzsimmons working through the trauma of the Framework over a period of time and together.  

I know some of you will outright deck me for bringing out a Jed Quote right now but I’m going too from the IGN Post Mortem.  

IGN: I want to talk a bit about Fitz and Simmons. You’ve put them through the wringer over the past couple seasons, and my working theory is it’s because Iain De Caestecker and Elizabeth Simmons always deliver such fantastic performances of those traumatizing events. Considering what they’ve gone through this year, are you considering them as a couple who will remain rocks for each other, or are you still planning to throw a bunch more terrible things at them?

Whedon: First of all, it’s the nature of the world. I think even this year with the flashbacks of May and Coulson and the rules we’ve stated through many seasons, that there are rules about agents not getting together for this very reason. Your love will be tested. That’s sort of the nature of the business. I think it’s safe to say from these past two episodes that they love each other and won’t love anyone else, but that doesn’t mean that they’ll be able to repair their relationship and all that pain in between. One would hope that they could because everybody roots for FitzSimmons and the fans do and we do. We love the two actors, and so I think that seeing them together is a reward that the audience deserves, but how that happens, we’ll have to wait and see if it does.

That hopefully will be what we see happen in Season 5.  Fitzsimmons healing together and dealing whatever the crap has happened that has landed them in space.  They were so close to getting out, Shield was out of the Shadows, things were going well, and we had ourselves a Love nest with a breakfast nook…and it was ripped away.  Ripped away from them and ripped away from us.  That is the nature of shows like this. Until they are ready to give us the happily ever after, its give an take.  

Ghost Rider was an add on but LMD and Framework were the arcs they intended all along.  The writers knew even back at SDCC this is where things were going.   They teased Darth Fitz back then…”This young man as you’ve never seen them before”.  Ending with Fitz needing to heal was likely the intention all along as well.   I think it was just unfortunate that they continued to give us those bits like “Oh the engagement/wedding will come up again”…it will…just not THIS season.  Its about NEXT season as they come back together personally and professionally.  They should have gone with their standard wait and see rather than put some false hope out there.  Again I think the very much underestimated the toll the Framework Arc took on the Fitzsimmons fandom.   This season they established that they love each other and no job change or memory wiping androids can change that.  

Another positive we got was as painful as it was to not have Fitzsimmons together how we’d envisioned we did get to see them both grow substantially in their own stories.  Good, bad, right or wrong, that is something I have seen the fandom want.   They wanted to see each of them with arcs outside of their relationship.  Was it perfect, no, they could have given them the separate stories but still had them come together more…heck be in the same room more.  But hindsight is golden and makes me treasure those moments we did get even more.

Originally posted by agentsofshield

The episode was good, it wrapped a lot of stuff up nicely but also left far more questions.  They ran out of time.  We knew it when we were still in the Framework going into 20 that there wasn’t going to be enough real estate left to cover what they had put out there.  I spoke in previous metas as to this is where we felt the bit Ghost Rider took out of the time.   Fitzsimmons weren’t the only ones that didn’t get a really good tie it in a bow resolution.  They resolved what they absolutely had too.  AIDA, Darkhold, Robbie/Rider, and Radcliffe…and set up next season.  Daisy, Robbie, and Philinda also had their arcs suffer a bit at the end (and Philinda took a step back ala Fitzsimmons start over in 3x11).  Sadly that happens and for me 4x21 was the Fitzsimmons resolution for the season and then we will pick back up with them again in season 5.  

The writers know the fandom is upset, they know they dropped the ball.   I really do think they thought what we had in 21 was that payoff the fandom was looking for and planned on continuing this next season as this is not where their story ends.  They didn’t break up.  This wasn’t a deal breaker.  It was another roadblock and one only puts roadblocks in the way of something they want/plan to get too.   We can offer our polite feedback and support for the show and characters we love so much.  

Now the best news of all Anon is we have a fandom full of absolutely amazing writers that are already hard at work on fix it, missing scene, AU, and this is how it SHOULD have happened fics.   We will have a whole hiatus of recovery fic fest 2K17…now in SPACE.   

Speaking of space, they have essentially been kidnapped by some mysterious rogue organization that seems intent for them to work for them.  At least they’ve been kidnapped together this time and will likely be working and sciencing together until they can find a way to get out of they are get to Perthshire.   A united goal!  And who doesn’t love sassy sciencing barely tolerant of their captor/new employer Fitzsimmons.  

Its okay to be mad, upset, and disappointed right now.  Nothing wrong with that at all.  I’m there, last night I was feeling a bit betrayed by the writers until I was able to take a step back and take a breath, look at the longer game…and we are in a long game here as we are ENDGAME.  Until then…bring on the fics!

maudlinbutterfly  asked:

Why don't people consider Sherlock pulling John out of the fire in TEH as a "Garridebs" moment? Sherlock's clearly terrified and worried about John. And he then proceeds to get revenge on the person who did that to John in the same way that he threatened in The Three Garridebs... *someone who's desperately clinging to hope but is terrified that it really is all over* - PS: Love your blog!!!

