35 followers..........(well 87 but that includes porn blogs)

I think I should call my followers kiwis..
Anyway I want to tag all the people who supported me ^-^
Sorry if you aren’t tagged"

@zabdieltheanimallover (sorry I couldn’t tag them ;-;)
@mangoo-the-traveler (sorry I couldn’t tag them ;-;)

Tysm for the support!


Chinese New Year Market 2017: Year of the Rooster Part 2

A really long and huge Chinese dried goods store that mainly sold:

● common Chinese sausage 腊肠 (Mandarin Chinese: la4 chang2; approximated Cantonese: laap6 choeng2)

● duck liver sausage 膶肠 (Mandarin Chinese: run4 chang2; approximated Cantonese: jeon2/jeon6 choeng2)

● dried duck 腊鸭 (Mandarin Chinese: la4 ya1; approximated Cantonese: laap6 ngaap3/ngaap2)

● salted dried fish 咸鱼 (Mandarin Chinese: xian2 yu2; approximated Cantonese: haam4 jyu2)

and other dried foods.

Another stall sold pussy willow 银柳 (yin2 liu3 lit. silver willow), which is seen as a symbol of luck and prosperity (cos’ silver refers to money, e.g. taels of silver, where tael is a Chinese unit of weight that when applied to silver, is also a unit of currency). Also, yin liu when reversed is liu yin (ignoring the tones) and means ‘leaving silver’.

photos by us
Anniversary of Emergence

Pitchshifter pitchblende saltpeter
arsenic on the Avenue of WaitaSecond
Got a beryllium burger
at tha “YouKiddinMeKid Kafe”
down at tha corner
of JellBellyBaby St and Maple
Hey man
is that the best that you can do?
Cos thizziz my day
Go big or go extra pepperoni double cheese
Gotta boot in the stirrup
the Ob/Gyn says “You got a penis,
I think yer in the wrong car”
Hey whatsit and whatever man
I’m making my own reality
Cos it’s my day
All the buildings
are made of Legos® made from legs
The monorail gave me mononucleosis
but I happen to know everyone’s
going down
and they always swallow
their pride
Pinch a puppy for luck
anything is possible
Cos it’s my day

#TwinPeaks: Kyle MacLachlan on creating doppelgängers and Dirty Cooper

  In the original Twin Peaks, Kyle MacLachlan was Agent Cooper, one of the great heroes in TV history. On the new Twin Peaks, the star plays multiple Coopers, but none of them are yet the Agent Cooper we know. He’s Cooper’s disembodied spirit. He’s Cooper’s evil doppelgänger, driven by a ruthless desire to survive. He’s Cooper’s evil doppelgänger’s dim-witted, adulterous, everyman double (now deceased). He’s a reincarnated Cooper but sapped of mind, memory, and much personality (though blessed with incredible gambling luck). It’s like co-creators David Lynch and Mark Frost have teamed with their actor to turn Agent Cooper into an art project: the loss of heroic goodness and the flourishing of anti-hero on TV. 

That’s just my theory. MacLachlan himself is just having fun. The actor, 58, says the new Twin Peaks presented him with a challenge that was nerve-wracking and thrilling, and he delighted in the creativity of making it work for his longtime friend, Lynch, who directed him in Dune and Blue Velvet. He tells us we haven’t really seen anything yet from Twin Peaks, although, of course, he’s sworn to keep the details secret. “It’s David Lynch,” he says, “and he’s taking you to a place that he wants to go. It’s in his mind, we’re going on this journey with him, so buckle up, here we go!”

We caught up with MacLachlan for coffee and a brief chat about creating his multiple Coopers before he left for France to bring Twin Peaks to the Cannes Film Festival.

