like...are you getting the point of this show at all!

anonymous asked:

Stealing stuff and mass murdering people doesn't seem like a good comparison.

You are missing my point. They both started out the same way, but their trauma showed itself differently. Yes, killing someone is bad, (also I HIGHLY doubt that Sangwoo has mass murdered unless I’m missing the time he planted a bomb in a public place or started a pandemic), but it isn’t Sangwoo’s fault that he is doing this, just like it isn’t Bum’s fault that he is stalking people, not to mention Bum has killed someone too now -yes it was half forced, yet still, he doesn’t show proper remorse at all, more like worry that he’ll get caught-. 

The fact that Sangwoo’s crime is bigger is blinding people to the fact that Sangwoo is also someone who is doing this because of abuse he has received as a kid, and just because we see more of Bum being abused, doesn’t mean Sangwoo hasn’t had the same problems or worse. 

If anything, Sangwoo has been abused much more in his childhood to become the way he is. 

anonymous asked:

that post with people discussing queerbaiting - i rly wish faranda would take off but couples aside, it would just be really amazing if any character could show interest in the same sex ? without having to justify anything ? just like todd has been showing interest towards women ? like it would mean The World to me to see a queer character on this kind of show, and i really don't think it would impact whatever story max wants to tell in any way

I totally agree; while we definitely need more cannon relationships, writers also gotta start showing other orientations without it being a huge thing or plot point. AKA start actually normalizing them, not tokenizing. And honestly, it’s so easy. Have someone make an offhand comment that’s not made into a joke, or casually mention a past relationship without any other characters batting an eye. Literally all it takes is one or two lines, and it doesn’t have to have any story relevance whatsoever. Just mention it! And there’s representation! Ta da!

Anyway, I’m hoping Max will at least give us something. (Please, for the love of the Great Green Arkleseizure, Max, give us something.) 

Thanks for the ask, anon! Happy Towel Day! :) 

anonymous asked:

Lmao @racists who use every excuse for why white ppl slept on power rangers: the box office metrics showed only 36% of the audience was white???? White people make up like 76% of the population of the US?? White people will watch anything with whites or animals or aliens as leads (beauty and the beast, guardians of the galaxy) just so long as they don't have to see POC be lead characters, and will hail those franchises as more worthy/mature/whatever bs. Y'all just racist.

You really came with the facts and statistics. WHAT A LEGEND!! What makes it even worse is that, like you said, they’ll come up with whatever excuse to justify their racism and get mad when people pick up on it and put 2 and 2 together. Like thanks for proving our point, they’re basically admitting they hate characters of color whenever they get mad and throw a tantrum @ people exposing them 

anonymous asked:

The antis are so salty right now, it's tragic to the point of being funny. The are unable to accept that now the possibility of Otayuri becoming canon has highly increased, and are blaming kubo, saying she is ``just as disgusting as we all´´. Honestly, if you think the creator of the show is disgusting and a fanservicer, what are you all still doing in her show's fandom dears?

Say it again for those in the back, please. I have never understood those who stay in a fandom just to be antis of said fandom. How is spreading that kind of negativity beneficial to anyone? I get discourse happens but to out right just bash something because you disagree with how it is going and to call people all sorts of terrible things because of said disagreement? Purely pathetic.

It’s fine if you don’t like otayuri, it’s cool if you wanna hop off the bandwagon now that it’s getting some pretty heavy canon evidence–but don’t rain on the parade of everyone who LOVES it. Do not bash Kubo who gave you this series that you once loved (if you can even say they loved it if they are willing to roll out so quickly) just because she’s not pandering to your ideas that a two year age gap is something to scream ‘pedophilia’ at. Get off your high horses and realize that the fandom is not gonna hurt if you leave, like–if anything we will be better off now that they are showing their true colors, don’t you think?

anonymous asked:

So when this old 90s show called "Roswell" was going to be cancelled, the fandom got together and sent tobasco bottles to the company (bc that was a big thing on the show) and because of that it got another season. Do you think it would be possible to do something like that for the get down?