Hi Lovely!!

I’ve actually talked a bit about this exact thing before S4 aired, but I’ll add a few things here to update those thoughts.

The essential factor that defines the 3G moment is that Watson gets injured, Holmes reacts to it intensely worried that Watson was killed, and Watson SEES Holmes' rage on his face and the hears the desperate words spoken to Killer Evans. Holmes’ words are, to many, considered a confession of sorts, and Watson acknowledges that Holmes loves Watson in some capacity.

In our version of all the times John is “injured” or kidnapped, John NEVER sees Sherlock’s face NOR hears a threat uttered to John’s captors in such a way that would be construed as John understanding how much John means to Sherlock. When John sees Sherlock save him from the bonfire, John only hears Sherlock call John’s name and pull him out of the fire, but nothing else; the key ingredients are missing.

I suppose we could argue that John knows Sherlock loves him because of the best man speech. Yes, but John doesn’t know the depth of that love; John DOESN’T know how long Sherlock pined for him, or that everything Sherlock had ever done was to protect John; heck, Sherlock even ensures that John thinks that he killed Magnussen for Mary – which we know is not true – and that adds that small niggle of doubt into John’s brain.

So no, we haven’t seen a fully realized Garridebs moment yet, because:

  1. John never heard Sherlock threaten someone if they ever hurt John.
  2. John NEVER sees Sherlock’s face during the bonfire sequence; he’s too focused on the video playing, and realizing he was used as bait. I actually doubt he even processed that Magnussen called him Sherlock’s damsel in distress; John was completely focussed on that video.
  3. John never heard Sherlock, after said incidents, not only just ask if John was okay but say “please tell me you are okay”.
  4. John never confessed verbally or on his blog that he could see the love and loyalty Sherlock had behind the façade Sherlock puts on.

We’ve seen them all separated in some form or another, but never together, and that’s very essential to making a successful Garridebs scene. Sherlock needs to confess his concern and love for John (platonic or not) and John needs to reassure Sherlock that he is okay, and Sherlock needs to threaten the perpetrator.

And John dying / almost dying is definitely the way I think it will happen for this incarnation.

If you’re interested, here are some other meta explaining why we HAVEN’T seen the Garridebs moment yet:

Mama Don't Make Me Put On That Dress Again - Two Birds -- Styx

AN - I promised this a while ago, and I finally got round to finishing it. This is part 1 of 7 of a fic based off Trixie’s album. It’s a Trixya fic and its going to mostly be angst to be honest. I had a lot of fun writing this, and I apologise in advance for the smut scene - I have never given a blowjob, nor do I have any interest in ever doing so, and I’m sorry if that comes across :p. Thanks to Amory A for my amazing header and for just generally being amazing (if y'all haven’t read Teach Me already, you really should :p). Anyway, thank you for reading, all feedback is very welcome.

Keep reading

anonymous asked:

I've watched the male scenes again and can I just say how much I love the writers for destroying every single argument in favor of clalec and romantic jalec?its so refreshing to see no confusion, hints or double meaning because yes alec had feelings for jace but I really don't think he ever felt phisically attracted to him, he never looked at him the way he does with magnus thats why he strated to think to having a shot at happiness the man himself confirmed it was the magnus bane not jace

It’s amazing, I know, Anon. And let’s not forget that the biggest Malec stan out there (we call him Matthew Daddario, but pssshhh!) made this tweet on Dominic Sherwood‘s birthday when people wanted to trend Jalec while Malec was having their first date? And Matt be like: You don’t come into my house and do shit like that. They’re brothers, stop this crap. How many more times do I have to call Jace my brother. lmao

Seriously, we can’t thank those writers enough for destroying all this problematic shit from the books. Like f.e. the 600+ pages of Alec’s biphobia in the books? Destroyed in 1(!) sentence when Alec assured Magnus that it is okay talking about Camille. He even asked how he felt. Or them talking before the second kiss, and like…I don’t care what’s in the past or if you haven’t had any relationship. I am here now, I want this to work. CC was probably losing her shit, lying on the floor and banging her fists against the floor, sobbing, when she saw that. I am living!

And now watching them falling in love completely? Becoming each other’s rocks? I wanna throw myself from that balcony, because please…. can you believe???

anonymous asked:

If Ketch's new orders are to eliminate the Americans hunters, then she's going to have to kill Mary, and they have a thing even if they say they don't have a thing, Ketch it's, actually, the one who looked like he knew about the thing but was too insecure or oblivious about it to tell her anything. It'd be... i DONT know, if that's the case I hope Mary kills him before

I’m not really sure I understand what you mean there, but yes, I do agree that Ketch and Mary are having very different reactions to their (unforeseen) night of fun. I think that episode revealed a lot about who Ketch is and what he wants, but, since this is Buckleming, I’m not sure it was intentional, and how seriously should we take it. For instance, we now know with some certainty that Ketch is colour-blind, in a sense - that when we’ve seen him being rude to women, it wasn’t about them being women, per se - Ketch seems to operate in a world where the only people worthy of respect are those who do his job, and do it well. And, even more unusual, he doesn’t seem to mind if someone - even an outsider like Mary - is better than him. When she corrects him in front of Mick, who, after all, is supposed to be his boss, telling him they’ve killed eight shape-shifters, and not seven, Ketch is not annoyed in the least. Instead, he’s admirative. Considering he’s an alpha male who kills and tortures people for a living, this tells us a great deal about how his mind works.