ENTERTAINMENT WEEKLY: Are you pleased with the response so far to the show?
KYLE MACLACHLAN: I am. I thought the reviews were acknowledging that they were seeing something unusual and very difficult to judge because it’s a small portion of what is clearly a longer journey. At the end, there will be a lot of things written, I can imagine, about the experience, whether it was fulfilling or not. But right now, it seems like the reaction we’re getting is, if this is your cup of tea, it’s a pretty great journey to take.

Did you watch the premiere when it aired?

I didn’t. I had seen the first two when they were screened at the Hollywood premiere, and the impact on me was pretty profound. So I’m sitting in that before I go back and revisit it again because I know my second time through, I’ll become very critical. I think that’s part of the process. Unlike so many other things on television – and this is not a criticism, it’s just the way it is – this is something that you really need to sit with, I think. It resonates and it continues to resonate if you let it.

  What did you make of Cooper’s dark doppelgänger when you first 

encountered him in the script or when David and Mark told you about him?

I felt challenged, immediately. When we met initially, David said, “We’re doing Twin Peaks, I need Cooper, are you in?” And I said yes — that’s a no-brainer — and then he said, “Well, there will be a few other things, too,” and he didn’t go into great detail about the “other things” that I would be doing that I can remember. But when I read it, I went, “Oh, wow, okay.” I was nervous, but I was — and am — also incredibly humbled that David would give me this opportunity to play a character that is so unlike me and anything I’ve done, that he believes in my ability enough to trust me to do it. Because he’s got no choice! He’s got me! I’m Cooper! But that he has the trust that it would work meant a lot. I still didn’t know if it would work until I saw it the other night. I mean, I remember the filming of it, I remember feeling pretty good about it, but to actually see it, and see if it was successful, I was really pleased.

How did you construct the look and tone of this Dirty Cooper?

I remember in the early stages, I said to David, initially out of my own insecurity, that I thought one thing that would help would be black contacts for the eyes. I had seen it done before, used to make it feel like there was an entity in there, behind the eyes. I ran it by him. I half expected him to say no, we don’t need that, but he said that might be good. So we tried a variety of contacts, from very dark to not so much and different styles. I kept asking David, “Is this taking you out of the process, is it taking you out of the journey of this character?” And he said no, it’s working great. It looks like there’s a darkness there, but you’re not completely sure. Everything about him is dark. My skin is mottled, my hair is greasy and kind of long. You know how Javier Bardem did it in No Country for Old Men, where he had that very specific look, where he was almost angelic, but in a demonic kind of way? We wanted something that was like that, but not too over the top. No long scraggily hair, for example. This is kind of coiffed in an awkward way. That was an important part of the look, as well. We found all these elements separately and it worked. It was a great process. I don’t usually get to do that.

And obviously, we’re supposed to be getting a hint of demon BOB in there, right?

Oh, yeah. Yeah.

How about the wardrobe, the shirt and jacket?
That was David. We tried a few different ones before we found the one we really liked. We went through some jewelry options that were all discarded and rightfully so. Simple is always better. It’s always about finding the character without cluttering the character. In my mind, you want to put in just enough salt. You want to come up from underneath him and stop just when you find him and not go any further. Knowing when to stop is really important.

You also lower your voice, and while we get intensity, even interest in the game of staying alive and in the world, you don’t play his evil with much joy for it.

Yes, I thought there should be gravity there, there should be stillness there. Rhythmically, he should be different, different on so many levels. I tend to be a little more animated in real life and when I work, and Cooper is certainly animated in life and my work. This guy doesn’t have any of that. He is there to be served.

How do you conceptualize a character like this in your head? Do you think of him as a human being? A demon? An idea?

He’s a shark. There’s no remorse, there’s no happiness, there’s that quality when the shark is feeding and relishing it, the frenzy — the inhaling of someone’s soul — that’s him. He, for me, was real, insofar as being a living thing. But it was more about playing his force, his energy, his will. Those were the things that I hung onto, as opposed to making him real. He goes to places I haven’t been much as an actor. There was a thing I did several years ago called Where the Day Takes You (1992), where I was a drug dealer. This character is kind of in that direction, but it was a long, long time ago, so this was a new place for me to go. Thank god it did. I remember thinking, if I’m going to go someplace new, who better to take me there as a director than David? Because I know I am going to be completely protected and cared for. And that’s great for me as an actor I don’t have to self-monitor.

