The Signs as Friedrich Nietzsche Quotes

AriesHe who has a why to live can bear almost any how.

TaurusThe person lives most beautifully who does not reflect upon existence.

GeminiTo live is to suffer; to survive is to find some meaning in the suffering.

CancerThere is always some madness in love. But there is also always some reason in madness.

LeoOne should die proudly when it is no longer possible to live proudly.

VirgoGreat intellects are skeptical.

LibraWe have art in order not to die of the truth.

ScorpioThe secret of reaping the greatest fruitfulness and the greatest enjoyment from life is to live dangerously.

SagittariusNot by wrath does one kill, but by laughter.

CapricornSuccess has always been a great liar.

AquariusWe should consider every day lost on which we have not danced at least once.

PiscesWithout music, life would be a mistake.

Reasons why Tythan is real and better than Septiplier

-They don’t have girlfriends and therefore are single (but not really cause they’re dating each other duh)

-Tyler’s huge pupils around Ethan

-The giant Tyler is gentle af with the blue boy

-Tyler doesn’t hit Ethan as hard with balls or arrows or other shit they use in videos to shoot each other

-If Mark doesn’t sit between Tythan they do a lot of gay stuff and a looot of touching

-They share clothes

-Their height difference is just way too cute for them to not kiss 24/7

-Mark and Sean destroyed Septiplier and always joke about it/make fun of it

-Tythan doesn’t talk about Tythan

(so while Septiplier is dead, Tythan is growing beautifully)

-They live together (also on the same damn continent unlike Septiplier)

-Tyler picks Ethan up and carries him around quite often

-Opposites attract

-They are best friends

-They talk daily while Septiplier doesn’t

-Septiplier always tease us with their fake gay shit while Tythan is gay without trying (heart eyes, sitting close as if there wasn’t a whole couch for them, touching all the time, starring so hard, Tyler makes Ethan food especially while the boy’s live-streaming)

-They are like a married couple already

-They seem really damn gay so they probably are

-Tyler protects Ethan from things he’s allergic to

-Also Tyler fucking implied that he kisses Ethan (or at least gets really damn close to his face/mouth) by saying that he “can eat peanuts now because Ethan isn’t here” on one of Mark’s live streams while eating a snickers

-Tyler never said that he’s straight (I don’t think he ever said anything about his sexuality)

Do you know what Tyler and Ethan ALWAYS are when they’re together?


The YOI Soundtrack is absolute genius PART ONE - Kamome

So, this is a post I’ve really wanted to make for a while. And, I know how much people seem to like my metas, so why not? I will preface this with the fact I am not a musical expert. I had vocal training, was in a few choirs etc., but I have no qualifications, I’m just a nerd who’s really into music and analysis. I would be perfectly okay with someone with experience sweeping in to tell me I’m completely wrong, these are just my personal thoughts and observations. Also, if you want to skim this, I’m bolding the main points.

I have a bone to pick with the Yuri On Ice Original Soundtrack(s), because they’re absolute bloody genius. And personally I think, represent a lot about Viktor and Yuuri’s relationship.

My main focus will be on three: Kamome, Passacaille In Barcelona, and Yuri On Ice itself. To stop it from getting to a ridiculous length, I’m going to be tackling this in three different parts. 

First, the appropriately named Kamome (translating to ‘seagull’ in Japanese).

One thing you have to understand is that consistently in the music, Viktor is represented by strings, and Yuuri by piano. I’m not going to claim that this is true for 100% of the anime, but honestly just listen to background in the scenes for the characters (even down to their Free Skate music! The difference between Stammi Vicino and Yuri On Ice!), you’ll see what I mean.

Personally, I think this represents their personalities. Though it’s true you can pluck strings pretty quickly if you want to, none of that really happens in the pieces we care about. In fact, Viktor’s pieces are always so steady sounding (some are waltzes, I believe? A very sturdy dance and beat). Whereas, a lot of the piano represented by Yuuri is super erratic and unpredictable. I don’t think I really need to go that deep into explaining why that represents them both, and what they brought to each other’s lives so beautifully. But oh boy, the piano and string pieces meant to represent the both of them together?