(Mary’s attitude in that scene tells us a lot about her as well - here she is, the failed daughter, the failed wife and the failed mother, doing the only thing she knows how to do and doing it whit a proud smile on her face. I’d say there is a parallel with Dean in there somewhere, Daddy’s blunt instrument and all that, but I’m not sure it’d be appropriate - after all, we know Dean wants out, in some way; that he doesn’t want to be that person, never has. Mary, on the other hand - despite her insistence in pointing out she can ‘have it all’ is not, in fact, having it all. Whatever she says, she’s deliberately chosen hunting and killing over her sons, and she’s having a whale of a time. This is not a moral judgement: I’m simply trying to understand the character.)

Like - when Ketch was talking to Dean, he never showed his hand at all, in a way. But when Mary told him she once left hunting behind because she wanted a normal life, David does an excellent job to convey what would be pity on someone else’s face and is, instead, a kind of half empathy on Ketch’s. I have this feeling that while he was trying to make Dean his (if not sexually, than professionally, even if the subtext supported both readings), here Ketch is acknowledging he himself belongs to Mary. In that whole scene, he behaves like a subordinate - flattering without being unctuous, polite without being distant. And when he says out right that he understands and respects her unusual and ‘unwomanly’ choices (“Mrs Winchester, I believe you’re drawn to danger.”) - I believe that’s when something inside Mary woke up and decided that, after all, why not? They’re adults, and they’ve got a room, and look at this gorgeous man. In a way, he is to Mary what Crowley was to Dean - a bad influence, sure, but also genuinely attached to her within the limits of his capability to feel anything, and also non judgemental in any way and completely hers.

(In fact, I can see Drowley beginning in very much the same way during that ‘summer of love’ Dean and Crowley shared: I have no problem whatsoever in seeing this exact scene play out - Crowley offering Dean a drink in this same amused, friendly, slightly subservient way, and Dean suddenly ignoring the glass and catching Crowley’s tie in his hand instead; and pulling.)

The thing with men, though, is that - and it could be cultural, or biological - I really don’t know - very often they assume sex will change things. Since sex enpowers them but sullies you, you sometimes meet this power shifting attitude - as the old movies told us in greatest detail, women have control over men as long as they don’t sleep with them; but once the deed is done, the thing is reversed, because, as I said, sex makes men stronger and women weaker.

(Exposed to the dangers of gossip and pregnancy, that is; cheaper and dirty now their virginity is gone.)

As idiotic as this concept is, it somehow persists and lasts, and I think you could see it unfolding in this last episode as well: how Ketch’s careful politeness changes to a sort of cockiness - look at him, sitting up against the headboard, completely naked, his legs open, his penis (still this ever-important sign of masculinity and power and all things sacred) in full display. Contrast him with Mary, already dressing, as if hiding her own nudity, and slowly putting her wedding ring back on like some sinful adulteress. But next, and, okay, for once they wrote an interesting thing, the relationship between them is reversed. Ketch tries to be dominant and mark some kind of point, and Mary shoots him down every time. Having sex was her decision, not his; she’s now deciding it doesn’t mean anything, and he doesn’t have any say in that; and when Ketch confesses, with some regret, that he’s okay with it because he’s not ‘built’ for that and he’s not, in fact, capable to care for other people, just like her, Mary’s almost needlessly petty in pointing out that, again, he’s wrong, because she can, and she did - with someone else, that is, and certainly not him. At that point - and, again, I like how David played this, because he tried to cover himself at first, closing his arms across his chest, but then he sort of - manned up, so to say, and got all alpha again, choosing to remain there stark naked despite Mary’s word and even playing a card he knew would upset her: “I notice you took my advice. You had a choice to make - your work or family ties…”. Ketch doesn’t finish his sentence, but he doesn’t have to. Mary may be a strong woman, and also an unusual one, but she knows her relationship with her sons is far from perfect, and also that she’s a big part of the reason why. Hearing Ketch pointing it out - yeah, that must have smarted a bit - and, again, instead of being a ‘good’ woman and take the criticism, Mary lashes out and defends herself. And this is when Ketch finally takes a step back, because this is the kind of people he’s been trained (or trained himself) to respect: a bigger alpha.

