joe-lovano

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Happy Birthday, John Scofield

December 26 is guitarist John Scofield’s birthday: he turns 62 this year. John often surrounds himself with formidable talent, and this clip sure proves no exception to that rule. From Baltica in 2002, the “ScoLoHoFo” band: John Scofield, Joe Lovano, Dave Holland and Al Foster. Composition by Dave Holland.



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Joe Lovano and Hank Jones - The Duo Made in Heaven

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Joe Lovano Quartet, 1994: Portrait of Jenny

Portrait Of Jenny is one of those songs that brings out the soft and lyrical side of the hardest swinging musicians. It’s a perfect storm of melody, chords and sentiment that evokes the very emotional core of the piece in artists. Here is Joe Lovano at the 1994 Montreux Jazz Festival with Kenny Werner, Scott Lee and Jeff Williams, proving the point.

-Michael Cuscuna

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I had almost forgotten about this album, played it a lot when it was released but haven’t heard it for around 10 years, until tonight - well worth checking out!  

Combining the talents of tenor saxophonist Joe Lovano, guitarist John Scofield, bassist Dave Holland, and drummer Al Foster, there is an uncredited fifth member on jazz super-group Scolohofo’s début recording, Oh! - Miles Davis. Every one of these musicians, except for Lovano, gained their first real success with the legendary trumpeter - an experience that informs their careers to the present. The aesthetic on Oh! is resolutely Milesian - impressionistic, spare, soft, funky, progressive, but always with an ear to the blues. Scolohofoda? His sound is almost literally present, an “implied tone” whenever Scofield’s dissonant chord clusters and Lovano’s whispery throat tones collide. These guys played with Davis in his later fusion period during the ‘70’s and ‘80’s when Davis’ “group” aesthetic came to the fore and became perhaps even more important than his individual contribution. And, while everyone gets their featured solo spot, the overall effect is one of intensely soft and layered patches of sound. Scofield’s trademark “chicken scratch” lines match perfectly with Lovano’s fuzzy spittle tone and the rhythm section of Holland and Foster offers its own wryly propulsive counterpoint. Musically, the goal is resolutely post-bop, but with an acoustic, folky underpinning that allows for some interestingly arranged melodic moments. This contrasts nicely with the free-flowing, loose improvisation informed by ‘60’s free jazz, fusion, and modern progressive styles. Long time fans of the work of these individual musicians will find much to enjoy here, but there is the sense of new or at least rediscovery on Oh! - another Davis trademark - which bodes well for future collaborations - but don’t hold your breath! [Matt Collar]

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Joe Lovano-Dave Douglas Sound Prints: Warsaw Jazz Days 2012

Here’s the group that premiered the two new works of Wayne Shorter in the recording that just came out this year: Sound Prints, the quintet Joe Lovano leads wih Dave Douglas. An able rhythm section here, with Lawrence Fields at the piano, and anchored by Linda Oh and Joey Baron on drums.

-Nick Moy



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Wojtek Mazolewski Quintet / Joe Lovano & Dave Douglas Quintet: Sound Prints …  @ Warsaw Summer Jazz Days 2012

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A Love Supreme, Mvt. I: Acknowledgement (John Coltrane)

Joe Lovano - Tenor Saxophone. Chris Potter - Tenor Saxophone. Lawrence Fields - Piano. Cecil McBee - Bass. Johnathan Blake - Drums.

December 2014 at Teatro Mancinelli in Orvieto, Italy during Umbria Jazz Winter.