I have no idea at this point. The fandom did really as much as we could in order to make noise for this show to get renewed. Obviously, I don’t want to say that we should all take this sitting down, but sometimes there are things out of our hands. Which sucks.

mr-bushido  asked:

Which members do you think yixing is closest with (I would love it if you can name all 8 in order :D)

Here’s the thing–I feel like ZYX and the rest of the group have grown apart recently and that’s ok! Like people point fingers at Yixing for promoting in China, but save for a few events, pretty much all of them have been solo-ing or subunit-ing lately. But anyway the point is that I don’t think he’s that close to any of them anymore but I’ll give it a try !

I think he’s closest to Baek first. Like Baek shows the most genuine interest in him and his work and proves that he’s really up-to-date on what ZYX is up to! I think he’s also close to Min and Jongdae because they’ve started reminiscing about the m days so I guess they just have more experience together. But being close doesn’t really mean they get along, I mean those Xing with those 2…yikes. I never know if they’re about to hug or bare knuckle fight each other. I think he’s pretty close with Suho too like they speak really easily to each other like they talk a lot. Sehun thinks of him a lot which is nice. Idk if PCY is close with him necessarily, but he seems to admire ZYX. As for the rest, idk I think they have scripts written when they talk about ZYX. “Our member, Yixing, who has starred in 2 films and composed 35 songs…”

anonymous asked:

I've been shipping for years and usually it ends with unconfirmed/sunk ships, but this ONE ship, from ONE SHOW, cleanses all the bad feelings, to the point I'm not sure it's real? There's a movie about how the two got together? A whole arc about other characters getting them wedding presents? An entire series about their children? Is this all real? The world of shipping isn't this kind

ahhhh. it’s amazing right!

you know what. i’ve had (still have) many many ships, most have turned out okay-ish thankfully. but i’ve shipped naruhina since 2007, dropped naruto, started watching again in 2012, came back to the fandom officially in mid 2014, decided naruhina was my otp of otp’s at a time where even though the things we got were wonderful they were not frequent so the fandom was kinda like “we’ll take what we can get :)” and then at the end of 2014 somehow EVERYTHING CAME AT ONCE AT FULL SPEED and we were like WHAT IS GOING ON

fast forward to 2017 we’re still being blessed what did i ever do to deserve this. most of my ships have nowhere near as much canon content and this is a shonen. somehow nh has everything you could ever possibly want: development since children, confessions from both sides, a kiss, dates, marriage with the wedding shown, adorable kids, support from friends, loving extended family. the ship itself is 100% healthy but still entertaining because they’re so dorky and sweet

the hostility from certain fandom communities can never ruin that like who cares i’ll be here all day chillin with all these gifts wooooo blessed ship 

y’all: i’m not gonna watch the trc show if [x] and [y] and [z]

me, with my popcorn already popped: ……………………………

Jensen’s speech about YANA from JIBCon 2017


This was kinda what got me, was… So, signing autographs—and some of you guys were probably a part of the situation—I don’t know if you remember when Misha walked up with her (points to fan who volunteers with the crisis line) and said, “Hey, she’s one of the counselors that is part of what we set up.” I hadn’t actually… that hadn’t been personified for me yet. So I spoke to you for a brief second, and it was something like… was it fifty hours? Right? Could you stand up?

(cheers, applause)


Fifty hours you’d spent on the phone. And she walked away, and… that hit me. That that was fifty hours…

It’s hitting me now. Shit.

That something that was spawned out of this (gestures to crowd), and out of this (gestures between himself and Misha)… could help people to that degree, to where there was a verified person to counsel somebody, or people, for that amount of time, and she was one of them. And I know that there’s many of them. It hit me hard.

And I get to look at you, and I get to see you guys, and I know you all have a story, and I wish I could hear and talk to every one of you at length. I don’t have that opportunity, but knowing that something that I was a part of helped create that… that betters people, and inspires people to be a better person… Because—and Jared shared this with me—he’s like, “No one can help you but yourself. You are the only person that can help yourself. But if you get inspired by something, if something touches you and inspires you and makes you believe something that then helps you help yourself, then that’s important.” And she’s doing important things. And the fact that I was a small molecule of a being that helped many people…

I don’t know. It hit me really, really hard. And I had to take a… I had to take a breather. I had to take a knee. And so I went upstairs to Daniela’s room—she was like, “You need to come upstairs,” and I’m like (crying voice) “Yeah, I think I do.”

