literally epic

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Stelena Forever Meme || [5/9] Quotes

↳ 2x20: The Last Day

The true tragedy of 4x10 was the almost-could-have-been ship of dreams™ Sea Mechanic being cruelly ripped away from us forever

anonymous asked:

Aaah, requests are open, I am so happy, I love you guys!!! Okay, so, if it's okay, could you two write about the RFA+V+Saeran going all together to the beach? And, ah....I really love how you write Saeran (I'm that Anon from some time ago) so, if it's okay, could you write this with Saeran crushing on MC or they already dating each other (you choose)? I am really sorry if this a strange or hard request, if you dont want to do it, you can write an idea of your own, I just love your writing a lot!

Thank you so much! We actually LOVED writing this. This was really sweet:) We left out V, just because…well, spoilers;) Those who’ve been through the secret ends know, but we hope you don’t mind too much! Enjoy this one:) 


  • Saeyoung and Yoosung had spontaneously started planning a beach day in a chatroom
  • While it was out of the blue, everyone else seemed to think it was a good idea
  • So they found a weekend they were all free
  • Saeran was against it nearly the entire time, but eventually caved in after Saeyoung’s *cough* persuasive argument
  • “I told you, I don’t want to go!” 
  • “But, Saeran, MC is coming.”
  • “….Ugh, I guess it won’t be that bad.”
  • On the day itself, your car happens to be in the shop, so you ask for a ride
  • Saeyoung is all too happy to oblige
  • When he pulls up to your driveway, he tells Saeran to sit in the back
  • “Why? The shotgun is free.”
  • “Just go!” 
  • “But MC said she wanted to sit in the back–”
  • “My car, my rules!”
  • “Well, your rules are stupid.”
  • Saeran finds out why soon after…
  • Saeyoung seems to miss every single turn or gets lost often, resulting in super sharp U-turns that send you and Saeran flying into each other’s arms on a constant basis real subtle, Saeyoung
  • Thanks to Jumin, the area you guys settle into isn’t crowded at all
  • Everyone is too excited to get into the water, but Saeran isn’t too enthusiastic
  • He stays behind and offers to set up the blankets and umbrellas, and you linger behind to help him
  • He’s having such a hard time and he keeps complaining to you
  • “Ugh! I hate the sand. So much.”
  • “Settle down there, Anakin,” you laugh ;););)
  • He loosens up and actually starts enjoying the conversation with you
  • Until Yoosung comes over and dumps a bucket of water on him…with sand on the bottom
  • With the glare Saeran gives him, Yoosung is trembling
  • “I did it for the Honey Buddha Chips!” meanwhile Saeyoung is laughing on the sidelines
  • Saeran doesn’t care if it was a bet, he chases the terrified Yoosung all around the beach and straight into the water
  • You follow along–it was too good not to watch
  • Zen and Jaehee excuse themselves to check out the boardwalk and get drinks for everyone
  • They have some bonding time taking selfies and talking about Zen’s new projects and Jaehee’s work
  • Jaehee starts fangirling a little when Zen’s hair starts waving because of the sea salt
  • Zen would be lying if he said he didn’t enjoy the attention
  • Meanwhile, Saeyoung is attempting to build an epic sandcastle, but he keeps failing cuz his plans keep getting washed away by the water
  • Jumin is watching and gets really frustrated
  • He draws an elaborate blueprint and joins Saeyoung
  • With Saeyoung’s building skills and Jumin’s delegation and good ideas, they start building literally the most epic sandcastle ever also they actually bond instead of fighting over Elizabeth the 3rd
  • Yoosung is watching in awe on the side
  • Finally he comes up and asks if he could help
  • Jumin flat out says no
  • Saeyoung doesn’t refuse though
  • “Yoosung! Your body is the perfect size for a moat. Just lay down here, and I’ll use you as a mold.” 
  • Gullible Yoosung goes along with it and Saeyoung piles sand on top of him
  • “Oh, you know what, let me ask Jumin something real quick!” he says and walks away
  • He doesn’t come back and poor Yoosung is just calling for someone to free him from the heavy sand
  • Zen comes by a little later
  • “Hyung! Thank goodness! Can you help me?”
  • Zen kneels down and starts drawing abs on him, snickering, “See what you could look like if you worked out like me?”
  • Yoosung doesn’t get free until you come along and wash him off…after a few pics of course
  •  Both Jaehee and Saeran start to  get sunburn, so they’re sitting under these huge umbrellas wrapped in towels and soaked in sunscreen
  • You feel bad for Saeran sitting there pouting so you ask if he wants to get ice cream with you on the boardwalk
  • Zen perks up too,“Oh! Can I come?”
  • Saeran jumps to his feet and grabs your wrist, “No. MC let’s go.”
  • The walk there is ten times longer than it needed to be, but neither of you are complaining
  • At first, he’s not really saying much, but he keeps running his hand through his hair and clearing his throat
  • He finally opens up a little when you actually get the ice cream and walk along the boardwalk
  • He even starts getting playful, taking a small bite from your ice cream or chasing you around when you smear some on his cheek
  • You’ve never seen him laugh so much
  • He finds out he’s pretty good at those arcade games, so he keeps playing them
  • He wins you several stuffed animals, and you two even have some matching ones
  • The sun is setting by the time you get back to the others
  • You all just sit around, mostly in silence and eating
  • While everyone is packing up, you and Saeran sneak away to get one last walk on the beach together
  • He even got the courage to hold your hand for a little
  • It was one of the nicest days you’ve ever had 