So, really, I don’t know how to read this whole thing. I think it’s a big character shift for Ketch and almost invalidates the idea he’s a psychopath, but, then again, psychopaths are hard to write, so there’s that as well. I still don’t know what to make of Mary, and if I like her as a person (I do like her as a character, though - good choices all around). And, finally, I can’t help but feel that, if you took their relationship and that entire dialogue and gender-bended it, well, here you go - Buckleming did manage to insert their usual bit of dubcon, and yay, because look at it - Mary’s clearly superior to Ketch in most ways (professionally and, very clearly, emotionally), so if this was Mark Winchester seducing wide-eyed, damaged and vulnerable assassin Ms Ketch, who calls him Mr Winchester and hopes sex will lead to something more even if, sadly, she’s not sure she can ever love anyone - yep. They never disappoint, do they?

Downton Rewatch (Season 1): part ii

- oh my gOD Bates get a hold of yourself. so william comes barreling through the door and spills Thomas’ tea all over him and thomas gets mad. and says something snotty. wow. call the constable, what an effing crime. like. now thomas has tea all over his clothes so he’s either got to go and change (which i’m sure he has just masses of other clothes no problem right) or wait for it to dry, during which time if Mr. Carson catches him he’s going to get a verbal thrashing. DO EITHER OF THOSE OPTIONS SOUND APPEALING. like I am the first to admit that thomas is the most…JUST THE MOST. but don’t treat him like he just ripped the head off of a baby lamb for having a reaction jesus BACK OFF BATES

- oh good lord when Daisy says, “i’d do anything for you” and Thomas glows - ACTUALLY GLOWS - with something like pride and wonder and genuine surprise. i mean in the next second his face shifts and he does this villainous little smirk sure yeah because that’s a weapon, that’s something to defend yourself with if you need it, something to use against other people duh. (honestly i don’t know how anyone who isn’t a slytherin makes sense of the world but okay) but in that moment before, there was bare vulnerability and it was fucking beautiful. shit. i’m gonna make a shitty gif of it because you guys have got to see this shit.

THOMAS. (90% of my live action commentary watching this show is just me yelling out in a pained and strangled voice THUHMASSS).

-this is a real live actual conversation that happens.

OB: [plotting against Bates} What we need to do is to make him a suspect when something’s really been stolen.

Thomas: How do we know anything’s been stolen?

OB: Because you stole it, you noodle.

You are both noodles, and this is a terrible idea.

- side note: how fucking spot on is it that when there are scenes happening in Carson’s office or the servants hall you can hear Mrs. Patmore and Daisy bickering in the background. I mean. I take this show to task for a lot but wow that is some tight storytelling.

- man do i miss the good ole days of Thomas and OB plotting and smoking in the courtyard. iconic.

- there is not much i find more delightful than Thomas saying “sod ‘em.” why can’t he have been given more dirty lines please…why is RJC’s ridiculous accent so fucking soothing. SEE HOW SOOTHED I AM. i am currently just a skin bag of loose bones and honey.

- Daisy and Mrs. Patmore are fuking underappreciated. Daisy misunderstanding Mrs. Patmore and thinking she’s supposed to poison the food while Mrs. P is away for eye surgery is one of the best and most subtle moments of comedic genius in television history.

- why is watching Thomas putting food in his mouth…so erotic. i did not ask for this. i was perfectly happy not knowing this about myself.

- okay so look. i am the first (okay maybe not the first) to admit that Thomas says and does some mean shit. he’s not perfect! some days…he is so overwhelmingly far from perfect that hypothetically you have to go have a good long talk with yourself in the bathroom mirror about why the eff it’s one o clock in the morning and you are lulling yourself to sleep with VIVID fantasies of putting a grown man in the bathtub, washing the pomade out of his hair, and seeing what kinds of noises he makes when you skritch the back of his head. hypothetically. i can only imagine that’s what it would be like because none of this is personal experience. but also let’s not pretend that i won’t defend Thomas to the everloving end. yes, it is not his finest moment to make light of a woman losing her pregnancy or a young person losing their mother, BUT for fuck’s sake why does no one seem to have a problem with people putting their hands on Thomas in violence, holy shit.

- aghhhhh the fact that Thomas holds himself so still, head so high and proud when he’s got bruises on his face. It is the Don’t Fucking Touch Me Stillness, cousin to his Blank Look of Shame, and you all know how i feel about that.

- hahahahahhah ohhhhhhh well fuck me i guess branson/sybil/gwen was the ot3 i didn’t even know i wanted. 


btssmutgalore  asked:

Yoongi when the OC was having sex with two guys! Ignore this if you don't feel like writing it, please :)

Unexpected  - bonus chapter / drabble game

Yoongi’s POV / The big sex scene from Chapter 8

Parts: 1  2  3  4  5  6  7  8 (final)  8.5 (bonus) 

Yoongi looked around Seungri’s bedroom while grasping your hand tightly. His stomach felt like it was in knots and his hands were sweating.  

“Are you scared?” you asked him.

“Anxious might be the better word.  I don’t know what’s going to happen.” Yoongi let go of your hand to rub his palms against his pant legs to try to dry them off.  “I can’t quite believe we’re actually doing this.”

“We don’t have to do this if you don’t want to,” you told him.

