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Gosh, that part in Much Ado About Nothing when Beatrice and Benedick read each other’s secret love letters and admit their love is always so cute. But, like, too cute. 

That’s more like it. That’s the response I’d expect of two hyper-critical sarcastic dorks in love.

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“I was also drawn to the moral ambiguity of the story. We meet a character at the beginning that says ‘there is right, there is wrong, and nothing in between’ and there is a journey that suggests that maybe there is a lot in between. All that knotty moral positioning lies underneath a story that continues to be a page turner.” - Kenneth Branagh on Murder on the Orient Express