We see Kamome used in three scenes, which all represent similar events in that the scenes start with Yuuri fighting on his own, and end with a greater bond between he and Viktor. Those scenes are:

Yuuri running off to practice figures in Ice Castle (episode two)

The infamous beach conversation (episode four)

The Christmas market scene (episode ten)

And the same story is told through the music too!

Now I believe the figures scene and the market scene both use the exact same clip of the music, which happens to be the start. Honestly, just listen to how innocent it sounds. For me at least, the first part of Kamome reminds me of a music box. Which, if we take that image, makes me think of repetition (you know those spinning ballet dancers and such? – Interesting that we see Yuuri skating figures with this playing).

Now, these two scenes skip the strings sections and just keep the little piano parts. And to be fair, these are both scenes that only lead up to Yuuri bonding with Viktor, hence the solo piano; Yuuri is fighting on his own, making his own choices.

So, we’re left with one scene were the music is pretty much as it appears on the purchasable soundtrack: the beach scene. This is, in my opinion, the best symbolic use of the music. First of all, we start off with the innocent sounding piano as Yuuri recounts that story of Detroit, which again portrays him in a naïve and kind of childish/innocent light. And finally, we get the strings at this moment:

As soon as Viktor reaches out to Yuuri, the music has a different mood. The strings fill in the gaps the piano left, almost swirling around it and complimenting it in the best of ways. If you will, Viktor is literally meeting Yuuri where he is, both in animation and their figurative strings/piano representations.

The music for that scene ends there, but if you listen to the whole piece, it almost tells the story of Viktor and Yuuri all together. This is going to be a lot easier if you actually listen to it, the music is on both Spotify and Youtube.

0:00-0:28 We have the innocent music box piano, AKA Yuuri on his own

0:28-0:51 The strings have joined in, but the piano definitely seems to be leading, so this part represents where Viktor followed Yuuri’s lead, and decided to ‘meet him where he is’

0:51-1:10 This part feels more like a mutual balance, showing how Yuuri has begun to accept Viktor’s presence, and even trusts him more.

1:10-1:20 The piano is alone again, but this time much more playful. For me, this sounds like an invitation, especially with the little flourish at the end that begs to be completed. The anime literally shows this, as it’s the same moment Yuuri actually extends his hand to Viktor in invitation.

1:20-2:00 This honestly sounds more like the strings are now leading, showing how Yuuri has finally put his faith in Viktor. Now the piano sounds like the steady beat, which could perhaps represent how the tone of the anime shifts as we find more out about Viktor, and see how Yuuri created stability in his life too.

2:00-2:18 The piano and the strings are now in perfect harmony, creating a beautiful, romantic sounding duet as they’re less distinguishable from each other. To be honest, this is the exact conclusion of Viktor and Yuuri’s relationship in canon – just take a look at the Stammi Vicino Duetto

To be completely honest, I have no idea whether the Yuri On Ice creators actually intended this to be such a perfect representation of viktuuri or not, but I kind of think it is? Why? Kamome. Seagull. Through the entire series, seagulls are used consistently as a symbol for Viktor and Yuuri’s love. Sometimes it’s a mere background shot, but it is explicitly brought to our attention. Although it could just be called Kamome due to the beach scene it’s in, I have to think it’s deeper than that.  

So, long story short, some serious praise is deserved, because this is symbolic genius.

Even if you don’t buy into my analysis, please listen to it because it is a BEAUTIFUL piece of music.

(I promise I’ll upload part two and three soon, but this third is over 1000 words and took me a while to write, so please be patient)

i feel like pluto is the SCREAM and saturn is the lethargy, and tiredness. and that saturn gives you plenty of warnings, and its very slow and when you have satisfied saturn you can actually FEEL it, you feel like you have achieved something, you get REWARDED but pluto is more of a divine agreement, you don’t really get much of a conscious accolade, its more of like a soul recognition, one that happens on such a sublayer that its so hard to even comprehend. saturn is our greatest potential on a human level and pluto is like the accumulation of mind, body and soul, if everything else was stripped away, the lantern of pluto would be flickering. saturn needs to be weighed down and contended with so neptune and uranus don’t obliterate you, but pluto doesn’t really demand in this way, it’s more silent, and it’s more like, ok whatever you don’t do now, you’re going to have to at one stage or another in this lifetime or the next, i will catch up with you. i believe satisfying saturn makes you feel ALIVE like it activates all the planets, and satisfying pluto makes you feel CONTENT and SETTLED like you are on the right soul purpose

