jk rowling is a better writer

the reason why snape hate gets to me so much is not because he’s my favorite character, but because there is an almost disturbing closed-mindedness to it. to be fair, i’m sure circumstances would be different for many who are pro-snape and anti-snape if snape was a real person and not a fictional character. but a lot of the snape hate that i involuntarily stumble on and the occasional snape hate that lands its way into my notes is so strict that it’s daunting.


what i’ve been seeing is people who have become so stubbornly set on the “snape is evil” idea that they start dismissing every good thing he ever did. again, if he were a real human being, this would likely be different, but i sometimes worry about how anti-snapers think about real people. that, and how they think critically about things in general.


it’s like they’d test out a car to find it runs very well, has the perfect amount of space, but has very uncomfortable seats. the seats alone would make them dismiss it as the worst car ever, and then they’d start hyperfocusing on other things, like “the bumper is half an inch too low”, “i don’t like the sound the trunk makes when i close it”, “the color of the dashboard is ugly”.


jk rowling is a better writer than someone who would write snape as an unforgivably evil cartoon villain who represents all that is vile and merciless. she wrote a human being, and possibly wrote her own pain into him, clearly knowing that even the most lovely-seeming people can turn out to be fundamentally heartless, and those who appear overall off-putting and pessimistic with terrible attitudes can certainly have hearts the size of the sun.

FanWorks Wednesdays -bohoartist


by Keva Andersen

Hope you had a great summer, Philes! We’re back with our Fan Author series. This week’s author is no stranger to fandom, and recently co-authored a project that stretches the boundaries of the usual fanfic experience. Meet bohoartist! If you haven’t read “Two Agents Missing, Presumed Dead” head over there, scroll to the bottom, and read. I’ll wait. @bohoartist and co-author @piecesofscully used Tumblr to lay out their story piece by piece, with images, e-mails, and news articles. It’s a great read and fun to put the pieces together as you go.

If you like short, sweet, and a kick in the feels, try “The Healing Power of Touch.” Scully is trying to comfort Mulder after losing his mom in Sein Und Zeit and the glimpse of her thoughts after doing Teena Mulder’s autopsy sticks with you. If you’re looking for something a little more “adult,” then this hits the, er, spot. I’ll let you infer from the title what “Three Times Mulder and Scully Got Caught and One Time They Didn’t Care” is about! 

We talked with bohoartist about, writing, inspiration, and of course, The X-Files.

How long have you been a Phile?

Since June 19th, 1998, the day “Fight the Future” came out. I had not seen a single episode. In fact, I had avoided it as I was getting sick of all the alien sci-fi stuff that had been coming out seemingly one on top of the other. I had a friend who was a Phile though, and she was always pushing me to watch it. Well, that Friday evening, my parents came home from work and announced that we were going to go see a movie and I got to choose! So I picked up the newspaper (remember perusing newspapers for movie options?!) and I see “The X-Files: Fight the Future” and then I see that it’s rated PG-13 for, and I quote, “violence, horror, and gore.” Excellent. So we went and I was hooked.

What was your first episode?

My first episode was “Squeeze,” and I actually watched it the same night I saw the movie. When we came home from the theater, FX was playing a marathon and I dove in from Squeeze on. I was able to rent a VHS of the Pilot and “Deep Throat” from Blockbuster and by the time Season 6 premiered, I was fully caught up.

How long have you been writing fic?

I’ve been writing and posting fic since November of 2015.

Keep reading

anonymous asked:

Hi, I'm not sure if this has ever been asked before or if I'm allowed to even ask it, but does anyone have any tips on writing fanfics? Im attempting to write my first one after reading dramione for years and finding it really difficult 😩 if anyone could help me I would really appreciate it!

Congrats on starting your first story! There are a lot of writers on tumblr who’ve shared their tips and advice, and there’s a wealth of articles linked on Pinterest too if you search for “writing advice.” Really though, there’s no teacher like experience, so the more you write, the better you’ll get. 

Some of the admins here are Dramione writers. Some of us have written fanfiction and original stories but aren’t regular HP writers. Some of us aren’t writers, but we’re all voracious Dramione readers. 

