just look at that face how can you not love it

anonymous asked:

I just want to tell you how much I adore your art. Facial expressions, fluidity, fashion, everything. Literally did not just glance at a single one of your drawings, I always take the time to look at them thoroughly. You make me feel bad for studying French for nine years and learning absolutely nothing. Never stop drawing, Kisu, you're amazingly talented. Cheers.

I wish you could have seen my reaction when I read your message because I looked absolutely ridiculous and happy. Your words go straight to my heart. 

This is lovely. 

You’re lovely and I love this message.

You know, sometimes I feel a little down but these kind of messages never fail to put a smile on my face. So thank you.

About the french part, the only reason why I can communicate in french is because I’m french and believe me, we all weep over our language now and then because of how stupid and complicated it is HAHAHA 

Come spend some time with us! There’s nothing better if you want to learn a language (I promise we don’t bite. Unless you want us to.)

anonymous asked:

Coming home and hearing a loud "God damn!" from the bathroom. You find Lance in there crying and washing his face. He turns around surprised to see you and keeps trying to wipe his tears away. He sighs and sheepishly admits what's wrong "I'm fine, I'm fine. I just... shit... sorry babe I tried to make you a real romantic meal to surprise you and... " he pauses so you prompt him "And?" He pouts feeling sorry for himself "I got chilli in my eye" and you can't help but giggle at how cute he looks

I love this. Also, you happened to message this just when I had a sore eye, how did you know

Fluffy Friday™

anonymous asked:

any tips for someone who just started an aesthetic / moodboard blog? How did you get started and when did you start getting followers? Love you ❤️

Since it’s our blog’s birthday, let me imprint some wisdom onto you young one.

1. Don’t start any ask blog on your own. Chances are you will need help and support from others. I’m shite at coding, so Kosher steps in. Smoked is really good with music, and Table salt does lots of work with me. It’s easier because we get asks pretty quickly and if you’re on your own it can get hectic really fast.

2. Be creative, do something that other aesthetic blogs aren’t doing. Make something of your own to stand out, and not do the same thing as all other aesthetic blogs.

3. Face it, at first you won’t be getting lots of requests. It just won’t. Hell, at some points we had ten requests and we were like ‘shit how many’ now we get up to 15 or 20 per day. So to combat that, make your own aesthetics of things you want to.

4. Tag the living fuck out of them.

5. Make sure your blog is easily readable and make sure you have rules. All of us have our own boundaries and people should respect yours.

6. Don’t let the hate get to you. You are your own person doing this for yourself and your fandom. Bullshit from the outside won’t help. Just shake it off.

Originally posted by karlieskupkake

7. Embrace any positive and negative feedback. If people tell you something isn’t working, look into it. You can always ask out aes blogs for advice.

8. If you love it, do it. Don’t let it consume you and don’t feel bad if it’s not going as fast as you thought it would. It took us a year to get some footing, and we are still figuring shit out. You can grow with this, and make sure you accept it and let it help you out.

9. Have fun.

-rocksalt

xxharleyquinnxivyxx  asked:

Heeeyyy Puddin! How do you imagine Lucy Quinn? Like her look, style, manners and stuff :333 Love your arrrtttt soooo beautiful! Hope in one ya put her in ^^! 💚💜💚💜💚💜

Thank you! ❤ I like to imagine her like a mini Harley, she got the same blonde hair and face of her mom but she got J’s eyes. And since J and Harls treated her like a princess, she’s incredibly spoiled, gets everything she wants and has lots of toys (cars with tutus included lol) and she’s also interested in guns so J got her a customized water gun that she uses to shoot Frost from behind lol… that’s all I can think for now haha

Who knows.. maybe soon I’ll draw a family scene, just wait ;)

anonymous asked:

okay so can i tell you my favorite parts from "Even" clip? i love love love that thing Even does with his lips when he is reading Chris' message.. and when Isak stands up to yell the guy and the worry on Evens face just breaks my heart and how his only focusing Isak.. and then of course THE HUG and Isaks tiny smile when Even manages to calm him down and the way Isak nuzzles to Evens neck while they are hugging.. aaaand i'm crying again! happy last fredag of Skam linnea you're du är bäst!!

of course!!!
omg his little pout is the cutest thing!!
And Even calming isak down by holding his face in his hand and with his calm voice just asking him to look at him ohmyGOD and then the hug… that hug is … something else…
when isak initiate the hug he really wraps his arm around Even like a lifeline it’s such a special hug 😭 have a good fredag you too!! And thank youuu 💛

