Warning: This story contains major spoilers from the season finale of Once Upon a Time. Read at your own risk!
The Final Battle led to a lot of loss during Sunday’s two-hour season finale of Once Upon a Time.
After the curse hit, Henry (Jared Gilmore) found himself in a Black Fairy (Jaime Murray) run Storybrooke where Emma (Jennifer Morrison) was locked up in a mental hospital, unaware she’s the savior and refusing to believe in fairy tales.
It turns out, the Final Battle is not an actual fight, but a battle for Emma’s soul. The Black Fairy hopes to crush Emma’s belief, thus causing all the realms in Fairy Tale Land to crumble and disappear — and she nearly achieves her goal, too. Though Emma initially returned to her old life in Boston, Henry was able to convince his mother to return, saving everyone’s lives.
But it’s Rumple (Robert Carlyle) who actually breaks the curse. Furious that the Black Fairy imprisoned Belle (Emilie de Ravin), Rumple killed his mother, thus ending her spell, returning Emma’s memory and bringing everyone home to Storybrooke. Unfortunately, the Black Fairy had already commanded Gideon (Giles Matthey) to kill Emma. Instead of fighting back, Emma decides to sacrifice herself rather than kill an innocent. But, in a scene echoing the season 1 finale, Henry’s kiss resurrects Emma.
Though the storybook was burned, it reconstitutes and subsequently ends. Yes, it’s the end of this book, but not their story. Everyone gets to keep living happily ever after together. And yet, in a flash to the future that echoes the pilot, a young girl named Lucy (Alison Fernandez) shows up at an adult Henry’s (Andrew J. West) door, exclaiming that his family needs his help. She’s the same little girl whom an adult Henry in the Enchanted Forest employed to protect the storybook when a darkness came for him in what turned out to be a flash forward. What does this mean?! EW turned to executive producers Adam Horowitz and Edward Kitsis to find out.
ENTERTAINMENT WEEKLY: Many of the cast we’ve known over the last six seasons are not returning. Can you talk about how the story will be changing moving forward? ADAM HOROWITZ: Just on a conceptional level, it’s the same show. We’re trying to tell the same kind of stories and honor the DNA of what Once Upon a Time was from the very start. But I think we — Eddy and I — felt that as we approached season 6, the time had come to close the chapter on a lot of the stories we had been telling, which was the impetus behind this season finale, and open some new chapters. While there are some characters returning and some not returning, it’s still the same universe, and it’s still the same kind of storytelling. It’s just that we’re going to be coming at it from a little bit of a different angle. It’s not going to be necessarily Storybrooke-based. EDWARD KITSIS: Also, what we see is, a new hero is leading us into a new world, which is an adult Henry Mills. We saw that in what we realize are flash forwards, and then at the very end, Henry has grown up and he looks like he left home. He was an Author writing everyone else’s story, so to me it looks like he left home to find his own story and then something happened, and now he’s got to be the hero. HOROWITZ: It’s a little bit of the continuity between the two iterations of the show, which is Henry. Henry has been the heart of the show from the beginning. Jared was amazing, and we couldn’t love him move; watching him grow up has been amazing. Now, we’re going to see what that character becomes in a 10-years-older version. But he’s still going to be that character and still carry that essence of the show and be the center of the family that’s at the heart of the show.
You gave so much closure to so many stories, how do you plan to reconcile that with some people returning next year but not others? Does that change their happy endings? KITSIS: What happened to these people, those are episodes, those are things we will probably want to show. For us, we felt creatively it was time to end a lot of these stories. What we’re really interested in is, as we said, it’s like a new book. So we’re starting with new stories. Although it’s going to have some of the people that we’ve loved for six years at the center of it, we are going to meet new people and new worlds.
