this one here is called the silent princess. despite our efforts, we can’t get them to grow domestically yet. the princess can only thrive out here in the wild. all that we can hope is that the species will be strong enough to prosper, on its own.
the reason melodrama is so complex is that it simultaneously celebrates and criticises parties as a place where the rules no longer apply
parties give us an illusion of control? confined in the world of the party it’s all ‘our rules, our dreams’ and we are ‘kings and queens’
homemade dynamite is such a call to arms for our generation okay it feels like a metaphor for the potential we all have to create change
but equally could be a metaphor for our self-destructive tendencies???
the louvre is beautiful because it glorifies the tiny beautiful moments, relationships that don’t last forever but are still beautiful and priceless and are still works of art - masterpieces and still good enough for the louvre
also this is a song about writing a love song? ‘broadcast the boom boom boom and make ‘em all dance to it’ that is literally the conventional role of pop music?
okay but hear me out i think liability/hard feelings are two versions of the same story, liability immediately after the split and hard feelings in retrospect!!!!! there are so many parallels!!!
let go of this endless summer afternoon vs. every endless summer’s eating me alive
well i guess i should go vs. well i guess i’ll go home
big mistake of dancing in my storm vs.
how you’d dance for me
i am obsessed with how sober ii explores the performance of being a young adult like ‘oh how fast the evening passes’ and the references to ‘champagne’ suggests some form of performed sophistication
‘we told you this was melodrama’ could play on this idea of performing a role, or alternatively could play on the way society views the lives of millennials - melodramatic and ridiculous!!!
‘they’ll talk about us, all the lovers, how we kissed and killed each other’ reminds us that this is our legacy, this is how we live forever - it’s super self-reflective and seems to call on us to consider the mark we are leaving on the world BUT also ‘romanticises us making us the stuff of myth and legend, we are immortalised forever in our scandal
writer in the dark!!!!! so like to begin with that double meaning - kissing her literally in the dark / kissing her while he kept her in the dark about how he really felt
this is lorde’s ‘blank space’ revenge song okay fight me on this
her secret power is being able to keep him forever bc she ‘locks him in her heart’ he’ll rue the day he kissed her because in doing so he sealed his fate!!!
this is actually REALLY CREEPY I WANT A CREEPY MUSIC VIDEO!!!!
okay so love of my life supercut: every chorus is like the actual supercut playing back all the good parts back - that sunny pre-chorus with the repetition, mirroring the idea of a highlights reel playing over and over again
but it’s also a metaphor for seeing a past relationship through rose-tinted glasses/the way nostalgia makes things beautiful - she is only remembering the beautiful parts
okay but the ultimate storyline of the album seems to be from green light, sober, homemade dynamite we get the impression that ‘all there is, is the party’, whereas liability reprise suggests that ‘maybe all this is the party’ which is such a beautiful and hopeful discovery for the album to make - leading straight into perfect places, which celebrates life with all it’s imperfections and flaws!!!