things I love about Steve Trevor
  • He makes sure he actually thanks Diana for pulling him out of the water
  • The only time he ever expresses doubt to Diana about any of her beliefs is when he’s trying to convince her not to jeopardize the mission by killing Ludendorff, and even then it’s a hypothetical (“what if”)
    • He also does after she kills Ludendorff but that’s after her belief is shattered so I don’t really count it
  • He is so duty-bound I love him so much no wonder he and Diana got along so well
  • He just. Wants the people around him to be happy? The scene after they rescue Veld always kills me, and two parts in particular: 
    • When Charlie starts playing piano and singing and Steve says “I haven’t heard him sing in years…” and his face is all soft and you can see the shadow of a smile tugging at his lips but you can also see all the sadness in his eyes from those years of him not singing
    • And when he’s dancing with Diana and it starts to snow and she looks up and is so confused and delighted and he’s like “it’s snow… go on, touch it” and she does (also she has to let go of his hand to do it and he still encourages her to? such a small thing but oh man my heart) and he looks at her with such heart eyes
    • Honestly Chris Pine played him so well, so much complex emotion depicted even when he’s not speaking, like jfc well done
  • I love the boat scene, partly because it’s just fucking hilarious but mostly because their conversation is so respectful. She tells him she was sculpted from clay and brought to life by the breath of Zeus and his reaction is just to raise his eyebrows and say “Well, that’s neat.” 
    • I know that could read as sarcastic but it doesn’t to me at all. It’s funny, sure, but he isn’t making fun of her. It’s genuine and kind, even when what she’s saying is fairly unbelievable.
    • Just the entire way they speak in this scene… He never adopts that Mansplaining Tone™ that is so common, even when he’s actually explaining things. He talks because he wants to share information. It’s a cultural exchange, and I loved it.
  • After Veld, when they’re sitting and watching the villagers dance, he just quietly says, “You did this.” and she’s the one who smiles at him and says, “We did this.” He has so much respect for her and it kills me inside because it’s not “We did this” originally (which could be him pointing out that they’re a good team, him saying they have things in common, or a thousand other things), it’s just “You did this,” because he just wants her happy. He wants her to recognize how goddamn impressive she is. There is no agenda to what he said and it fucks me up
  • The entire scene with the kiss. Like, I’m gay as hell, usually I hate this kind of thing because it feels so unnecessary, but this was so well done I’m genuinely glad it was included
    • When he escorts her up to a room he then starts to leave. Even with all of that tension he doesn’t want to assume that she wants anything to happen. 
    • So he has his hand on the door and he starts to back out of the room and he hesitates just long enough for her to turn around and meet his gaze. And even then he’s reading that as a sign that she wants him in the room so he steps forward and closes the door behind her and then looks up again to confirm that’s what she wanted. And even after that, he crosses over to her so slowly and lets her be the one to actually initiate the kiss. 
    • He gives her a thousand and one chances to change her mind, to give him a small indication that she’s uncomfortable or doesn’t want it to happen, and it’s only once she lets all of those chances pass that they kiss. 
    • Consent-based relationships, man. Fuck me up.
  • Speaking of consent… the scene after Diana returns to Veld and sees the gas has killed everyone fucks me up
    • Steve’s followed her there and is clearly freaked the fuck out because she’s just gone and he physically can’t go in to try to find her because of the gas
    • So when she comes out he’s so visibly relieved and he goes forward and puts his hands around her face, clearly wanting to kiss her, and she shoves him away and says “stay away from me.” and he does.
    • He lets her be furious and devastated and overwhelmed because he knows what it’s like to feel powerless and I think he is genuinely sorry he contributed to her feeling this much pain. He lets her say she’s angry, he lets her blame him, he lets her grieve and doesn’t stop her when she leaves him there.
    • Not only does he not stop her, he sees the smoke from Chief’s fire and yells to her to follow it because he had followed Ludendorff. Their argument from the ballroom still isn’t resolved - she wants to just kill him and be done with it, Steve wants that to wait so they can focus on stopping the gas - but he recognizes that this is her choice and even after she’s basically just blamed an entire village’s deaths on him (and on herself) he tries to help her carry it out.
  • So after Diana’s killed Ludendorff and the war is still going on and Steve runs up to find her, he’s so visibly relieved that she’s alive and (like after Veld) goes to kiss her but backs away without her doing anything because he realizes the “stay away from me” thing has never been explicitly lifted. She might still want nothing to do with him and he respects that.
    • He does touch her a couple times after this but it’s always brief, I think it continues only because she didn’t react negatively the first time, and like they’re in the middle of a fucking war and I think Steve’s about 900% convinced that they’re all going to die so I’m gonna cut him a little slack here.
  • They have that “argument” again, where Diana says “this should have stopped, I killed him, why is this still going on” and instead of saying I told you so Steve just tries to get her to move on and help him save other people.
    • When he says “maybe it’s us! maybe we’re to blame!” (meaning not Ares) and she says that (obviously) she isn’t to blame, he doesn’t hesitate, he just says “but maybe I am.” He’s willing to put that on himself. Also, the qualifier through this scene - but maybe it’s us - is so important to me, because he’s still not saying “you’re wrong.” it’s a maybe.
    • When she refuses to go with him he’s clearly frustrated (again I’m giving him a pass here because he’s frustrated because he knows he won’t be able to save as many people without her) but he still doesn’t try to force her to go with him. He doesn’t guilt-trip her, doesn’t yell at her for not helping. He just gives that desperate shrug and says “I have to go. I’m sorry, I have to go.”
    • And when Charlie and Sam and Chief show up and ask where Diana is, all he says is “we’re on our own.” Not “she wouldn’t fucking help us” - which frankly is probably what I would have said in this situation - just that statement and nothing more.
  • In their final scene, when she’s hurt and dazed and temporarily hard of hearing, he breaks his “no touching” rule, but he breaks it because he’s helping her stand up and then because, well… even if she doesn’t, he knows he’s never going to see her again. 
    • It’s also super important to me that he doesn’t try to kiss her in this scene, because god knows he must have wanted to. He sees that she is in no shape to consent to anything like that and he doesn’t even come close to pushing it.
    • I’m not even gonna get into the “I can save today” part because I’m still too emotionally fraught
    • He says is “I wish we had more time.” before he tells her he loves her and literally runs to his death. That’s it. Nothing that could possibly make her feel guilty, nothing that could have seemed like he regretted anything. Not “I wish we hadn’t gone to the front.” Just “I wish we had more time.”
    • And he then, metaphorically and literally, gives her more time. Because he knows his clock has run out, but that doesn’t mean hers has to… So he runs and saves today and gives her his watch. Gives her time.
  • Anyway I’m seventeen thousand levels of fucked up from this movie, please feel free to add because Steve is amazing and a genuinely good, complex, respectful male character like this should be celebrated

So imagine after the war, Draco’s friends are thinking okay, Draco was only obsessed with Harry Potter because they were arch enemies but everything will go back to normal now. And then eighth year starts and nothing changes?

Draco is still staring at Harry Potter over the other side of the Great Hall, at breakfast, at lunch and at dinner. He still talks about how the great Harry Potter gets this or the boy who lived gets that. And the Slytherin are like ??? Why are you still obsessed with Harry? And Draco’s like ??? I’m not. We’re enemies remember? And his friends have to tell him no not anymore. You’re on the same side.

So Draco’s very confused for a while, not sure how he should be acting. And then he realises, even though he no longer hates Potter’s guts, he still wants to stare at him every meal. He still wants to find excuses to talk about him to his friends. He still wants to make snarky comments to Potter every class…but only because it’s the only time he gets to talk to him.

Despite all the warnings, it still hits Draco way too abruptly when he realises he’s in love with Harry Potter. He’s in the middle of a potions double when his eyes, completely of their own accord, latch on to Potter turning his head and laughing at something the Weasel said. Draco stares and stares as the realisation washes over him. He keeps staring even long after Potter has turned his head back to the front of the class and all he can see is shaggy brown hair.

Pansy works it out first. Even before Draco’s potions epiphany. Although for once she understands the importance of keeping her mouth shut. So when Draco comes to her with his revelation, she is not at all surprised. And she is here to help. She convinces Draco to cool it with the snarky comments and work up the courage to actually talk to Potter.

And so - with plenty of encouragement - Draco does. At first it’s just small things like asking Potter for a spare quill in class, or saying excuse me politely as they pass rather than pushing into Potter. And then one day Draco works up the courage to say good morning to Potter when he runs into him in the Great Hall during breakfast. And Potter says good morning right back, albeit with a puzzled expression on his face.