(laughter, cheers, applause)


All right, all right…

I remember walking up to her room… I didn’t make it. So I held out for maybe like 70 more autographs. I was like, (mimics signing fast while holding back emotions) “Mmmph… thank you. Mmmph, thank you. Mmmphhhh, thank you. Ffffffffff aaahhhhh—“


He was very flatulent during that time.



Yes. That was just the gas.

Then we were walking, and I was like, “Nope, nope, you’re not gonna make it to the elevator.” And I just sat there, and Jared just, like, grabbed me and hugged me… It was like, one of those moments where it’s like… This shouldn’t exist. Like, from a point of view that is, like, a television show, actor/fan relationship, this probably shouldn’t exist. It exists, guys. We feel you. And you mean a shit ton to us. You really do.

(cheers, applause)

transcribed from here

Why the SPN mixtape scene from 12x19 is screenwriting gold, and should be taught to the next generations of screenwriters everywhere - analysis

20 seconds. Two lines of dialogue, three gestures, a couple more camera angles. Episode 19, season 12 of a genre TV show “Supernatural”. A single strike of screenwriting and cinematic genius. The mixtape scene.

Robert Berens and Meredith Glynn, I bow before you.

This scene should be used as an example for future screenwriters how you can put maximum of meaning into minimal time and dialogue. Should be analyzed and taught at universities everywhere, how to achieve the most using the least. How to write for TV, where you only have less than an hour to built something spectacular.


Let’s just peel off all the layers of these 20 seconds of footage and these 13 words. 13 WORDS.

(Cas knocks, Dean doesn’t say anything. Cas opens the door, apologizes for disturbing Dean in his room, and then takes a cassette tape out of his left inside coat pocket, and puts it on the desk, while tapping the label on it that says “Deans (sic!) top 13 Zepp traxx”.)

Cas: Um, I just wanted to return this.

Dean: It’s a gift. You keep those.

13 tracks. 13 words. The future. So number thirteen is important for the future. I mean, are you trying to tell us something here, writers?

(Dean takes the tape, oustreches his arm, and gives it back to Cas. We see Cas’ hand grabbing the tape, and taking it back.)

That tiny scene is ENORMOUS from the perspective of the narrative and the characterization. Let’s see what we can get out of it. (Prepare yourself: it’s gonna be long. Damn, how much meta can you write based on 20 seconds of television and two lines of dialogue?) (Hint: A lot.)

Keep reading

fake fake fake
  • the clip starts with eva talking about causeries: humorous written piece that, in english, can be referred to as “talk of the town”. eva says she’s not good at it while noora says she doesn’t even know what it is. 👀👀👀
  • even before sana starts focusing on the carrot munching, from the very first second of the clip, the audio has a slight echo to it. which could just be the staircase in which they’re in but i’d think that the team would fix it in post-prod. i feel like they left it because it gives a daydreaming quality to the scene and sana’s pov. from the start, she’s not really listening.
  • carrot munching from the trailer
  • i’ve seen people comment that noora is eating too loudly, that’s not what it is.
    firstly: have you ever managed to eat a carrot silently? and secondly: the shot is to show how much sana is annoyed by noora now. when you hate someone, you tend to find every single thing they do annoying. suddenly, they breathe too loud, eat too loud, are just generally gross.
  • in my attempt to find out if there was a word for this phenomenon other than misophonia (as i understand it, misophonia is when you’re hypersensitive to certain sounds regardless of the context or person…i was looking for a word for when it happens only when you hate someone), i discovered a video of 5mn of carrot munching noises. here it is if you want to die.
  • the mcdonald’s discourse
  • sana looks outside at sara, vilde, and laila and…
  • …i’ll come back to this image later.
  • as sana focuses on noora and eva joining the group, she tunes out the noise around her just as when in prayer or when she was looking at yousef’s facebook profile. it seems that the music from sigur rós is used here as it was used in the other focusing scenes.
  • isak literally gets his nose into other people’s business (and i feel that almost everyone noticed immediately, despite how little of the frame it takes, because of the reading sense)
  • again, we have isak trying to reach sana and he says exactly what’s on sana’s mind: “has sara stolen all your friends?”