I have a visceral reaction to scenes where characters throw up, so part 3 was something of a treat. Your Coopers threw up a lot in that hour. That must have been fun to do.

It was vile. Vile. Yeah, that was not the most comfortable sequence there. I was sort of overwhelmed by the amount! That’s all I can really say about that. It was vile and it was a lot.

What was it made of? 

I know cream corn was part of it. But after that, I’m not sure what they used.

 You also got to play another version of Cooper, Dougie Jones.

That was a fun little departure,. It was all about trying to capture in a few little moments, the awkwardness of that and the reality, of that guy, and the fun of it. He’s s screw-up, a lovable screw up. That was fun. It was very brief, just a day, maybe two days of filming.
  The first two episodes and part of the third, Agent Cooper exists in these otherworldly, metaphysical spaces — high concept, very personal scenarios of David’s design. What’s it like as an actor to navigate those scenes when you’re performing them? And how much of those sets are built-out and how much of it do you have to imagine?

  Some practical, some descriptive, but either way, always, I’m checking with David to get as much info as I can on the environment. What am I falling through? What is the texture? What could I possibly see? How overwhelmed or underwhelmed am I by the experience? That’s always a key concern for me. Always I’m trying to find the regulator, so I’m in the right state of mind for that moment.

What advice did he give you on how to move through the sequence that opens part 3, when Cooper finds himself in that space with the woman with sealed-up eyes?

What I have found in those situations is that most of the time the audience will do most of the work for you. So while David will tell me things like, “Look off the edge and watch her fall,” I don’t have to reflect back your reaction, to do the shock or the GASP!, because the audience will do that for you. What I’m doing as Cooper is to be in the moment with my wits about me, taking in everything, recognizing that I’m on an unusual, strange journey. I took the position that Cooper knows that this is going to be crazy, that something weird is going to happen, and he just needs to go with it. He’s going to need to have to use his wits to find his way through, the best way he can, but ultimately, he’s going in the right direction. That’s what I held onto. We filmed that sequence in all sorts of bits across time and I can’t wait to see how they all flow together.

 What was it like to act with talking trees in the Red Room scenes?
I had no idea. It was an X on the curtain. The first time I saw the trees was when I saw it on screen at the premiere.Was there a description in the script?
No. it was just a voice. I don’t think there was even any dialogue. Yeah, that was odd.

Agent Cooper is back on Earth, but he’s not yet the Cooper we know. Can you describe a bit how you make sense of this Cooper? 

This is a guy that is a child — not even a child, a baby, who has the focus and the capability of a baby. So if something is interesting to him, all his focus and attention is on that object for as long as it’s there or until something else gets his attention. Everything is new for this character. Just the exercise of it was fun, and finding the funny quirky moments, too. And to play with tempo — how long can you play something out? And that plays into one of the things that David is so brilliant at, which is rhythm. Rhythm and tempo. So it was just great playing in that space and style that he does.

There’s that moment in part 4 when Cooper takes the drink of coffee, and I thought maybe, in that moment, his mind would come rushing back.
Yeah, I thought that too. It’s going to be interesting to see how that tension plays out and how the audience responds to it. I was thinking about this and how people are responding to it right now — there is just so much more to come! Each time, each part, there’s going to be such new stuff. And people will go back and start to put the pieces together, they’ll start assembling this story. It’s unlike anything I’ve seen before on TV.New episodes of Twin Peaks air Sundays at 9 p.m. on Showtime.

link (TP)

I’m Okay (Slight Trigger Warning)

Summary: Taehyung is there to help you when things seem to get a bit too stressful.
Members: Taehyung x Reader
Type: Angst/ little fluff
Length: 1,565 Words

Okay, so this really means a lot to me. A lot of this is currently happening to me and I have been having some pretty stressful days and next week is going to be a nightmare. This story both gave me an anxiety attack, but also helped me through it in the end. So just be aware while you read this if you are prone to anxiety/panic attacks easily. <3

-Admin Kat

Also, fun fact. The motto in this story (and title) “I’m Okay” is a phrase I started saying last year when I had anxiety attacks and I got it tattooed on my wrist as a permanent reassurance.