Soon, Potter no longer looks puzzled. When Draco greets him, he returns the sentiment with a smile, that seems to grow with each day. It’s that smile which gives Draco the push he needs to approach Potter in the library one night and ask if he might like to share his table. An enthusiastic yes from Potter lights a small spark of hope in Draco’s pining heart.

Studying together becomes a habit most nights. It starts off silently, Draco happy to share his space with Potter but too nervous to think of anything further to say past a simple greeting. Thankfully one day it’s Potter who starts the first conversation. It’s one of those awkward small talk type conversations about the weather but it leads in to an animated discussion of Quidditch that keeps them talking well into the night, ignoring several reprimands from Madam Prince for being too loud in the library.

And so Draco and Harry - he’s no longer Potter - become friends. And Draco’s happy. Happier than he’s been in a long time. And his friends know. Not just Pansy. All the Slytherins. It’s obvious. Because despite spending most of his free time hanging out with Harry Potter, and professing to have no remaining hate for him at all, Draco still stares at him across the Great Hall, at breakfast, at lunch and at dinner.

And so Slytherins, being Slytherins, begin planning, with Pansy at the lead of course. They already know how Draco feels, they only need to get Harry Potter to realise his own feelings too, which they suspect match Draco’s. Because he might have his head down in the Great Hall but they’ve seen Harry stare at Draco during Quidditch games for far longer than strictly necessary.

And so they do something that Draco would completely disapprove of, solely for Draco’s own good. When they know Harry will be walking by the Quidditch lockers after a Gryffindor practice, they plant two of their own at a nearby bench and have them talking far louder than normal conversation requires.

“It’s really rather embarrassing. Draco’s been pining for ages. I’ve never seen anyone who had it so bad.”

“But who do you mean? I’ve only seen him hanging out with Potter.”

“Exactly. Potter. It’s tragic isn’t it? He’s in love with the boy who lived. He should probably queue up like all the other groupies just to get his autograph.”

While the two younger Slytherins continue their staged and poorly acted performance, (Pansy will have words with them later) Pansy, safely hidden with a disillusionment charm, watches Potter’s reaction closely and is not displeased. At the sound of Draco’s name, Potter stops immediately to eavesdrop which is telling in itself. When his own name comes into play, a blush creeps slowly up his face. And when Draco’s love for him is revealed, an involuntary smile appears on Harry’s face very very quickly. Pansy knows now they only have to wait.

Sure enough, at dinner that night, Harry Potter makes his move. Always one for dramatics, he walks right up to the Slytherin table and plants a short but deliberate kiss square on Draco’s face before Pansy even has time to let out a wolf whistle.

Draco sits there, mouth agape, pale face not so pale for once, until another Slytherin gives him a nudge on the shoulder. He looks up and blinks at Harry Potter who is smiling down at him. Once more Harry’s smile brings him courage. He stands up to meet Harry, conscious of every eye in the Great Hall on him, and kisses Harry Potter right back.

And it’s the Slytherins who lead the cheers that erupt across the Great Hall. Harry Potter and Draco Malfoy. At last.

dear someone,

i have so many questions i want to ask you but just don’t know how. and because i know for a fact that my voice would break and tears would start streaming down my face if i were to ask you in person, i am writing you this letter. furthermore, i don’t think that you would even listen to me. these days you seem to be ignoring me as if i’m your worst enemy.

how? that would be my first question.
how was it so easy for you to go? to just leave me and not even look back.
why?
why would you leave and why would you leave like that? no explanation. no real goodbye. nothing.
was it even real? what we had, i mean. was it? because i’ve been dreaming so much about you lately that it seems like i can’t tell what’s real and what’s not anymore.

love, i wish you didn’t shatter my heart. i wish you didn’t make all these promises just to break them. i wish that you could have been honest with me from the beginning. honest about your intentions and your feelings for me.
the last time we were standing in front of each other, looking into your brown eyes made my knees go weak and my heart beat faster. how can someone feel so much and the other just not? i guess i’ll never know because i tend to give people all of me. always. with you it was no different. i gave you all of me, made you my favourite person in this shitty world and hoped that i would be your favourite too.

but this is farewell, my love. i hope that a part of you never forgets me. no matter how important i really was to you. i hope that wherever life takes you, it takes you someplace happy. you deserve it, i’m sure of that.

Love always,
e.

—  e.s. // dear someone.
Signs as boyfriends

Aries: passionate at making out, passive personality but physically really dominant and protective, good at massages, wraps you in their arm when walking, little pecks on the top of the head and cheek

Taurus: wraps you in a hug every time they see you, tells you how cute you are everyday, tries cooking meals for you, lots of humorous banter, makes bad jokes to make you laugh, brings you flowers

Gemini: reserved when you first meet them but talks a lot when you get closer, lies in bed with you all day, lots of pda, holds your hand all the time, likes to listen to your goals and encourage you

Cancer: peppers you in kisses, really bashful about it though, makes you giggle a lot, likes more outgoing partners to bring them out of their shells, has cute quirks that you fall in love with, very sensitive

Leo: will hold your hand a lot while taking you on a new adventure, takes a lot of pictures of and with you, will sing and dance crazy with you, smiles at you for no reason, shows you lots of affection

Virgo: kind of shy about getting physical with you, brings you cute, thoughtful gifts, knows how to cheer you up even if you don’t want to smile, says corny lovey-dovey things to you

Libra: takes you on elaborate dates, stays up late talking to you, makes sure you’re okay, tight hugs, breaths in your scent, likes to just stare at and admire your face, late-night talks

Scorpio: is really awkward when they first start dating you, slightly less awkward throughout, sends you suggestive memes, seductive stares and sheepish smiles, can get jealous

Sagittarius: always wanting to try new things with you, gets wild once you get to know them better, dirty talk, gives you the smoldering look a lot, tells you stories, wants to please you

Capricorn: teases you a lot, ruffles your hair, gives you strangely adorable nicknames, goes on movie marathons with you, compliments you a lot, can seem rigid at first but underneath is lovable

Aquarius: tickles you and turns into making out, is really chill, plays video games with you, loves running their hand through your hair, encourages you to have fun even if you’ve had a bad day

Pisces: loves cuddling and spooning, will just look at their partner and think how pretty they are, makes playlists for you, remembers every little thing you tell them, lets you know how much they love you

‘Why do you love me? What is there to love in someone like me? Please, tell me why you’re so fond of me because honestly? I don’t get it.’

I was perplexed how could he not see why?

‘I love you because you’re you.