Check out our other headcanons~ Masterlist

Okay but can’t we just talk how BEAUTIFUL Xayah and Rakan are together?

Every interaction between them is GOLD. They joke around, care about each other, compliment each other, declare their love, say badass phrases, and they even talk about marriage, or how they feel/would feel without the other.

And not to talk about their design, which is stunning… And their shared recall is just too adorable.

About the voices, I’ve heard complaints, and I myself was surprised when I saw that Rakan talked like that, because I was expecting more like sensual talking and so on… But it was a pleasant surprise because it actually made me laugh and appreciate all the more when he sounds serious around Xayah, and then I realized he probably has to sound loud and somewhat annoying to act as a better diversion so that Xayah can do her job.

To be honest, at first I thought Rakan was going to be pretty much like just charming, sensual and flirty 24/7, and with a velvety voice even when he dies… And then I got this loud, adorable dork with bad memory who can be sexy at the same time, and that is sooo in love with his girl and that would defend her to death without a doubt.

My first thoughts about Xayah was that she would probably be an intelligent, badass and serious warrior that would be “hard on the exterior, soft on the interior” (aka “tsundere”), and that she would probably let love words for intimacy or something, just not saying it out loud, or even being like “just leave the love words for later”… But instead, I got an intelligent, badass warrior that is deep in love with her beautiful dork and doesn’t give a fuck about saying it out loud (she even BRAGS about him) and just gets carried away sometimes by his enthusiasm (like, for example, when he started humming a song and she eventually followed him).

And they worry so much about each other… <3

They’re, literally, LOVEBIRDS. Epic, deadly, beautiful lovebirds. Oh, and… that “I love you” / “I know” interaction… 100/10.

I just love them and ship them so much… They’re perfect to me <3

Inspired by such an amazing fic (literally an epic of Merman!Erwin and Pirate!Levi) “Empty Horizon” by @pondermoniums

I just wanted to contribute a bit to this fic but…;; Oh, please pretend it’s the ocean and they don’t have many anatomical issues of the human body, at least.. um, he’s technically fish..!!…I’m sorry but I tried..^^;;)

imagine both of rigby’s daughters hitting puberty when they’re like 11 and he just kind of sits back and watches as they grow to be twice his height 

they have to bend down to hug him

when they get cold he’s like “here have my jacket” and they’re like “no dad your jacket is too small for me now”

he goes “here come on i’ll give you a piggyback ride for old time’s sake!” and they’re like “dad you can’t be serious”

he is forced to ask them to reach stuff for him off of the top shelf

he is forever secretly jealous of his quite large little girls but also kind of proud in a weird way

The Romantic

I know a lot of people gagged when Madame Hydra said that about Fitz… and to be fair, she did dangle that bit of information to try and get a rise out of Daisy. 

But Aida saying that gives us insane insight into her plan with the others… specifically with Fitz. 

I fucking loved the lines here, and I feel like it got lost in the shuffle (and rightly so) with Daisy’s epic quake.

She literally fulfilled the one regret takeaway, using the archetypes she had already analyzed. 