pluto in the first house - I am a divine butterfly, cocooned by the darkness of pluto but thrust into eternal light by his own power. the discarded shells of my old selves are hung like portraits where i can view how far i have come

pluto in the second house - I can live in ecstasy and beautifully stripped of material concern. i can release from these vices and understand what freedom truly means. i can create the most stunning melody with the jewels within

pluto in the third house - the ether of my voice and words will live on for centuries. my thoughts are transmitted from the mystic riches of pluto and i am a scribe of the underworld. i am a beacon of truth and a glowing example of the power of words

pluto in the fourth house - i am the eternal heirloom of my family and my ancestry will remember me, from my spirit that runs through their veins, and the potions i left brewing in their hearts. i can create a temple of prayer

pluto in the fifth house - i can fall into the darkness and forge a new wonderland with my divine creativity. my inner child is at home in the cosmos, and my madness can be poured into art, delight, and pleasures. i can play a symphony for infinity

pluto in the sixth house - through my own aching bones and psychological ailment, i can see, i can feel, and i can heal. my hands are leaking with healing syrup, and my muscle memory knows the century old potions and therapies found in nature

pluto in the seventh house - i am a transformative spirit for the people in my life,  i can swirl in their bones and show them the transcendent light that dwells within. i can show them the way to reunite with infinity through my own magic. i change the lives of others

pluto in the eighth house - i rule the borderline between life and dying, and suffer ego death time and time again so when it comes time for my spirit to pass on i have become a master of the process and this gives me peace. every time i rebuild i am shown an even brighter light

pluto in the ninth house - i am a pilgrim of pluto and explore the depths of my inner world and the outer world. i am a symbol of the mythology and philosophies that have defined us for generations. i am in search of divine intimacy

pluto in the tenth house - i leave a powerfully resonant imprint on the world and my energy remains long after my body vanishes. my role in society is vital, and my spirit alone can change the lives of others. i thrive on challenges

pluto in the eleventh house - i readily see into the souls of the people around me and i am a revolutionary breath in a mundane world. i am the spirit that heals humanity

pluto in the twelfth house - through pluto is how i get home.  i feel a part of the oxygen, as if i circulate through everyone. my breath is a symbol of purity and healing, and my presence is a reunion with the divine. through isolation i reunite


despite all the punching discourse, my preferred way to deal with Nazi rallies in public spaces is still to outnumber them ten to one by peaceful locals who keep chanting “Nazis go home” until the Nazis do indeed go home.

this forms a highly visible demonstration to everyone involved that they have no base of support, and are just a bunch of whackjobs who can’t claim to represent the interests of the broader community.

good policing keeps the Nazis separated from the much larger crowd, which prevents any violent clashes between hotheads and reinforces the impression of them as a coddled bunch of morons incapable of defending themselves either physically or rhetorically.

this is actually a really withering experience to go through! once surrounded by crowd and cops they have ceded the initiative and are essentially at the mercy of the community which despises them, a community made up of people of all ages and all walks of life, secure in their safety of numbers.

it plays beautifully live and on TV, it respects the rule of law while still conveying a very clear message, and it makes it impossible for any politicians to waffle about “both sides” of the dispute.

the absolute worst approach is to have two similarly sized groups of hotheads engaged in shoving matches that allows people to “condemn the violence” and visually suggests that 90% of the community doesn’t have a stake in the fight.

anonymous asked:

What do you think about the clowns? What's their goal? specially Uta, he works with furuta but he's friends with yomo too, why nico helped kaneki's group, it's all very confusing :(

The role of a clown is to provide entertainment for entertainment’s sake, and that is exactly what the Clowns do. They push the story along in the directions they find the most entertaining. 

The Clowns are essentially hedonists; their goal in life takes the form of a sadistic pleasure in watching chaos unfold. So basically, the Clowns are fans of Tokyo Ghoul. They are the readers (and often the authors) within the story itself, detached from everything and everyone as they manipulate them for the sake of their art. Just look at how Roma appreciates Kaneki in the exact same way we did - enjoying his suffering from a detached perspective as an artform. When she says, “I won’t lose to any tragedy!”, she even describes Kaneki’s meta-rebellion against the genre of his story, his attempt to escape the tragedy he’s been written into.