I love you because when you smile, your lips always tilt slightly to the left. When you smile your amazingly sharp canines peek through giving you a juvenile look. When you smile, your ever present dimples show more — if that’s even possible —. When you smile, your eyes crease at the edges and your beautiful eyes become slits of pure joy.

I love you because when you laugh, you tilt your head backwards. When you laugh, you always close your eyes. When you laugh, you grasp your stomach and bend over. When you laugh, you always end in a deep sigh and smile after wards, you grasp my face in yours and kiss me as if we’ll never kiss again.

I love you because when I do something you like, you giggle. When I do something you like, you’ll caress my hair and pat my cheeks. When I do something you like, you look at my lips and say, “I fucking love you”. When I do something you like, your eyes bore into mine and I see a flame ignite in them.

I love you because when you’re concentrated you furrow your eyebrows. When you’re concentrated you tongue pokes out of your delicious lips and glides over them. When you’re concentrated, you tend to break out of it for a slight second and do that 'hmmph’ sound you know I like just to give yourself a small break. When you’re concentrated, you grab something to eat with your left hand and bring it to the right side of your mouth and proceed to take a bite.

I love you because when you kiss me, you grab my face with both hands. When you kiss me, one hand pulls on my hair, while the other runs its thumb across my cheek. When you kiss me, you always do a series of multiple pecks after we end making out. When you kiss me, I can feel you smile and let out small giggles of content. When you kiss me, you hold my face in your palms and look at me for a good while then you tell me I’m beautiful.

I love you because when you hug me, you hold me for a long time. When you hug me, you grasp me firmly with both of your strong arms. When you hug me, you use one hand to rub my back. When you hug me, you put your face in the crook of my neck and breathe in my scent. When you hug me, you won’t let me go until we’ve embraced each other tightly.

I love you because when you talk about something you love you smile the whole time. When you talk about something you love, you tend to look down at your hands. When you talk about something you love, you furrow your eyebrows and smirk a little. When you talk about something you love, you let out small sighs of happiness. When you talk about something you love, you always tilt your head to side and shrug your shoulders at the end because you get embarrassed at your enthusiasm.

I love you because when you make me blush, you tease me about it. When you make me blush you put your hands on my cheeks and remark, 'baby your cheeks are hot’ at which point I reply, 'no they’re not, I don’t know what you’re talking about’. When you make me blush you look at my cheeks and smile and say 'baby you’re blushing’. When you make me blush you hold me down and ask me why knowing damn well that makes me blush more.

I love you because when you tell me stories about your past, you say them in a low voice as if speaking louder will make them come back. When you tell me stories about your past, you always hug me and won’t let me go. When you tell me stories about your past, you run your hands through your hair because you know you might cry. When you tell me stories about your past you always mutter the phrase, 'why am I even telling you this?’ And we both know it’s because you love me, and you want me to know what I’m getting into.

I love you because when you notice I’m sad, you’ll look at me and poke my cheeks until I smile. When you notice I’m sad you tell me 'stop being a taco without the shell’ because you know I’ll laugh. When you notice I’m sad, you’ll hug me and tell me you love me. When you notice I’m sad, you’ll ruffle my hair and whisper in my ear, 'Tina eat your goddamn food’, because that llama is our spirit animal.’

I love you for so many reasons, if I listed them all, this poem would never end.

The best way to put it is, I love you because you’re you.

—  Beauty in IT /// I love you because…
Internal Conflict:  Five Conflicting Traits of a Likable Hero.

1.  Flaws and Virtues 

I’m sure you’ve heard this before, but characters without flaws are boring.  This does not, as many unfortunate souls take it to mean, imply that good, kind, or benevolent characters are boring:  it just means that without any weaknesses for you to poke at, they tend to be bland-faced wish fulfillment on the part of the author, with a tendency to just sit there without contributing much to the plot.

For any character to be successful, they need to have a proportionate amount of flaws and virtues.

Let’s take a look at Stranger Things, for example, which is practically a smorgasbord of flawed, lovable sweethearts.

We have Joyce Byers, who is strung out and unstable, yet tirelessly works to save her son, even when all conventional logic says he’s dead;  We have Officer Hopper, who is drunken and occasionally callous, yet ultimately is responsible for saving the boy’s life;  We have Jonathan, who is introspective and loving, but occasionally a bit of a creeper, and Nancy, who is outwardly shallow but proves herself to be a strong and determined character.  Even Steve, who would conventionally be the popular jerk who gets his comeuppance, isn’t beyond redemption.

And of course, we have my beloved Eleven, who’s possibly the closest thing Stranger Things has to a “quintessential” heroine.  She’s the show’s most powerful character, as well as one of the most courageous.  However, she is also the show’s largest source of conflict, as it was her powers that released the Demogorgon to begin with.  

Would Eleven be a better character if this had never happened?  Would Stranger Things be a better show?  No, because if this had never happened, Stranger Things wouldn’t even be a show.  Or if it was, it would just be about a bunch of cute kids sitting around and playing Dungeons and Dragons in a relatively peaceful town.

A character’s flaws and mistakes are intended to drive the plotline, and if they didn’t have them, there probably wouldn’t even be a plot.

So don’t be a mouth-breather:  give your good, kind characters some difficult qualities, and give your villains a few sympathetic ones.  Your work will thank you for it.

2.  Charisma and Vulnerability

Supernatural has its flaws, but likable leads are not one of them.  Fans will go to the grave defending their favorite character, consuming and producing more character-driven, fan-created content than most other TV shows’ followings put together.

So how do we inspire this kind of devotion with our own characters?  Well, for starters, let’s take a look at one of Supernatural’s most quintessentially well-liked characters:  Dean Winchester.

From the get-go, we see that Dean has charisma:  he’s confident, cocky, attractive, and skilled at what he does.  But these qualities could just as easily make him annoying and obnoxious if they weren’t counterbalanced with an equal dose of emotional vulnerability. 

As the show progresses, we see that Dean cares deeply about the people around him, particularly his younger brother, to the point of sacrificing himself so that he can live.  He goes through long periods of physical and psychological anguish for his benefit (though by all means, don’t feel obligated to send your main character to Hell for forty years), and the aftermath is depicted in painful detail.

Moreover, in spite of his outward bravado, we learn he doesn’t particularly like himself, doesn’t consider himself worthy of happiness or a fulfilling life, and of course, we have the Single Man Tear™.

So yeah, make your characters beautiful, cocky, sex gods.  Give them swagger.  Just, y’know.  Hurt them in equal measure.  Torture them.  Give them insecurities.  Make them cry.  