Radcliffe started it when he told her that May needed to always be in a state of unrest… to keep fighting. 

So Aida kept that one fix and used May’s archetype to her advantage. A Warrior for the cause. 

For Mack, she gave him his daughter back obviously. And it conveniently kept the Protector occupied with what he does best. He kept his head down and didn’t interfere with Hydra’s schemes. The Resistance was lacking a powerful ally because he had his daughter to think of.

So let’s get to the Doctor. 

It’s funny that she dubs him the Romantic. Because as far as we can see, nothing he does is idealistic or beautiful. It’s downright dark. 

And. that’s. the. fucking. point.

Look, Fitz’s achilles heel, his fatal flaw, his driving force is his love for Jemma. 

That’s it. 

Yes, he’s an altruistic guy with great attributes, and he’s heroic and noble, but if you want to get right down to it, refer to Ward’s line in “Closure”: 

“I always thought Fitz would give up the world for you. Looks like now he finally has his chance.” 

Everything he’s done for Jemma – everything that we’ve flipped our shit over and squealed about – has a dark underbelly. 

It just does. 

We don’t acknowledge it because that’s what’s supposed to happen, It’s true love. He should give up the world. It’s fine. Their love is epic. 

It makes for a beautiful love story.

But not necessarily a healthy one.

He willingly volunteered to accompany Hydra to wake up a hell-beast.

He could’ve said no. 

Jemma would’ve died, but he could’ve said no. 

His passion and love for Jemma was one of the things that put Hive’s arrival to Earth in motion. 

It was.  

No question. 

He flat out told her he helped Radcliffe with Aida to protect Jemma. Not the team. Not the whole of society. 

Her.

And we melt when he does these things and says these things, right? 

Aida didn’t set her sights on Fitz because she was attracted to him. She can’t feel that in the real world. 

She sees his devotion to her – his tunnel vision of passion for her – as a huge asset. That’s why he’s her biggest weapon. 

Because in the Framework, he’d do anything for her. 

And honestly, how is that any different from his love for Jemma? 

We – as devoted fans – can explicitly tell the difference. 

I’m not saying there’s not one. 

I’m saying… it’s interesting how we can compartmentalize one from the other. When, Aida’s stating, it’s all the same to her. 

His true nature hasn’t wavered. 

Right or wrong, he’s the Romantic. 

And she’s strategic enough to get that. 

And how useful he can be because of it. 

4

Somehow I managed to stumble on the “The boy next door” (Ep 1, Chanel to watch the series eng sub). It turned out to be one of the most hilarious things I’ve seen in a long long time.
If you like BL and haven’t watched it, go check it out.

It’s queerbaiting from ep 10…seriously you fucked up such a good thing, go fuck yourselves. It could be so good, shit…now at least I know why they’re not awkward when playing…seriously gtfo, I’m so mad.

Ok just watched the whole thing…it’s not that bad…at least they didn’t end up dating the girl…and kinda were into each other at the end…you won’t be disappointed in the end, but they’re not together as in dating…I would treat it as prequel ))

  • Him: What's wrong?
  • Me: nothing
  • Also me: Madara didn't deserve to be literally be absorbed by Kaguya. He was the strongest shinobi, however his end was literally the least epic death throughout naruto. He deserved so much better than that, there should have been a better way to defeat him than having someone absorb him and then basically get chewed up and spit out after she was defeated. That's not fair.
About the narrative of The Get Down

Beware, because this will be long. 

I just wanted to get some things down about the overall structure of The Get Down, or, as I like to call it, the next big thing since Homer. 

No, obviously not Homer Simpson. I mean the hypothetical author of the Iliad, the poet who tells an entire narrative of wrath and war and honour and shame among a setting of war and another one about finding home and your love- two  epic poems that were recited orally and developed and changed over generations of poets reciting their lines, and defined the truth of a civilization across centuries. 

Sound familiar?

Because I’m about to claim a possibly ludicrous thing- but rap/hip hop is exactly like this millennia-old way of storytelling, and no other piece illustrates that better than the Get Down. 

