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Get Out's Ending Was Originally a Lot Darker

***SPOILERS FOR GET OUT***

Speaking with ScreenCrush, the director recalled the finale’s original, dire tone, which saw Chris either slain or incarcerated by police, rather than saved by his friend. The ending was originally meant to speak to the false notion of a post-racist world:

In the beginning when I was first making this movie the idea was, ‘OK, we’re in this post-racial world, apparently.’ That was the whole idea. People were saying, ‘We’ve got Obama so racism is over, let’s not talk about it.’ That’s what the movie was meant to address. Like look, you recognize this interaction. These are all clues, if you don’t already know, that racism isn’t over. […] So the ending in that era was meant to say, look, ‘You think race isn’t an issue? Well at the end, we all know this is how this movie would end right here.’

Peele ended up walking back from the ending when, during production, the national discourse about race changed dramatically in the wake of the shootings of Trayvon Martin and Michael Brown:

It was very clear that the ending needed to transform into something that gives us a hero, that gives us an escape, gives us a positive feeling when we leave this movie. […] There’s nothing more satisfying than seeing the audience go crazy when Rod shows up.

Let’s be honest, I would date every member of the 1991-1994 Gryffindor Quidditch team