These are my own thoughts, and perhaps some of the other admins will chime in:

On Process - figure out what works best for YOU. 

To outline or not: Some writers swear by detailed outlines, and if you have a lot of characters and are juggling multiple subplots, you may need charts or outlines to keep track of everything. JK Rowling had some pretty detailed charts for her books. Other writers tend to fly by the seat of their pants and will take a spark of an idea, start writing, and see where it goes. George R.R. Martin falls into this category. There are pros and cons to both, and it really comes down to finding a method that works best for you. 

If you work best with a strict outline and will stick to it, then there’s probably no harm in posting as you finish a chapter. If you are a fly-by-the-seat-of-your-pants-er, then you may want to hold off on posting until your story is closer to complete. Once that chapter is up and shared, it’s there for all to see, and it’s much harder to go back and re-write if you find you’ve written yourself into a corner or you want to make major edits later on. 

If you start posting a story and you build up an audience, you’ll get comments like, “more please!” and “when are you going to update?” Yay! That means people like your story! 

If that seems like the sort of thing though that would make you anxious and give you a lot of pressure to produce more content right away, then consider finding a few good betas to give you constructive feedback as you write and wait to post the story until it’s complete or close to complete. 

Some people swear by a strict writing schedule where they set aside time each day to write, and others write only when they feel moved to do so. There are no right or wrong answers for process. Go with what works best for you.

On characterization:

The plus to fanfiction is that your characters and universe are well known, so you don’t have establish your characters and their personalities too much unless you’re elevating a minor canon character to major character status or adding an original character (OC). The downside to fanfiction is that your characters and universe are well known, so your readers probably have their own opinions about who these characters are and what constitutes “in character” behavior. 

In a fandom as big as HP and with a pairing as popular as Dramione, that means that no matter what, someone is going to dislike some aspect of your story. That doesn’t mean you’ve done anything wrong. It just means someone has a different opinion about what they think would/should/could happen. 

If you want to deviate wildly from canon, then look at what your characters do and say in canon and give some thought to what a reasonable development in their behavior could be if X, Y, or Z happened. If you want to write a dark Draco, then what would need to change from canon to make him that way? Perhaps he suffered great punishment for failing to kill Dumbledore, and it hardened him. Perhaps he witnessed his mother being tortured and chose to close off part of himself to power through the awful things Voldemort would expect him to do. If you are writing post-war/EWE Dramione, then what happened to your characters after the Battle of Hogwarts that led them to where they are at the start of your story? You don’t necessarily need to describe that action in the story, but do give some thought to what they did and how those actions and the war itself affected them. People change as they grow up too, so how does age change them? 

As a reader, I’m willing to read stories that seem pretty far removed from canon in terms of characterization, provided the author makes that leap for me. If Draco is dark, then tell me what made him that way. If Hermione is a bitter, underachieving mess, then tell me what happened to her to lead her to that point in her life. 

On Feedback (betas)

Even professional writers have editors, and they’re designed to give you feedback and help you produce a stronger story. There are many wonderful readers in the fandom - some who are also fanfiction writers themselves - who are happy to beta [edit] a story for you. Some people use the terms alpha and beta, but I’ve always used beta to mean someone who can provide feedback on any aspect of the story, from characterization and plot to grammar, spelling, and punctuation. Some writers have multiple betas, and some use only one. It’s all about finding what works best for you and your beta(s). 

It can take time to find a good beta who works well with you, but if you find one, be open to what he or she has to say. A good beta might be able to find a plot hole you’ve missed or help you with you writer’s block.  

Fanfiction.net allows users to create beta profiles, and I believe that Shaya Lonnie has a list of people who are willing to beta HP stories too. I was asked to beta after I left a lengthy review on the author’s story, and I know plenty of writers who’ve found betas that way. 

Try to be clear on what it is you want from a beta - is it spelling, grammar, and punctuation? Checking for consistency in little details in a very long story? Suggestions on plot? What kind of turn around time do you expect from your beta? Do you want a response the same day? Within a few days? Do you want someone to edit your chapter in Microsoft Word using tracked changes with lots of comments, or do you prefer more general suggestions? The more openly you can communicate your expectations, the more effectively your beta can help you.

