maiden goddess

anonymous asked:

Is Jorah more in love with Daenerys than he was with Lynesse? (book & show)

I think so -

I think he was in love with the IDEA of Lynesse ( the maiden come to earth etc) - Sort of Like Gatsby with Daisy in The Great Gatsby…

I think initially he felt the same for Daenerys - Almost an infatuation -  

Again  with this idea of this idealized woman ( Maiden, Goddess etc ) but as he watched Daenerys learn and grow and become the formidable woman she is today I think that infatuation  grew into something much stronger, and more intense - it became LOVE…

Book Jorah acts a little more on the lustful side of this feeling, whereas with show Jorah I feel he just LOVES HER - everything about her - her beauty, compassion, strength , stubbornness - the whole package.

I’ll ship Jorah and Daenerys to the end - I’ll sink with them LOL - But that doesn’t mean I’ll be angry if their relationship is never consummated or if Daenerys ultimately falls in LOVE with someone else ( yes Jon Snow I’’m looking at you  : P )

My beleaguered duo will be my FOREVER GOT OTP but I’d never hate on or taunt or ridicule another ship…

Sorry for going off on a tangent lol - 

But to answer your question

Yes I do think that Jorah loves Daenerys more than he did Lynesse or that it’s a purer more mature and TRUE love..

Thanks for comment / Question Anon ☺ - I really enjoy getting them…

Originally posted by eugeniebatch

okay so I was looking into greek mythology, as i tend to do, and came across Astraea (meaning star-maiden), the goddess of justice and innocence. when the earth became riddled with wickedness and humans treated each other unfairly she decided she’d had enough and left to literally become a constellation. she is what we now call Virgo. 

pagan holiday guide 2017

hello friends!!! some of you may know me as a pagan (originally wiccan but decided that wasn’t the path for me so now just a pantheistic pagan). there’s lots of pagan holidays so any excuse for a party right?? here are the ones this year and what they’re all about and how to celebrate them!

Keep reading

Triple Goddesses
  • Maiden: (Aries, Taurus, Gemini, Cancer) Expressive, Enchanting, Adventurous, Curious, Confident, Expansive, Youthful, Enthusiastic, A person who attracts others with innocence and energy, They'll make you better.
  • Mother: (Leo, Virgo, Libra, Scorpio) Fertile, Sexual, Fruitful, Powerful, Guiding, Responsible, Harmonious, Peaceful, Intellectual, A person who attracts others with stability and compassion, They'll make you complete.
  • Crone: (Sagittarius, Capricorn, Aquarius, Pisces) Free, Spiritual, Visionary, Enlightening, Philosophical, Fulfilled, Transforming, A person who attracts others with wisdom and inceptions, They'll change your life.
The Demonic Zodiac

One thing I’m surprised people don’t talk about more often is the Demonic Zodiac (also known as The Black/The Dark Zodiac.) The Demonic Zodiac represents the darker side of the human creature. They represent the darker side often overlooked in traditional astrology. The movie “13 Ghosts” created it’s own Black Zodiac to reflect the personalities described in the Demonic Zodiac.

Aries/The Selfish King: The selfish king rules in order to receive all the victories for themselves They are as angry as they are self-centered. Hates the Ravening Dog. They are arrogant, selfish, and hot-tempered.

Taurus/The Fallen Demon: The Fallen Demon lies through their teeth to gain the upper hand. They hate The Poisoned Dart. Main characteristics are malice, remorseful, and braggart.

Gemini/The Viper: The viper spits venom in their words and are skilled at it. They show no remorse when angry. The Viper hates the Hurricane and is emotionless and venomous.

Cancer/The Snake: When all others fight, the Snake crawls beneath their noses and strikes when the moment is right. The Snake is manipulative and drains the life form their victims. The Snake hates the Leviathan and is treacherous and deceitful.

Leo/The War Maiden: Warrior Goddess of Evil, The War Maiden is blood-thirsty and craves the spotlight. They value pride and honor before all else. They hate The Horned Beast. Main characteristics are pride and greed.

Virgo/The Maelstrom: Wrath from the Maelstrom is directed at all. The Maelstrom destroys all out of ignorance and is ruthless to all in their path. The Maelstrom hates the Weapon and their characteristics are aggravation and hypocrisy.

Libra/The Ravening Dog: The Ravening Dog acts on a whim, attacking anything in it’s path without thinking first. Represents the number 666. The Ravening Dog hates the Selfish King. Characteristics are reckless, accusative, and irrational.

Scorpio/The Poisoned Dart: The Poisoned Dart is known to carry grudges for a long time and strike when the moment is right, and it’s sting packs a lethal punch. The Poisoned Dart hates the Fallen Demon and is suspicious, abusive, and sinful.

Sagittarius/The Hurricane: The Hurricane represents blind destruction, withholding emotion until it explodes. It’s reckless destruction is directed toward those it hates, which is mostly all. The Hurricane hates The Viper and is destructive, reckless, and acts first.

Capricorn/The Leviathan: A blood-sucking leech, The Leviathan gains power from others. Their cunning allows them to steal while stealing the strength of the other signs. The Leviathan hates The Snake and is parasitic, powerful, and dangerous.

Aquarius/The Horned Beast: Abusive and controlling, The Horned Beast only shows this side of their personality to gain dominance and complete control over people. Hates The War Maiden and is confusing, manipulative, and abusive.

Pisces/The Weapon: The Weapon is blinded by it’s emotions, especially anger. The Weapon does not show until the easy way out is no longer applicable. The Weapon hates the Maelstrom and is impulsive, narrow-minded, and moody.

It’s important to remember there is a little evil in all of us, and the good parts wouldn’t exist without it. Evil should not be feared, it can be harnessed and turned into something useful. It should never, however, overpower the good. (This is also just for fun.)