“I wouldn’t have brought it up if I didn’t want it.” Yoongi turned and gave you a feeble grin.  He wasn’t sure if he even believed what he was saying at this point.  He was the one to bring it up and he had spent so many nights sharing this fantasy with you and now it was actually going to happen for real. He could feel his dick getting hard already from thinking about what might happen… so why did he also feel like he was going to throw up.  It won’t be like last time, Yoongi thought. Last time nearly destroyed your relationship, but Yoongi was sure that was because you had fucked Tae to hurt him and not because you knew it turned him on.  This time will be different, Yoongi repeated to himself.  This time will be different.   “I want to make sure you don’t feel pressured just because this is my fantasy.”

You told him that fulfilling his fantasies turned you on.  You said the idea that doing this would please him made your pussy throb.  You leaned in to kiss him gently and sweetly, but Yoongi pushed his tongue between your lips, kissing you more aggressively, pulling you towards his body.  He wanted to know that he was the one that ultimately turned you on, not just to hear you say it, he wanted you to show him  that, at the end of the day, he was the only one you really wanted.  Your hand wandered down his body and came to rest at the crotch of his pants where you gripped him through the fabric; your hand felt so good against his cock and Yoongi couldn’t help but smile a bit.  “What happens in this room is just foreplay, okay?  The real action happens when he’s gone and it’s just you and me,” you whispered in Yoongi’s ear.  He believed you.

Keep reading

anonymous asked:

What are your thoughts on the musical episode? Are you excited? Don't really care? Think will be a huge mess?

I am so stoked! I am adamantly calling it Once Upon a Time with Feeling until the title is released. I don’t care if it’s potentially blasphemous - even if in all my optimism, I know them reaching Buffy levels is probably unlikely.

So here’s what happened. I thought a musical wouldn’t really work for Once Upon a Time and I was very skeptical about the idea… then the announcement came and well. I was giddy and unexpectedly over-the-top ridiculously happy about it? I should have known. I’m a total dork. I love musical. I saw Wicked three times in two days once. My favorite movie - I claim it’s Dogville, but it’s really Sister Act. I read the book that turned into Pitch Perfect. I keep hoping to just one day in my life wake up and find we’re doing everything in song. So okay, maybe I’m… unique.

Since it’s happening and not everyone’s happy about it, let’s look at potential bright sides? At the very least, we’re going to get to hear the actors sing. Cast has some really nice voices! It might be beautiful or cute or unexpected. At the very least it’ll be silly and funny to have this weirdo Disney fairy tale world with costumes and dancing and bursting into song. If you go into it just expecting to get some laughs out of it, I doubt you’ll be disappointed. We may have to loosen up a little. Sometimes you go into an episode and you’re just left… not feeling much of anything. This time. Love it, hate it. Cringing, laughing, feeling. Everybody’s at least gonna have some very strong feelings about it!

Where it gets more interesting is that it’s potentially - of course what else would I say - good news for Emma and Regina. Rule number one for musicals - as in, first chapter in Musicals for Dummies 101 - is that you have to give your characters a reason to burst into song. Musicals give insight into how characters are feeling, they voice emotions in a way that normally doesn’t happen and your story has to fit that concept. Part of the success of Buffy’s “Once More With Feeling” was that apart from the catchy songs and great delivery, lyrics, direction and very good balance of humor and drama, it was an explosive episode that really drove the plot forward. They built the episode around this concept. If you haven’t seen it, basically a dancing demon forces all of the characters to randomly burst into song. One by one they reveal secrets as they are singing. Either to each other, or to the audience.

We’re currently in the land of Untold stories. It’s been heavily suggested all of our main characters are keeping secrets. If there was an episode to get into their heads and reveal some of those stories they don’t want told, this would be the one.

Now the reason I am maybe most stoked about it, is that it fits completely with @colyssa ‘s Women Who Run With the Wolves meta, and more specifically this part of it and this submission she received recently. As she says, there is no way they did not use this book. I’ve started reading recently and I completely agree. Without even getting into the content too much, there’s the title, which… actually happens on the show in the episode when Ruby finds her mother.

The first chapter is literally a scene in the pilot.

The sixth chapter is a recurring theme.

The fifth chapter shares its title almost to the letter with the 7th episode of Once Upon a Time. Incidentally it’s also the chapter that completely matches Emma and Regina’s story. The author uses a tale called the Skeleton woman as a guideline to explain what it requires to enter in a relationship with someone. You’ll have to read Colyssa’s meta for the details, but the part we are interested in is this one.

“Then, while lying beside him, she reached inside the sleeping man and took out his heart, the mighty drum. She sat up and banged on both sides of it: Bom, BommI… Bom, Bomm!

As she drummed, she began to sing out “Flesh, flesh, flesh! Flesh, flesh, flesh!” And the more she sang, the more her body filled out With flesh. She sang for hair and good eyes and nice fat hands. She sang the divide between her legs, and breasts long enough to wrap for warmth, and all the things a woman needs.

And when she was done, she also sang the sleeping man’s clothes off and crept into his bed with him, skin against skin. She returned the great drum, his heart, to his body, and that is how they awakened, wrapped one around the other, tangled from their night together, in another way now, a good and lasting way.”