You don’t have to have a beta if you don’t want one or if you want to start sharing your story before you find a good beta, but many writers find it helpful to have that extra input.

On Feedback (reviewers)

How often do you go online and leave reviews of restaurants or contact a company’s customer service department? If you have basic good service that you generally expect to get, then if you’re like most people, you probably don’t comment all that often. The people who contact customer service are generally there to register a complaint or to comment about something truly exceptional, but there are usually a lot of otherwise happy customers who don’t really say anything. The same is generally true for fanfiction. You’ll probably have a lot more readers than commenters. 

As big as the fandom is, don’t be surprised if your reviewers contradict each other. For every reader who wants more smut, there’s probably another who could do with less. For every reader who loves the marriage law or head boy/head girl trope, there’s another who hates it and thinks it’s overdone. So what do you gain from contradictory feedback like that? I’m of the “take what helps you and leave out all the rest,” mindset. If you really want to write a story with smut, then write your smut, and if people don’t want that, they’ll look for a different story. 

Some writers believe strongly in writing the story they want to tell, regardless of how popular it is or how many reviews it may garner. Others who have an established audience may prefer to tailor their stories to their audience and write what experience tells them is popular. My personal opinion is that you should aim for a good balance - tell the story you want but be open to reader feedback. If you are consistently hearing, for example, that the pacing is off in your story and action is happening much faster than seems realistic, then you may want to consider slowing down the progression of your characters’ relationship. For OTP stories, I often see the opposite, by the way - the writer seems to enjoy the characters being in the happy, fluffy romance part of their relationship, and the story stalls a bit with multiple chapters of them dating but little plot movement.

It’s natural to be defensive when someone says, “I like X, but Y doesn’t really work for me,” so sometimes it’s helpful to step back and consider if there’s any useful information in a review. On the flip side, we all love to get, “OMG!!!!!! I LOVE IT SO MUCH!!!!!” reviews, and it’s always good to know that someone likes what you’re writing, but that kind of review doesn’t really give you much useful information to help you become a better writer or develop your story.

On length:

If you’re just starting out, a one-short or short story might be less intimidating as a first attempt, but if you feel compelled to write a long story then go for it! There are plenty of fanfiction writers who started out with longer stories. 

There’s no right or wrong answer about chapter length either. Some people like to have a consistent chapter length. I personally prefer that chapter length be organic and reflective of the action, which means some may be only 1,000 or so words and others could be 10,000 words or more. 

We get a lot of requests on our site for stories that have a certain number of chapters, and we tend to sigh when we see those asks because the number of chapters isn’t really indicative of the length of the story. A 10 chapter story could be 10,000 words or less, or it could be 100,000 or more, so don’t get too hung up on the number of chapters.

On sharing:

When you’re ready to post your story, consider sharing on multiple sites to build a bigger audience. Fanfiction.net, AO3, Hawthorn & Vine, and AFF are some of the main sites for Dramione fiction, but be open to livejournal, tumblr, and others. 

Tag your story appropriately when you post it. If you have graphic violence or rape, most people like to know going in that it’s going to be part of your story, as these are common triggers for people. If you have graphic sex or violence, err on the side of caution and rate your story M/E/NC-17, depending on the site.

Be aware that not everyone reads the author’s notes many writers post at the beginning of their chapters, so perhaps try to limit how many you post/how long they are. Even if you provide valuable info in an A/N, odds are you’ll have readers who scroll right past it. 

As a reader, I totally understand that creativity doesn’t always flow on a schedule, and that “real life” often interferes with fun hobbies like fanfiction. However, I also read a truly shameful amount of fanfiction, and if a story hasn’t updated in a few months, I may have to go back and re-read at least part of it to remember where it left off when I last read it.  If you can update your story frequently and with some consistency, it may be easier for you to build an audience.

Finally, when you share your story, SHARE IT WITH US! Send us an ask with a link to your story, and we’ll include it in our tags.

