and i KNOW that’s standard fare, i know most of us are over it, but i still can’t wrap my head around the fact that it’s been a year already? because homestuck had been such a big part of my life for so long, and suddenly- it’s gone.
homestuck redefined fandom for me, and i know that there won’t ever be something quite like it again- the way we came together, the upd8 culture and the cons and the panels, the lyricstucks, the fansongs and animations and meetups and the way we were a family, of sorts, united by our love for this dumb webcomic that brought us together- there’s never going to be anything like that. homestuck was a cultural masterpiece, a revolution in and of itself, and i honestly don’t think anything can top it in terms of impact.
homestuck was just so big, so much, for so long, and it’s hard to believe that- it’s not anymore. and it’s hard to believe that everyone’s moved on from something that we loved so much, that shaped us so much, that brought us together like nothing else before.
and maybe there will be no more spin the faygo games at cons. maybe there will be no more lyricstucks or fansongs, no more bucket full of homestuck-style panels, no more rush to make upd8 art and cosplay new characters and update shipping charts with all new quadrants. maybe it really is over.
but we’re all still here, whether we like it or not.
we’d use to joke that “the ride never ends.” and it doesn’t, not really. because homestuck is something that sticks with you no matter what.
so this is a love letter to my favorite story, the story that made me who i am. happy 4/13, everybody. thanks for eight fantastic years.
How Taylor Swift Played The Victim For A Decade And Made Her Entire Career
Ok, so Buzzfeed released this article about Taylor Swift on January 31st and here are some key points that really stood up for me.
On Taylor´s feminism:“But, as the Washington Post pointed out: “There’s a difference between being a feminist and calling yourself a feminist. Feminism is more than just supporting your girlfriends or churning out charming catchphrases about girl power; it’s a political movement, with political aims.”
About Taylor´s squad: And, in actuality, her squad flouts inclusive feminist principles by being an exclusive club, and skews overwhelmingly white, slim, and heterosexual – and this is because Swift views feminism in relation to her own personal experience alone.
Again on Taylor´s feminism: Far from expressing feminist values through actual, tangible means – such as, for example, speaking publicly about Kesha’s alleged sexual assault, offering an opinion on Trump’s campaign and election, or acknowledging the Women’s March through means other than a contrived tweet – Swift invokes feminism to ensure her posture as victim.
On her feud with Katy Perry and the Bad Blood song: Put differently, she prevented the eruption of an undesirable rumour by creating a new one, which reveals Swift’s true genius: her ability to manipulate the lyrics and subjects of her songs in whichever way best suits her PR desires.
On her feud with Nicki Minaj and the lack of recognition for black women in the music industry: Swift has become such an expert at building narratives that she doesn’t just see herself as the victim in stories explicitly about her, but the subject of every story. (…) She prioritised herself at the centre of a struggle faced by women of colour, while ignoring the fact that the system inherently benefits her.
On the feud with Kim and Kanye about that line in Famous: The feud exposed the truth that white fragility is the most imperative component of Swift’s success. Performing white female melodrama has enabled Swift to establish her posture as victim and navigate any conflict with ease, devoid of culpability. But her conflict with West cannot be dismissed as an insignificant celebrity feud, leaving a trail of snake emojis in its wake – there are sinister undertones. It proved that Swift recognised the power her white womanhood affords her – presumed innocence and empathy – and used this to her advantage in repeated acts that she surely knew would damage West’s reputation and strengthen her own. Swift propagating this narrative of fragile white womanhood to villainise a black man is “ruthless” at best, and at worst, dangerous.
I think this article really explains why I don’t really like Taylor Swift and how her playing the role of the victim is really getting old and overused. No one believes she´s the victim and this has been shown ever since the ¨break up¨ with Harry Styles and overusing that one month relationship for over two years. And it became evident to the public how fake she really is with the Kanye and Kim feud and directly after that the whole deal with her ¨relationship¨ with Tom Hiddleston. So I finish this with the final paragraph of the article which summarizes my feelings in general about her.
She’s all about narratives, and the reinvention of her image is the start of a new one. The question is, however, after being exposed playing the victim in plain sight for over a decade, will anyone believe it?