As she meets and becomes more familiar with Jon Snow, Dany’s outfits appear lined with fur, a staple of Northern attire that feels symbolic of her growing affection for the King in the North. “There is obviously some chemistry at work! I wanted to reflect this with a dramatic yet extremely practical costume,” said Michele Clapton (costume designer). Later, Dany’s white fur coat also shows another connection to Northern people. “I took reference from the Wildlings’ attire, particularly the coat that is worn by Jon Snow which was in turn influenced by Mance Rayder. I wanted to define Dany’s shape by cutting into and shaping the fur. Also, I was keen to create a warrior look, a thing of beauty,” Clapton said. All in all, it took 12 weeks of work, with fake fur, to create the look. (x)
“We knew we really wanted to create our very own look for Wonder Woman to how she’s portrayed in TV shows and graphic novels, so we went back to her roots and where she came from. We wanted to creates something incredibly strong and portray her as a legitimate fighter, so we looked back … because we wanted her to look like she’s been wearing the same costume, in a sense, for thousands of years — since she’s immortal, after all. We were inspired by the metal armor of Greek and Roman warriors and gladiators. It seemed like a good fit for her. We created a costume that looks like metal armor, but of course, in these films the fight scenes are very intense and challenging so I had to come up with a solution that would allow her to move and breathe, but also to have this very iconic, sort of hourglass shape in a modern and interesting way. We used a combination of old and new technology. With scans of Gal, we created her breastplate on the computer — we drew it all in 3D. Then we applied all these fantastic finishes and we ended up making it with a current paint over the top and with many layers of glazes to give it a really ancient, warm feel. Zack wanted it to be full of battle scars and dents.There was a lot of love that went into all the details, making her really look like a powerful, legitimate warrior.” - Michael Wilkinson.
The overall look of Wonder Woman’s iconic armor had already been designed by Michael Wilkinson for the character’s appearance in Batman V Superman: Dawn of Justice. Nevertheless, Lindy Hemming and her team had considerable work to do to get the costume ready for shooting Wonder Woman. “The costume that had already been made used a sculpted and moulded method,” Hemming explains. “They had made it in a mould and then the pieces were attached to the undersuit. We tried to make it lighter weight and easier to move in for Gal, because in Batman v Superman: Dawn of Justice, she had much less action to do. So we had to change it for those reasons. The costume in the previous film was darker and ours was just a bit lighter, but other than that we didn’t change the design very much.” - Wonder Woman: The Art and Making of The Film by Sharon Gosling.