[cont. after the “read more”]

Keep reading

ajcaimi  asked:

Hey Dana. I was wondering if you have any plans to develop and pitch a show of your own. If you do, what advice do you have for people who want to create their own show?

I did have plans to pitch a show. And I pitched it! And Disney bought it! And now I’m developing it!  It’s difficult and exciting ESPECIALLY because I’m doing all this for the first time. I hope I can show some images someday!

If I were to give one piece of advice to past me, it’d be to get comfortable writing entertaining scripts. As a showrunner the most important thing will be The Show, and 90% of The Show comes from The Writing. It’s difficult to find writers who will 100% understand your vision but if that’s an area you’re comfortable in you’ll never be an dire straits. I had never professionally written a script before my pilot. If I did maybe that part wouldn’t have been as stressful at the time haha. 

But let’s say you’re already good there. You’re good everywhere! 

How to pitch a thing! I used to love making “pitch books” as a kid, though I had no idea that’s what I was doing. It was just fun to develop worlds and characters! So even if you’re in HS or younger, making “pitch books” is a great way to spend your time and practice for the future. So get to it! Here’s just one format you can try: 

1. Cover page with short description of show and a fun image of your main character!

2. ½-1 full page describing your main character/s! (Don’t start with exhaustive explanations about the world, or any legends, or w/e, we’re here bc we want to connect with a character).

3. A couple pages with any other important characters you may have!

4. A page describing the most important relationships between your main character/s and others!

5. Simple 1 page description on how your world works! If it’s too complicated to get on one page, SIMPLIFY! Even the most complicated ideas can be pitched in 1-2 sentences. 

6. Important places! The main characters house? The bad guy’s castle? Stuff like that. 

7. Give em a couple episode examples! That’s where your show comes together, after all. 

And you’re done!

Fill your pitch book with fun images that show off your characters and your world! You don’t have to follow this format exactly, it’s your show, your pitch, do whatever you think will show off your ideas best. If you’re making an epic you might want to dedicate a page to where you want the show to go, and how the characters will evolve. Everything depends on what you want to make. But above all: Make it interesting to read!!! Make it fun to look at!!! Boredom is your enemy, fight against it!!!!

Are my exclamation points making this easier to understand? GREAT!!!!!

Now get out there and pitch some things cause I want new shows to watch.

Hey pals. Apparently this is a thing that we, as an internet femslash community, need, so it is time for Grouchy Aunt J’s Guide To Fandom Deportment.

1. I know that you really like your favourite actors, especially the ones involved in your fave wlw ships. I totally understand this! They are pretty, and wlw fandom is really fun, and if your ship is also a canon ship then it is super exciting and validating to see yourself reflected in media that you love. I, too, love that feeling and get really passionate about the media that I watch, which is why I am a Fandom Old.

2. The actors in your favourite ships are people. Like, real people, with anxieties and food preferences and sometimes they have weird hair days and some of them are introverted and some of them are extroverted, etc etc etc. When they are acting in your favourite media, they are going to work.

3. Part of an actor’s job these days is to sometimes be around on social media. Sometimes not! If they are kind/friendly/available on social media, that is a fun perk of someone who is going the extra mile for their job. You are not entitled to this.

4. Even if you super like a ship and are really passionate about fandom, there are things it is not alright to do. Actors are people, and when fans start treating them poorly it is unkind and potentially frightening or traumatic. Plus, your behaviour reflects badly on all fans and means that fandom as a whole doesn’t get to have nice things anymore. (Thanks, jerks.)

5. It is never okay to:

  • harass actors on social media because something about their character is interfering with your ship/they’re not supporting your ship enough/they’re supporting the wrong ship too much/their character is problematic/the ship you think their ship is better than is problematic/just whatever please stop it this is not their problem. Tweeting at them will not fix whatever is upsetting you on the show you like, but it is probably pretty hurtful for them and not something they should have to put up with.
  • harass/question actors who are involved in queer ships about their sexuality in public spaces. People’s sexuality is private, and being involved in portraying a queer canon or subtext ship doesn’t give fans the right to know about an actor’s queerness or lack thereof unless they choose to volunteer that.
  • tell actors on social media about any sexual fantasies you may or may not have about them, b/c sexual consent also applies to actors.
  • send actors unsolicited links to/hand bound novellas/lovingly hand-lettered scrolls of fanfiction, especially smutty fanfiction, especially especially if that author is not aware that their fic is getting sent to actors inappropriately.
  • send actors your nsfw fanart about them, or someone else’s nsfw fanart about them, oh my g o d.
  • ask them to read your fanfiction or autograph your fanfiction, damn.