Triple Circle Casting (Ritual)

Originally posted by thewitchystuff

The Circle (In Paganism/wicca/witchcraft) is a sphere that can protect you from energies that could tamper with your ritual/spell and is also used as a portal to connect you “between the worlds” not many magical practitioners use the circle but it’s a good way to protect the user while their doing their workings.

Triple Circle casting is mostly casting 3 circles just for extra protection and to also represent the goddess (Maiden, Mother, Crone i believe)

To begin take your wand/or just the finger on the hand you write with and go in a clockwise direction while imagining white or gold light coming out of your wand or finger (if you live in the southern hemisphere go in a counterclockwise direction).

Go once around the circle saying:

“In this place, this circle round I consecrate the sacred ground with golden(Or white) light this space surround all power here contained and bound.”

Go around a second time and say:

“From earth the things that manifest, from air the things of mind, from fire the things that motivate from water the souls refined.”

Go around one last time and say:

“And yet no place of time there be between the worlds, my word and me welcome, Ancient ones and see this place is sealed so mote it be.”

And now your circle is completed so now when your done with your spell or ritual close your circle by going in a counter clock wise motion (If you live in the southern hemisphere go in a clock wise motion) around the circle and imagine the energy going back into your finger (Or wand). Go around the circle 3 times and when your done ground and center

now your done.

I hope you enjoyed this little ritual post i made i’ll be making more in the future and if you have any questions or concerns feel free to message me.

Take Care- imagine

@urbanspellcraft @witch-of-roses @sigilscribe @paintwithstarlight @orriculum @magic-for-the-masses @flowerpetalmagic @a-witch-and-her-creatures @la-petitefille @spellcollector @spellboundwitchcraft @tarotandwitchy @paganmystic @maddiviner @foxtrotwitchcraft @witchy-birb-kai @eclecticspells @unabashedlyhauntednight @spiritvexer @harvest-witch @stormwaterwitch @hereditaryonyxwitch @christowitch @fern-goddess @howl-wind-sing @altarsmoke @newwitch13 @sherrybomb @wandering-uterus @witchoftherowanwoods @dormroomwitch @moon-and-ocean-witch

bananannabeth  asked:

hey fee, what's going on?? i havent properly been on tumblr in like a week and a half or read tdp because uni is taking up all my time but i just saw your post and??? omg??? what??? im really sorry and i hope youre okay (i know that sounds shallow but like.. as okay as you can be when people are obviously being idiots)

usually i wouldn’t answer this publicly but like i am genuinely shocked by the vitriol being targeted at lesbians right now and like it’s the most thinly veiled attacks i’ve ever seen, people are barely even bothering to try and disguise what this is really about (read: “shut up you evil dykes we’re sick of listening to you complain about lesbian issues and we want to be left alone”). it’s gone like way beyond the realm of fandom discourse at this point.

an overview of what happened:

  • the dark prophecy was released a few weeks ago (so, spoilers for that, but it’s really not a big spoiler and i kept it quite vague and tbh y’all should probably read this anyway because like i said, it’s gone way beyond the realm of fandom discourse at this point).
  • it contains an older lesbian couple, who had to leave the hunters of artemis because they fell in love and wanted to be together. upon meeting them, one of the characters mentions that they thought it was only men the hunters of artemis swore off of, but the apollo corrects them and says it’s actually all romance.
  • (it’s worth mentioning that apollo says this bitterly. as in: he doesn’t approve or agree. and not for nothing, i might be projecting, but it sounds a lot less like “i’m a god with an overactive sex drive and my sister’s such a PRUDE” and a lot more like “i’m bisexual and i feel uncomfortable with this rule”)
  • this lesbian couple is upset about leaving the hunters. they wouldn’t have done so if they hadn’t had to, they say it was their family, but they had to leave because they loved each other more.
  • apollo mentions that they parted on good terms with artemis, because “she let you live” (good terms, those). the hunters visit them sometimes. artemis does not.
  • so, it is now canon that the hunters of artemis do not condone love between lesbian couples, and lesbian and bi girls who fall in love are no longer welcome in the hunt.
this doesn’t sit well with me, or several other lesbians and bi girls (or apollo, or the lesbian couple themselves, it seems like).
for several reasons:
  • grouping in heterosexual love in the exact same category as lesbian love is homophobic. it’s not a discussion of “equality” but rather an acknowledgement that lesbian love as it exists in the world today is socially taboo and forbidden, and thus banning lesbian love has the potential to do much, much more damage than banning heterosexual love.
  • implying that all romance, and in this case specifically lesbian romance, is against a code of honor, is homophobic. there’s just no way around this. actively being uncomfortable with lesbians in love for no other reason than the fact that they’re in love carries massively homophobic connotations with it. it just does. sneering at all romance doesn’t negate this problem. lesbians can be hurt in ways that straight girls cannot. sneering at their romance is homophobic, because as much as we all might hate it, the world is homophobic and banning lesbian romance absolutely does reinforce this system of homophobia. it does. (this is like, oppression basics, u guys. if u pretend oppression isn’t there, ur siding with the oppressor. “i don’t see differences in sexuality and hate all romance equally” = “i do not acknowledge that some of you need different precautions and protections because you are systematically oppressed in ways that others are not”). we are not all socially equal. we’re not starting on the same playing field. heterosexual love is not a social taboo, lesbian love is, case in point: it hurts lesbians much worse to ban their love than it does straight people. not to mention that it’s triggering for people who have been in spaces that actually did ban lesbianism (hi, me, it wasn’t a fun time, and i don’t appreciate the hunters having any resemblance to my hellish private school experience).
  • artemis is evidently quite hostile towards lesbians..for being lesbians. like, loving women is what makes you a lesbian, and if that bothers her so much that they can’t even be around her and be together…i mean, what can we conclude about her? shunning all love, in this case, specifically lesbian love, and apparently not even having it off the table that she might decide to kill them, is homophobic. it doesn’t work like “oh well she’s uncomfortable with all love in general.” you can’t hide bigotry by widening the radius of people you hate. you will never be able to disguise homophobia by also hating straight people. if anything, that’s even more homophobic, because it lumps us right in under a massive group of “people who fall in love” which…includes straight people, who systematically oppress us. not a fan of being compared to my oppressors. certainly not a fan of being banished alongside them.
  • it’s very important to note that plenty of lesbians feel this is a complete misrepresentation of artemis and the hunt, and are quite upset that someone they identified with apparently hates them. (and she does. artemis wants nothing to do with lesbians who are in love, refuses to allow them to be in love and also in her hunt, gave them an ultimatum between her and each other, would consider murdering them).
  • like, we’re not working off nothing, here. artemis has ABSOLUTELY historically been associated with lesbianism. i’m not pulling this out of my ass, okay. lesbian themes are present in tons of artemis’ myths, her “loving women” is mentioned in virtually everything ever written about her. granted, it’s never specified to be romantic or sexual, but keep in mind the time that these myths were being recorded and who was doing the recording (read: men who thought lesbianism wasn’t real). many hellenic wlw follow artemis today precisely for this reason. separating artemis from lesbianism is Not The Best Move rick’s ever had lmao.
  • the oath specifically says no men in titan’s curse. it absolutely does. if you assumed this also meant no romance at all, that’s on you and your heteronormative thinking, bud. but it reads “I, [name], pledge myself to the goddess Artemis. I turn my back on the company of men, accept eternal maidenhood, and join the hunt.”
  • pledging “eternal maidenhood” means “i’ll be a virgin” in children’s book speak. if you don’t believe me, notice how they refer to athena as a “maiden” goddess, but really mean “she can’t naturally conceive children [because she’s celibate].” they don’t mean “she’s single,” they mean “she doesn’t have sex.” maiden is a nicer term, but it means virgin: [adjective 1. (of a woman, especially an older one) unmarried. synonyms: unmarried, spinster, unwed, unwedded, single, husbandless, celibate.] we’re all familiar with the concept that you’re only allowed to have sex after you’re married to a man, right? well, that’s the assumptions this word was created under. don’t play dumb and try and say maidenhood means being eternally single; we all know what it really means and why the term exists. it doesn’t say wifeless, or even spouseless, it says husbandless. nobody was thinking about lesbians when they defined that word and rick wasn’t thinking about lesbians when he wrote the oath. thus: artemis is a virgin goddess who accepts virgins who pledge a vow of eternal virginity. that makes sense, because atemis is indeed a virgin goddess (literally the goddess of virginity) and some of her worst myths involve her kicking out hunters for “losing their virginity.” that’s got it’s own set of problems.
  • and yes, i am aware that artemis also explains the hunters “foreswear romantic love forever.” yeah, i got it. but she says this sentence in clarification to percy’s question—artemis says they’re immortal unless they break their oath. percy asks what oath. artemis says “to foreswear romantic love forever.” and as i just explained, the oath does not say that. she might’ve specified romantic love, but like, can we not play dumb here? it’s heteronormative. nuns also take a chastity pledge, but do we expect that this applies to gay nuns? no, we really don’t. like, don’t lie and say you were some enlightened ten year old being who read this line and thought “oh, thanks for clarifying artemis, i was wondering about lesbians.”
  • there’s like, an actual reason that artemis and her hunters swear off men: they’re dangerous. when she initially began her hunt, her mission was to rescue girls from being sold off to husbands they didn’t want to marry, or escaping abusive situations with their betrotheds and fathers (zoe nightshade, anyone?). i don’t see….when or why that turned into “all romance is distracting and inherently bad.” it’s not really very sensical. romance and sex were never the evils facing the hunt, it was the patriarchy.
  • in short: the hunt has become a hot fucking mess and lesbians (and bi girls but seeing as we’re specifically talking within the context of lesbian love it’s really implied that anyone who has the potential to experience that is part of the discussion) are upset. rick deserves a certain amount of blame for this.

now, see, the problem here that people can’t seem to get through their heads is that we’ve got a right to be upset about this. we are allowed to be upset about confronting homophobia in a character most of us liked and identified with.

