“The director of the first film, Andrew Adamson, was very focused on preserving real emotion, on seeing things for the first time, and having, like, a real sense of wonder."
"So he didn’t actually show me the set of Narnia where the lamppost is until we shot it. I was blindfolded and guided into my place, and he told me to just walk around, that the camera would follow me.”
“And so I turned around and I saw it for the first time. It was in a studio but it was ri-dic-ul-ous-ly real. I couldn’t get my head around it. And so what you see is my real reaction to everything. It was incredible.”
Looking back, I can’t remember the truth. I blew everything out of proportion so I could feel the hurt and betrayal and write about it in vivid detail. It was my own method of torture. My own undoing; and I enjoyed every second of it.