Will we see an influx of new characters and other fairy tales? How will you branch out in that sense? HOROWITZ: Hopefully when you see the premiere, that will become super clear, so we don’t want to give too much away right now other than to say we do intend to branch out, we do intend to also stay with some of the characters we’ve been with. It’s about how do you honor everything that’s come before, but also widen the canvas a little bit? KITSIS: Open the world up. HOROWITZ: That’s the goal of season 7. In addition to the people that we’ve already announced who are coming back as regulars, and who are not, there will be more regulars we’re adding to the mix. KITSIS: As we completed one journey, what we want to do next year is take people on another one. The DNA is still the same, which is fairy tale characters in the real world in search of hope. We still have Henry, we still have Regina, we still have Hook and we still have Rumple, and we still have people are that are going to come in and out that we know, but we’re going to meet a whole new universe and a new group of people. So for us as writers, we’re also excited to do that. Probably you’re going to see a world with no magic in it on one side, very similar to the way we did in season 1.
Thematically, what are you hoping to explore that’s different than what the first six seasons were? KITSIS: We always say that Emma was a character looking for her family and finding hope. I would say that Henry was the heart of the truest believer, and what we saw at the very end is he no longer believes. Henry’s loss in faith and the idea of belief is the jumping off point. The DNA of the show remains, and always will be, of hope. Each character was always looking for their happy ending, and that is no different than anyone in the real world. HOROWITZ: One of the hardest times to have hope in anyone’s life is when you’ve lost belief or faith in something. That is a jumping off point for where we are for the next season, which is, how do you deal with questioning faith and belief and finding hope again?
This scene with adult Henry echoes the pilot, even down to Henry saying he doesn’t have a kid. Has something happened to him in terms of his memories or has he just become cynical somehow seemingly being separated from his family? HOROWTIZ: These are excellent questions that might be better answered— KITSIS: —in the teaser of next year. HOROWITZ: But they’re excellent and insightful questions.
Is the storybook that Henry charged his daughter with protecting in the Enchanted Forest the book we’ve always known, or a book with brand new stories within? HOROWITZ: It’s another excellent question, and without getting too specific about what that book we saw in the teaser is really about, what we can say is that Henry has grown up, he has remained true to what we’ve established and he is an Author.
Let’s talk about Lucy. Who is her mother? Is it Violet? HOROWITZ: Violet is in the montage at the end. When Henry goes to school, she’s waiting for him at the school. KITSIS: But that being said, unfortunately like a lot of us, your first love in high school ends up not being the person you marry. You end up leaving home and moving on. It is not Violet. Who the mother is, and who Henry fell in love with, is one of the things we’re really excited about next year. In the tradition of Snow and Charming, Henry and his wife are a very much Once epic romance.
Is there a Savior in this story? KITSIS: There could be. HOROWITZ: There very well could be.
Can you talk at all about this new darkness coming after adult Henry that we saw in the Enchanted Forest? Is this the introduction of the new antagonist for next season? HOROWITZ: It is. It looked pretty scary, so I don’t think it’s a new friend-tagonist. What we see in the season finale in those little snippets is, it’s a darkness that grown-up Henry has to deal with and has a big impact on what’s going on in season 7. We’re still at that we need to be slightly infuriatingly vague stage.
Since the show is going to be centered partially around Regina next year, what can you say about her drive or her story going into next season? KITSIS: I’d say she’s fighting for the people, just like a queen does.
The Evil Queen seems to be marrying Robin Hood. Will she play a role next season since Lana is sticking around? HOROWITZ: I would say, never say never.
Rumple seemed to get his happy ending with his family, but what do you plan to explore with him next season? The darkness is still inside and he’s just killed his own mother, so how has that changed him? KITSIS: We saw his happy ending with Belle, and they worked really hard to get it. What’s happening next in his life and what he’s going through is obviously what the story is. That one I don’t want to just fully tease yet. All this stuff is literally just being worked on. HOROWITZ: We really would love for the audience to be able to spend the summer living with the happiness that we’ve seen these characters get, because it’s real, and it’s meant to be real. It’s not meant to be something that we’re doing that we want to destroy and make all horrible, or whatever. We want these characters to have really earned this place of happiness they’ve found. But because we’re telling stories, we’re going to have issues to overcome in the future, and Rumple is no exception to that rule. To tell you now what it is would give away so much, so we’d rather have the audience really sit with what we’ve left them with for now.