Happy writing!

-Elle

Review of Harry Potter and the Cursed Child. 

HOW DARE YOU JK ROWLING. HOW DARE YOU?

I never read Harry Potter for Harry. I read it to escape reality and enter into the wizarding world. Attend Hogwarts, take Divination and Potions, and live in a magic castle where the staircases have a mind of their own. I want common room banter, friendly competition against other houses and even befriending magical creatures. This book is a abomination. It feels like a poorly written mystery novel forced to wear Hogwarts robes. The main themes in this book are friendship, love, and a lot of parental issues that Albus and Harry work out, and sometimes even discuss with Draco. ARE YOU KIDDING ME?

If i wanted another sappy tale of friendship and parent-child communication, i would not have turned to Harry Potter. You could have done an adult novel of Harry, Hermione and Ron, or even did a coming of age novel with their kids. Why do you have to go back to Voldemort? You could have made the wizarding world more complex after the death of Voldemort and written a story without a clear pro/anta gonist. You could have explored the complexities of getting involved with dark magic, written a study abroad take with Illverymony and left the trio in the background. 

 J.K. Rowling, i do not blame you. Maybe you have been swept away by the accomplishments of your co-writers that you forgot to realize what a pile of disappointing muck this was.  I have read fanfictions better than this book, one shots, written by 8 year olds that understand the HP series better than this. 

Sorry not sorry, but this book is garbage. All except Scorpius Malfoy, my child. 

rose-grangerweasleyisbae  asked:

4, 8, 13, 16, 18😉😉😉

4. Are there any other fic writers you admire? If so, who and why?

Oh, man, too many. I admire @dracolucivs, her writing is simply too perfect and she writes so fast, @gay-street, her way of writing is compelling and addictive, @froekenpest writes in a way I never could, detailed and rich and regal, @mxlfoydraco writes a bit like JK Rowling but gayer (thus, better, in my opinion) & there are so many others but this list can’t go on forever, here’s an old drarry writer’s rec list I made on my personal preferences

8. Why do you choose to write?

Because there;s a lot of noise in my head? I don’t know, I think in words and sentences and paragraphs, and if I sometimes don’t get what’s in my head down on paper, I might go mad. That, and I quite enjoy writing.

13. Favourite fic from another author?

I like Dream Catchers by @froekenpest a lot, and I, having seen the WIPs, know it’s only going to get better.

16.  Do you have structured ideas of how your story is supposed to go, or make it up as you write? 

I usually just have a general idea - like, per example, “harry finding out Draco is trans” and just… write. See what happens. Usually takes a minute or ten. It’s with long fics, like the one I’m writing with Misha or my longer ones on ao3 that take some thorough planning haha

18. How old were you when you started writing?

8 years old :)


fic asks

I want to write a book

I want to write a book one day. 

But not just any book, a great book. 

I want to write a book that people talk about, that people run to the stores and the books fly off the shelves. I want that line of people at midnight waiting for the release. I want a book that people will write fanfiction about. 

I want a book that will break hearts and make you cry; that will make you laugh and have to bite your pillow because it’s midnight and you don’t want to wake the whole house when you scream at a plot twist. 

I want a movie deal; I want people to have long discussions about whether they liked the book or movie better.

I want to inspire people.

I want to write a book that will be remembered for ages. 

You know that point were you’ve started insulting your fans by telling them they have ‘unhealthy fantasies’ about characters because they have a unique interpretation of what they’ve read because they’re readers with imaginations?

You couldn’t have worded it better? Or Better yet, left them alone?

You’re literally calling them unhealthy because they’re trying to find redeeming points in a character that you wrote as someone worthy of (at least some) redemption.

JK Rowling and the Bad Results of Good Intentions

(Queer white woman from America writing here, ftr.  I think I stayed in my lane throughout, but please drop me an ask if I fucked up somewhere.)

So let’s start here before I get the ‘stop hurting JK’ brigade on me: I genuinely think that JK Rowling had good intentions when she wrote her new supplements about the wizarding world in the Americas.  I’m willing to bet she even did a bit of homework, reading up on things.  I think she genuinely feels like she tried, hell, I think she did try.