They are literary analysts, meta-writers, and the representatives of the fandom - but because they’re inside the story itself, their fascination comes across as psychotic rather than insightful. Nico has the same fascination with Kaneki, noting his despair is what makes him beautiful. 

Here Nico states the detachment the Clowns draw between themselves and other people. You can either live beautifully - an artform and subject of a story - or you can live for beautiful people and be the writer of that story, directing them down the path of their struggle.

Uta makes for another great example of this. Tokyo Ghoul’s utilisation of extreme character development is one of its most fascinating features - can we really blame Uta for thinking so too?

He is an artist, after all. Uta goes on to talk about how he enjoys being so involved in the story because it’s lonely ‘on the edges’. 

As well as this being Uta openly acknowledging how he went from a side character to someone much more important (Clowns are so meta), he also admits his hedonism stems from loneliness. The easiest way to escape a tragedy is to become an author of it (or so they think). Donato is not so sentimental - his hedonism stems from purely evil intent.

The clowns all manipulate the transformation of characters in various ways. In the original series, their sole interest is in Kaneki, Uta’s “special customer”. Judging from the conversation below, it seems that this interest comes from an awareness that Kaneki is being reared as the One-Eyed King, since Nico starts talking about Kaneki immediately after the concept behind the King. Furuta, as a newer member of the Clowns, is at first unaware.

Furuta drops the steel beam on him (though unintentionally), Uta makes him his creepy mask, Itori convinces him to go to the Ghoul Restaurant, Nico helps Yamori abduct him, Itori leads him to Kanou, Nico gives him information about Aogiri, Donato encourages Amon to find him, Uta encourages him to see Yomo (and thus Rize). All of these events push Kaneki along in his development, first to his transformation into Shironeki, then towards his loss of conviction and his ‘death’. 

In :re, while still interested in Kaneki, they start playing with other major characters as well. Uta plays mind games with Mutsuki (Kaneki’s successor in tragedy), first at the auction, telling her that nobody will come to rescue her, leading her to desperate action which results eventually in her giving into her repressed desires and eating from a corpse, and again at the Clown Siege, making her snap entirely. He also attempts to manipulate Hirako and Suzuya, and he sends Kaneki his mask to help unlock his memories. Donato gets Haise to think more deeply about his amnesia and he breaks Urie, forcing him into becoming a Ghoul. Nico has brought Goat’s attention to the Great Wheel Act, and I believe that him seeing Kaneki at the party was why the Clowns were at the Auction in the first place - because they knew Kaneki would be there. See Uta’s reaction to Kaneki’s screams.

Like he’s found what he’d been looking for. If a character is skirting around an abyss, a Clown is always there to give them a helpful push.

Nico helping out Goat shows that the Clowns’ allegiance is solely to the most interesting turn of events, the same allegiance is us readers. But it’s not always easy being a Clown. You need to be able to draw that sharp divide between subject and observer that can allow you to enjoy people you know suffering from a detached perspective. Nico has mastered this; his emotion at Yamori’s death seemed sarcastic at best, and he’s happy to leave Roma in Goat’s hands. But his is where Uta falters somewhat. He does care about Yomo quite deeply, and this is expressed in his neck tattoo: nec possum tecum vivere, nec sine te (a quote from Ovid, albeit jumbled around a bit, and a hint that he’s a Clown; most meta-characters in the series are well read).

He’s struggling with fully detaching himself from this world to be a true Clown. He can’t live with Yomo because he is a true Clown; and he can’t be a true Clown because he can’t live without Yomo. I think one day he and Yomo will meet in battle, and he will be forced to decide…and I think that he will choose beautifully. He will die a tragic but beautiful death at the hand of his loved one; both author and character at once, like he has always been.

This dichotomy applies to Furuta as well. But rather than being attached to a person (his ‘love’ of Rize being just a part of his power complex), his goals are concrete, physical, and specifically within the world of the story rather than the abstract and metaphysical pleasure the Clowns derive from manipulating that world. He is a subject only playing at being an author, and that will be his undoing. Furuta’s only on Team Furuta at the end of the day, manipulating his many affiliations to further his ambition. But he’s fooling himself in believing he controls the Clowns, as Nico has already proven. Furuta is not playing the Clowns, the Clowns are playing Furuta, and they will cast him aside as soon as they stop finding him amusing.