Just whatever you do, let them be openly bisexual.  Subtext is so last season.

3.  Goals For the Future and Regrets From the Past

Let’s take a look at Shadow Moon from American Gods.  (For now, I’ll have to be relegate myself to examples from the book, because I haven’t had the chance to watch the amazing looking TV show.) 

Right off the bat, we learn that Shadow has done three years in prison for a crime he may or may not have actually committed.  (We learn later that he actually did commit the crime, but that it was only in response to being wronged by the true perpetrators.)  

He’s still suffering the consequences of his actions when we meet him, and arguably, for the most of the book:  because he’s in prison, his wife has an affair (I still maintain that Laura could have resisted the temptation to be adulterous if she felt like it, but that’s not the issue here) and is killed while mid-coital with his best friend.

Shadow is haunted by this for the rest of the book, to the point at which it bothers him more than the supernatural happenings surrounding him.  

Even before that, the more we learn about Shadow’s past, the more we learn about the challenges he faced:  he was bullied as a child, considered to be “just a big, dumb guy” as an adult, and is still wrongfully pursued for crimes he was only circumstantially involved in.

But these difficulties make the reader empathize with Shadow, and care about what happens to him.  We root for Shadow as he tags along with the mysterious and alternatively peckish and charismatic Wednesday, and as he continuously pursues a means to permanently bring Laura back to life.

He has past traumas, present challenges, and at least one goal that propels him towards the future.  It also helps that he’s three-dimensional, well-written, and as of now, portrayed by an incredibly attractive actor.

Of course (SPOILER ALERT), Shadow never does succeed in fully resurrecting Laura, ultimately allowing her to rest instead, but that doesn’t make the resolution any less satisfying.  

Which leads to my next example…       

4.  Failure and Success 

You remember in Zootopia, when Judy Hopps decides she wants to be cop and her family and town immediately and unanimously endorse her efforts?  Or hey, do you remember Harry Potter’s idyllic childhood with his kindhearted, adoptive family?  Oh!  Or in the X-Files, when Agent Mulder presents overwhelming evidence of extraterrestrial life in the first episode and is immediately given a promotion?  No?

Yeah, me neither.  And there’s a reason for this:  ff your hero gets what they want the entire time, it will be a boring, two-dimensional fantasy that no one will want to read.  

A good story is not about the character getting what they want.  A good story is about the character’s efforts and their journey.  The destination they reach could be something far removed from what they originally thought they wanted, and could be no less (if not more so) satisfying because of it.

Let’s look at Toy Story 3, for example:  throughout the entire movie, Woody’s goal is to get his friends back to their longtime owner, Andy, so that they can accompany him to college.  He fails miserably.  None of his friends believe that Andy was trying to put them in the attic, insisting that his intent was to throw them away.  He is briefly separated from them as he is usurped by a cute little girl and his friends are left at a tyrannical daycare center, but with time and effort, they’re reunited, Woody is proven right, and things seem to be back on track.

Do his efforts pay off?  Yes – just not in the way he expected them to.  At the end of the movie, a college-bound Andy gives the toys away to a new owner who will play with them more than he will, and they say goodbye.  Is the payoff bittersweet?  Undoubtedly.  It made me cry like a little bitch in front of my young siblings.  But it’s also undoubtedly satisfying.      

So let your characters struggle.  Let them fail.  And let them not always get what they want, so long as they get what they need.  

5.  Loving and Being Loved by Others

Take a look back at this list, and all the characters on it:  a gaggle of small town kids and flawed adults, demon-busting underwear models, an ex-con and his dead wife, and a bunch of sentient toys.  What do they have in common?  Aside from the fact that they’re all well-loved heroes of their own stories, not much.

But one common element they all share is they all have people they care about, and in turn, have people who care about them.  

This allows readers and viewers to empathize with them possibly more than any of the other qualities I’ve listed thus far, as none of it means anything without the simple demonstration of human connection.

Let’s take a look at everyone’s favorite caped crusader, for example:  Batman in the cartoons and the comics is an easy to love character, whereas in the most recent movies (excluding the splendid Lego Batman Movie), not so much. 

Why is this?  In all adaptions, he’s the same mentally unstable, traumatized genius in a bat suit.  In all adaptions, he demonstrates all the qualities I listed before this:  he has flaws and virtues, charisma and vulnerability, regrets from the past and goals for the future, and usually proportionate amounts of failure and success.  

What makes the animated and comic book version so much more attractive than his big screen counterpart is the fact that he does one thing right that all live action adaptions is that he has connections and emotional dependencies on other people.  

He’s unabashed in caring for Alfred, Batgirl, and all the Robins, and yes, he extends compassion and sympathy to the villains as well, helping Harley Quinn to ultimately escape a toxic and abusive relationship, consoling Baby Doll, and staying with a child psychic with godlike powers until she died.

Cartoon Batman is not afraid to care about others.  He has a support network of people who care about him, and that’s his greatest strength.  The DC CU’s ever darker, grittier, and more isolated borderline sociopath is failing because he lacks these things.  

 And it’s also one of the reasons that the Lego Batman Movie remains so awesome.


God willing, I will be publishing fresh writing tips every week, so be sure to follow my blog and stay tuned for future advice and observations! 

anonymous asked:

so, um. if you have any particular feelings about labyrinth--specifically Sarah--uh, go wild.

WILD PEACHES  [AO3]

.

The morning after Sarah Williams defeats the Goblin King, she gets up and makes toast. She has to brush some glitter off the toaster—it withers and vanishes at the brush of her fingertips, and she stares at her hand for a long time. 

It mostly just looks like her hand. Even when she turns it over, and sees where she scraped her knuckles against the oubliette, where the shattered mirror cut the back of her wrist. It looks like she fell, or was playing in the street. That’s all.

The toast comes out burned, and Sarah stares at that too. Eventually, she slumps down against the cabinets and cries, wracking sobs that send her dad and Karen rushing into kitchen. They check her forehead for a fever, put their hands on her, and keep asking, “Are you okay? Sarah, please, tell us what’s wrong…”

Eventually, her dad drags her into his lap and cradles her against his chest, like he did when she was little. Her legs are too long to really fit anymore, but Sarah hugs him around the neck anyway. “It’ll be okay,” he says, keeps saying. “You’ll be okay.” And Sarah—doesn’t laugh, because she can’t, and doesn’t have the words to express what—how—

(None of her stories ever talked about this. What did Sir George do, the morning after he slayed the last dragon in England? Did Tam Lin eat breakfast, or did he sit there, shivering, wondering if his hands were different, having been claws and wings and scales?)