Because you see Emma get her happy ending, and we know that Jennifer is only returning for one episode, a lot of fans are worried Emma is going to die. Do you want to say anything to the audience? KITSIS: Not really. There’s nothing to say. That is correct, she is coming back for an episode. Their happiness is real, and people should enjoy that. The thing is this: Right now, we’re not trying to take away the show we’ve done for six years, and we’re not trying to destroy people’s happiness right now, but we’re going to be telling a new version. But until they see that, they won’t understand what it is. So for us, we’d rather not whip people into a frenzy. HOROWITZ: I’d like to underscore that for a second: Really we wanted the audience to not think about what we’re doing as throwing away what came before, but building on and expanding from it, so that what happened and what they’ve lived with and what they’ve invested in all these years still really matters; it matters to us as writers and we know it matters to so much of the audience. We want them to know that we do really respect that and we really do approach the story from that level. We’re not just clearing a playing field and starting over willy-nilly. We’re trying to tell these new stories and expand our canvas, but also honor what’s come before.
Hook’s always walked a fine line of giving into his darker instincts over the years. Is that something you might delve into again moving forward? KITSIS: That’s definitely a part of his DNA, but we’re hoping to tell new avenues of story for the characters. The lessons they’ve learned on the show, like we don’t want another year of Regina wondering whether or not she should be evil; that’s been settled. When the dwarves bow to her, they bow to her as the queen. She’s no longer the Evil Queen. So we want our characters to move forward. But like any of us, once you get a hold of one issue, there’s always three others.
Can you talk about how you’ll be handling flashbacks next year? HOROWITZ: We do intend to keep a flashback component to the show and we hope that how we do it is fun for the audience.
Now that you have this new direction, do you have a better sense of your endgame? HOROWITZ: Our goal with the show remains the same, is the simplest way to put it. It’s that question you always get asked, which is, “Do you know exactly what the end is going to be?” KITSIS: We knew for this chapter, we have ideas and we are creating a new chapter. We’ll see how that goes. We’re excited about the new journey. We think it’s very much Once Upon a Time. At the same respect, we are excited that we got to see those happy moments from our characters in the finale and really build to that.
Reposting this pic of these nerds, because (a) I don’t know why Eddy Kitsis’s face was covered with a goofy emoji? and (b) the “source” just led to another fan posting of the pic, instead of the actual source of the image.
Once Upon a Time Creators Break Down Emma's Big Reveal and What the Hook Twist Means for Regina and Rumple
For the Once Upon a Time fans who were fretting over Emma and Hook being separated by a new curse and thus losing their happy ending, suddenly everything is clear.
For as revealed on Friday night in the second episode of Season 7, Seattle police detective Rogers is not a cursed version of the Captain Hook we know but instead is actually the Wish Realm’s version of the infamous pirate.
Though Wish Hook was in the same, sad (rotund) shape as when we met him in Season 6, a bit of blood from his KO’d doppelganger and a wave of Lady Tremaine’s fairy wand turned him into an exact Xerox. He then aimed to derail Henry’s pursuit of Cinderella and take claim the other Hook’s life and wife. But once the news that Emma had been waiting to share with Henry got out — she is pregnant with her and Hook’s first child together — the pretender pirate had a change of poisoned heart and aborted his plan.
Following their New York Comic-Con panel, here is what Once creators Adam Horowitz and Eddy Kitsis shared with TVLine about the decision to tuck a bundle of joy into Jennifer Morrison’s final appearance as Emma. Plus, does the swashbuckler switcheroo mean that Roni and Weaver aren’t who we think they are either?
