Winsor McCay was a newspaper cartoonist best known for “Little Nemo In Slumberland,” in which a little boy named Nemo has wondrous and thrilling dreams. Each strip ends the same way – Nemo is awakened and pulled back into reality.
The weekly comic strip ran from 1905-1911 in the New York Herald, from 1911-1914 in the New York American under the title “In The Land Of Wonderful Dreams" and then again from 1924-1926 in the New York Herald Tribune under its original name.
McCay was no stranger to the land of Nod; his other well-known strip was "Dreams of the Rarebit Fiend,” which also featured fantastical dreams that the characters blamed on their fondness for Welsh Rarebit – melted cheese mixed with a bit of beer and mustard, served on toast.
Locust Moon Press is publishing the book; co-owner Josh O'Neill told the comic blog The Outhousers that McCay was his favorite cartoonist of all time.
…and at our comic shop in Philly he’s a huge figure. We talk about his work all the time, and the two Sunday Press editions of his Little Nemo strips are well-worn and well-loved to say the least. He’s this giant, outsized inspiration for cartoonists and illustrators and animators, but the average person – even the average comic book fan – doesn’t even know who he is.
We wanted to shine a light back at him, refracted through the visions of the incredibly diverse, brilliant artists in the book. And we knew that the awe-inspiring intimidation factor of McCay would bring out the best in the people we were lucky enough to work with.
Contributing artists include those featured above: (in order of appearance) James Harvey, David Petersen and Toby Cypress.