  • and us complaining about that, explaining it, and pointing it out is…not “starting discourse”, however much you may think we’re crazy sjw dykes. i’m really not here in general for how any time someone is critical of a piece of media for valid reasons they’re immediately starting “wank” and “discourse.” it’s a misuse of the terms. discourse doesn’t mean “people have an opinion on why their marginalized group was represented badly” and wank doesn’t mean “we think this is homophobic” and you calling it that is a pathetic excuse to ignore what we’re saying. which is not to mention how incredibly transparent it is—discourse goes on in this fandom all the time. literally all the time. i’ve never seen anyone complain half as much about “fandom discourse” before as i have this past week.
  • and then there’s people derailing the conversation by making it about aroace erasure. first of all, it’s possible to like, talk about multiple things at the same time and there’s no reason why us discussing lesbians should have any bearing on aroace representation. second of all…. the hunters are like, not… technically even aroace? taking a vow of chastity and swearing off men is now equivalent to being aroace? does nobody see a problem with that? i’m stunned that people weren’t angry about that, to be honest, since it’s not exactly Controversial or New to say that asexuality does not equal celibacy and aromanticism does not equal an… eternal no romance pledge or whatever the fuck the oath even means anymore. like, cool, i understand you might be more inclined to take the oath if you didn’t experience sexual or romantic attraction, but that’s still a far cry from saying all of the hunters are aro and ace (and that’s. clearly not true. because some of them break their oaths. or join because they’ve been scorned by men they’ve fallen in love with).
  • which like, not to mention that they’re pretty hideous representation for you in general if they literally kill people who wind up falling in love? like, that’s your holy grail of representation? “you must have parted on good terms, she let you live” like okayyyy so you mean artemis’ typical course of action in dealing with girls who fall in love is to murder them? the fuck is wrong with yall 
  • people are actually offering this up as a benchmark for why artemis isn’t homophobic. she murders hunters who fall in love with men, but she let the lesbians live. like. this is the benchmark for lesbian allyship now, apparently. holy hell, people.
  • but sure, yeah, artemis, aroace patron goddess, who murders hunters that fall in love and refuses to offer protection to lesbians because they also fall in love, and calls love a “distraction” and thus pretends she’s the Enlightened One who isn’t sullied by romance. good one, guys. if that’s what you’re celebrating, and furthermore, if that’s the representation i’m “erasing” by talking about lesphobic issues, not only are you homophobic but like you’re just a plain old misogynist lmao. i don’t condone literally killing girls for falling in love and i certainly fucking thought it would go without saying that you people don’t condone that either, but apparently not! fucking hell.
  • which, anyway, even working under the assumption that it was good aroace representation, to accuse lesbians of erasure for being critical of how lesbianism is portrayed in a book? as if we were the ones who decided to include an ex-hunters lesbian couple? but we’re the ones who are guilty of the erasure for..what..talking about it? being angry? saying it’s homophobic? being upset that lesbians aren’t allowed in the hunt?
  • like, look, if artemis was presented in canon as someone who doesn’t experience attraction and started a convent for other girls who don’t, well that would be different, wouldn’t it? but she’s not presented that way. she’s apparently the patron to all women, so long as they don’t date men. zoe nightshade says she’ll accept anyone who takes the oath, no matter their species, and definitely regardless of their sexuality as well (because at the very least, zoe, the literal lieutenant, most definitely had other reasons for joining than being aroace, as did thalia, the current lieutenant, and emmie and jo are obviously not aroace yet still took the oath once, and annabeth even thought about taking the oath). it’s not, and never has been, about lack of romantic attraction. it’s about eternally swearing off all romance and banning love because love is bad.
  • i guess we all should’ve known this considering silena is all up in arms about the hunters telling her “love is worthless” in ttc, but damn call me stupid for daring to hope that as rick began to confront the rampant heteronormativity in his books we might have this patched up, too.
  • pro tip for like literally anything ever: if a marginalized group speaks up and says “hey that’s hurting us” you change your goddamn rules so it’s not anymore. like, for fucks sake, think about this in literally any other context but “lesbians are infiltrating artemis’ precious aroace safe space with their romance” and you’ll realize what condescending, homophobic fucks y’all are behaving like right now.
  • on another note: i have expressly explained this before, many times (there’s a link to one of them earlier in this post, and here’s another one), but it apparently bears repeating because nobody seems to understand: virginity is bullshit. it’s bullshit. it’s oppressive, invasive, creepy, misogynistic bullshit. will you stop pulling out this tired old argument that lesbians being allowed in the hunt somehow makes them invalidated? the idea that romance is distracting is stupid and ridiculous and condescending as fuck. the idea that your sexual history is anybody’s business but your own is disgusting. there’s no reason lesbians shouldn’t be able to be together in the hunters. there’s really not. there is a reason men are not allowed, and the reason is it’s a women’s space, to literally protect women from men.
  • this new information about the hunters cheapens the whole goddamn thing. like aside from being homophobic, it’s just plain sexist, now, too—we don’t swear off men because we’re making a statement about our lives in relation to the patriarchy, oh no!! we’re making a statement against romance. romance is bad. that’s the problem. who cares about protecting women from men? certainly not us, because we’ll kill you if you get abused by them! better keep your v card honey, or i’ll turn you into a bear!
  • and that brings me to the whole other subset of people trying to derail the conversation by making it about..rick hate? lol what? that rick is our ally and we should be grateful and he’s not perfect and he’s learning??? yeah, okay, i’m sure the answer to this is for all of us to just never talk about it at all? we’re not allowed to critique our own goddamn representation? how the fuck is he supposed to learn if you just try and smother everyone who tries to critique him by saying “HE’S A GOOD ALLY WHO IS STILL LEARNING!” like…cool? and i’m teaching him that i don’t approve of any of this, and i think it was a really underhanded way to represent us, not to mention still has gaping flaws in it?
  • like, yeah, whatever, i get it, artemis has her hideous flaws in greek myths as well. poseidon’s a rapist, hades’ is an abusive stalker, zeus is a megalomaniac serial rapist, but it’s not as though those were the characters rick chose to make look this bad, now was it? nope, it was artemis. he didn’t have to do that.
  • and even if he did, honestly, at the end of the day…who cares? it doesn’t matter who first created artemis this way. the fact of the matter is that in the series, she is, and that’s homophobic. it doesn’t negate the fact that we’re reeling from encountering homophobia from the hunters. it certainly doesn’t give anyone a license to tell us to shut up and get over it and stop talking and stop blaming rick. it’s homophobic. we’re allowed to talk about it, and be upset about it. let us fucking be.
  • of course the most hilarious thing is that this wouldn’t have even turned into “discourse” in the first place if y’all had just shut your fucking mouths and listened to us. instead, you started arguing, spreading around passive aggressive posts calling us too angry and telling us to chill out, sent us anon hate, blocked us, unfollowed us, and started complaining about all the other things i listed that are just fundamentally missing the point.

“:.  Novgorod region - 1860s  This is The Sun Shallop.   It is pulled by a pair of swans (their heads are shown as ends of a shallop).   The Sun Maiden drives a vehicle.   A checkered pattern covering the whole image means that characters depicted are gods; and they have a strong connection with The Sun and The Water - productive powers of the world.  The Shallop sprouts with tree branches.”           


Okay, now I’m convinced Amren was Valg or Witch or has some sort of tie to the TOG realm. 

‘Three stones, four bones. The latter were brown and gleamed with age; the former were white as the moon and smooth as glass, each marked with a thin, reedy letter I did not recognize.