5a. A good rule of thumb is to ask yourself: would I, or another a reasonable person, want to see this [insert fanwork of varying levels of nsfw] about a representation of myself/themselves? Most actors are actual people who find this just as upsetting as you might find it, if someone drew fanart of you and then brought it to your workplace.

5b. Yes, I know, there is a certain amount of distance involved in creating fanworks because they are about fictional characters and that storytelling and play is one of the things I love about fandom. But I also never, under any circumstances, would want any of the actors involved in my ships to read my fanfiction because it would be super uncomfortable and that’s the point

6. Also, your favourite actor’s non-actor family and friends are just that: not actors. Don’t bother them. Don’t - hypothetically - stalk them and try to catfish them to get information about your favourite actor. It’s super super not okay and it’s a huge boundary violation.

In conclusion: social media is super great and has changed fandom in a lot of neat ways, but having cool TV and movie actors available to connect with in that way is a privilege, not a right. Let’s all act like we are worthy of it.


hey hello here’s the car boys unifying theory, i made a fun corkboard with the thread everywhere just like them conspiracy theorists in the movies

spoilers for the finale of car boys & the stolen century arc of the adventure zone follow

the crutch of this theory rests on the the two endings being separate timelines: the boystos/separation timeline (the bad ending) [the ending shown before the credits, when griffin and nick are separated and set adrift in endless emptiness] and the candle in the wind timeline (the true ending) [the after-credits ending, griffin and nick stuck in the car together, perpetually fleeing from the blob through the time ring] {there is no good end}

the separation timeline / bad end

  • most of what happens in this timeline to the boys is based off this video by youtube user brockrin- which the boys have tweeted about so by my standards its canon plflfnfft
  • to sum it up- alone for an eternity in endless Nothingness, the boys become the bustos-  nick 1.0 and griffin 2.0- and attempt to go back and stop themselves in the past from fucking everything up, but fail
  • this timeline (im sorry for homestuck terminology but,) is a stable time loop, nothing ever changes- its them going around and around again trying and failing to stop themselves. its bad
  • but its important to note that griffin and nick were not the only ones in the time ring when they got separated- which brings me to Ball
  • Ball has qualities of both the ovo and the blob, as it has blob-like physics (even leading to the it hates water! revelation) and its roundness and fondness of rolling just like ovo
  • Ball becomes separated from itself. the white sections become the ovo, and the black sections the blob

