jennifer damiano

I believe in giving people bootlegs they really want, even if they have nothing to trade, because the whole point of bootlegs is making sure that people who were not able to see their favourite musical for whatever reason get to experience the parts of the show they don’t get from the soundtrack. Bootlegs expand the musical theatre audience to those who live far from New York, or don’t have the money to pay for tickets; people who just want to see their favourite actors or their favourite shows however they can. It is cruel to keep that from someone who so passionately loves musical theatre.
Broadway is all about inclusivity so include those people who are not privileged enough to go to Broadway!
Much appreciated.

JUST BECAUSE THEY’RE IN THE ORIGINAL CAST IT DOESN’T MEAN THEY’RE THE BEST AT PORTRAYING S CHARACTER OR THAT THEIR PORTRAYAL IS THE ONLY GOOD ONE!!!!!!

Next to Normal/Dear Evan Hansen parallels
  • 17-year-old boy has a crush on a 16-year-old girl who plays an instrument
  • Said girl has a brother who dies
  • Brother’s death causes his father to become stoic and repressed and his mother to desperately grasp onto his memory and imagine a version of him who had a happy, fulfilling life
  • the mother can’t accept the reality of her son’s situation because she can’t handle the grief that comes with it
  • Girl is sick of her brother occupying every aspect of her family life and wants something to be about her for a change
  • she also doesn’t like how her parents deal with the problems surrounding her brother
  • she and the 17-year-old eventually start dating
  • long before this happens, the boy tries to kiss the girl at a bad time (if i could tell her/henry getting Stoned™)
  • it takes several weeks for one of them to let the other into their house
  • uses my favorite trope ever, which is when an event that is significant to the plot happens before the story actually starts and we don’t learn the details of it until much later because the main character either forgot about it or refuses to acknowledge that it happened
  • the dead character wants to be remembered
  • The main character attempts suicide but we don’t actually see them do it
  • suicide is a major theme in the story but it isn’t exactly the main focus
  • The main character takes meds to help with their mental illness but later decides to stop taking them
  • The dead character represents the main character’s mental illness
    • connor is the voice inside evan’s head and the source of his anxiety: “she’ll hate you. everyone will hate you. you’ll go right back to where you started. no friends, nobody, nothing, alone.”
    • gabe obviously represents diana’s bipolar disorder (i don’t think this requires an explanation)
    • both of them encourage the main character to make Bad Decisions
  • the dead character does drugs
    • “are you snorting coke?” “not at the moment”
    • “If I stop smoking drugs then everything might be alright”
  • Dysfunctional families
  • rebellious teens
  • someone feels invisible & there’s a whole song about it
  • characters who take drugs are either stoners or they take prescription drugs
  • directed by michael greif
  • small cast to make the story more intimate
  • had pre-broadway productions at arena stage in DC and second stage
  • asa somers was in it at one point
  • “catch me i’m falling”/evan fell out of a tree and no one came to get him
  • costumes seem simple and casual but they actually have a fuckton of symbolism
    • the dead character dresses similarly to whoever’s life he’s fucking with (evan and connor wearing matching sweatshirts, gabe wearing a shirt that’s the same color as whoever he’s trying to communicate with)
  • light & you will be found are really similar
    • has a lot of metaphors surrounding darkness and light, in which darkness represents depression and light is what pushes people to continue living
    • starts off with one person singing & encouraging others to have hope, then the entire cast gradually joins in
    • “out of the shadows, the morning is breaking… it’s filling up the empty and suddenly i see that all is new”/ “the wasted world we thought we knew, the light will make it look brand new”
    • “you will be found”/ “there will be light”
    • ultimately the message is to keep going, it gets better
  • has characters who outwardly look like they have their life together but are actually Suffering™ (dan, alana, jared) and mentally ill characters who do not at all look like they have their life together (diana, evan, natalie)
  • painfully relatable
  • obc member named jennifer
  • someone from pitch perfect was in it at some point (ben platt is self-explanatory; skylar astin was in a workshop as henry in 2007)
  • a music box is used for symbolism in next to normal. dear evan hansen is in the music box theater. coincidence? i think not
    • no but seriously if n2n ever gets revived it needs to be in the music box theater because puns
  • Imagine the DEH cast in next to normal
    • ben platt as henry, mike faist as gabe, laura dreyfuss or kristolyn lloyd as natalie, michael park as dan, jennifer laura thompson or rachel bay jones as diana
  • weather metaphors (cloudy skies in n2n, sunlight in deh)
  • teen girl says fuck at a family meal, gets scolded by a parent, and talks back
    • Zoe: fuck you 
    • Cynthia: I don’t need you picking at your brother right now, that is not constructive
    • Zoe: are you kidding
    • Natalie: this is fucked
    • Dan: language
    • Natalie: Fuck this
  • one can empathize with all the characters but would also probably fight a lot of them if they had the chance
  • “everything else goes away”/ “the rest of the world falls away”
  • won tony awards for best score and orchestrations

There’s probably a lot more so feel free to add on if I forgot anything.