I love Jo with every bit of my black little heart, and I’m sure she means well. But that is not good enough – that is never good enough.  

She clearly, obviously, explicitly failed.

When you’re a wee little thing with 12 followers on twitter, you need to be a regular amount of careful because you may hurt a few people if you’re not. When you have a platform as broad and far-reaching as JKR’s you have to be extraordinarily careful, because you have the capacity to hurt a LOT of people.   Millions of people.  Instantly, simultaneously, you can accidentally step on millions of toes, break millions of teacups, leave marks on millions of spirits.  

Sometimes an attempt to increase diversity, to reach out to people, can be more damaging than doing nothing.  Nothing, a complete and utter lack of representation, at least that is the status quo. People know how to handle not being represented. It’s a microaggression that can be managed. But unfortunately the failure state of trying is going to be active injury to those exposed to your attempt at diversity.  And if you’re going to try, you have to be extraordinarily aware of that fact.

I’m starting to think that failure in these circumstances is inevitable. When your universe is an international juggernaut, it is somewhat impossible to be educated and aware enough to sensitively write about folks on the other end of your oppression axis.  I think some folks who write The 100 are learning that particular lesson in a nasty way right now. (Are there wlw/queer women on the writing staff of The 100?  I’m willing to bet no.)

That leaves folks like JK – who are more keenly aware of these sorts of things now than they were when they started their process/series/etc – in a rough spot.  How do you expand your universe – one you now understand as unnecessarily white, unnecessarily straight, unnecessarily male, unnecessarily able-bodied – without being an ass?

And I think the answer is: you are going to have to let other people in.

TL;DR for the rest of this: JKR, please bring more authors to the table and create a properly expanded universe if you’re serious about better diversity.

Keep reading

Am I the only one isn’t bothered by what some call J. K. Rowling’s “lazy, after the fact diversity”?
I even like some aspects.

If I was a book character, with the exact same speech patterns, background, personality, mannerisms and even some aspects of my appearance, I would probably be coded as white, and maybe even straight.

So why is each and every culturally British character with a name of European origins assumed white?
Hogwarts is…in Britain…it doesn’t admit people outside of Britain and Ireland and Scotland…
What’s wrong with descriptions like…dark hair…green eyes…bushy hair…tan skin…brown hair…none of those are white only traits…

The way some people talk about this, I feel like they’re seriously gatekeeping communities.
When J.K. confirmed that Dumbledore was gay and people said that “he didn’t seem gay” (I heard this from people of all sexualities), I kept thinking “don’t gay people act like…people?”

And characters with obviously Asian names (Parvati and Padma Patil, Cho Chang) acted like…people…who are culturally British…like…do people want them parading around in sarees and cheongsams (instead of the school uniform) with thick as hell accents?

And if J.K. Rowling had explicitly coded anyone as an ethnicity, how many complaints about their portrayal would there be? (Reminder she had to sign away casting rights when she signed the movie deals)
Racial ambiguity should not be equal to “everyone’s white”.

Most, if not all, of posts about this give off this reek of “in order to be of x group, character ABSOLUTELY MUST do thing 1 and thing 2 and be described with trait 1 and wear clothing items 1, 2 and 3 and unless they do thing 1 and 2 EVERY SINGLE FUCKING HOUR and ONLY EVER EVER wear clothing items 1, 2 and 3 and are described as trait 1 EVERY FUCKING TIME THEIR NAME IS MENTIONED, then it is COMPLETELY IMPOSSIBLE THAT THEY ARE A MEMBER OF X GROUP”

I feel like people should at least change the way they talk about this and stop acting like people can’t be culturally British or American and still Asian or Black or another race.
Because for me, a Asian person who’s culturally American, the way this is discussed has made me feel really excluded from Asian communities.
#whitepeopledontreblog


I hope you don’t mind but I took out a few paragraph breaks for accessibility. 