the candle in the wind timeline / true end

  • now things get a little buckwild
  • the basic premise of this timeline is that nick and griffin stay in the waterproof pessima lx for , basically eternity, travelling through the time ring in an endless chase with the blob
  • the reason that they don’t break down like in the bad end is pretty much that being stuck in a perpetual expanse of time and space with a friend is infinitely better than being stuck there alone
  • this is where coolgames inc starts! essentially a way to pass time when youve quite literally got nothing but time. (and as nick said, there’s wifi in the void)
  • this is where the guest-o-matic in the cgi animations comes in! and, in addition, there is a “canon” connection with cb in the cook for cube cgi animation- perhaps the two timelines converging for just a second ? 
  • uncle buck from uncle buck
  • in the time ring we see countless galaxies pass by as they travel downwards- they travel through endless amounts of realities and planes as the blob pursues them
  • taking a moment here to explain something else integral to this- in car boys, nick has the power of creation, the ability to spawn and create objects in the game. griffin, conversely, has the power of manipulation, he’s much of the driving force behind important decisions and actions taken in the show. this becomes important
  • this is when touch the skyrim takes place- in a number of the universes they pass through down and down into the time ring, griffin takes advantage of these powers of manipulation to modify the word around them because like why not, its fun
  • what’s wrong with this dream, nick
  • as the boys + the blob pass through universe after universe in the time ring, the bob catalyzes the event in the original universe of Jon (taz) that originally creates the hunger- the blob merges with the inhabitants of that universe and the hunger is born 
    (note: this may be edited in the coming weeks as we learn more abt the hunger and its origin)
  • and the boys realize this- that the universes that theyre passing through are being consumed behind them- and they begin looking for a solution, which materializes in the form of the original taz universe, the homeworld of thb and ipre and all that. 
  • it’s also at this point that the light of creation really like, becomes the light of creation its- its nick? its nick. nick is the light of creation. this fact being proposed is what prompted me to make this theory in the first place
  • griffin shapes the world of taz and becomes the dm/narrator (note especially in recent episodes during the into to taz the narrator uses ‘we’ and ‘us’- as if he is part of this world and is involved in the story) and the two boys follow the ipre through the planes of existence in order to help them find a way to defeat the hunger/blob and save all of reality from the monster that they created
  • and i think its a canon thing that the light of creation is split into the relics? that happens. thats pretty sad i think
  • ..until we get to the present- the hunger descending upon what will likely be the multiverse’s final stand against the hunger in the main taz universe (the one with two moons and stuff). cant wait for the taz finale bros

other things & honorable mentions

  • thanks to everyone in the mcelstuck & car boys discord for help with this whole thing! 
  • @rikki-tikki-taako​‘s explanation of how the true timeline boys are saved from the bad timeline: “what i’m getting at is why didn’t true timeline nick and griffin get separated and warped
    the true saviors of true timeline nick and griffin
    emoji car and miku car
    embodiments of crucial aspects of nick and griffins beings, their integrity largely untampered with(i don’t believe either of them ever god trashed), and bow i think of it relatively unscathed compared to the horrors introduced to everything else because there were always more important matters to draw nick and griffin away, they came just when nick and griffin didn’t have time to make the same mistakes as all the other timelines
    so in the midst of god trashing, their pillars distorting, they combined with their respective aspects and regained their conceptual integrity, in a way like pause error respawning frequently merged objects in beamng, the pause indicated by their seeming lack of awareness of having to merge with them”
  • @cinnamon-marthmallows​ originally came up with “nick is the light of creation”, the fact that spawned this entire theory
  • @goodraandyy​‘s infograph on the split timelines and commentary on the ball/blob/hunger that you should check out & reblog here
    “ball turned into the blob which followed nick and griffin towards the taz universe - however, it is not john himself, it was simply drawn to his misery and suffering and mistook him for nick and griffin. john then harboured the power of the blob to create the hunger storm, which took over the universe“
  • @horticulturelesbian​ created the car boys discord thank u so much kar
  • @cheshiure​ compiled the cb unifying theory google doc
  • @coneboyofficial made this beautiful image
  • @magehand​ for this image: 
  • @babylonian @griffins-tumbo


  • the two endings of car boys are separate timelines
  • griffin and nick in the bad/pre-credits timeline became the bustos, Ball became the ovo & the blob
  • griffin and nick in the true/post-credits timeline continued travelling through the time ring, coming up with coolgames inc and touch the skyrim
  • the hunger is born from the blob interacting with jon’s whole deal
  • taz happens, griffin becomes the dm, nick becomes the light of creation, the boys follow the ipre gang through the universes to try and find a way to finally defeat it

thanks everybody 

A Sign Of A Hero

Midoriya’s scars from overusing One For All are one of the most interesting things about his current character design. Like he is permanently scared up to fuck all over both of his arms. It’s something that like… most of the time you wouldn’t get from many other series.

Arm/hand scars, especially in of the type he has are… “Unattractive”. They aren’t like chest scars or eye scars or anything like that. They don’t exactly fit into those like… “cool” areas for scars that people love to use.

More to the point though, they’re gnarly things. They break up his normally clean hand lines and they show exactly how much he’s put his body through, even having only been at this whole super hero thing for a very short amount of time.

They give an impression that they still hurt even now. Like that they still ache, and that’s such an interesting thing to do with your main character.

