jazz pianists

Imagine there being a grand piano in the Slytherin common room. Most of the young witches and wizards had private teachers or knew how to play so there would always be music playing. There was this unspoken rivalry between all the musicians to see who was the best. So without really ever talking to each other they pushed each other to play harder and harder pieces. One day someone who could not play the piano decided to learn and started surpassing most of the kids who could already play. This was the spark of an all out war of Chopin, Beethoven, Bach, etc. The students would start playing the same pieces as each other but remastered putting their own distinct styles into a score. Pretty soon they start composing their own works and melodies. They develop their own sound and that’s how others could identify the musician. There would be that one blonde third year who furiously tapped on the keys creating a dastardly echo of music. Or the portly “meathead” with a buzz cut who danced his finger tips across the piano like rocks skipping on water. Some even started to veer away from the classic era and experimented with Jazz, Ragtime, and the Blues. Slytherin was now the house of music.

The composer you find easiest to play says a lot about your personality.
  • Bach: You have a long attention span and are able to multi-task with ease.
  • Mozart: You are polite and cheery. You lead a balanced life.
  • Beethoven: You are a bit dramatic, sometimes bipolar, but despite all this you are a trend-setter
  • Chopin: There is more to you than meets the eye.
  • Liszt: You like to be the center of attention.
  • Brahms: You think deeply and have a beautiful soul.
  • Debussy: You are creative and like to think outside the box.

On Ryan’s first day I brought one of my Whiplash actors to fire him and then his next day I brought him my 80s college band singer to futher humiliate him along with this red jumpsuit and a keytar. Here he was thinking he was gonna play a master jazz pianist, in kinda, you know, latter-day Fred Astaire in this movie and day one he’s wearing a red jumpsuit and playing the keytar. - Damien Chazelle


I ain’t got no home, ain’t got no shoes
Ain’t got no money, ain’t got no class
Ain’t got no skirts, ain’t got no sweater
Ain’t got no perfume, ain’t got no bed
Ain’t got no man
Ain’t got no mother, ain’t got no culture
Ain’t got no friends, ain’t got no schoolin’
Ain’t got no love, ain’t got no name
Ain’t got no ticket, ain’t got no token
Ain’t got no god
Hey, what have I got?
Why am I alive , anyway?
Yeah, what have I got
Nobody can take away?
Got my hair, got my head
Got my brains, got my ears
Got my eyes, got my nose
Got my mouth, I got my smile
I got my tongue, got my chi
Got my heart, got my soul
I got my arms, got my hands
Got my fingers, got my legs
Got my feet, got my toes
Got my liver, got my blood
I’ve got life, I’ve got my freedom
I’ve got life
I’ve got the life
And I’m going to keep it
I’ve got the life

songs to listen to when you’re sad, for real

Scatman John had a brutal speech impediment that ruined his day-to-day interactions and destroyed his self-confidence so badly that he turned to the piano as the only way he could express himself. While others around him knew that he was an accomplished singer and a student of the “scat” style of singing, Scatman John was content to linger in the background of more accomplished singers for the rest of his life… until he was forced to sing when his frontman caught a cold.

Scatman John was terrified that, since he was unable to speak coherently, he would be unable to sing coherently. But, 30 years after he began performing wordlessly in public, he found himself to be a natural and smooth singer. A music producer took note of the Scatman and offered him a deal, but only if he was willing to play along with the modern trends of the time. A strictly classical jazz pianist, Scatman John reluctantly accepted.

He was a natural. Scatman John never believed that he could connect to a generation so much younger than his own, but found himself speechless when he realized that he was standing in front of a crowd of thousands of European teenagers. Even though he only had two hits in Europe and the Americas, he had managed to bridge the gap between his era and the ‘90s and, all the while, preached messages of encouragement to anyone struggling with a disability.

After his star faded, Scatman happily continued his career in Japan. Even when he was diagnosed with terminal lung cancer, the Scatman refused to slow down. He knew that, against seemingly impossible odds, he had overcome with flying colors and had seen true beauty. 

Although Scatman John was a fad in most of the world, he had managed to incorporate his love of jazz with the newfangled world of techno and, in doing so, gain an appreciation of how the ‘90s youth thought and what music they liked to listen to. He overcame his speech impediment through the power of music after literal decades of obscurity and spread his message of positivity as loud and clear as he could possibly muster, across languages, until his peaceful death.

Scatman John, we salute you.