landmark century

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We’ve got your weekend inspiration! #DiscoverTheCoast with us in California

The California Coastal National Monument preserves important habitat for coastal plants and animals, and protects cultural sites that provide insight into the people who lived along the California coast thousands of years ago. Many of the new units of the monument are also culturally and spiritually important to local tribes.


Cotoni-Coast Dairies
in Santa Cruz County extends from the steep slopes of the Santa Cruz Mountains to marine terraces overlooking the Pacific Ocean. This portion of the California Coastal National Monument encompasses ancient archaeological sites, riparian and wetland habitats, coastal prairie grasslands, and woodlands that include stands of coast redwood. Photo by Jim Pickering, BLM. 

A respite from the modern world, complete with historic architecture and abundant natural life, awaits visitors to the California coast at Piedras Blancas.

Only 40 miles north of San Luis Obispo, California, the large white coastal rocks for which Piedras Blancas was named have served as a landmark for centuries to explorers and traders along the central coast of California.

Built in 1875 as a safety aid to mariners, the light station once cast a flashing, oil-flame light 25 miles out to sea, warning ship captains to steer clear of the white rocks that would mean certain doom for a vessel.

Today, the light station, its first order lens and light structure long ago removed, casts a beacon to travelers on scenic California Highway 1. It continues to provide a navigational aid to ship traffic, as well. Photo by David Ledig, BLM.

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Santa Maria della Salute
John Singer Sargent (American; 1856–1925)
1904
Translucent and opaque watercolor and graphite, with graphite underdrawing
Brooklyn Museum, Brooklyn, New York

The Birth of Venus is undoubtedly one of the world’s most famous and appreciated works of art. Painted by Sandro Botticelli between 1482 and 1485, it has become a landmark of XV century Italian painting, so rich in meaning and allegorical references to antiquity.

The theme comes from Ovid’s Metamorphoses, a very important oeuvre of the Latin literature. Venus is portrayed naked on a shell on the seashore; on her left the winds blow gently caressing her hair with a shower of roses, on her right a handmaid (Ora) waits for the goddess to go closer to dress her shy body. The meadow is sprinkled with violets, symbol of modesty but often used for love potions. 

Fountain is a 1917 work produced by Marcel Duchamp. The piece was a porcelain urinal, which was signed “R.Mutt” and titled Fountain. Submitted for the exhibition of the Society of Independent Artists, in 1917, the first annual exhibition by the Society to be staged at The Grand Central Palace in New York, Fountain was rejected by the committee, even though the rules stated that all works would be accepted from artists who paid the fee. Fountain was displayed and photographed at Alfred Stieglitz’s studio, and the photo published in The Blind Man, but the original has been lost. The work is regarded by art historians and theorists of the avant-garde, such as Peter Bürger, as a major landmark in 20th-century art.