Michael Shannon is set to star alongside Taylor Kitsch in Waco, an event series based on the true story of the 1993 FBI siege of the religious sect in Waco, Texas, which resulted in a deadly shootout and fire.
Penned by John Erick and Drew Dowdle, with the former directing, the project sees Shannon playing lead FBI negotiator Gary Noesner, while Kitsch is David Koresh, the notorious leader of the religious group
the Branch Davidians, holed up in their compound for nearly two months.
The story will explore the true-life events leading up to and chronicling the 51-day siege, and will be told from several perspectives of those who were involved — from both sides of the conflict. The two actors will also executive produce along with the Dowdle brothers, while Ludacris is being eyed to portray Branch Davidian member Wayne Martin.
To see more of John’s artwork, check out @urbanusling on Instagram. For more music stories, head to @music.
John Beijer (@urbanusling) is a 25-year-old graphic designer out of Stockholm who got his start doing graffiti before switching gears to the crazy-colorful hip-hop portraits he’s currently known for. The son of a painter, John has been listening to rap music ever since his brother downloaded M.O.P.’s “Cold as Ice.”
Instagram @music is looking for the best #hiphopart, on Instagram. For your chance to be featured, create a visual that’s influenced by hip-hop in some way, tag it #hiphopart, then post it. That’s it.
If no one ever told you to be yourself, this man was the very image of that and was the best that ever did it. Thank you for what you contributed to the music industry. May your legacy live on forever! Rest In Peace.
Before she was “Betty
Davis, recluse,” Davis was Betty Mabry of Durham, North Carolina. Her
family later moved to Pittsburgh and at sixteen, the preternaturally
talented gamine leapt to New York, where she immersed herself in design
study at the Fashion Institute of Technology. Gorgeous, with a smile
that could ignite wet paper, she began modeling and landed spreads not
only in Ebony, but Glamour, too, almost unheard of for a black woman in the late sixties.
was the twenty-three years old when she became Miles Davis’ second wife
and part-time muse, introducing the iconic trumpeter and composer to
her close friends, Jimi Hendrix and Sly Stone. Betty wasn’t merely arm
candy, however – she was a musician in her own right, a fact that
likely added to the mercurial nature of her marriage to Miles, which
ended after a year. “The focus on my personal makes me a bit
uncomfortable sometimes,” Davis says. “It doesn’t really matter to me in
that degree.” Which is fitting for a woman who wrote and arranged all
her songs and turned down collaborating with Eric Clapton, reportedly
because she found his work too staid.
impression was that Betty seemed humble, but not shy,” recalls renowned
drummer (Sly and the Family Stone) and producer, Greg Errico, who
helmed Betty Davis. “She was focused, had a plan, and knew just
what she wanted. I was at CBS Recording Studio in San Francisco. It was
in 1972 and I was producing an album with Michael Carabello, the
original percussionist from Santana. He brought Betty by the studio to
meet me. We chatted briefly and she asked if I would produce an album
for her and that she had just signed a record deal with Michael Lang,
the creator and producer of Woodstock.”
says today, “What prompted me to sign her was the combination of her
personality, her look, the freshness of her approach to music, and her
self-confidence. The grooves were monstrous, the lyrics explicit and
outrageous, and the singer very much ‘in your face’.” Indeed, when Davis
sang “I used to beat him with a turquoise chain” on Different’s
“He Was a Big Freak”, she exuded a sly and volcanic carnality that was
unprecedented in 1974. And while she was a feminist and as Carlos
Santana later recalled, “a real Black Panther type woman”, she
frequently performed in lingerie and fishnets, which set her apart and
guaranteed she fit in nowhere.
really didn’t think that I was writing about sex or anything like
that,” Davis says. “I was just writing music, you see.” After the
lukewarm reception to 1975’s Nasty Gal, she quit the music
business in disgust. “However I was perceived, I had nothing to do with
that,” she says. “It wasn’t difficult to walk away.”
Davis is lauded as a visionary, albeit one few people under the age of
thirty can remember by name. Her legacy lives on. Ice Cube, Talib Kweil,
and Ludacris have sampled her tracks and Lenny Kravitz and Skin just
covered “Anti-Love Song” off Betty Davis. “They did a really good
job,” she says, her enthusiasm palpable for the first time. “I’ve been
writing recently. And I’ve been thinking about having other people do my
material,” she continues. “Maybe get into production. I don’t really
know. I’m not interested in getting back into the business yet.” When
asked if there’s a fraction of a chance she would take the stage again,
the answer is a flat “no,” a faint growl in her voice punctuating her
resolve to stay in the shadows. [Read More]
Ludacris and Ciara talk to 95.5 PLJ Radio about Taylor Swift
Ciara:Girl power. I got to join her on the stage this past fall, at the Century Link Field. Her fans are craazzyy. She has what you call true fans (laughs), but she's awesome. She's a true, true superwoman.