l. s. paul

There’s no way you can really reduce the photographic history of a place to just a few artists, let alone two. But the curators at L.A.’s J. Paul Getty Museum are trying — in the forthcoming exhibition, Japan’s Modern Divide.

By focusing on two artists, the show will examine how, as Japan faced westernization, photography diverged in two general directions: Hiroshi Hamaya’s documentary style centered on Japan’s traditional culture, while Kansuke Yamamoto’s avant-garde art more closely aligned with French surrealism. (via npr)