Originally posted by jimins-bootae

“Wait, what do you mean the essay is due tomorrow? I thought she said it was next week.” You said over the phone as your friend asked you which sources you were using for your essay. You let out a sigh as she told you that it was moved up. “Shit, okay. Sorry, I totally forgot.” You could feel your head starting to throb as you thought about it. You were counting on the extra week to work on the essay. You already had so much to do. Not only was your Literature 280 eight page essay due, but you had an exam for psychology, an exam in Computer Science 100, and another three page paper to do for your Theatre 110 class. You told your friend that you had to get going, and quickly hung up the phone.

Keep reading

what happened

I’ve been debating how much of this I can actually explain on here. There was a chance that some of this made it into a news report (not me getting attacked, but the thing that was part of the reason for it), which would mean I can’t get too specific without risking anonymity. I’m now fairly sure the salient details will be successfully kept out of the news to protect the guilty, but I’m still gonna be vague on the topic of what happened prior to the attack.

Simply put I objected to a thing I was asked to do at my job. Let’s say, uh, I was taking away some garbage and there was a human finger in there and I objected to being told not to call the police, that’s the sort of thing I’m talking about (details altered).

Circumstances align (I’m guessing somebody arranged this) so that actually I can’t tell file a police report that day, it would have to be the next day, so I’m headed back to the garbage truck telling a co-worker what happened, and somebody shows up between us and our truck and decides to teach me a lesson in keeping my mouth shut.

So now we get to the bit I only found out about later, cause I was unconscious at the time. My coworker has first aid knowledge - at least enough to know that unconsciousness following a head injury is super bad news, and both that and the likely broken ribs (because of the risk of puncturing a lung) need to be looked at really fast. Minutes might count.

We are literally 50 yards from an enormous, well-supplied hospital.

But he knows the score, so instead he’s got to single-handedly drag me onto his work vehicle and drive ten miles to the red district, while he himself is bleeding and fuzzy from his own head injury, because OUR SOCIETY IS FUCKED.

It is solely due to luck and that co-worker that I am alive.


Just wanted to let you know I’ve seen your messages and @s and kind words to me! I just want to say a massive THANK YOU! You guys are just the best! I swear! I couldn’t have found a better fandom! I will reply to everyone as soon as I get back on my computer. I’m still feeling pretty poorly right now but I’m excited to get back into it! Especially, since being sick has given me time to daydream about my fave dickheads and the situations they find themselves in!

Now wish me luck cos even tho I’m not too well I still have to attend the class I signed up for :/
Good thing it’s just a pottery class but still I paid for it and therefore will go! Just gonna have to sit close to the front as my hearing is just not up to par. :/

I hope you all are well!

do not get sick! It’s no fun! 😆😷

anonymous asked:

Are any swords good in science like you are? If there aren't is it lonely to not be able to discuss any of your work with others in detail, especially if you've hit a roadblock in your experiments. Although I think it'd be fun to try weird solutions to them 😁

Unfortunately I haven’t had much luck finding a co-conspirator. Kashuu is working in the lab right now but his projects don’t intersect with mine much–though the company is nice. He’s working on new recipes for bath bombs and face masks. Mitsutada was fairly curious when I told him cooking involves a good deal of science, but as soon as he discovered my experiments didn’t taste good he lost interest and went back to the kitchen. I’m still holding out for a companion with whom to share my passions.

