Elizabeth Taylor in The Driver’s Seat (1974), in which she plays a lonely and strange woman named Lise who has detached herself from society, and who goes on vacation to Rome to find a man. But she doesn’t go looking for love or a romantic affair: she searches for a man who will stab her to death.
Widely panned and mocked by critics upon release, the movie (unfairly) faded into obscurity. Liz filmed the movie during her divorce from Richard Burton, and during filming told the director Giuseppe Patroni Griffi; “It takes one day to die, another to be reborn.”
However, Lise is a character who has completely abandoned, or has been abandoned by, humanity and decides to rid herself of own her life by searching for a man who will take it from her. Rather than classic Hollywood tales of finding romance in Rome, The Driver’s Seat subverts this by portraying a self-destructive and completely detached woman who is averse to, and even disgusted by, romance and sex and who wants only death.
Liz is also totally unlike her glamorous Old Hollywood persona in this film. She is not afraid to look unattractive, garish, crazy, scary, aggressive, and mentally unhinged, and she puts her all into her performance. In the scene depicted above, Lise applies makeup not to appeal to those around her, but rather cakes it on like a form of war paint to make herself stand apart from others. And it works: the people around her often remark about her deranged appearance. However, Lise revels in her alienation and doesn’t seem to care anymore.
Ultimately, Lise finds peace only in her own self destruction and demise. This is a movie that can often be campy and darkly humorous at times, but also one that is a disturbing yet honest portrait of a distraught and unhinged woman who has lost her sense of self, and it is one of Liz Taylor’s great forgotten roles.
I love Del Toro, I love Ron Pearlman and I liked the Hellboy movies back in the day. They were cool, fun and they had nice visuals. Nuada is still a favorite of mine. The movie gave to younger me the motivation to look after the comics. That’s were things changed.
How can I say it…once you know the comic you become aware of how much the movies have little to do with the original. To say they are at the same level of Dragon Ball Evolution or The Last Airbender when it comes to loyalty to the source and quality might seem an exaggeration…but it really isn’t when you put things in perspective. The story makes no sense, the characters have nothing to do with their comic counterpart, doing and saying thing that would be total, insane, character derailment in the comics. I LOVE Comic Hellboy and Abe so much that I can’t help to find them…pathetic in the movie.
It’s not a “MCU Iron Man and Comic Iron Man are different” thing. I can deal with that and accept it because the character’s core is still there. This is not the case with the Hellboy movies. Poor Liz (those who know the comics will understand and mourn the loss of the awesome character that is Liz Sherman compared to what we actually got)
Result? That I welcome the news people are gathering ideas and starting to work on a Hellboy reboot with great trepidation and hope. I want a real Hellboy movie, both for us fans and for the whole world.