Might sound a little weird out of context, but once you read the explanation, it makes sense. Hearts being taken of chests is already standard practice on Once and the references to music here are obvious. It’s also in sync with this myth, because the part before this one focuses on a tear, which we saw represented last season.

So when looking at it this way, suddenly the musical episode - while undoubtedly frivolous in its execution, is crucial and may have been planned for a long time. Or at the very least, they knew that if there was going to be a musical episode, this would be the time for it and that’s why they couldn’t confirm before reaching season 6. It seemed sudden and unplanned, but it probably isn’t.

To end, a summary of the seven steps - fitting a show going for seven seasons - from the book so it’s more clear where we are at and how the musical fits in the development of Emma and Regina’s relationship..

While the Skeleton Woman could be interpreted as representing the movements within a single psyche, I find this tale most valuable when understood as a series of seven tasks that teach one soul to love another deeply and well. These are: discovering another person as a kind of spiritual treasure, even though one may not at first realize what one has found. Next in most love relationships comes the chase and the hiding, a time of hopes and fears for both. Then comes the untangling and understanding of the Life/Death/Life aspects of the relationship and the development of compassion for the task. Next come the relaxing into trust, the ability to rest in the presence and goodwill of the other, and after that, a time of sharing both future dreams and past sadness, these being the beginning of healing archaic wounds with regard to love. Then, the use of the heart to sing up new life, and finally, the intermingling of body and soul.

If you’re not into musicals, but you wouldn’t exactly mind Emma and Regina going beyond the platonic, I’d say take a look at what comes after singing up new life and you may want to just hang in there…

anonymous asked:

I don't know if you got this, but when Hook was jealous of Emma seducing his past self in the tavern for an analysis?

@thenevengers  thanks for the request!

I’m also combining this with a request from Anon.

           *****THIS ONE IS EXTRA LONG AS IT’S 2 SCENES IN 1*****

So here are two scenes from 3x21, 

The wench outfit & jealous Hook

“Come on, Swan. Let’s get a look.”

And he’s got the nervous tick going too. Emma’s nekkid, behind that tree stump, and he’s a gentleman…. but they’re also short on time and have to get moving.

He’s probably had to stand there, staring into the moss on the bark around him while various grunts, huffs and ruffles of clothing come from behind that tree.



No but bless him. He loves Emma just the way she is and how she dresses. And he’s hardly been in Storybrooke that long. The world is all new to him.

And now here’s Emma. The woman he’s mad about, dressed in the clothes of his realm. The clothes he’s accustom to.

And it’s like a fantasy come to life for him.

It’s almost like that scene in every damn teen movie where the ‘unpopular’ girl walks in with a make over/prom dress on, and the boy has trouble picking his jaw up.

Killian is fuckstruck - part 1.

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anonymous asked:

Why don't you think civil war is a cap 3 movie? I thought it had lots of good cap stuff in it? I guess I'd just like to see your opinion on it

Okay, so within the MCU, there are like 4 main franchises right, we’ve got The Avengers, we’ve got Iron Man, we’ve got Thor and we’ve got Captain America. Each of these franchises are very different tonally. 

So, Iron Man and The Avengers are probably the closest in tone. Iron Man is big, it’s bold and it’s grandiose, because Tony is big and bold and grandiose. They use a lot of wide shots, they use brighter colours, they emphasise reds and golds, not just bc they are the colours of his suit but also because they are colours associated with wealth. The shots are incredibly crisp and clean and they scream “Hollywood Blockbuster”, and that’s intentional. That’s because everything about Tony, everything he knows, has been surrounded by wealth and putting on a show and the way the films are shot reflect that. 

The Avengers are shot in a similar way, wide shots, bright colours, everything is done on a larger scale because there are so many personalities to fit in. 

Thor uses a lot of sweeping shots, higher angle shots, there’s emphasis on blues and silvers when they’re in asgard, colours that are often associated with royalty as well as giving a feel of otherworldlyness. The colours and the shots become more grounded when he is literally grounded and sent to earth. It’s probably the most “sci-fi” of any of the franchises and you get that feel from the way it’s shot.

Captain America though, throughout both TFA and TWS, had always seemed like the most personal of the franchises. It’s the quietest of the franchises, the closest of the franchises. By this I mean, you get a lot more close up shots in the first two Cap movies, there’s a lot of focus on profile shots, bc they seemed to focus a lot more on the people in the Cap movies. The internal struggles of the people got a lot more attention. The colours, especially in the first movie, were a lot more muted than you would see in the other 3 franchises, but even in the second movie, the colours they emphasise were greens and whites and beiges and browns. These are earthly colours, they help to keep it grounded. Steve’s story is probably the most human of any of them, the easiest to relate to. He was the underdog, and he just wanted to do good, and he didn’t have much but he loved what he did have and he wanted to protect it. It’s the franchise that’s most grounded in reality I guess. Watching the Cap movies, you kinda feel more like you’re on the outside of a window looking in at something? They are big hollywood movies, but they don’t scream “Hollywood Blockbuster” in the way the Iron Man movies do, bc that’s not who Steve is or ever has been. And that really close, personal feeling and tone, is what, from what I see, so many people really love about Captain America. 