“Three stones for the faces of the Mother,” Amren said upon seeing Nesta’s raised brows. “Four bones…for whatever reason the charlatans came up with that I can’t be bothered to remember.”‘

Remember what the Blackbeak witches said in regards to what each clan represented. Three for the Three-Faced Goddess.

“Mother, Maiden, Crone.”

**Feel free to add**

Romanian Mythology


Uriașii were the first people ever created. Despite their powerful stature the giants were friendly and, in bygone times, humans and the Uriașii lived together in peace. One day, however, a terrible war ensued between both races and the humans became the next owners of all the rivers and mountains. There’s a legend based on an agreement between the great Dacian king Burebista and all the Uriașii from the mountains that allowed them to live in the mountains only if they promised to guard with their life the great Dacian gold treasures. So, it is believed, that in the deepest caves of the Carpathians Mountains may still live some Uriașii, protecting the treasures for generations to come.
In some areas of Oltenia and Transylvania the Uriașii are also called Jidovi while in the Carpathians Jidovi are often named Blajini, which means the Kind Ones, or Novaci, which means the Powerful Ones as they could snatch a tree without any effort. Their presence in Romania is well maintained by the multitude of places that were named after them: the Jidovi table, the Jidovi cave, the hill or the tombs of Jidovi and also, there is jidovina, a measuring unit consisting of several meters, the equivalent of a giant’s step. Wherever you go, their memory is well preserved and you must not be surprised to hear that there are still many people who believe in their past existence.
At the beginning of 1900, there were still some people who claimed to have heard real stories about Jidovi from their grandparents who saw them in person. According to their stories, there were few giants left but lived in good communion with humans. When great floods came, Jidovii took care of people and their animals without asking for any reward.


The Iele are feminine mythical creatures In Romanian mythology. There are several differing descriptions of their characteristics. Often they are described as virgin fairies (zâne), with great seductive power over men, with magic skills and attributes similar to Nymphs, Naiads and Dryads found in Greek mythology. They are also similar to the Samodivas in Bulgaria. The name iele is the Romanian popular word for “they” (feminine). Their real names are secret and inaccessible, and are commonly replaced with nicknames based on their characteristics. The Iele are said to live in the sky, in forests, in caves, on isolated mountain cliffs and in marshes, and reported to have been seen bathing in the springs or at crossroads. From this point of view, the Iele are similar to the Ancient Greek Hecate, a three headed goddess of Thracian origin, who guards crossroads. They mostly appear at night by moonlight, as dancing Horas, in secluded areas such as glades, the tops of certain trees (maples, walnut trees), ponds, river sides, crossroads or abandoned fireplaces, dancing naked, with their breasts almost covered by their disheveled hair, with bells on their ankles and carrying candles. In almost all of these instances, the Iele appear to be incorporeal. Rarely, they are dressed in chain mail coats. The effect of their specific dance, the Hora is similar to the dances of the Bacchantes. The place where they had danced would after remain carbonized. Later, when grass would finally grow, it would have a red or dark-green color, the animals would not eat it, but instead mushrooms would thrive on it.


Sânziană is the Romanian name for gentle fairies who play an important part in local folklore, also used to designate the Galium verum or Cruciata laevipes flowers. Under the plural form Sânziene, the word designates an annual festival in the fairies’ honor. Etymologically, the name comes from the LatinSancta Diana, the Roman goddess of the hunt and moon, also celebrated in Roman Dacia (ancient Romania). Diana was known to be the virgin goddess and looked after virgins and women. She was one of the three maiden goddesses, Diana, Minerva and Vesta, who swore never to marry.

People in the western Carpathian Mountains celebrate the Sânziene holiday annually, on June 24. This is similar to the Swedish Midsummer holiday, and is believed to be a pagan celebration of the summer solstice in June.The folk practices of Sânziene imply that the most beautiful maidens in the village dress in white and spend all day searching for and picking flowers, of which one must be Galium verum(Lady’s bedstraw or Yellow bedstraw) which in Romanian is also named “Sânziànă”. Using the flowers they picked during the day, the girls braid floral crowns which they wear upon returning to the village at nightfall. There they meet with their beloved and they dance around a bonfire. The crowns are thrown over the houses, and whenever the crown falls, it is said that someone will die in that house; if the crown stays on the roof of the house, then good harvest and wealth will be bestowed upon the owners. As with other bonfire celebrations, jumping over the embers after the bonfire is not raging anymore is done to purify the person and also to bring health.Another folk belief is that during the Sânziene Eve night, the heavens open up, making it the strongest night for magic spells, especially for the love spells. Also it is said that the plants harvested during this night will have tremendous magical powers. It is not a good thing though to be a male and walk at night during Sanziene Eve night, as that is the time when the fairies dance in the air, blessing the crops and bestowing health on people - they do not like to be seen by males, and whomever sees them will be maimed, or the fairies will take their hearing/speech or make them mad. In some areas of the Carpathians, the villagers then light a big wheel of hay from the ceremonial bonfire and push it down a hill. This has been interpreted as a symbol for the setting sun (from the solstice to come and until the midwinter solstice, the days will be getting shorter). The consequences of heavens opening on Sânziene are connected by some to paranormal events reported during that period of each year. According to popular beliefs, strange things, both positive and negative, may happen to a person wandering alone on Sânziene night. Strange ethereal activities are believed to happen especially in places such as the Băneasa forest (near the capital of Bucharest) or the Baciu forest (near the city of Cluj-Napoca).


Zână is the Romanian equivalent of the Greek Charites or fairy Godmother. They are the opposite of monsters like Muma Pădurii. These characters make positive appearances in fairy tales and reside mostly in the woods. They can also be considered the Romanian equivalent of fairies and of the Germanic Elf.They give life to fetuses in utero and bestow upon them great gifts like the art of dancing, beauty, kindness, and luck. In folk tales, it is told not to upset them because they also have the power to do bad things or put a curse on the wrongdoer. They also act like guardian angels, especially for children who enter the woods, or for other good people.The word zână comes from the Roman goddess Diana. She is the one who has all the beauty, and is the one that gives it away.Zână is also used in current Romanian slang to refer to an attractive girl.