Afterwards, she leaves the burnt toast outside on the back porch. Not an offering. Maybe a reminder.

.

It’s Didymus she sees the most often, mostly because he’s the one who invites himself rather than waiting for an invitation. He comes for tea, but even if there’s no tea—which there isn’t, usually—he comes to tell Sarah stories. She learns to love poetry because there’s no escaping it with him. (She won’t read Idylls of the King until Brit Lit in college, but she ends up scrawling a lot in the margins; Didymus’ telling of events had been much more interesting.)

Once, she falls asleep like that, her hands tucked behind her head with Didymus curled up and sleepily reciting from the crook of her elbow. “So tender was her voice, so fair her face—though I don’t think he was looking at her face, my lady, pardon me for saying so—”

Sarah buries her nose in his fur. Didymus always smells of rosewater, and a crispness she thinks is just…the Labyrinth. She falls asleep trying to place it.

She wakes up with a wild fox in her bed, animal-black eyes frightened and flat, teeth bared. The fox is whining, and she’s tempted to throw herself across the room, to get away from this wild thing and its teeth. It takes a monumental will to keep herself still and her breathing slow, even; like she’s still asleep and unafraid. 

It takes her longer to swallow, and start humming one of the songs he taught her—a knight’s round, he’d said. She’s shaky at first, but the fox’s ears flick forward. It cocks its head, and slowly, the teeth disappear behind its lips. 

She almost laughs when noses at her throat curiously, butting its head against her jaw like a cat might.

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The signs as song lyrics I've written

Aries:
Never been in a fight but I want to fight
Fight a bitch at night
The dark is cool
Fuck school
Wanna destroy everything
Including you

Taurus:
Just woke up messy hair
Attitude I don’t care
Should i even get up and start the day
Does it matter if i do shit anyway

Gemini:
Thought, thought, thought,
I thought if I thought a lot
Maybe my thoughts could learn to stop
I feel my brain beginning to rot
They are so fucking loud
Overcrowd
All around
Up and down
I’m starting to look like a fucking clown

Cancer:
What am I feeling right now?
I feel like a drifting cloud
Full of storm water
Today rain is all I’ve got to offer
What’s wrong with me?
Changing tides like the sea
I can be a deadly storm
A catastrophe
Or calm and cool, my bottom lurking with things unseen

Leo:
I love the way you fuck me 
Baby this is how you want me, thirsty 
I beg love me love me 
Love me more than i love you 
At night i feel so ugly

Virgo:
But not you, youre alive not dead
I hear all the voices that go on it your head
They never calm but you find peace in them
Taking their words of wisdom
They sing inside your lovely mind
You hum along, intertwined

Libra:
I’m sitting in front of the man of my dreams
Love his dick, give me that cream
His face is amazing, it makes me want to sing
His voice is as lovely spring

Scorpio:
Sometimes I think I see god
But then I open my eyes and it’s the same shit all around
Breath in the toxins of a cigarette
It’s all I got sometimes, wanna drown out the sound
Talk to a few and that’s fun
But real quick im done

Sagittarius:
If I could see your soul, I’m sure it’d be a work of art
Like a painting on a canvas, painted by the heart
You know you’re a masterpiece
A genius in disguise
I wish I could see what you see through your eyes

Capricorn:
If there’s one last thing
I gotta sing
it’s that there’s no possibly
Just possible I am the unstoppable
Incomparable hear these words and know it’s me
I do not go unseen
(This one’s written by my boyfriend)

Aquarius:
I’m so tired everyday
I want life to be so extraordinary that more than half the time I wouldnt know what to feel or say
Wheres my burning passion?
Melancholy, my minds gray.
Why care when you feel useless why give a fuck, this world is strange

Pisces:
You got me and you got me down for you and you only
Baby, look at me, I want you to be the one to own me
Devil or angel, you’re my sweet, lovely baby.
Tell me angel, have you looked in a mirror lately?

5 mile run new Boku No Hero thoughts are as follows:

  • this is my all-time favorite “previously on” section. it was highlighting Bakugou’s resolve to win by mashing together all the clips of him declaring his ambitions but because its Bakugou it was actually just a 2 minute montage of Bakugou fucking screaming
  • Todo acts naive but i doubt that more and more each day with the number of sick fucking burns he’s gotten in at people, case in point:
  • Bakugou: -storms on in to Todo’s room and starts yelling at him.-
    Todo: Hey Bakugou :))) you know what this reminds me of? :))) That guy you fucking hate. :))) Except he did this better. :)))) You really cant ever live up to him can you :)))))))
  • Bakugou calls Todoroki “IcyHot” in the dub and I watched the dub today specifically in hopes that he’d call him IcyHot again and he DID.
  • I’m not done with this scene because the PHRASING HAD ME IN STITCHES–Bakugou stormed in like “Hey IcyHot, is this how you fucking treat your opponents!?” while blowing up Todo’s table. And Todo responded with “That’s what Midoriya said too…” I dont think Deku said it quite like that, Todo. But too late now I can’t stop picturing:
  • Deku voice: “Hey you stupid piece of shit sore-muscle hot-and-cold sports pack you better fucking look at me while i stand here and break all my fingers and yell, because fuck you, you fucking icepack.”
  • Bakugou his table
  • His table Bakugou
  • This is the screamiest Bakugou’s been to date, I’m glad for him
  • ominous BOOM noises from inside the iceberg
  • dub!Sero called Bakugou a “moleman” and i want the world to know that Bakugou’s been canonically called a “moleman”. Moleman Bakugou.
  • Bakugou, grabbing Todo by the hair and piledriving him into the ground: “GIT FUCKING GUD, ICYHOT
  • Aizawa: -provides commentary on the strategy, strengths, and weaknesses of the children’s fighting techniques-
    Present Mic: -sees Todo surfing on an ice wave and says “Looks like fun!!!”-
  • Bakugou: “Use your full power IcyHot! I want the world to know you’re trying to destroy me!! THIS MEANS NOTHING IF I CAN’T SURPASS DEKU!!”
    Deku:
    (Regina George voice) Why are you so obsessed with me?
  • Bakugou, or better known by his full name, Katsuki “Fidget Spinner” Bakugou
  • Bakugou: -screams incoherently for 20 minutes trying to rile Todo up-
    Todo:
    Deku: -says one thing-
    Todo, heart racing, palms sweaty: holy fuck. holy shit. thats my fucking boyfriend.
  • Srs for a moment, I really adore and am moved by Todo’s character development here. The easy shonen answer would be for Todo to be “fixed” following his fight with Deku, but the poor kid’s sitting on like 10 years of trauma. He’s not fixed. He’s healing. And healing comes with pain and doubt sometimes.
  • Like I actually clutched my shirt while his fire unraveled.
  • Bakugou: -pulls of the coolest fucking spin projectile move in history-
    Bakugou: -lands like this-


