love joan


On this day in music history: November 18, 1981 - “I Love Rock ‘N’ Roll”, the second album by Joan Jett & The Blackhearts is released. Produced by Kenny Laguna and Ritchie Cordell, it is recorded at Kingdom Sound Studios in Syosset, NY from Early - Mid 1981. Issued as the follow up to their debut “Bad Reputation”, it is also released on (former Casablanca Records founder) Neil Bogart’s Boardwalk Records. The title track, originally recorded by The Arrows in 1975, will be the band’s biggest hit, spending seven weeks at number one on the Hot 100 from March-May of 1982. Initial pressings of the LP contain a cover of the holiday classic “Little Drummer Boy” that will be replaced by the cut “Oh Woe Is Me” on later pressings. It also spins off a second hit single with their cover of Tommy James & The Shondells classic “Crimson And Clover” (#7 Pop).  With the demise of Boardwalk Records following Neil Bogart’s death in 1982, the album goes out of print for nearly a decade before Jett is able to acquire the rights to the bands’ master tapes. “Rock 'N’ Roll” is reissued on her own Blackheart Records imprint on CD and cassette in 1992 with all thirteen tracks included for the first time. The album is remastered in 1998 with two additional bonus tracks. It is reissued on vinyl in 2009, with a limited edition 180 gram LP pressed on clear vinyl for Record Store Day in 2011. A double vinyl LP edition is released in 2015 (with 1,000 copies pressed on white vinyl in hand numbered LP sleeves), with the second disc featuring live recordings. One hundred copies of the LP are inserted with a “golden ticket”, redeemable for a very limited edition lithograph poster of the reissues’ cover art work designed by artist Shepard Fairey. “I Love Rock 'N’ Roll” spends three weeks at number two on the Billboard Top 200, and is certified Platinum in the US by the RIAA.


So if at times I seem overprotective of the system that we’ve built, if I worry that the resentments of others might disrupt it, I have good reason.

#what elementary did with it’s 100th episode was a testament to the kind of show is #to the kind of show #the kind of holmes adaptation - it has tried to be from the start #what they chose to do with their milestone episode is the epitome of all the ways it stands in stark contrast to any other adaptation #any other show not just any other sherlock adaptation but any other crime procedural would have pulled out the big guns #and dealt their lead/s a huge case and packed it full of guest stars or notable minor characters #for sherlock stories specifically no one could begrudge you for assuming moriarty would play a key role #but that has never been what drives elementary #the 100th episode offered all it’s emotional significance to what has always been the core of the show #that sherlock is better because of the people he surrounds himself with #that there is no true reward in playing the lone genius cut off from society/humanity #and his partnership with joan is the finest exemplar of that #yes the bit with marcus in the opening was nice #and gregson’s little speech at the end pulled at my heart strings #both because of it narrative significance and the subtext of it being written for the cast and crew’s dedication to the show bts #but it always comes back to this #one holmes #one watson #the single fact that elementary is fundamentally about sherlock valuing human connections and interpersonal relationships #over solving the puzzle #will forever set it apart from any other sherlock adaptation #and that might be a criticism for some #but it will forever be one of the key reasons that i cherish and adore it