John Scofield: “Quiet” and “Loud” Jazz

This 70-minute concert from Jazz At Lincoln Center in the spring of 2016 is a real treat. John Scofield performs a retrospective called Quiet And Loud Jazz. The first half features John with an octet that features Joe Lovano. The second half, the “Loud” half, is by the quartet of John, Jim Beard, Gary Granger and Dennis Chambers/ A superb and varied concert.

-Michael Cuscuna

Follow: Mosaic Records Facebook Tumblr Twitter
Kurdish Dance
Yosuke Yamashita Trio, Feat. Joe Lovano
 Kurdish Dance

Yosuke Yamashita New York Trio, feat. Joe Lovano - album “Kurdish Dance” Yosuke Yamashita (piano) Joe Lovano (tenor sax) Cecil McBee (bass) Pheeroan akLaff (drums) 

Recorded by David Baker in NY 1992 “Kurdish Dance” (composed by Yosuke Yamashita)


Criss Cross

SF Jazz Collective

Dave Douglas – trumpet
Andre Hayward
– trombone
Joe Lovano
– tenor sax
Miguel Zenon
– alto sax
Stefon Harris
– vibes
Renee Rosnes
– piano
Matt Penman – bass
Eric Harland – drums


John Scofield and Joe Lovano Interviewed

In his NYU Steinhardt Jazz Interview series, Dr. David Schroeder interviews John Scofield and Joe Lovano on November 5, 2015 at the Bue Note Club in front of a live audience. John and Joe were at the club to promote their reunion album “Past Present” on Impulse. The conversation starts out with fascinating recollections from their student days at the Berklee School Of Music in Boston in the early ‘70s.

-Michael Cuscuna

Follow: Mosaic Records Facebook Tumblr Twitter

I had almost forgotten about this album, played it a lot when it was released but haven’t heard it for around 10 years, until tonight - well worth checking out!  

Combining the talents of tenor saxophonist Joe Lovano, guitarist John Scofield, bassist Dave Holland, and drummer Al Foster, there is an uncredited fifth member on jazz super-group Scolohofo’s début recording, Oh! - Miles Davis. Every one of these musicians, except for Lovano, gained their first real success with the legendary trumpeter - an experience that informs their careers to the present. The aesthetic on Oh! is resolutely Milesian - impressionistic, spare, soft, funky, progressive, but always with an ear to the blues. Scolohofoda? His sound is almost literally present, an “implied tone” whenever Scofield’s dissonant chord clusters and Lovano’s whispery throat tones collide. These guys played with Davis in his later fusion period during the ‘70’s and ‘80’s when Davis’ “group” aesthetic came to the fore and became perhaps even more important than his individual contribution. And, while everyone gets their featured solo spot, the overall effect is one of intensely soft and layered patches of sound. Scofield’s trademark “chicken scratch” lines match perfectly with Lovano’s fuzzy spittle tone and the rhythm section of Holland and Foster offers its own wryly propulsive counterpoint. Musically, the goal is resolutely post-bop, but with an acoustic, folky underpinning that allows for some interestingly arranged melodic moments. This contrasts nicely with the free-flowing, loose improvisation informed by ‘60’s free jazz, fusion, and modern progressive styles. Long time fans of the work of these individual musicians will find much to enjoy here, but there is the sense of new or at least rediscovery on Oh! - another Davis trademark - which bodes well for future collaborations - but don’t hold your breath! [Matt Collar]