Civil War didn’t match that tone. Civil War was significantly closer to an Iron Man or an Avengers film in tone. It didn’t have that close, personal feeling. It felt a lot more like “Hollywood Blockbuster”, it felt too big, too large, too bold, to be a Cap movie. There was too much going on to focus on really developing the main 3-4 characters that you go to a Cap movie expecting to be developed (Steve, Bucky, Sam, Natasha). There were so many personalities, so many stories trying to be told, that it kinda lost that Cap feel. Yes, there were Cap moments, but they felt more in keeping with Cap moments you’d see in an Avengers film. But more than that, they were Cap moments. This was supposed to be a Captain America movie. He wasn’t supposed to have moments. The whole film should have been his, with supporting moments from other characters, but we didn’t really get that. 

It wasn’t a bad film, and if it had been marketed as Avengers: Civil War, it would easily have been the best of the Avengers movies, because as an Avengers movie it was excellent. But as a Cap movie, with the exception of the scene in the apartment in Bucharest, the scene with Sam and Bucky in the car, and the scene with Bucky and Steve on the helicarrier, it didn’t really retain anything that made Captain America what it was. It literally just didn’t feel like a Captain America film. But idk, that’s just my onion on it I guess. 

Darlin’, We’re Going Down (Josh Faraday x Reader)

Originally posted by entertainmenttonight

Warning: sort of spoiler-y with elements of violence.

You and Faraday had a history.

It was brief, but eventful. The type of thing you wanted to forget.

You’d done everything right. You spent a week drinking him away, then you got up and found a little town in The Middle of Nowhere, USA. A tiny patch of dirt called Rose Creek. You came at a bad time—or rather, a good one. Bogue mining company had just set up shop across the way, causing a distraction that kept people from asking you questions. It made it quite easy for you to integrate yourself quietly as the town’s new seamstress.

Then, just as you were settling into your new skin, everything changed. Rose Creek became a battlefield, Emma Cullen had left with every penny the town had, and armed men perused the streets, desperately looking for a reason to shoot someone. You weren’t scared like most people. You could handle a gun, and had no problem picking up and moving somewhere else. You’d done it before. But you didn’t want to. You liked it there. You’d grown attached to the people and the little room you occupied above the barbershop. It was your home. So for now, you’d wait it out. Emma promised to bring back an army by the end of the week. Maybe she’d come through.

And she did.

They came in a blaze of gunpowder, wasting no time in shooting up half the town. You ducked under your table for the majority of it, frantically tapping on your floorboards to figure which one you’d hidden your gun under. Ironically enough, you didn’t find it until the last shot was fired, and Emma came riding in, telling everyone to come out.

Tucking it into the back of your skirt, you hesitantly walked outside. Others had already emerged and were investigating the bodies littering the gravel. You looked around, trying to figure out which faces you didn’t recognize. Right away you spotted a bearded man, who looked more bear than human. Then a stranger who was tending to a black horse. There was another, decked out in war paint, pulling arrows from bodies, and checking the tips. Two others stood off to the side, one holding a rifle and one wiping blood from one of his many knives. Somewhere you caught wind of a Spanish accent. That made six. Six men who had just wiped out 30.

Then you saw that there was a seventh.

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gameoffish  asked:

I love your writing so much! If you don't mind, could you do (romanced & non) companions reacting to Sole, grimy and bloody after a fight, finding a clean pond or stream & stripping right down to bathe themselves with absolutely no shame. Bonus points if they have some really painful looking scars or something.

Thank you dear! It’s so nice to hear that some people do appreciate my work, I’ll try and keep it up! 

Cait: She keeps out of sight. “Holy shite” she mumbles, keeping her eyes fixed on Sole’s blood-covered and grimy back as they began to wash themselves. Cait had no shame in watching their muscles, now drenched in water, flexing to remove the dirt from them. What a sight.

Romanced!Cait: “Hey, beautiful, taking a dip?” she asks, folding her arms with a smug grin. They quickly turn their head to look at Cait in shock. “Mind if I join ya?”

Curie: Sole was really going to clean themselves up? Here? The water may be clean but what if something was to sneak up on them and launch a surprise attack? “E-Excuse me.. Sole?” she stammers out, shuffling towards the edge of the pond. They look around in shock and tell her to get away.

Romanced!Curie: “What are you doing?” she asks, “You might get hurt!”
They turn around in surprise, covering themselves. After a while and when the awkwardness calms, Sole asks if Curie wants to join them with a wink.

Paladin Danse: He innocently stumbles on the scene and pauses dead in his tracks as he stares on at their body. He wants to look away but something isn’t letting him do so. He realizes that his actions are very unprofessional and he clears his throat before walking away.

Romanced!Paladin Danse: “Uhm, Soldier, you do realize that this isn’t the safest place to cleanse yourself? You should head back to the Prydwen.” Sole notices Danse at the edge of the pond and splashes some water towards him. “Come help me Paladin..” they mutter, looking into his eyes with everything exposed.