Architecture was one of Adolf Hitler’s passions, and he commissioned hundreds of buildings and arenas reminiscent of imperial Rome to inspire and intimidate.

It’s a legacy Germany has struggled to erase by re-purposing or razing Nazi-era structures. The Federal Office for Migration and Refugees, for example, was placed in an old SS barracks in Nuremburg, while the German Finance Ministry took over the Nazi aviation building in Berlin.

The Berlin bunker where Hitler spent his final days was reduced to a parking lot.

Usually there’s little or no complaint about these refurbishments. But one government-sanctioned plan for a Third Reich landmark is sparking a public outcry — a commercial exploitation of the biggest Nazi relic on the Baltic Sea coast.

It’s a resort Hitler built between 1936 and 1939 along sandy, white beaches for working-class Germans, one that was grandiose even by Nazi standards. Concrete dormitories that are six-stories high and 550-yards wide were erected side by side over 2.8 miles of pristine coastline on the northern island of Ruegen.

But the sprawling retreat that was meant to house and indoctrinate up to 20,000 people in National Socialism — each for less than $9 a day — never actually opened because of the impending war, says Katja Lucke, co-director of the Documentation Center, a museum at the site that details the resort’s Nazi history.

“Everyone was thinking, ‘What is going on with this complex?’” real estate developer Ulrich Busch recalls. “It was a huge, ugly, fallen-down angel on the seaside. And a lot of people were saying: 'Hey, we have to tear it down.’ But a lot of people were also saying: 'It’s a historical site and we have to protect it.’”

Along Germany’s Coast, A Nazi Resort Becomes An Upscale Destination

Photo caption: Katja Lucke, chief historian of the Prora resort complex on the German island of Ruegen, worries that redevelopment of the site as an upscale holiday destination glosses over a dangerous part of German history that shouldn’t be forgotten. The Nazis built the complex in the 1930s, but abandoned it during World War II. Credit: Tobias Schwarz/AFP/Getty Images


So you want to start a roleplay, but are worried about not knowing how to be an admin? Or maybe you’ve admined before, but you always felt like you were doing something wrong. Everyone gets worried, and no one is a perfect admin. I don’t think there’s such a thing as a perfect admin. But here’s a few tips and guidelines that should help you figure out things.

Keep reading

crispykrimi  asked:

Hello! I am co-creating a comic and while many aspects are coming together, its lacking an overarching plot. There are a few subplots and smaller conflicts, but it needs a bigger picture plot to tie it all together.

Finding a Big Plot Within Smaller Plots

You might be looking at the problem backwards. Instead of trying to find something that ties them together, try to connect each subplot one by one and see what it becomes. 

Take two of your conflicts/subplots (just 2) and write them out in detail. Label one A and the other B, and then ask yourself: How could A cause B? And when you’ve exhausted yourself trying to come up with an answer, flip the question and ask: How could B cause A? 

A good plot is made up of lots and lots of cause-and-effect relationships. If big chunks of your plot just happen, without one thing flowing into the next, it becomes episodic. Which isn’t necessarily a bad thing, but even episodic stories need that flow of cause-and-effect to make them cohesive and compelling. So if you’re lacking that thread that weaves everything together, start by making small connections between pairs of conflicts/plots.

Connecting two conflicts that seem completely unrelated is easier said than done, but if you approach it with an open mind, it can actually be really fun. Do your best to ignore all other aspects of your story and just focus on the two things you chose to start with. If neither subplot includes the same characters, then find ways for those characters to connect. Make one of them related (perhaps distantly) to another one, or give two of the disconnected characters a connection from the past - an experience they shared, or a relationship that went south. Once you have two characters from each subplot connected in some way, it becomes easier to think about how each of their plots may affect the other one. 

It’s also possible that the two plots don’t even need character connections to make that C&E relationship. An extreme example could be a group of friends destroying some supernatural nexus, and that destruction creates a wave of side effects that cause chaos for people that have no connection to that original group of friends. So you don’t need a character connection to bridge two subplots, but if you’re stuck, it can be one way to get going. 