In fact, the set-up’s already in place for his downfall when he made the hubristic move of hiring Akihiro Kanou, someone almost certainly in league with the Clowns. Roma’s presence in Kanou’s lab speaks volumes, and as much as Kanou talks about breaking open birdcages, the scorpion-butterfly on his wall says a lot more about his true nature - he takes abstract pleasure in watching things transform.

The Clowns were the ones who enabled Furuta into dropping the beam on Rize and Kaneki, providing Kanou with his ideal kakuhou and a ready test subject in one fell swoop. And Kanou has just created around 100 supersoldiers - not to mention he’s the one keeping Rize in her tank. If Donato decides he wants to control the story in a more direct way and take the throne for himself, Furuta will be easily cornered by his own Oggai, and when he rushes to see his love, he will find the tank empty, and a hungry Rize waiting to take revenge.

anonymous asked:

Prompt: domestic hand holding husbands Also izsak you're amazing and your writing is out of this world

“alexander, do you know when madzie is going to be back from her trip with catarina and dot?”

it was an early saturday morning, the sun still too much for alec’s tired eyes as he rifled through one of his drawers. he was frowning, trying to find a specific shirt that seemed to have disappeared of it’s own accord. but the minute magnus’s voice echoed in from the living room he paused, narrowing his eyes as he tried to think and parting his lips, pushing his mind back to try and run through his calendar, though it was futile.

“uhhhh,” he answered preemptively, forgetting the shirt momentarily to try and find his phone. it wasn’t on the nightstand so he ended up pulling the duvet up on their bed, groping through the sheets until he found it nestled between their pillows. the blue light of his screen mingled with the soft yellow orange of the morning as he pulled his calendar up and flicked through to find what magnus needed. “in three days. tuesday. don’t you have that in your calendar?” he asked, his voice raised, before he locked his phone and pushed it into his back pocket.

but when he turned, he realized he hadn’t needed to raise his voice. magnus was standing in the doorway, tablet in his hand, watching alec with amusement written in his features. he was wearing a full suit nearly, though the suit jacket seemed to have misplaced itself. the fine buttons of his waistcoat and his shirt, and the gold band on his left ring finger were catching the light with every one of his subtle movements. it took a moment, but alec realized soon enough that magnus was amused at him, settled on his knees on their bed, shirtless in just his jeans and slightly damp hair. he rolled his eyes and huffed out a bit of laughter as he slid off the bed.

Keep reading


Ok guys for today’s quote of the day, one of the many classic moments between Derek and Stiles… “Dead silence. That should work beautifully…” I live for the iconic scenes between these two, going to miss Teen Wolf so much; don’t want it to ever end 😭😩😍❤️

“And like flowers in the fields, that make wonderful views, when we stand side-by-side in our wonderful hues..

We all make a beauty so wonderfully true.
We are special and different, and just the same, too!

So whenever you look at your beautiful skin, from your wiggling toes to your giggling grin…

Think how lucky you are that the skin you live in, so beautifully holds the “You” who’s within.”  💙🌙
― Michael Tyler

anonymous asked:

Hi, I admire you and your blog and I think you are wonderful and so clever. Could you recommend me some books that explore femme anger please ? Thank you in advance <3

Awww, I love getting questions like this, it makes me feel genuinely appreciated so thank you for sending this in. But as for books, in no particular order 