TVLINE | Talk about the decision to reveal Emma as pregnant. Was it in part to get the most bang out of Jennifer Morrison’s final appearance? EDDY KITSIS | Given the ending that we came up with last year — that happy endings are everyone living their life with the people they love and doing what they love to do — this was really the next step in the relationship between them. They’re a newly married couple and it’s the cycle of life. The audience was worried we’d kill Emma or do something crazy, but the truth is they’re living their lives in Storybrooke, happy. ADAM HOROWITZ | This was an extension of the happy ending you saw between Emma and Hook last year, but another thing that’s really important to understand, and will become more apparent as the season goes along, is this is not a replacement for Henry. In Emma’s mind, Henry will be back sooner or later. KITSIS | It’s like someone who moves from New York to Milwaukee and comes home for Thanksgiving. HOROWITZ | The other thing to realize — and this is a tricky thing to get your head around, but if you think about it, it makes sense — is that in the timeline where Once Upon a Time exists this season, it’s not like Emma has been away from Henry for 10 years and Lucy has completely grown up. [In this episode] she is seeing Henry right around the time when he’s first met Cinderella. It’s not like Emma is just sitting on her lands going, “I wonder what happened to Henry.” She’s gone off to have this life, and as Eddy said, it’s like your son moved to New York. It doesn’t mean that they don’t have their off-show interaction. Because as we’ve said, this is the last time we’re seeing Jennifer — she was gracious enough to give us this episode — and for us that was a continuation of the happiness. KITSIS | The family grows.
TVLINE | People have been wondering about the math of it all…. HOROWITZ | To everybody scratching their head doing math, our hope is they go on the ride and when they get to the end of the season they’ll look back and go, “Ohhhh, this makes sense.” And Emma and Henry are still a family unit. It’s important for the audience not to feel like she’s abandoned Henry to go off and do whatever. Sure, we’re not seeing Emma on the show going forward, but luckily we do a show that deals in magic and different realms. KITSIS | They FaceTime off-screen through a magic mirror.
TVLINE | How does this pregnancy reveal inform Rogers’ storyline? HOROWITZ | It actually has a massive impact on Rogers, and you saw that in the episode. He was there to kill Hook and take over his life, because he has a poisoned heart that he thinks Emma can heal it. But when he discovered that Hook and Emma are having a child, it awakened the bit of good inside him. KITSIS | And the reason Wish Hook is doing all this is because he has a daughter he’s been separated from through a curse, and he’s trying to find his way back to her. HOROWITZ | Wish Hook’s path to redemption in Hyperion Heights is about finding this daughter and reuniting with her, and healing his poisoned heart. In Hyperion Heights, he doesn’t know he has a missing daughter or who he is, but this missing girl case is the analog for the missing daughter in the fairy tale realm.
TVLINE | Does this Rogers/Wish Hook twist mean that Weaver and Roni aren’t actually new personas for Rumple and Regina? HOROWITZ | No, Rogers is the only one we’ve done with this. By Episode 4, Weaver being Rumple and all that becomes clear — Regina/Roni and Weaver/Rumple are who they are — and you’re going to find out the whole Belle and Rumple story, as well.
Once Upon a Time: Emma reunites with Hook and Henry in exclusive photos
Get ready, Once Upon a Time fans: Jennifer Morrison will be reprising her role as Emma Swan for what the OUAT bosses are calling “an emotional curtain call” — and EW has the exclusive first look.
At the close of season 6, Morrison exited the ABC fairy tale drama. However, her character, Emma, will return for one episode in season 7, the Hook-centric second outing aptly titled “A Pirate’s Life.” Details surrounding the hour are being kept tightly under wraps.
“We get to find out what has happened with Emma and Hook [Colin O’Donoghue] since our happy ending we showed last year,” executive producer Adam Horowitz tells EW. “We will be getting closure on her story in what we feel is a satisfying way.”
“What we’re not doing is a flashback story where we’re seeing stuff prior to, or during, the previous six seasons,” EP Edward Kitsis adds. “We’re moving forward past the end of season 6, seeing what happened with Emma and Hook, and how it relates to the events in Hyperion Heights. It’s an emotional curtain call.