Știma Apelor

The Ştima Apelor in Romanian mythology is a primitive deity of sweet waters, the benevolence of which depends on the water stability, as well as the great floods as the drought, being a Romanian replica of the goddesses goddesses from the Greeks.
In the beliefs of our people, every water has a knowledge. She appears as a woman, unobtrusively beautiful, wild, white, with green-blue hair, long to the heel. When it’s in the water, it’s half a woman, half a fish. From time to time, one of the Knowing, angry at the earth, comes out of the river or the lake with the water after it, and goes over the fields and meadows, flooding everything in the way and drowning people and animals. After her anger is over, Ştima returns to his mother’s womb or sits in the ponds.In the drought, when the waters fall and the night is hiding in the depths they take their heads out of the water at midnight and ask for a man’s head, shouting, “The hour has arrived, / The man has not come.” Then wherever he is, the one who is destined to drown leaves everything and makes his way to the water where he will drawn seduced by the Ştima.

Muma Padurii 

Muma Padurii, whose name translates to “mother of the woods” appears in many stories as a guardian of the trees. She is a shape-shifter, appearing as a beautiful woman or as an old woman with skin made of tree bark. She steals children, torments mothers who gave birth out of wedlock, and if you steal her magic twig for kindling your house will burn down.She lives in the depths of the old mountains in the heart of the forests in a hut from a cavern of a secular tree. She wanders only at night time until sunrise.She comes in the middle of the night in homes with open doors or windows disfiguring and killing men. She also punishes men who whistle or sing in the woods waking up her children (the trees) and those that pick the forrest’s fruits or cut down the trees.

Fata Padurii

Fata Padurii (“the Forest Girl”) is a demon that lures young men into the woods, where it kills them. She has two faces: when she first shows herself to a man, she is a young and very beautiful woman, tall, thin, with big, black eyes that shine into the starlight, curved eyebrows, ruddy cheeks and long, dark hair. After she mesmerizes the victim with her beauty, Fata Padurii turns into a hideous and scary monster, she kills the boy and eats his heart. She only appears at night and never leaves the woods, so she doesn’t attack human villages. This monster is a symbol for a maturity test which all young men have to face: discovering love. The deadly threat of the demon warns the lad that love can have a dangerous side, at the same time with the beautiful one. There is a masculine counterpart for her in the dacian mythology, who appears to young women. His name is Zburatorul (“the Flying Man”), but he is less dangerous and aggressive than Fata Padurii. The romanian folklore contains several superstitions related to this demon: you shouldn’t whistle or sing in the woods at night and you shouldn’t fall asleep near a burning fire, as these signs might attract the monster. Fata Padurii is the daughter of Muma Padurii (“the Mother of the Woods”) and Paduroiul. Her parents are enemies and she doesn’t love any of them either. She stole from her mother the spell which makes her beautiful, and from her father - the magic ivy that she uses to trap her victims. She eats her prey’s heart not only as a trophy, but because she needs it for the transformation spell to work and turn her into a young woman.

Baba Dochia

In Romanian mythology, Baba Dochia, or The Old Dokia, is a figure identified with the return of spring. Supposedly the name originates from the Byzantine calendar, which celebrates the 2nd-century martyr-saint Eudokia of Heliopolis (Evdokia) on March 1. The Romanian Dokia personifies mankind’s impatience in waiting for the return of spring.A folk myth associates the 9 days from March 1 to March 9 with the 9 coats she’s shedding. It is told that her spirit is haunting every year around that time, bringing snowstorms and cold weather before the spring sets in. Women use to pick a day out of these 9 beforehand, and if the day turns out to be fair, they’ll be fair in their old days, and if the day turns out to be cold, they’ll turn bitter when older.
In other sources, Dochia was the daughter (or sister) of Decebalus, King of the Dacians. When the Roman Emperor Trajan was conquering part of the Dacian territory, Dochia seeks refuge in the Carpathian Mountains in order to avoid marrying him. She disguises herself as a shepherd and her people as a herd. When she realizes that there is no escape she asks the supreme dacian god Zamolxes to turn her and her herd into stone. 


Marțolea is a pagan being (widespread especially in the regions of Bukovina and Maramureș). The entity’s gender is unclear, as it can shapeshift at will. It lives up in the mountains and descends on Tuesday nights to lure with its singing and punish the women caught working.Usually its form is of a goat with human like head, horns and hooves. To married women it shows as an old woman, to married men as a virgin and to unmarried women as a young charming man. Called also Marț Sara (the old Romanian words for “Tuesday Evening”) is a malefic entity, who demands the semi-holy day of Tuesday to be respected and who forbids four women’s chores: spinning of the wool, sowing, boiling laundry and baking bread.  Marțolea’s punishments for these things are either killing by ripping or hanging the guts on nails to the wall and around the dishes.Marțolea repays the women who keep the Tuesday day sacred by leaving them eggs on their doorstep or flowers from the highest mountains in Bukovina. On the first night of March, women that wear March Trinkets (Mărțișor) are repaid by Marțolea with a silver coin that the girls will have to keep all year round.In some regions, there is a different character called Joimârița, another form of the Romanian word for Thursday this one however punishes lazy children. 