  • Summer Skin by Kristy Eager. This is a modern romance novel that takes place in Australia and it’s SO much better than the genre would have you believe. The main characters have so much anger towards the world and  they work through their anger together and it’s lovely. Plus, it’s massively sexy as a plus point
  • The Age of Innocence by Edith Wharton. Listen to me: this book is so beautiful, not precisely about femme anger per se but about repression and the frustration associated with it so it’s perfect. 
  • Problems by Jade Sharma. OMG so amazing. Racially aware, darkly hilarious, and not a feel-good kinda book but Maya (which happens to be my bff’s name) is just so pissed off at EVERYTHING and rightly so tbh because the world fucking sucks. But I loved it. 
  • East of Eden by John Steinbeck. I mean, bear with me but Cathy Ames is literally formative. She’s evil without really a reason to be and I love it because villainous women have always been fascinating to me. 
  • White Oleander by Janet Fitch. Beautiful prose, so much pent up anger and fury at the world for how it treats women and I cried. 
  • Nobody is Ever Missing by Catherine Lacey. More about depression and existential angst but there is a lot of anger at the main character and she is very angry even if she doesn’t show it.
  • The Chronology of Water by Lidia Yuknavitch. I take every change I can to recommend this book but really, READ IT. You won’t regret it. 
  • Wishful Drinking by Carrie Fisher. You wouldn’t think Fisher was openly angry because she was so earnest and funny but like, something about being Bipolar in this world is that you have a lot of fury at the world for making you the way you are and I think writing for Fisher (and me for that matter) is a manner of coming to terms with it. 
  • Cracked Up To Be and Some Girls Are by Courtney Summers. My personal favorites of Summers’ books all about female anger and meanness and Parker was one of the characters I personally relate the most to that I’ve come across even if I don’t talk about her much. It sort of hurts too much to be honest but I entirely recommend both of these. 
  • The Twelve Tribes of Hattie by Ayana Mathis. The eponymous Hattie suffers so much and almost runs away from her family complete with little children but then she doesn’t and I can almost feel her anger and frustration wafting off the page. Either way, Oprah recommended it so clearly, it must be great. 
  • Anna Karenina by Leo Tolstoy. Anna is one of my favorite heroines of all time and she is so awesome, selfish and angry and beautiful at the same time. My favorite Russian novel and you won’t regret reading it. 
  • Gone With the Wind by Margaret Mitchell. Scarlett is a horrific racist who honestly would have been vastly different if she wasn’t raised in the atmosphere she was raised in, and I stand by that assertion. Ashley doesn’t deserve her and we all know that in the end of all things, she got Rhett back.
  • Woman Hollering Creek and Loose Woman by Sandra Cisneros. Two collections of poetry all about being a woman, complete with anger and heartbreak and poignancy. 
  • Luckiest Girl Alive by Jessica Knoll. Rape culture + feminist theory so obviously I loved it
  • Difficult Women by Roxane Gay. I’m reccing this instead of her other autobiographical works because I think it’s most about female anger and dealing with the lot the world has granted us. 
  • Medea by Euripedes. Favorite classic play. I love Medea like it’s all about how to deal with anger while being a woman and not being able to cast off your gender and even though it’s written by a man (unfortunately), it’s a lovely exploration of it. I would also try to watch Helen McRory’s performance as Medea because she was also amazing, I’m sure it must be on YouTube somewhere. 
  • The Life and Death of Sophie Stark by Anna North. Love it! Bisexual protagonist and so much exploration of what it means to be a woman in this world 
  • Obviously Gillian Flynn’s Gone Girl. I don’t really have to explain why because I’m sure you know but Amy Dunne is an Angry Girl Icon because Poor Nick is a Dick sucks and definitely isn’t good enough for her.
  • The Luxe series by Anna Godbersen purely for Penelope Hayes. I mean the rest of them kinda suck and are pansies but PENELOPE HAYES MY LOVE. She’s the kind of girl Blair Waldorf would have idolized. 
  • And relatedly, Gossip Girl by Cecily von Zeigesar purely for Blair Waldorf. 
  • Of course, ASOIAF by George R.R. Martin for Cersei Lannister, evil queen of my heart. 
  • Americanah by Chimimanda Ngozie Adichie. Anger about racism, very apt in the world we live in and beautifully written to boot. 
  • The Disreputable History of Frankie Landau-Banks by e. Lockhart. I mean, this book is all about a teenage girl who decided she’s way smarter than everybody around her, and who ultimately wins. One of my favorite novels hands down and one of the only YA novels on this list because honestly I think YA communities are often toxic and miss the point entirely when it comes to women.
  • Madame Bovary by Gustave Flaubert. Emma wants more and it ends up fucking her over. Classique and men hate her so I feel obligated to love her.
  • Vanity Fair by William Mackepeace Thackeray. I think Becky Sharpe is so brilliant and smarter than the society she lives in so obviously that comes with a good deal of anger.
  • Green Girl by Kate Zambreno. Just a really great important book and everyone should read it.