[During the silent era] the camera had a greater responsibility for telling the story and also greater freedom– freedom of motion, freedom to create expressive, non-linear images. The visual language of silent films is fluid, atmospheric, and often symbolic; it communicates not only what is happening, but what characters are feeling or thinking.
Vocal signs have temporal linearity, and it is this superlinearity that constitutes their specific deterritorialization and differentiates them from genetic linearity. Genetic linearity is above all spatial, even though its segments are constructed and reproduced in succession; thus at this level it does not require effective overcoding of any kind, only phenomena of end-to-end connection, local regulations, and partial interactions (overcoding takes place only at the level of integrations implying different orders of magnitude).That is why Jacob is reluctant to compare the genetic code to a language; in fact, the genetic code has neither emitter, receiver, comprehension, nor translation, only redundancies and surplus values. The temporal linearity of language expression relates not only to a succession but to a formal synthesis of succession in which time constitutes a process of linear overcoding and engenders a phenomenon unknown on the other strata: translation, translatability, as opposed to the previous inductions and transductions.
from paragraph 35, 10,000 BC. Translated by Brian Massumi.
Since your question is quite general, I’ll give you some remarkable properties of Euler’s magical constant. First of all, its definition. In calculus, e is the unique real number so that the exponential function with base e equals its own derivative.
The exponential function is the only function with this property, except for the trivial constant zero function. You can thus figure out why it plays a central role in calculus.
Just like π, this number e pops up in various mathematical formulas.
Rather surprisingly, there is a strong connection between the exponential function and the sine and cosine. Their relation doesn’t show up immediately between the real numbers: you should look in the complex plane. The complex exponential function, complex sine and complex cosine (the unique extensions of the real-valued ones) are related as follows.
This intriguing identity is known as Euler’s identity. When you plug in the constant π, you get a formula which is commonly known as the most beautiful identity in whole mathematics:
This results make the exponential function (and the number e in particular) a nifty way for dealing with complex numbers, sines and cosines, and harmonic oscillations. The latter are very common in physics and nature. Indeed, differential equations governing harmonic oscillators are frequently solved by exponentials.
Another interpretation of the exponential function says that the rate of growth is proportional to the current size, which makes it a natural model for population growth (Malthus’ model).
However, there are also manifestations of e in nature which are more “visual”. In particular, the inverse function of the exponential, called the logarithmic function, can be transformed into a spiral using polar coordinates. This logarithmic spiral is very common in for instance seashells, because again, it models the idea that expansion is proportional to the current size, and thus expresses the (linear) growth between the animal and the proportional growth of its shell.
I hope you find this useful and interesting. Have a nice day, and thanks for the kind words!