  • IT’S HERE. THE GRANITE SLAB OF VICTORY
  • We are blessed with Dad Might in this house today
  • Todo: “My path forward isn’t as clear as I thought. There’s still someone I need to settle things with…”
    Todo: -steps off the podium, walks into the crowd, punches Endeavor in the face- “Fuck you Dad”
  • In the sub All Might calls Bakugou’s face “amazing” but in the dub he calls it “scary” and 4 years were added to my life when dub!All Might gave Bakugou the once over with the medal in his mouth and went “…still scary.”
  • dub!Bakugou is great here too with “I DON’T WANT THAT PIECE OF GARBAGE. KEEP YOUR TRASH AWAY FROM ME HHGNGNGHG”
  • I want to empahsize that several hours pass after that scene cut. It’s evening. The kids are changed back into their school uniforms AND back at the classroom. And Bakugou still has the fucking medal in his mouth. No one took it out. 
  • me: fuck…i hope iida will be okay
    also me, who’s read the manga: (hes not gonna be okay)
  • The hospital scene makes me kinda want to take back all the making fun of Todo I did because…god fucking this poor child…he deserved so much better
  • Protect Mama Midoriya she deserves the world

KATSUKI YOU CAN’T WAKE UP AT NOON AND START YELLING

I’m sorry no I’m not but bro

can we just take the time to acknowledge Sasuke’s face when Nardo gets hurt!?

Like LOOK AT HIM BRO.

anonymous asked:

What all instances of flirting, like I missed so many lmao

yOU ASKED SO I DELIVERED HERE U GO (AND I WAS EXTREMELY SELF-INDULGENT W SCREENSHOTS SO APOLOGIES FOR THIS POST BEING LONG AS F): 

  • :16 dan is acting out what they’re like in these bomb videos and immediately seizes the opportunity to playfully punch phil’s arm repeatedly. phil, for his part, just sits there and looks adorably bemused while dan is yelling. love it
  • :33 dan does some sort of sketchy fist gesture, phil immediately reacts to it even though it was generally benign, in a blatant subversion of their normal roles w making innuendos/sexual jokes. they both giggle
  • :47 phil goes into a whiny voice to say how he really wanted to do an exotic bomb and then hums the generic vlog music they always use. dan tries to look annoyed but just giggles some more
  • :56 dan’s like ‘so i reckon we need to actually beat more than one in this section’ and leans in all close to phil and phil’s like ‘alright! okay!’ in the flirtiest voice ever i wanna die
  • 1:16 ‘so I’m gonna bomb first, i think you should read first,’ says phil and the ensuing exchange where he’s just cheekily giggling while dan is acting all exasperated is just so cute … and uh, i can’t be the only one who thought there was a pretty blatant sexual undertone to phil saying ‘just tell me what to do. i’m your putty. mold me into whatever shape you want.’ … and dan’s eyes go momentarily wide while he says it. nice
  • 1:52 dan calling phil ‘felipe’ lmao what even
  • 5:32 when they’re epically failing and they’re about to lose, phil does his instinctual pat of dan’s arm to tell him they have fifteen seconds left and it’s cute
  • 5:50 the look they share immediately upon losing, before phil just breaks into giggles
  • 6:14 phil going ‘what is something that flops like more than anything else in the world’ with an utterly impassive poker face purely to wind dan up and see him laugh is one of the most simultaneously adorable, hilarious, and impressive things i have ever witnessed
  • 6:36 thIS WHOL E EXCHANGE w dan asking if phil thinks it’s his (dan’s) fault that they didn’t do well that round and saying ‘you can be honest’ with wide puppy eyes, and then phil saying yes, he thinks dan was pretty bad that time, and then dan trying to look shocked n appalled while still grinning:
  • and then screeching that phil is supposed to lie!!!!! and phil just consolingly being like ‘well you were flustered …’ like trying to be a bit reassuring,, honestly fucking end me, that was one of the cutest bits in this whole vid, they’re just so comfortable w each other and I’m dying
  • 9:33 onwards when dan is retaliating by telling phil he should be able to decode this morse code thing just bc he litro can’t let phil’s criticism go. he is a child. i love it
  • 9:53 when phil says it’s too hard, dan’s all ‘NO WE CAN DO THIS PHIL’ and slams his hands on the table and leans into phil’s space just to grab the manual and its all v cute
  • 10:27 ‘shut up rat’ omg i lost it at this. and then a few seconds later ‘shut up turd.’ dan is really top notch at verbally abusing his partner
  • 10:53 phil v abruptly shush-ing dan in order to cut off what was sure to be a long and hysteric rant about how unfair the last round was. i love how instinctual that was for phil, like he just knows dan’s about to go off and neither of them have time for it, and then dan immediately complies when phil tells him to shush hahah
  • 13:25ish during the really stressful new one that they didn’t really understand i noticed that they kept bumping arms until they just decided to keep their arms touching for basically the rest of the time until the bomb goes off and it struck me as maybe being a way for them to subtly kinda be like ‘we’re all right it’s all good’ and ground each other. cute
  • 14:04 the look they share AGAIN when they lose
  • and the whole exchange up until like 14:35 where they’re debriefing and just talking to each other, sort of forgetting the camera exists. I LOVED watching that even though the v obvious jumpcut suggests they cut a bunch of it out bc it was just dan walking phil through the instructions for the new module and phil just leans in all close and lets dan guide him and i loved their facial expressions during that part AHHH it was just so comfy n GOOD
  • 15:35 dan telling phil about the new module they’ve never done before by singing it, i felt like this was yet another example of him trying to keep the energy light and non-stressful so that phil would stay calm and it’s cute that these videos have so many instances of them trying to look out for each other like that (but then dan is actually kind of bad at this and spends a lot of time screaming when he’s doing the bomb and i cried laughing at the bit at 18:11 when he’s jst high pitched squealing for a few seconds)
  • 18:26 the looks they share!!! YET!!! AGAIN!!!!!!!!! when they lose!!!!! (partially obscured by the explosion effect lol):
  • 18:51 dan proudly proclaiming that they probs have above average communication skills when they’re not stressed or trying to be entertaining bc apparently they are unable to do one of these vids without mentioning or alluding to their psychic connection and best friend mind meld

ahhhh watching them work together in this game is the fucking best and they were just so happy in this one, it was so palpable and hilarious and fun to watch, as though all the fun they have together is actually contagious. i love them and this video series so fuckin much :((

(keep talking and no one explodes #3

Grasping the Obvious

Bucky Barnes was in love, and it seems that everyone figured it out but you. 

