Niki de Saint Phalle, Hon-En-Katedral (She: A Cathedral), 1966, Moderne Museet, Stockholm, Sweden collaboration with Jean Tinguely and Per Olof Ultvedt

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Niki de Saint Phalle attended the prestigious Brearely School in New York City before being expelled for painting the fig leaves on the statuary red. She: A Cathedral _is part of Saint Phalle’s _Nana series which she used to explore the place of female figures within society.


Jean Tinguely - Homage to New York, 1960.

“Jean Tinguely was asked in 1960 to produce a work to be performed in the Sculpture Garden of the Museum of Modern Art in New York. In collaboration with other artists/engineers, among them Billy Klüver and Robert Rauschenberg, he produced a self-destroying mechanism that performed for 27 minutes during a public performance for invited guests. In the end, the public browsed the remnants of the machine for souvenirs to take home. This hommage to the energy of a city that keeps rebuilding itself time after time is a wonderful example of the different and sometimes conflicting conceptions of artists and engineers on how machines should work–and as such an early collaborative effort that foreshadowed the events staged by E.A.T.—as well as a document on the 60s with the rise of happening and performance.”


Though not often viewed as fine art, exhibition posters have long been designed by skilled artists, printers, and designers. Discover a selection of our eye-catching exhibition posters.

Exhibition Poster Galerie Maeght,” 1953, Joan Miró (© Artists Rights Society (ARS), New York / ADAGP, Paris)

Tinguely, Iolas Gallery, Milan, 1967,” reproduction after Jean Tinguely

Poster for International Exhibition of Paintings, Carnegie Institute, Pittsburgh,” 1924, Rockwell Kent © Plattsburgh State Art Museum, State University of New York, USA, Rockwell Kent Collection, Bequest of Sally Kent Gorton. All rights reserved)

Holländische Kunstausstellung” Poster, 1903,by Johan Thorn Prikker

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