Midoriya is such a good character from toe to tip because his design now matches his will to sacrifice even his body to get closer to his dream, and so does his moveset. Because he put his arms through so much hell, he can’t use them unless he may lose function of them entirely. So he makes up for that by using kicks.

And yet, and this is something that really gets me, this little girl he’s now trying to save, called these rough, scared, repeatedly broken hands, kind. Even through all he’s been through, and the things his body had suffered from, his kindness never left him. If anything, it probably got stronger!

It’s amazing to have a main character, a hero, who’s unusual, and non-standardly attractive scars shown as a sign of his heroics and his will to save people. It’s treated like a sign of strength for him.

And I love that so very much.

Iris and Lillium’s designs for mine and @i-read-good-books   Android AU collab!! (VERY NieR:Automata inspired by my (very annoying) requests.  hahaha ) 

Text by her:


“from dusk til dawn

getting to know each other”


Keep reading

yuri plisetsky thoughts
  • “ugh i can’t believe yurio is just doing this to one up the True Love that took away blah blah blah from his gold medal win”
  • okay, sharon.
  • i think my fondness for yuri plisetsky, and the reason i enjoy him as a character is because he is 15-years-old and an absolute shit.  at no point does the show try to show he has the emotional or mental faculties of anything more than that.  he doesn’t know how to be nice, and he’s the center of his own universe, so he can’t see outside himself, and he’s angry and he’s spiteful
  • the only thing that yuri plisetsky knows is that it’s him against the world
  • he is painfully, awfully, terribly fifteen-years-old.  
  • like if you look me in the eyes and tell me you weren’t The Worst as a fifteen-year-old i will never trust you, because you just lied to my face while looking into my eyes.  everyone in their own unique way was AWFUL at fifteen.  because we’re young and we’re learning how to feel and we’re learning we don’t always like that and the world is fucking huge and terrifying and sometimes straight up bonkers and processing that all at once is overwhelming and weird 
  • THAT BEING SAID: i don’t expect anything than just some filler yuri plisetsky being a dumb awful teenager in WTTM. that is what i’ve always expected, because yuri plisetsky is a dumb awful teenager.  that’s kind of his thing.   
  • BUT!! in the future of the franchise, when they’re trying to figure out what the next chapter in these characters’ lives looks like, i really hope they look at yuri plisetsky and figure out he needs to learn failure
  • he needs to try for something, and he needs to try for it with all he’s got, and he needs to fail anyway.  
  • that’s the one thing i felt i didn’t get closure on during the series, and i would just love the continued narrattive of Yuri Plisetsky Learns To Be A Real Boy, where he becomes more human and more grown up as he slowly learns to see outside himself and put words to what he sees. 
Levi Ackerman: The Abuse Claim

Alright, so here I am with another long ass meta post. Only this time, this one is directed solely at the legend, Levi Ackerman himself. Yet again, I am seeing the “Levi is Abusive” mumbo jumbo and I have spent my two years in this fandom quiet about my opinions on this for the most part because I do not enjoy drama. However, after this last batch of Discourse™ that I have seen, I have been pushed beyond my ability to bite my tongue. 

This is Part One to a two part meta, and this is me basically trying to shine light on Levi’s actions a bit and why he behaves the way he does. In no way do I try to justify all of the shit he carries out so don’t think this is just a fangirl squeal post. I’m simply trying to better explain his character for the people who seem to think he is some kind of rage beast who beats kids for fun in his spare time. 

I will be putting this under a Read More because it is extremely long and also contains spoilers. I’d also like to state that this would be best read from a computer or the mobile website as it contains a metric fuckton of manga panels used for reference (seriously use any other means outside of the mobile app to read this because the app will butcher this post and cut out a majority of the images). If you are sitting down to read this, please make sure you are comfy, cozy, and drinking a nice warm beverage. Now then, 

DISCLAIMER: This is my personal opinion. In no way am I stating what I say here is completely accurate. if you disagree with my opinion, good for you! That’s your prerogative. However, If you are going to send me messages trying to argue points of view with me or send me hate messages because my opinion differs from your own; do us both a favor and just don’t even bother. WARNING: Major spoilers ahead.

First and foremost, this is the scene I see brought up the absolute most so I’d like to go ahead and address it first:

Keep reading