It’s challenging for me to give specific suggestions not knowing what type of story this is, but my basic nugget of advice is to make C&E your mantra. With any conflict, understand what caused it, and then further, understand what effect it will have on other characters or plot elements. You’ll likely create even more scenes and conflicts based on that kind of thinking. 

But if you do manage to connect two of your conflicts that previously did not relate, challenge yourself further by adding a 3rd one that you’ve got sitting out there in limbo. See if you can somehow fit that into this new puzzle you’re creating. 

Sometimes a plot will come together when a writer starts with one idea and builds on it, but other times plotting happens when we take the randomness of our brainstorming and carve the edges of each piece so it fits nicely into another one. 

I don’t know if this helped at all, but if you start asking the right questions - what caused this, and what effect does it have - then I think you start coming up with answers that naturally fill in the gaps. And you’re in luck that you’re a co-creator. You’ve got more than one brain to tackle it, which trust me is very valuable. I’ve cowritten before and the ideas two people come up with together, by one person expanding on another person’s idea - that is something difficult to replicate when you’re working completely by yourself. 

Good luck!


Different In Time...

its been to long since i have updated and added to this fic! ive been so caught up with reading other amazing fics and writting a little d\rabble that i havent had time. Plus my silly computer thought it would keep cutting out on me so i am sorry for poor editing i just need to post this before it shits on me again… i dunno how i feel about this, its a little short but i am just gunna throw it at you and run :D


Chapter 6

Rae paused as she entered the school gates, she swiftly pulled her walkman out of her bag so she could drown her thoughts. The comfort she felt in damon albarns voice made her sigh as she remembered the awful fight she had with her mum the day before. Her mind ticked over as her mums cries echoed in her head, she quickly blasted her walkman to top volume to drown out the negativity. She picked up her feet and entered through the main doors towards her locker, ignoring all the ‘hellos’ and waves as she passed the unknown faces. she reached her locker in record time slamming it open and shoving her bag in, her sweaty hands gripped the sides of her locker as her breath got more intense. she slowly looked up to her time table and let a small smile creep across her lips, the words PE stood out under the pink highlighter. Her mind relaxed and her breathing steadied as happiness slowly killed any negative thoughts of the day before, finally it was something to take her mind of the events of the day before. Rae grabbed her PE bag and slammed the locker door, she swivilled her stance and headed for the girls locker room with determination. she just wanted to forget.

She headed towards the school oval with Amy and Charlotte next to her, they were both on her football team and she felt comfortable with them so she let the conversation flow.

“What are they doing here” quipped Amy, Rae and Charlotte’s eyes looked down to the school oval and noticed the boys PE class standing around in there usual spot.

“I dunno amy, maybe they have come to watch us” giggled charlotte and she started to jog towards the boys. Amy scoffed and Rae did her signature eye roll until she saw him standing there. Finn.

Finn looked up to see Rae walking down towards them, his eyes linguring a little to long on her body. He became tense as he noticed her very little clothing. The way her shorts rubbed against her uper thighs, Her oversized off the shoulder dance t-shirt that grazed the hem of her shorts, her very noticable red sports bra and trainers but the one thing that was unforgettable was her long raven hair blowing in the wind, right then and there he noticed the blush rising in his cheeks.

“Hiya” she laughed as she ran towards him and jumping into his arms, he grasped her thighs as she rapped her legs around his waist and quickly spun her around so he could listen to her laughter a little bit longer.

“hiya girl” Finn cocked his head back to look at her face before bopping her on the nose and settling her feet back onto the ground.

“What are you guys doing her Finn?” she questioned as she looked around at all the lads.

“I dunno, coach told us to meet here today, bu’ didnt tell us why”

“OI, lads anyone know whats going on…” Rae yelled as she placed her arm over Finn’s shoulder but looking around at all the guys.

