lars*

“You don’t know anything about geography just because you know geopolitics.” 

Collage from a trip I made around Colombia, from Medellín to Popayán, it was also the cover of my field work notebook. We made the exact same route as people did in the XVII century and we learned all the history of Colombia from that period. We slept in so many cities, drank, sang and drew so much. It was one of the best experiences of my life, I learned geography, the way in which you read the landscape to know the history behind it and, one of the most shocking components, I saw with my own eyes the fact that time it’s never a linear thing. Sorry for the long text, it’s just that this specific collage makes me very very happy.

callout post for my roommate

my roommate @deathedit has been extremely problematic

  • plays a bad combo of lazy town and MCR music
  • keeps trying to get me into yuri on ice
  • wears like 4 sweaters at once
  • is still playing lazy town music rn
  • 2 edgy 4 me
  • texted me “hot bittery arugula” at 11:50pm even though i was 5 feet away??? ????? ? ? ? what
  • IS STILL PLAYING LAZY TOWN MUSIC RN
Nos assuntos de família, somos todos ainda crianças por dentro. Não importa o quanto crescemos, nós sempre precisamos do nosso lar. Porque sem as pessoas que mais amamos, nós ficamos muito solitários nesse mundo.
—  Gossip Girl.
Você não está triste à toa

Algo te machuca por dentro
As pessoas te perguntam o que você tem
Você diz; nada
Mas esse seu nada, tem tudo, tem o peso do mundo
Você tenta entender as coisas e não consegue 
Você grita em silêncio por socorro 
Os dias se arrastam, e você só sobrevive 
A madrugada é pesada e sufocante 
Você não consegue dormir 
Seus olhos são dias nublados 
Tudo está sem cor 
Você chora para aliviar a dor 
Eu sei como é, eu sinto essa dor
Às vezes não tem explicação
A tristeza simplesmente vem e habita em ti
E você chora por falta de ar, ou por falta de alguém
Estes são tempos difíceis para os sensíveis, para os sonhadores 
Para os que amam e são intensos demais
Nascemos na época errada baby
Eles não entendem nossas almas 
Somos céu e ao mesmo tempo abismo 
Somos a geração do caos
O mundo nos sufoca, aqui não é o nosso lar
Está faltando amor nos corações
O mundo está em guerra
É um conjunto de tudo
Que nos fere e nos magoa
Não estamos tristes à toa

Bir insanı sevince onu her şeyiyle seversin. Hayır sadece aynı evde yaşadıkça tanık olunan ter kokusundan, saçının yağından vs. bahsetmiyorum.
Gerçekten sevdiğinde o kişinin yalanını affedersin, hatasına bahane bulursun, seni üzmelerine “ama"lar dizersin, yeri gelir seni yüz üstü bırakmalarını affedersin, özür beklersin dilemez yine affedersin. Konuşmak istersin kaçar yine tamam dersin. Anlayış gösterirsin, daha fazla anlayış gösterirsin, alttan alırsın, anlamaya çalışırsın, empati kurarsın, zorla onu haklı çıkarırsın, görmezden gelirsin, çaba harcarsın, çaba görmek istersin göremezsin yine olsun dersin. Çünkü seviyorsundur. Çünkü damarlarına kan diye onun adı pompalanıyordur. Çünkü ruhunu sevmişsindir. Çünkü ruhuna ondan bir parça katmışsındır. Çünkü amınakodumun kalbinde o atıyordur.

Akıl için yıldızlar vardır.
O şeytan için recimdir.

İlimler için, dolunay'lar vardır.
O, kalpler için nûr ve bâsîretlerdir.

Ve mârifetler için ise güneş vardır.
O ariflerin sırlarına doğar.


(İmam Kureyşî r.h.)

digamma-f-wau  asked:

I wonder if it's possible to spin some analysis on how certain characters and situations are generally handled by the same writer/boarder teams (like nearly every lars and sadie episode being raven and paul, or nearly every flashback involving Katie Mitroff); though outside of Ian JQ leaving and Joe being promoted to director, there isn't any variance with the outline writers (Matt and Ben with ideas from Rebecca, Kat, and Ian/Joe)

This is something I’ve discussed before in this ask but let’s talk about it again :D

I would say the outlining process gives us the bare bones of the plot. What needs to be moved forward? Who needs to develop to set up for a future episode? Who gets introduced? It’s a very big-picture process when working on a show.

At the same time, outline writers may have specific big moments or imagery that needs to be conveyed, sort of like a vision. That’s why Rebecca has mentioned sometimes she gets into boarding the scenes herself, because there’s a specific thing she wants to show and it’s much clearer for her to do it herself. 

Once the direction has been said, the meat of the story has to be fleshed out. That means dialogue and mannerisms. The kind of non-word sounds like “Hnggg” and *splutter* are part of this. So it’s possible some things in the original draft get changed in the process, should it be more believable or in-character for particular characters to do this instead of that. 

The reason I think we have the same people working on particular characters, is that it supports the rationale of the show. It’s based on real-life relationships. That means outside our protagonist, Steven, the characters are protagonists in their own stories. They’re also growing and changing and it’s a little more difficult to get into that mindset of the character from a big picture, since there’s a bigger plot that needs to get moving. In that regard, I’d say particular work teams have better expressions, visions for these characters and it would make sense in their development to have the same people handle them.

anonymous asked:

Steven Universe!

  • Favourite character: Garnet
  • Funniest character: Garnet again
  • Best-looking character: ….. Garnet 
  • 3 favourite ships: Rupphire, Amedot and Gregrose
  • Least favourite character: Lars
  • Least favourite ship: anything involving the gems with Steven and/or Connie
  • Reason why I watch it: beautiful story with strong messages, diverse and likeable characters, lgbt+ representation, amazing art and music and Garnet
  • Why I started watching it: you know that scene with Garnet talking on the phone with Connie’s mum? it was always on the tv and i loved it + the huge amount of good reviews i had heard about it