South Korean artist Ji Yeo intensively focuses on the notion of beauty and its complex definition within contemporary society.
‘Ji believes beauty is integral to human nature, and people find beauty in the most difficult circumstances, during emotional chaos and disorder, within societal taboos and the breaking of such taboos and even in the face of death.’
“Beauty Recovery Room series uses the wounded faces and bodies of women who have recently undergone plastic surgery to show the physical cost of adhering to social pressure in Korea. Plastic surgery has become an integral part of Korea’s current culture, often regarded as a integral step in the in self improvement process. Going under the knife, enduring bruises, scars, and being under general anesthetic several times are no longer considered risky or extravagant. They have all had multiple procedures and have plans for future augmentation. The photos were taken directly after their operation while they were resting and waiting to be healed.
The latest raw data compiled from the International Society of Aesthetic Plastic Surgery in 2010, confirms that South Korea is indeed the country with the world’s highest per capita rate of cosmetic plastic surgery. It is a culture where men are judged on their financial balance sheet and women by their beauty. The male-dominated media endlessly reinforces its model of the ideal woman. As a result of these cultural forces Korea has become a beauty-oriented society where people are judged more for their appearance than their character. Korean women, often fall into the trap of trying to live up to the ideal personified in the media. The combination of these factors has dramatically increased the burgeoning plastic surgery industry while creating another set of standards for women to adhere to. ”
“…South Korea is indeed the country with the world’s highest per capita rate of cosmetic plastic surgery. It is a culture where men are judged on their financial balance sheet and women by their beauty. The male-dominated media endlessly reinforces its model of the ideal woman.” Korean plastic surgery recovery room portraits by Ji Yeo
Brooklyn-based photographer Ji Yeo creates Somewhere on the Path, I See You, a project in which the photographer captures two different types of women: one with extreme self-regulation and distorted notions of beauty that suffer from eating disorders, and the other women are aspiring actresses and models living in Hollywood, California, who are interested in the process of being represented because they carry dreams of fame.
By carefully selecting various body and personality types ,Yeo creates a sample of photos (and people) that further examine larger societal issues regarding ideas of beauty, self-definition, and self-respect.
By forcing viewers to confront images of women who by definition had been judged continuously by themselves, it brought focus to the viewers natural impulse to judge. In doing so it implicates them in the complex relationship we have with making aesthetic judgments.