The problem with JK being vague about Hermione’s race (and Harry’s, but lets be honest more focus was on Hermione because. surprise!! she’s black in canon) is that young black girls with dark skin aren’t getting any validation from this. When all this stuff was going across my dash, some of the comments did hurt but at the end of the day, it’s not about my feelings because I don’t have dark skin. I’m not black passing, and all those girls who are visibly black only got extremely, extremely vague descriptions of a canon black character. “Hermione looked very brown today” “Her hair was bushy” Like… the few statements about her appearance didn’t really imply that she was black, aside from the keywords used to describe the texture of her hair, which kids can easily mistake when they’re nonblack or know nothing about afrotextured hair.

The problem with her being vague is that it speaks more to racially ambiguous people like myself. It was easy to imagine Hermione as black. I have all my life because of the descriptions of her hair and that one statement about her looking very brown. Dark skinned black girls and young girls of color who are visibly black and are very obviously not white, did not get the representation they deserve. At all. If she couldn’t handle getting harsh comments for not making her characters obviously characters of color, instead of giving out vague statements about body parts, then she shouldn’t be a writer. She’s probably getting more criticism now from people of color for her purposefully excluding visible minorities. 

When you’re white, having headcanons about your characters of color and not actually writing them into your book is pretty racist. JK vaguely mentioning how Harry’s dad had a holiday of lights, alluding to Diwali, is barely representation. Hermione looking very brown and having bushy hair is barely representation. The colorism, misogynoir, racism, racialized misogyny, that JK expresses in her work becomes very clear because of how blase she is about representing these characters. She didn’t have the rights to casting but I watched a side documentary about the actors and she did get to choose who was casted as Harry. She could have written her characters better and thousands of children across the globe would have read her books and known that their favorite characters weren’t white or white passing, or racially ambiguous. They could have seen themselves in a dark skinned Black Hermione, they could have seen themselves in the muslim girls from Beaubatons who wear head coverings, they could have seen themselves in Harry, whose father celebrated Diwali.

You say you feel excluded because there are people hurt about the racial ambiguity and the colorism at work in JK’s writings. That means you need to take a few moments to think about this further from the point of view of someone who needs the representation, not vague descriptions of racially ambiguous characters who just so happened to actually be characters of color in canon, after the books and movies were already out. She, as a white woman in Britain, has a lot of power as a writer because of her race. She’s not a helpless little white woman who was bullied into toning down the racial descriptors of her characters.

Any visibly black person, or darker skinned person of color could talk about this better than I have because it’s their representation that they missed out on. My dashboard was full of black women who spoke out about this in much better ways than I could. I related to JK’s descriptions of Hermione and saw my relatives in Harry, and easily related to Cho. Who are they, the visibly black kids, the darker skinned kids, supposed to be able to relate to? 

In the end, we can find better representation from writers of color, and in the end, the pedestal that JK is placed on is not reserved solely for her or other white writers.

-NJ

anonymous asked:

I see so much advice that goes against itself. Not from you, but in general. 'Be yourself, don't write to sell, only you can be you, only you can offer the world your story---' And then 'Let publishers rip it apart and fill it full of things that'll make it sell.' Editing is never bad, all first drafts suck, I know and accept this. But agents, editors and publishers can only go on corporate ballspeak, and nothing of passion or individuality. It worries me, and I just wanted your thoughts?

I know sometimes it can seem contradicting and some of it is contradicting because different people give and take different advice, but I’ll try to expand on some of it:

Don’t Write to Sell

When we talk about not writing to sell, we mean don’t sit around when you’re creating a story and think, “What will get me the most money?” If Urban Fantasy involving shape shifters becomes the next big thing, don’t go, “Oh! That’s selling a lot right now so to get money, I should write that!”

Don’t write with the dream of fame and fortune in mind. Money should not be the only motive for writing. Great writers write great books because they love to write.

Writers who do know what will sell (e.g., E.L. James (scroll to user hurricangst) or who only write to sell are just marketers who are in it for the money and not much else. Their stories aren’t going to stay with us like stories written with passion are.