Jimmy who was on the boys football team piped up. “I dunno rae-rae we was told ta come ‘ere ay”

Coach Carter and Coach Nickle both came towards the confussed students laughing.

“Well by the looks of your faces yo’ lads and lasses have no idea what is going on…” Coach nickle paused looking around at everyones faces “Well today we are going to have some friendly competition… BOYS VERSES GIRLS in a football game…”

“You what?” scoffed Jimmy.

“You heard coach nickle, we are going to have a footy game. FRIENDLY football game with minimal contact, get the blood pumping. You lot are mostly on the school teams and those of you not wantin ta participate can pull up the bench an watch” chuckle coach carter.

“We cant play against them… They will get hurt!” a lad named dylan quipped.

“Speak for ya self! We didnt get on the school team painting our bloody nails” huffed Rae and she put her hands on her hips glaring at the lad.

“Rae… He’s right. You’ll get hurt” Finn said shyly not making eye contact with her.

Rae spun around to look at Finn, he could feel her eyes peer into his soul. She began to laugh and his eyes shot up to meet hers.


“Your scared your gunna loose, aint ya finny boy…”

“Aww come off it, i know were not its just tha” he trailed off as he watched her cheeky grin grow bigger, he knew then that she was trrying to wind him up.

“Finn there is a bench over there” she pointed to the bench were a few girls have already started to sit at “if you dont want to play, ya know if your scared an all”

“oh im not scared… Dont cry to me though if you break a nail” Finn chuckled as he walked past rae towards the rest of the boys.

“OK, OK” Coach Carter piped up. “This will be a a clean match, eleven on eleven… which by the looks of it will be you lot standing” He peered over his shoulder to notice some girls and boys sitting on the bench chatting.

“Rae, Finns since you guys are already the captains of the school teams you will be captains in this game. Keep your player together and for the love of god no funny business” snarled coach carter as he pointed between Rae and Finn. Rae and Finn both Flashed smiles at each other and rounded up their players. 

Finn and the boys walked upto the girls who were all huddled in a group talking tatics.

“Ya know m’dear i wish you good luck cos ya gunna need it girl” Finn said cheekily as Rae turned around. She took a step forward and now they were only inches away for each other, they could both feel each others hot breath on each others skin. She cocked her head to the side and grabbed the two hair ties off he wrist her eyes never leaving him. she placed one hair tie in her mouth and the other one stayed just behind her knuckles as she grabbed the back of her shirt and scrunched it up. Finns eyes moved to her waist as he saw her shirt rise revealing an inch of her skin, he let out a shaky breath and darted his eyes up towards her face again. After she tied her top up with her hair tie she turned her body side on to Finn and flicked her hair forward and used her left over hair tie to put her hair in a messy bun. Finn used all his power to keep his eyes on Rae’s face and not look at her backside, he could see out the corner of her eye that she arched her back and moved her bum in the air to try and put him off. she Returned to her original position facing Finn and dragged her tongue slowly across her her bottom lip. the intensity on that move mad Finn quiver as he stuggled to keep eye contact.

“Ya know finny, thank you” She slapped her hand on his back and started to jog towards the grounds leaving Finn standing there with his mouth open.

Jimmy came up and placed a hand Finn’s shoulder from behind, He turned around to watch the girls warming up still with his mouth slightly open.

“What do you call that finn” Expressed jimmy who was now shaking his head and smiling.

Finn turned his attention to the rest of the lads who were now standing there shocked and by the looks of things slightly horny.

“I have no idea jim… I guess she was trying ta put me… i mean us off”

“Well Finn i think she did a fuckin good job we cant play with hard on’s can we” chuckled one of the lads.

“Cut it chase, let go kick there ass” Huffed Finn as he set off towards the football pitch.