Samca is a very ugly and scary evil spirit: she most commonly takes the appearance of a naked woman with disheveled hair growing down to her heels, with dried out breasts that touch the ground, small eyes that shine as brightly as the stars, iron hands and long nails sharp as knitting needles or hooked as sickles and a tongue of fire.This demon whose very large, ugly and crooked mouth always spits fire can come out at the end of each month, around full moon, and usually appears to children under the age of four, who are so frightened that they become sick immediately. This demon can also appear to women lying on their birth bed, and once visible she would touch the pregnant women as if kneading on them, scaring them so much that they either die instantly or remain crippled for life.Samca can take different forms: a very large and fierce pig, a grinning dog showing awful teeth, a hairless cat with fiery, bulging eyes, a crow with bloody eyes and as a big black spider. The disease with which the children are touched children after Samca appears to them is called “the children’s malice”.Samca has 19 names: Vestitia, Navadaraia, Valnomia, Sina, Nicosda, Avezuha, Scorcoila, Tiha, Miha, Grompa, Slalo, Necauza, Hatavu, Hulila, Huva, Ghiana, Gluviana, Prava and Samca. To defend against Samca, people need to write all her 19 names on a wall of the house or have to convince someone else to write a protective spell, which they would afterwards carry on them. When attacked, this spell will make Samca harm the writer of the protective spell instead, with the exception that, if the writer of the spell was a person of age, Samca would not hurt them, making them just grit their teeth in their sleep. 


In the Romanian mythology Căpcăun is a supernatural character which can either appear with two heads or with a dog head and a human body.It’s said that these beings can turn into more animals (from bear to deer and so on).The term Căpcăun also means “Tatar chieftain” or “Turk chieftain”.This creature is described as a man-eating ogre who kidnaps innocent children and young women.


The Strigoi are the troubled spirits of the dead rising from the grave but some Strigoi can be living people too if they were born the seventh child of the same sex in a family, if they led a life of sin or if they died without being married/by execution for perjury/by suicide or having been cursed by a witch.Some of the properties of the strigoi include: the ability to tranform into an animal, invisibility, and the propensity to drain the vitality of victims via blood loss. (Yes, Strigoi are the myth behind the modern Bram Stoker).The name strigoi is related to the Romanian verb a striga, which in Romanian means “to scream” but the word is generally thought to originate in the Ancient Greco-Roman concept of the strix (Late Latin striga, Greek στρίγξ) which denoted either a witch or a type of ill-omened nocturnal flying creature or a hybrid of the two that was said to crave human flesh and blood, particularly of infants. Strigoi is known as the moroiul (the name used mainly in Ardeal and in the western parts of Wallachia, as well as in Oltenia), vidmă (in Bucovina), Werewolf or the “Poor” and is also called Vampir by the Meglenoromans.


Pricolici, like Strigoi, are undead souls that have risen from the grave to harm living people. While a Strigoi possesses anthropomorphic qualities similar to the ones it had before death, a pricolici always resembles a wolf.Malicious, violent men are often said to become pricolici after death, in order to continue harming living people.Some Romanian folklore delineates that Pricolici are werewolves in life and after they die, return as vampires. This also gives rise to the legend of vampires that can turn into animals such as wolves, dogs, or owls and bats. The common theme of all these animals being that they are nocturnal hunters much like vampires.
Even as recently as modern times, many people living in rural areas of Romania have claimed to have been viciously attacked by abnormally large and fierce wolves, victims of such attacks often claim that their aggressor wasn’t an ordinary wolf, but a pricolici who has come back to life to continue wreaking havoc. In a country that still has the largest population of canis lupus in Europe it’s not hard to guess how this mythical creature sprang to life. 


A Moroi is a type of vampire or ghost which leaves the grave to draw energy from the living. Moroi are often associated with strigoi and pricolici.Moroi can also be forms of demons which possess a living body, usually the body of a bear. They are also sometimes referred to in modern myth as the live-born offspring of two strigoi. It may signify an infant who died before being baptized.The origins of the term “moroi” are unclear, but it is thought by the Romanian Academy to have possibly originated from the Old Slavonic word mora (“nightmare”). Beyond the Carpathians, in most of the Transylvanian ethnographic areas, especially in the Land of Moti and in the Padurenilor area of Hunedoara County, Moroi (and its feminine form, Moroini) has only reffered the witches who steal the milk and cow’s hands, In a unique example of vampism directed against the food bounty brought by domestic animals. 


Vârcolac, in english Werewolf, is a demon who eats the Sun and the Moon, generating in this way the phases of the Moon and eclipses. The multiple representations of this creature, from real animals such as wolves and dogs to fantastic ones have led to a mystery over the form of the demon.Vârcolac is the representation of evil that disturbs the natural order of the world, and any deviation from the order established by the community can generate a werewolf. Vârcolacii, as well as strigoii can come from many sources, such as: unbidden children with anomalies, people who have killed a brother or sister, or even an act contrary to a tradition can generate a Vârcolac.The werewolf-man will transform during an eclipse, and most of the time, his soul is the one who will climb to heaven and eat the Sun or the Moon. If the bond of the soul with the body is interrupted during transformation, the soul is lost forever.The etymology of the word seems to come from Bulgarian or Serbian, from vylx + dlaka meaning wolf hair. The mythology of the Dacian-Gothic ancestors has a big influence on the Romanian mythology, especially through the cult of the wolf, which was also linked to the werewolf creature.


Balaur is quite similar to the European dragon; it has wings, fins, feet and it’s polycephalous.Often, the Balaur was depicted as a creature of epic proportions, one that “plants its footsteps on the mountain and touches the violet skies with its lofty crest.“While the balauri resemble dragons in many ways, weavers of Romanian lore point out that they have several distinct traits.In many tales, they’re actually snakes transformed during long periods of isolation underground.The snake turned balaur grows one head for each year of isolation.Some legends accredit them the common dragon ability of fire-breathing, but others ascribe to them the ability to influence weather and cause thunder, lighting and hail.In Wallachia it is also believed that the saliva of the Balaur can form precious stones (a risky way to gain treasure since like many dragons creatures of lore, Balauri often guarded great trasures).As a traditional character which is found in most Romanians fairy tales, it represents Evil and must be defeated by Făt-Frumos (a knight hero in Romanian folklore) in order to release the princess.


