This is my second year doing the poster art for Mark Loque’s party, Bear Mania, for Provincetown’s Pride celebrations. I posted sketches a while back — we went with this for the poster, but we’ll be doing shirts this year too, so I’ll be doing a different drawing for those — so keep your eyes out if your around! As usual: Lines and flats in illustrator, shading & textures in Photoshop, vintage line-art scans for the tats.
a little city scene from downtown I’ve been working on to get my head around Procreate’s tools. A bunch of those shadows dont make 100% sense but I dont caaaaaaaare, I decided halfway through I wanted to do a sunset scene.
Christopher Street Cryptography - illustration by Jory Dayne
When I attended the Make 2013 workshop at Light Grey Art Lab earlier this month, we were generously given an opportunity to create a piece for their upcoming Message in a Bottle show. Kali Ciesmier challenged us to use informal subdivision to generate an asymmetrical layout, while the Light Grey crew gave us the show theme. Negotiating the layout while trying to generate ideas was… challenging, to say the least!
Ultimately, I decided to depict a sunset scene out of NYC’s seedier days on Christopher Street’s Pier 45; it’s littered with the symbols, signs and secrets of the more… solicitous sexuality in the 90s. Cruising queens, shore leave, and hanky codes! Oh my!
I was super saddened to hear about the passing of Arpad Miklos, yesterday.
If you don’t know Arpad or his work, you should be aware that every search you’re gonna try is going to be NSFW in the maximum sense of the words. But lemme wax nostalgic for a moment: I remember the first time I ever saw Miklos. It was in the early 2000s, when the order of the day was this very Abercrombie aesthetic: tanned, California surfer clones with perfectly waxed bodies that seemed to actually live in a perpetual Bruce Weber photo shoot were held up as this de facto standard of the male ideal. I was just barely out of high school, a lanky, hirsute little dork, and I couldn’t possibly see myself in any of those images, and the pursuit of that body seemed so artificial and weird. Publications like XY and the like presented things as this sort of binary: hairless twinks or hulked out hairless twinks.
But man, one day I saw a flier for like, Hot House or something at a club, and there was Miklos — this super hairy, visceral, rough hewn, gigantic, beast of a man. To a child of the 80s like me, this was like… I don’t know, some sort of saturday-morning-fueled fever-dream. This was like… Sgt. Slaughter or Zangief made flesh. And it was this sort of AHA! moment where I realized that not everything or everyone had to fit into this very commercial, mall friendly idea of male sexuality and that there was maybe a whole world I had never encountered. And while his movies were a part of a world that definitely scared me at the time, Arpad just seemed like this totem of reassurance that there was a place where guys that looked like me could be considered attractive.
Anyway, I’m going to miss seeing him around in a new and surprising situations — on pink beach towels and in superb music videos, say — but he’ll be hard to forget. RIP, Miklos. “Boys that held him dear, do your weeping now.”
Spending my last day-off cranking through some creative projects. When I was last out in SF, we stopped in at bastille to do some shopping and to check out the new labels Rapt did for their Otters line. I thought the shop clerk had such a great look, and I begged Weston to snap some reference so I could draw him later.