land smith

The Seduction of Jazz

A few months after college graduation, I moved to a tiny studio apartment in Manayunk, a neighborhood in northwest Philadelphia.  My apartment was on top of a bar tending school and was large enough for a bed and a coffee table, nothing more. To give you perspective, the kitchen stove was about four feet away from where I slept.  I found a picture of my empty apartment below and the photo was taken in the “kitchen”. It was here where I remember first listening to jazz….on purpose. 

My short-lived love affair with jazz started one night after I watched Woody Allen’s Midnight in Paris.  I always have romanticized the 1920s but the movie triggered a night’s worth of appreciation. I poured myself a glass a wine, sat on the stool near my window, lit a cigarette, and listened to the sounds of Louie Armstrong while watching the night life below me. That evening was so pleasurable that I made it a weekly habit that lasted about six months…

I later moved in with one of my best friends (shout out to Erika) to a new neighborhood in Philly.  Living with a roommate has a lot more pluses than negatives but you do have less time (and freedom) to enjoy nights alone. It was here where I stopped listening to jazz.

Flash forward to the present, where I am being seduced by jazz for a second time, and again it was triggered by a movie.  Although the film is set in modern times rather than the Jazz Age, La La Land’s one protagonist is a passionate jazz musician (played by Ryan Gosling) who’s dream is to open his own jazz club.  This resurfaced memories of my time in Manayunk and the nights where I suppressed the habit of watching TV, playing video games, or being on my phone but rather indulged in a slight buzz and jazz music.

Originally posted by chazelle

The reasons I find jazz so alluring is because:

  • Jazz was the soundtrack to the Roaring Twenties, a decade that was progressive and rebellious.  Women’s suffrage was at its peak at the turn of the decade and women wanted a new standard for themselves. Women danced, smoked, drank, and talked freely about sex.  African American culture had a big impact on the 20s and females like Bessie Smith took over the radio. The youth took to night clubs and speakeasies to enjoy different styles of jazz.  People were using automobiles and telephones at large scale and motion pictures grew in popularity and accessibility. Those in their teens and twenties rebelled against the cultural norms of the older generations and progressive cities like London, Paris, and New York experienced a new “cultural edge”. In France, the Roaring Twenties are known as the Crazy Years which speaks to the chaotic nature of this decade.

Originally posted by lavieburlesque

  • Jazz is ever-changing.  Ryan Gosling’s character touches on this during a scene in La La Land –> jazz has a improvisational component to it which allows the artist to change up a song every time he/she plays it. This means that if you are listening to a live jazz band/artist, you may never hear that unique version of the song they are playing ever again. The same artist can play the same song over and over but the piece, to those that really listen, is always new.  Jazz also, on a larger scale, has evolved over time, as most genres do.  I encourage you to check out reddit user johno456′s answer to the thread below (also earning him reddit gold) to better understand the changes in jazz throughout the last few decades: https://www.reddit.com/r/Jazz/comments/4mjc13/a_challenge_for_you_jazzheads_name_ten_tracks/
  • Jazz gives me the feels.  Jazz makes me feel optimistic, sexy, and inspired.  I feel mature, yet youthful.  I find the whole experience of listening to jazz very pleasurable.

If you want to dabble, here are some of my recos:

Dream a Little Dream of Me - Ella Fitzgerald

Let’s Get Lost - Chet Baker

Heebie Jeebies - Chick Webb & His Orchestra

The Girl From Ipanema - Amy Winehouse (+ the original version from Gets/Gilberto)

Originally posted by clubyonkidecaballeros

3

always // panic! at the disco

The Savage Land TPB (1987) with cover art by John Buscema. This trade paperback reprints Marvel Fanfare nos. 1-4, which are still my favorite Savage Land stories of all time.  With Chris Claremont writing and a who’s who of fan-favorite X-Men artists, including Michael Golden, Dave Cockrum, Bob McLeod, Paul Smith and Terry Austin, the story is a wild and thoroughly enjoyable ride. 

Courtesy of Half Gallery, New York

Lucien Smith Refocuses On Art Amid the Spectacle

In 2014, the artist Lucien Smith saw his work sell for $389,000 at auction. He landed a solo show at one of the most blue-chip galleries on the Upper East Side, and became a poster child for what was then referred to pejoratively as “Zombie Formalism.” He appeared on multiple lists documenting Bright Young Things and witnessed his father publicly call him a coward. Any way you slice it, that’s a lot for a 25-year-old who had only been selling his work for four years.

See more here

sniped by @starryviktor

rules: tag 20 people you want to get to know better 

name: samuel(???)


nicknames: sammy, moose, lucif-

gender: male 

star sign: tired and gay 

height: 164.5 cm

sexual orientation: healthy and nice relationships with all the hugs

hogwarts: slytherin af hiss his motherfuckers

favourite colour: death

average hours of sleep: Not Enough

cat or dog person: sneks. lol tricked u it’s dogs. always dogs.

favourite fictional characters: castiel, raleigh becket, deadshot, mako mori, tiny stark, t’challa, i could go on,

number of blankets i sleep with: a sheet because it’s Australian Death Time, more commonly known as “summer”

favourite singer/band: AC/DC probably 

dream trip: falling over sebastian stan and landing on will smith, passing jamie chung as i go

dream job: a butt job a director

when was this blog created: who tf knows lmao

number of followers: 188

when did this blog reach its peak: that one time my mouse was hovering over the ‘delete’ button

wtf i don’t know 20 people who knows 20 people???

I tag: @gutterballgt @tardisfordemigoddeductions @symphonysoldierr @glorywouldbeproud @antiisepticeye @its-scientistwannabe @gay-hamlet-is-yay-hamlet @budapest-dreamin @intermittently-ava @illstealyourhouse @transbaze @galactic-cactus123 + anyone who wants to do it

The reason that economic textbooks now begin with imaginary villages is because it has been impossible to talk about real ones. Even some economists have been forced to admit that Smith’s Land of Barter doesn’t really exist.
The question is why the myth is perpetuated anyway.
—  David Graeber, Debt: The First 5,000 Years, Chapter Three, “Primordial Debts”, p. 43