The Șolomonar is a wizard who is believed, in Romanian mythology, to control clouds and rain. They are said to be able to control the movement of the "cloud dragons”, to call a hailstorm, to cure diseases and to master the highest knowledge about the Universe. Their caste or order’s origin is often linked to that of the Dacian priests.
Solomonarii are said to be tall people, red-haired, wearing white capes on their shoulders and magic tools around their waists and they are most often seen around begging for alms or summoning and riding the “storm dragons” alone or together with Moroi. Fearing their wrath, people usually ask a Master Stonemason for advice. This Master Stonemason is a former Solomonar himself, who dropped the craft in favor of being again amongst people; his knowledge is highly prized because he knows the secrets of Solomonars.
The “Solomonars” were not supernatural creatures, but rather humans who learned special abilities. It is said that the children who become “solomonar” are born bearing a particular type of membrane on their head or on the whole of their body. Later, as the legend says, these children were to be selected into apprenticeship by experienced Solomonars, taken into forests or in caves which would usually be marked with encoded inscriptions. These children would learn the art and craft of wizardry, which they would use to fight against the dark forces of nature and of the human spirit. They are often said to be very secretive and if they lied or broke the caste rules, they were severely and cruelly punished. Some accounts state that Solomonars have a special book in which all their knowledge and power is gathered. This is the book they use during their apprenticeship and only one out of seven apprentices becomes a solomonar.The Romanian tradition does not doubt their existence. There are even witnessing accounts in Transylvania and Bukovina regarding the existence of living solomonars. There are however many interpretations for the myth’s origin, most of them connecting them with the Geto-Dacian priests, Kapnobatai and Ktistai. The Solomonars lived like ascetics, away from the civilized world, and sometimes they are said to actually live on “the other realm” but they are known to return to civilization and beg for alms although they do not need anything and wherever they are not received well, they would call a hailstorm as a means of punishment.

Arturo Michelena (1863-1898)
“Diana cazadora” (1896)

In Roman mythology, Diana was the goddess of the hunt, the moon, and nature, is associated with wild animals and the woodland, and with having the power to talk to and control animals. She was eventually equated with the Greek goddess Artemis, though she had an independent origin in Italy. Diana was also known to be the virgin goddess of childbirth and women. She was one of the three maiden goddesses, along with Minerva and Vesta, who swore never to marry.

Basic Wicca: An Introduction to Aspects

One topic that often confuses Wicca newbies is what aspects of the deities actually are, and what the term means. 

An Aspect is, in simple terms, a specific part of a deity that reflects certain elements of that deity within itself. Traditionally, Wicca has two deities (the Triple Goddess and the Horned God), who have three and two aspects respectively. 

The Triple Goddess

The Goddess (also known as the Lady), is often known as the triple goddess as a reflection of her aspects, and what they represent. The Goddess is a deity of moon and night, and her aspects are representative of that nature because the represent the phases of the moon. 

As the moon waxes from new to gibbous, the Goddess is in her Maiden aspect. This is also the aspect of late winter and spring. The Maiden represents childhood, innocence, young love, rebirth (especially after death), new fertility, the prospect of growth, and hope for the future. The things of springtime are the things of the Maiden, such as early-blooming flowers like daffodils, snowdrops and crocuses; eggs and milk; new leaves and buds; yearling meat from lambs and calves. 

From gibbous to gibbous, across the full moon, the Goddess is in her Mother aspect. This is also the aspect of summer and early autumn. The Mother represents maternal love, adulthood and growth, childbirth and childcaring, investments realised, care for others, and life flourishing. The things of summertime are the things of the Mother, such as harvested crops; fresh fruit and vegetables, flowers in bloom, fish and meat, leafy green branches, and other things of growth and summer.

As the moon wanes from gibbous to new, the Goddess is in her Crone Aspect until the cycle repeats. This is also the aspect of late autumn and winter. The Crone represents aging and the closing of one’s life, but also represents the past and contemplation, wisdom and knowledge, loss and death, and the chance of rebirth once more come the spring. The things of autumn are the things of the Crone, such as berries and nuts, late-ripening vegetables such as squash and pumpkins, fat and preserved foods, bulbs of flowers, garlic and the like.

Of course, the solar year cycle isn’t exact, and is dependent on what the life is doing at that time too. The Goddess is a deity of life and growth, and so if the summer hangs on late then so will the Mother, for example.

The Horned God

The God is traditionally depicted with two aspects that revolve around the solar cycle. They fight for dominance every 6 months, and create their respective seasons as they rule over the land. These are the Holly and Oaks Kings, who represent winter and summer respectively.

At the autumnal equinox, the Oak king has been banished underground to rejuvenate for his fight next year. The Holly king takes his throne, and rules over a land of cold and dying back for 3 whole months unchallenged. At Yule, the winter solstice, the Oak king’s power begins to wax as the Holly king’s power begins to wane, and by the vernal equinox the Oak king has risen from the ground, fought the Holly king, and banished him to lick his wounds for another 3 months underground. The Oak king rules for 3 months unchallenged, over a land of heat and growth, and at Litha his own power starts to fade. The two fight once more at Mabon, and the cycle starts over again.

The symbols of the Oak king are, of course, oaken branches laden with green leaves, often woven into a crown, but also all the trappings of summertime. The Oak king is sometimes equated with the Green Man of the Forest, with Lugh, and with Herne the Hunter (often thought to be a pagan deity who was “Christianised” into a ghost of Windsor Forest). 

The symbols of the Holly king are branches of fresh holly, often bearing red berries on green leaves, sometimes woven into a crown of their own. He is also represented by evergreen bows, commonly woven into a Yuletide wreath such as the ones we now associate with Christmas. He is sometimes equated to winter figures such as Jack Frost, Morozko, Old Man Winter, and the old Norse god Odin. He is also associated due to similar times with Father Christmas (Santa Claus).