What ‘Watch Dogs 2’ Gets So Right, and So Wrong, About Race

Heads up, this post contains some spoilers for Watch Dogs 2.          

CK  Cameron Kunzelman

Waypoint EIC Austin Walker and Columnist Cameron Kunzelman take to a letter series to discuss Watch Dogs 2’s take on race and erasure.        

Postscript is Cameron Kunzelman’s weekly column about endings, apocalypses, deaths, bosses, and all sorts of other finalities.

It’s important to consider the kind of game that Dungeons & Dragons is to see why Stranger Things leans into it so heavily. It is the type of game where there can be two optimal strategies (throwing fireballs vs. casting protection spells), where people can do heroic things beyond mere human capability, and where players are constantly coming into contact with circumstances beyond their control. The ability for the player to think about, react to, or work around a problem in a freeform way is what makes tabletop roleplaying a fundamentally different experience from video games.
—  This Vice piece by Cameron Kunzelman neatly captures why the presence of D&D in Stranger Things isn’t just there as window dressing to let us know we’re in the 1980s. There’s a lot more to it.
"gameplay loot" and "story loot"
Earlier today I made a tweet that said "I increasingly want games with a 'story loot' versus 'gameplay loot' option." I got some agreement and some comments, and it seems like most people read me a...

Earlier today I made a tweet that said “I increasingly want games with a ‘story loot’ versus ‘gameplay loot’ option.


What I mean is that there is often a massive disconnect between how important and powerful an item is in a narrative and how important it is statistically in a game. It really isn’t the biggest problem in the world, but it is one that I find eternally annoying.

On ‘story loot’.