Let’s look at the facts: The Get Down starts every episode with an adult Zeke rapping for a huge audience, and telling his life story through his art. He tells his story through his poetry, and from that point onwards, the story and every episode unfolds: He often addresses either Mylene or Shaolin when doing this. This reminds of the very first thing every epic poet does: “Muse, sing to me of…” Zeke starts off his story by positing a clear narrative and fiction, even though he is telling us his story. Often he also ends the episode, creating a frame story, which is a widely used narratological structure in epic poetry. Through verses, and rhythm, and rhyme, he tells us an epic tale of brotherhood and love during a time of war; is that not the very core it shares with the Iliad? And this of course, is true about all hip hop; it’s stories of started from the bottom now we’re here, it’s stories of straight outta Compton, it’s stories of unity. It’s telling it how it is through rhythm and rhyme, but The Get Down puts all of this, the birth of this, into a narrative, making it even more obvious.  

This connection between this ancient method and modern artform is actually strengthened by some very obvious classical references as well: for example, in the first episode, Zeke goes to Les Inferno to ‘rescue’ Mylene from Cadillac, which calls to mind the Indian Ramayana, where prince Rama needs to rescue his wife Sita from the demon king Ravana, who keeps her captive on the island Lanka. Zeke calls the Get Down Brothers orators during the battle against the Notorious Three. Shao loves giving people epiteths and different names; He calls Dizzee ‘my alien brother’, Ra-Ra a ‘god of the sun’ and obv he calls Zeke Books; if there’s ever been an aspect of oral poetry that defines the genre it’s the wide range of names for every character. The club that Mylene performs at being a reference to the Rubicon, the line that Julius Caesar had to cross for shit to get real, to start a civil war, to let behind all ideas of safety and hesitation. I could honestly even add Kool Herc(ules) and his Caesars or showing them as hip hop gods, where Kool Herc sports Greek armour and Afrika Bambaata sports a pharao outfit; the Zulu queens explicitly naming the pyramids and obelisks (also a clapback to classicists! Egypt was African y’all keep that ‘cradle of Western civilization” away from me!) even the comic book style the show takes on in part 2 can be seen as a way of storytelling that was used mostly before the Renaissance! 

And then we have the references to both opera and musical: you have Ra-Ra being obsessed with a space opera, and Dizzee with his alien-what other mediums are purely about expressing story through music??

Anyway, using this method, The Get Down quite literally shows how legendary and mythological this birthplace of hip hop has become, and shows how legendary the origin of rap is and what other story deserves that more than this one? Grnadmaster Flash is a legend and this show is doing its very best to underline that at all costs

I’m just saying, very incoherently, that the very structure of the Get Down defines hip hop- it’s about telling your story, defining yourself and your people, by oral poetry that is supported by strong rhythm-it’s a literal descendant of epic poetry and therefore the oldest and most basic way of expression known by humankind- and isn’t that wonderful?

TL;DR The Get Down uses the structure of epic oral poetry á la Homer and it adds so much to the whole idea of where hip hop came from-it’s the story of a people told through a method that is as old as humankind itself and deserves all the kudos it can get bc it’s a fucking masterpiece

I won’t give up on Destiel until the very last episode of Supernatural airs. You guys can all jump ship, but I will go down with it.

naturallyunstablegamer  asked:

Was the musical episode everything Conversation!Emma dreamed of?

ummmm, let’s count down:

  • charming in love with how good of a singer he is
  • robert carlyle rumple abjectly refusing to sing
  • regina teleporting all over the place not to actually hurt anyone, just to be a bitch
  • snow and charming shouting lyrics when the wish failed
  • zelena just chasing munchkins around casually like it’s her scheduled civilian terrorizing time
  • hook just getting spun around on that table like that one scene in chitty-chitty bang bang while the pirate version of somebody to love plays in the background
  • no one in the storybrooke-verse questioning the singing stuff at all
    • not even emma. she just starts singing and unlike her mom who was like, “~What’s going on~” she was just like, “this feels right.”
  • last minute music-magic energy getting channeled into the wedding ceremony=awesome post ceremony dance break
  • henry only getting one line like Willow in Once More With Feeling (“I think this line’s mostly filler”)
  • emma literally getting to epic rap battles of history her way out of a problem for once in her life

In summation: 9/10. If she’d had her way, she would have gotten to sing way more and hang more lampshades. Also, we would have seen the scene directly after Hook’s song where everyone discussed the fact that they were just singing which I have to imagine was very interesting (“Are we going to talk about what just happened here or…?”).