Editors Will Rip Your Story Apart

They will. Because that’s their job and they’re passionate about it. Sure, they might get stuck with a project they don’t particularly like, but they still know how to make it better so that the story or content is better and so that it may sell more. They know the audiences and the markets better than we do. They know what has been done and what might be a turn off for certain audiences. You know how JK Rowling says her editor won’t let the characters swear? That’s because there is such a wide audience for those book and plenty of them are young children.

Editors (and sometimes agents) became editors and agents for a reason. They take on books because they truly believe in them and they know there are ways to make them even better. Trust me, they are just as passionate as writers. They have their own wishlists of what they want to see in books and they fall in love with characters, worlds, and stories just as we do. But they also have to believe that a project will sell if they’re going to take it.

This is important because to keep a publishing company going, you have to make money. You have to pay everyone and there are fees for production, marketing, and everything else. Signing new authors is a risk that they take all the time and if those books don’t sell well enough, then it’s a loss. Publishing is a business and writers have to remember that, but we also have to keep in mind that it’s a business mostly built on a passion for stories.

I honestly can’t believe that people are arguing with JKR about the character that SHE wrote. People. Honeys. Darlings. The woman fucking WROTE the character! His actions and his personality were adjusted to her worldview, to the way she perceives people and what she herself deems acceptable, forgivable, kind, brave, despicable, etc… If you don’t like her attitude towards the character, then it’s only because your own views on life differ from JKR’s views. And that’s fine. But don’t try to shove your own views on HER character, down her throat, just because you can’t stand it when canon differs from what you like to think about people. Don’t try to “educate” her on the morality you’ve chosen, acting like you know better than her. 

Yes, writers are human. You don’t have to agree with the views they express through their stories or through the attitudes they have towards a character. But for goodness’ sake, don’t be so arrogant as to act like you have a say in how they view their own plot and characters. Just… don’t. It’s pathetic.

That is all.

JK Rowling is one of the best writers, and the twists and the world she has created to such details -it deserves respect. Having said that; I feel with all that going on, she could have done just a teensy little bit more with developing Ron, Harry, and Hermione in academics. I mean, no person is the same in their studies for years, some discover their passion later. Specially Ron, who was really good at chess in the first book, Idk I felt talents could have sprouted better.

By all means keep writing for kids, or for your personal pleasure - I would never deny anyone that - but when it comes to the adult market you’ve had your turn.
— 

“Adult” author Lynn Shepherd on JK Rowling’s writing career

Source: http://www.huffingtonpost.co.uk/lynn-shepherd/jk-rowling-should-stop-writing_b_4829648.html?utm_hp_ref=uk

EVERYTHING THAT IS WRONG WITH THIS QUOTE:

  • The idea that JKR is a commercial writer, and therefore lesser in quality, but that’s okay “for kids” because kids don’t merit better writing
  • The idea that JKR is allowed the “lesser” writing venue, but not the “real” stuff for adults
  • The idea that JKR should quit writing adult because this person wants her out of the market–as if JKR has no right to write whatever she damn well pleases
  • The idea that a reader will only ever buy one book, and that JKR is stealing the whole market and preventing a reader from buying anyone else’s books
  • The idea that a reader is so dumb that they will only buy a book because it’s famous/popular as opposed to selecting a book they want to read because they want to read it
  • The idea that only kids read kids books, and any adult that reads such novels is a terrible person
  • The idea that there is a separation between popular and literary, and a book can only be one or the other
  • The idea that this article exists
  • Ugh
  • I mean really
  • What an idiot
  • I just wanted to punch things now

anonymous asked:

For over seven years I've contributed to my fandoms in visual (aka graphics & stuff) or imported (aka translated) content, but about two years ago I thought I was ready to try and actually write something, which was always my dream (that I lacked confidence in pursuing). I've struggled a lot with comprehending what writing even is (transitioning to another medium was HARD), and finally something akin to actual progress is happening. (p1)

(p2) Of course, my writing is far from perfect or even semi-confident at this point, and I know that I’ll need to share it eventually and receive my share of criticism in order to evolve. But as of lately I’ve been struggling with this crippling fear that I’ve missed out on too many years and thus it’s too late to even try. All the writer folks around me have started very, very young;

(p3) my first attempt to write something was at 26, and wherever I look, every advice and every guide just shoves that ‘oh you need to start writing since before you could even hold a pen to be any good lol’ mindset in my face. So… d'you have any advice for a late bloomer? Sorry for rambling and thank you just for reading all this, even if you don’t feel like replying.