'Once Upon a Time' Scorecard: All the Season 7 Returns and New Personas
The seventh season of ABC’s fairy tale drama Once Upon a Time is embarking on a “new chapter” when it returns in the fall, thanks to a cast overhaul and an entirely new setting. Although six regular cast members have exited the series, three of them are sticking around for the soft reboot — and exiting stars like Jennifer Morrison, Jared Gilmore and Emilie de Ravin are confirmed to return for brief visits. So though it won’t be a completely new show, there will be large-scale differences.
Co-creators Adam Horowitz and Edward Kitsis spoke with The Hollywood Reporter about the new season, revealing which happy endings will stick, what topical issues the series will address and what will remain a surprise until the show’s Oct. 6 return.
The New Story
While the previous six seasons centered on the story of Snow White, Prince Charming and the daughter they saved from a curse, Emma (Morrison) — whose estranged son, Henry (Gilmore), found her and attempted to lift the curse on the fairy tale characters populating her town of Storybrooke, Maine.
In season seven, an adult Henry (Andrew J. West) is visited by his own estranged daughter, Lucy (Alison Fernandez), who needs his help to save cursed fairy tale characters — including her mother and Henry’s love, Cinderella (Dania Ramirez) —from a new book.
Yes, those season one callbacks are intentional.
“We’re not going to be retelling season one, but we always have echoes,” Kitsis tells THR. “The premise is of the show was fairytale characters who no longer remember who they were searching for happy endings. That’s the spine that we’re still following, like a road map.”
The New Setting
The action moves from sleepy small-town Storybrooke to the big city: Hyperion Heights, a neighborhood in Seattle.
“Unlike Storybrooke, which was separate and just fairytale characters, the idea was to be in a world where there would be regular people like us mixing in and intermingling with the fairytale characters. They’ll be some element for the audience of who is who, and will they or won’t they figure out who they are?”
The New Characters
In addition to Fernandez, Ramirez and West, new faces also include Gabrielle Anwar as Cinderella’s evil stepmother, Lady Tremaine, Adelaide Kane as Cinderella’s evil stepsister, Drizella, Mekia Cox as The Princess and the Frog’s Tiana, Rose Reynolds as the new Alice (as in Wonderland), and Emma Booth as The Witch.
The New Personas
The returning characters include Lana Parilla’s Regina (now a jeans-and-t-shirt-wearing, curly haired rocker named Ronnie), Colin O'Donoghue’s Hook (now a uniformed cop) and Robert Carlyle’s Rumple.
Says Kitsis, “Ronnie runs a bar in a neighborhood that Lady Tremaine is trying to gentrify. She is trying to push out all the fairytale characters so they can’t find each other. Ronnie is the person who has no problem sticking up for the neighborhood and fighting a bully.”
As for O'Donoghue’s character, Hook is a “good cop” with a “good heart” haunted by a case, says Kitsis. Adds Horowitz, “He has a fake hand. There’s no hook in Seattle.”
Rumple’s new identity is still a mystery — and will remain so for a while.
“A lot of that we do want to try to preserve as a surprise,” says Kitsis. “Needless to say, he is someone who has his fingers in a lot of pies, who’s connected to many of the stories in ways that are very Rumple-like. He’s an intimidating figure.”
The Returning Favorites
Fans of one of the show’s strongest relationships — the love between Emma and Captain Hook, who married in a musical episode toward the end of season six — should be pleased with the second episode of the session, which will see Morrison return to reprise her role (the fourth episode will provide similar back story for de Ravin’s Belle).
“For ‘Captain Swan’ fans that are worried, don’t be. But watch it, and all will be explained in episode two,” says Horowitz. “They don’t have to be frightened, but they do have to watch.”
Adds Kitsis, “We are very cognizant of the passion.”
Once Upon a Time moves to Fridays for season seven, premiering Oct. 6 on ABC.