Deacon: “Okay, Boss, this probably wasn’t the best place to stop off but… I’m coming to join you” he says, wading into the pond, the water coming up to his waist. He grins and waves to Sole as they cover themselves. “Deacon! This is meant to be private! Go away.”

Romanced!Deacon: Deacon comes into the pond and surprises them by wrapping his arms around their bare waist. “Guess who?” he whispers into their ears. Sole grins and rests their hands on his. “Want some help babe?”

MacCready: He’s walking around, trying to find Sole and he stumbles across a clearing - Where Sole is washing themselves in some sort of pond. Immediately knowing he was treading on ground he shouldn’t, he turns to walk away but he looks over at his shoulder at them. Damn, when did they become so hot?

Romanced!MacCready: “No way, I ain’t going in there. It’s too cold.” MacCready complains with a small huff at the end of his sentence, folding his arms. Sole laughs and rolls their eyes before walking over to the side of the pond and pulling him in. “Hey!” he shouts as he drops his hat in the water. “Great…”

Hancock: Hancock finds Sole, drenched from head to foot and covered in blood and scars on their back. Some of that shit looked like it hurt a hell of a ton. He crouches down to avoid being seen and watches for a while as Sole cleans themselves, singing a small tune. He quickly, however, becomes uncomfortable and he has to leave. 

Romanced!Hancock: “Ouch trouble, you look like you’ve been hurt real bad…” Hancock says, suddenly appearing beside Sole in the pond. “Hancock,” they breathe out, “Where’d you come from? I didn’t see you come in”
He places a finger to his lips and shushes them, before proceeding to help them wash themselves. “Don’t worry about it…”

Preston Garvey: “General? General…” he shouts into the wilderness, looking for Sole. Where the hell were they. He calls again before stumbling upon a clearing in the woods, with a pond in the center. It looked pretty clean. In the middle of the pond stood Sole, drenched in grime and blood, cleaning themselves off. Preston mumbles an “Oh man..” and he turns and walks away. Yeah, it was best not to bother them.

Romanced!Preston Garvey: He couldn’t believe Sole dragged him into this pond, it was absolutely freezing. “Why couldn’t you have just waited until we were back home?”

Piper: When she sees Sole in the pond she quickly hides behind a tree, trying to remain hidden. Did they see her? Oh god. She really, really didn’t want to invade their space. Cautiously, she peers around the trunk and checks to see she wasn’t just imagining things before resuming her hidden position. Okay, she just had to wait until they left, easy peasy.

Romanced!Piper: “Hey Blue, uh, you sure they’re isn’t any prying eyes around?” she asks, stepping close to the edge of the water. Sole looks around, not expecting Piper to be anywhere near them and covers themselves. “Don’t look at me” they mutter, trying their best to hide their wounds. Piper immediately starts fretting and wades into the water much to her discomfort so that she can clean the cuts in case of infection.

Nick Valentine: As soon as the fight finished he knew that Sole needed to take a break, the only thing was that Nick had no clue where they disappeared to. He takes a quick look around before hearing them singing. He follows the sound of their voice before he comes to a pond (Which he had to point out was very clean despite the usual filth of The Commonwealth) where he sees them bathing. Their body seemed dirty and bloody and he was pretty sure he could see some open wounds. Nick leaves to give them privacy and hopes they aren’t too badly hurt.

Romanced!Nick Valentine: He follows Sole straight after the battle and asks if they are okay. He says that it’s best that he doesn’t get in the water, it could affect him. They go into the river and Nick lights a cigarette, watching on as they wash themselves, making sure that they took extra time to look good. After they come back out and they get dressed again, Nick gives them a kiss and they go to the nearest doctor to get Sole patched up.

Strong: Strong folds his arms and watches as Sole washes themselves. “Human is wasting time! Strong want to do more fighting!” 
Sole almost jumps out of their skin at the sound of Strong’s voice and shouts at him to go away. He trundles off into the woods in a bad mood.

Romanced!Strong: “Nuh uh, Strong no like water…” Strong says, closing his eyes as he folds his arms to prevent Sole from dragging him in. Sole convinces him to have a go and he only stands in the most shallow part of the pond. Strong notices the wounds on Sole and asks if they are okay. “Human is hurt, but Strong will find someone to help. Do not worry.”

X6-88: When Sole goes missing X6 goes on a hunt for them and surveys the surrounding area, looking for any signs of where they could have gone. He could’ve sworn they were here five seconds ago. X6 finds them in a pond, stark naked and covered in wounds from the previous battle. He clears his throat and grabs their attention. “When you are finished, we have some important business to attend to, so please do hurry up.” he says simply.

Romanced!X6-88: When he finds Sole at the pond, he offers to help clean the wounds, in case of increased infection. For a couple of moments it does get a bit hot despite the freezing temperature of the water they were standing in. But X6 finishes cleaning them before giving them a short kiss as extra medicine.