I started seriously pursuing the idea of writing a novel at twenty-eight, but lacking any sort of talent or skill, I turned to fanfiction to practice. I’ve watched the age JK Rowling published her first novel pass me by. I’ve watched the age Stephanie Meyer was when she published pass me. 

I’ve seen fans of my writing grow into amazing writers themselves, better writers than I could hope to be. I’ve seen some of them publish, while I can’t get my foot in the door. I’ve written about six original novels I have no hope of ever publishing and one… which I’m finally confident enough in myself to self-publish. 

But, now…I look back… I have ten years of experience behind me now. I am so much better than I was when I started. Whether or not I become successful in writing, I have made some wonderful, lifelong friends. I have had people tell me I changed their lives. I’ve seen people grow from fifteen and into their twenties and come tell me I helped shaped them. 

It’s humbling, and certainly not what I expected when I sat down and thought to work on my skills.

My advice, ignore your age. Ignore how much experience you might think you need, or people telling you you need to have before you can write. Ignore it all. Everyone goes at their own pace. You can be thirty and start doing something you love. You can be sixty and change your life. There’s no age limit, only yourself.

You do you. Writing can be a magical experience when you share with others. Fandoms can be great and uplifting and… fandoms can form around you without you even being aware it’s happening. I have people cheering for me now and some days I can’t believe it how many lives I’ve touched. 

Continue writing, age be damned. There’s always going to be someone younger, someone better, but you know what? There’s probably someone looking at you saying “I wish I could do that,” and if your advice to them is “Just write” then it should be the same advice you give yourself.

Just write.

“The power of human empathy, leading to collective action, saves lives, and frees prisoners. Ordinary people, whose personal well-being and security are assured, join together in huge numbers to save people they do not know, and will never meet… Unlike any other creature on this planet, humans can learn and understand, without having experienced. They can think themselves into other people’s places… We do not need magic to change the world, we carry all the power we need inside ourselves already: we have the power to imagine better.” – J.K. Rowling
theguardian.com
Shippers: the people who knew Harry Potter better than JK Rowling

Rowling’s admission that Hermione should never have married Ron vindicates a certain romantically inclined branch of fan-fiction writers

But the article should irk all fans, regardless of what they ship, if anything. Apart from the fact that they can’t stay consistent abut how “fans” “feel” - calling us fervid in one paragraph and wistful later on down the page (seriously? Has anyone seen any Harry Potter fans demonstrate wistful feelings about shipping this weekend?), they also said these snazzy - um, I mean utterly false and weird - assumptions: 

They like being wistful. And they are used to imagining some fairly unlikely things, such as Harry and Draco getting together, or Ron and Harry – they called that “Rorry”.

I see. Is there a strong gay subtext in Harry Potter?I don’t think they need one. Shipping is often said to have begun with people imagining a gay relationship between Captain Kirk and Mr Spock in Star Trek.

Wouldn’t that be “illogical”?Let’s not get into that.

Now, we can have a long discussion about gay subtext in Harry Potter that can start with Dumbledore (because while JKR’s been textual outside of the books, Dumbledore being gay was never mentioned in the books’ pages) but the fact that JKR has said that Dumbledore was gay means that the gay subtext in Harry Potter was, actually, an accurate reading of the series regarding said character. 

But also, no, the shippers did not call Ron and Harry “Rorry”, which a quick search of tumblr’s tags would have evidenced. And why are gay relationships “fairly unlikely things” anyway? 

(And why did they only mention guys?)

The article is probably totally clickbait, but if you want to get irritated about outsiders’ views on fandom, check it out. 

If you don’t want to read the whole thing, just look at how they summarized Hermione: 

 You know Harry Potter?

I do.You know Hermione Granger?

That’s the girl, right?It is.