l o l n o

i have this problem that when i was younger i was like “what??? making content centered at younger audiences???????? HAHAHA i specialize in death and suffering” but then lately i reached the conclusion that i actually love content for kids and i don’t need to make things for mature audiences, but, like………….. i need to adapt a lot of my plots to be lighter for that…………………….. and it’s been quite the challenge because i have made Character Death™ a Very Important Plot Point in the entire universe and i’m not even kidding that’s straight up what I did

hey kids wanna hear a story about crippling depression ‘cause i’ve got a few

7

I love how it’s fucking wild n then sketch is just like ‘yo wassup’
N I know these are old but they fucking crAck mE UPP n I use these screen shots to cheer me up YALL HIT UP THE DISCORD CHAT ITS FUCKING LIT N I STILL LOVE YOU BREAD DAD


u know whats fuckin lit

ur f u c  K I N S  C R E E N W H AT T HE  FU C K M Y  B RE A D  SO N  ADBKCVLBNKLBVCNKLMVCBNCVKLBKLCVMBVXCB

Y’KNOW WHAT REALLY GETS ME?? Keith views himself as serious. He thinks his friends would describe him as serious. 

And mostly that’s true. He rarely jokes around. But then around Lance he’s like-

“what was that? you’re- you’re cutting out I can’t hear you!”

“heh, like that?”

“look, I’m glad we’re all making fun of Lance-”

“wow, it must really be bothering you if you’re coming to talk to me” / “solid math”