The tensin between Rae and Finn becane very noticable between the other players as the Game went on, Rae nudging Finn in the ribs a few times and Finn Returning a couple of trip ups towards her. The boys were all playing softly being careful not to touch the girls much worried that the coaches would give them a detention, leaving the girls to run circles around them laughing. Coach nickle blew the whistle signaling the game to be over, everyone paused on field dripping with sweat. Finn came bounding over to Rae from behind sweeping her off her feet and swinging her around.

“Eww finn put me down you are sweaty” laughed Rae as she attemped her get out of his grip.

“Don’ Ya like my sweat body girl” He replied as he nuzzled his head into the back of her neck wiping his wetness onto her.

Rae squatted him way as she managed to get away from his grip, she took off running towards the bench with Finn tailing behind her.

“Alrigh’ students good game, Boys you were a bunch of pussies! Next time dont let the girls get one up on ya” Coach Nickle chucked “Now hit the showers ya look like a mess” he continued.

Finn came to stand next to Rae laughing at the coaches honesty and agreeing with him. Rae watched the boys walk of in defeat, even though the score was even she could she the embarrasment flood their faces.

Finn turned to Rae and nudged his shoulder with hers “See ya at lunch ay girl”

Rae smiled and nodded as she took off towards the changing room to get out of these clothes and run a hot shower. On the way her mind was running overtime, she thought about every touch and smile he gave her. She was confused with the signals that he was giving her, something seemed different between them since the pool party. The feeling lit a fire in her belly and she let her mind wander and she quickened the pace to the changing rooms.

Stop Rae, you are just friends

It was just friendly banter nothing more

But… the way he touched me was different

i cant stop this feeling

i think im falling for Finn Nelson. 

Finn Nelson my best friend. 

Finn Nelson the fittest lad in school.


She dragged her aching feet into the changing rooms and looked up the see evil eyes glaring at her, she could feel the hate in one single stare. The intimidation boar a hole into Rae as she froze infront of her, The tears prickled her eyes but didnt fall.



TAGS: kneekeyta stinemarine milymargot tinakegg flxwxry emu4ever finnleysraemundo rinncincin alyssaloca mirandasmadeofstone bitchesbecrazy89 lilaviolet annemarieted

(Trans) Track Information for Jaejoong’s 2nd album, No.X


1. Good Morning Night (Lyrics by Jaejoong)

2. Drawer

3. Love You More

4. Love You To Death  (Lyrics by Jaejoong)

5. Good Luck  (Lyrics and co-composed by Jaejoong)

6. Blame  (Lyrics and co-composed by Jaejoong)

7. Welcome to my wild world

8. Breathing  (Lyrics by Jaejoong)

9. All that Glitters  (Lyrics by Jaejoong)

10. Meeting again will meet again but.. (Lyrics by Jaejoong)

11. You know what?  (Lyrics by Jaejoong)

12. Run Away  (Lyrics by Jaejoong)

(trans: crystalmoon64)

Links to order Jaejoong’s 2nd album^^: (click)


So it’s been super long since I did a giveaway. I’ve been trying to be consistent, but I missed doing one for summer and fall. Because of that and the fact that I loooooooooove winter this giveaway will be exkra special. This giveaway package will consist of the normal stufff, as well as items from black owned businesses that I personally shop at. I would like to include more black owned businesses’ products for future giveaways ,so you guys give me some suggestions for some new places to shop!!!

Wellness Packages will include

-one month supply of Hairfinity

-$200 giftcard to Ugg

- $75 giftcard to Barnes & Noble

- 3 Colored Raine lipsticks of your choosing

- 3 bundles any length and texture from Miyi Hair

- Simple Ice choker from

(Packages will also include a tea of my choosing.)

-There will only be two recipients this giveaway. Winners will be selected Dec 14, 2016 at 12:00 p.m. PST. For those of you who do don’t know how giveaways work you will message me if you are interested in participating and I will then send you back a number . Numbers will be selected AT RANDOM by a random number generator. This makes the process completely fair. 

Good luck

- Nik, co-founder of Live Free