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“Aren’t you supposed to kneel in the presence of the Hokage?”

“Like I don’t already do that.”

Matthias Withoos, Vanitas symbols in a landscape, 1658, 

oil on canvas, 100 x 84 cm, 

Museum Flehite, Amersfoort, the Netherlands

Matthias Withoos (1627–1703), also known as Calzetta Bianca and Calzetti, was a Dutch painter of still lifes and city scenes, best known for the details of insects, reptiles and undergrowth in the foreground of his pictures.

Matthias Withoos - Capriccio of the Roman Forum with Arch of Constantine and Coliseum - 

oil on canvas,  98.1 cm x 135.4 cm

In painting, a capriccio, in older English works often anglicized as “caprice”, means especially an architectural fantasy, placing together buildings, archaeological ruins and other architectural elements in fictional and often fantastical combinations, perhaps with staffage of figures. It fits under the more general term of landscape painting. It may also be used of other types of work with an element of fantasy.
This genre was perfected by Marco Ricci (1676-1730) but its best-known proponent was the artist Giovanni Paolo Pannini (1691-1765). This style was extended in the 1740s by Canaletto in his etched vedute ideali, and works by Piranesi and his imitators.