Pairing: Bucky x Reader
Warnings: Fluff, tiny segment of angst. 
Author’s Note: Don’t you love fluff? I do. After writing angst for three days straight I could use a little fluff. Enjoy! This is 3000 words long! 

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Jumps, Explained

So, going by the tags on my recent jump gifsets, the difference between jumps is apparently still a source of great bewilderment for some people. Now I could link you to some excellent posts on the topic, but since I am, as usual, an extra lil piece of dirt with too much work to do and a lifetime’s worth of procrastination, I’ve decided to put together my own layman’s guide to identifying figure skating jumps (stressed on the layman part).

First, here be a flowchart, since everybody loves flowcharts, right?

If the flowchart works as intended and you can now tell the jumps apart, great! If you need a bit more explanation and illustration, read on.

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All the reasons I loved this latest Chris and Eva clip:

Brace yourselves, cause this is going to be a looong list. I’m sorry but I’m too far gone for my OTP to care about much else today.

* The way he touches her face in the beginning of the clip.

*Chris’ wide grin plus Eva’s sleepy smile. Honestly, the chemistry between those two is unreal, even in small moments like this.

*“Did you sleep well?” “Mhm.” The whole Jonas and Eva vs Eva and Chris parallel here. Jonas pretty much said that he had a nightmare in which Eva was a whore and CHRIS TOLD EVA THAT HE HAD A DREAM WHERE EVA WAS HIS GIRLFRIEND. Ugh.

*Also, the whole dream was totally made up and I have a feeling that Eva knew it. And she knows how whipped she has him and just…Eva is goals as usual.

* Wow, damn. Another one of Chris Schistad’s reaction gifs is born.

* I honestly feel like Chris is trying to remember his lines when he is talking about his “dream”. And Eva is so amused CAUSE SHE KNOWS.

* He is such a certified nerd while telling that stupid story.

* Chris’ reaction when Eva told him that his dream wasn’t real tho. He was all: “say what now?”

* Eva: “we’re never going to be together” Eva: *smiles* Chris: *tries not to look like somebody just stabbed him and fails*

* “Why not?” I can see that you’re internally crying, Chris. God, the dialogue is gold.

* The way Chris repeats Eva’s words back to her. Such a small thing but mad cute.

*Also, I have such huuuge respect for Eva. She still acknowledges that Chris was a fuckboy in the past and she smiles again when saying it, and it’s so playful, and Eva knows that Chris is in love with her but she’s still protecting her heart and is being reasonable about it all and just…where can I find an Eva?

*Also, telling a guy whose currently naked in your bed that he’s a cheating fuckboy, is NEXT LEVEL.

* The way Eva almost immediately stops kissing Chris, because someone’s calling her. She. Always. Puts. Her. Friends. First.

* When Eva answers Vilde’s call and we can actually see how hurt Chris is over the fact that Eva doesn’t want to be his girlfriend.

* Also, the way he runs his hand over his face is like saying: “damn I messed up with that fake dream I told her about oops”

* When Eva tells Vilde that she is doing nothing special, and Chris looks like he’s about to cry. That boy is so in love, I can’t put it into words.

* All the longing looks towards Eva while she’s talking on the phone!!!

* Eva: “But maybe I can call you later or something.” Queue Chris’ whole face lighting up.

* Chris: “We were talking about getting together.” Lol, smooth.

* That boy has lost all his game and just wants to be together with Eva. Who’s crying? Certainly not me.

* THE PLAYFULNESS.

* The fact that Chris isn’t pressuring her into anything but just wants them to be together but he isn’t pushy about it. I honestly don’t know where the Noorhell shippers get their ideas, when they compare Mohnstad and Noorhell.

* ANOTHER JONAS AND EVA vs CHRIS AND EVA PARALLEL.

* When Eva tried to push Chris off her bed and he didn’t budge an inch, that was a sign.

* I just love how Chris is still his old self on some level, so self-confident and just doesn’t understand why he has to hide.

* Eva being determined not to introduce Chris, so the boy gets up, wraps a sheet over himself, and is just like: “Hi. I’m Chris.”

* Your name is also Chris? ANOTHER ONE, WE HAVE ANOTHER ONE.

* I just noticed that Eva rolls her eyes when Chris is talking to her mum, oh wow. I love this girl.

* When Eva’s mum says that she wasn’t aware that Eva had a boyfriend and Chris looks like he is finally sure Eva will confirm their relationship now but she DOES NOT.

* Also, Chris was totally happy to meet her mum, you can’t tell me otherwise.

* “We’re not together.” “Not yet”

* Eva’s mum’s “you’ll figure it out” is basically the whole fandom’s reaction to this clip.

* Also, all the smiles and the banter in the end of this clip, what can I say, Mohnstad just naturally gravitate towards each other.

* Chris: “Love me.” Honestly, what kind of desperation.

In conclusion: this was the clip of dreams that I never thought I’d see.

A Lesson in Love (The End)

Summary: (College!AU) In which you’re assigned to write a story about romance, a subject you know nothing about, and Bucky, a hopeless romantic, offers you his assistance.

Pairing: Bucky x Reader

Word Count: 2,898

A/N: This is it, y’all. We’ve finally reached the final part of the series and, because I’m a sentimental son of a gun, I’ll post a proper goodbye post to this story sometime in the next day or two.

“A Lesson in Love” Masterlist + Soundtrack

@avengerstories - Without you, there would be no ALiL. I can’t thank you enough for you endless support.

Originally posted by caps-bucky

You wake up early the next morning, eyes blinking wearily as you struggle to free yourself from the last remaining tendrils of slumber. It’s not a simple task, mostly because you’re still exhausted and all you want to do is fall go back to sleep.

But you can’t. Something woke you up and you need to figure out what it was.

As you begin to come to, so do your senses. A quick sweep around your surroundings lets you know that you’re not in your apartment and the feeling of someone wrapped around you is the only clue you need to figure out that you’re not alone. You turn your head slightly, nose catching the scent of antibacterial soap - a smell that your brain immediately connects to doctors and hospitals.

Hospitals.

The last bit of confusion about your current location fades away as your brain catches up with your senses. You’re with Bucky.

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