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TeamLab: DMM Planets Exhibition

DMM.PLANETS ~A World of Wonders~ at Odaiba, Tokyo until August 31, 2016. The huge installation invites participants to immerse themselves in multi-room interactive digital environments.

TeamLab is an art collective formed in 2001, that brings together professionals from various fields of practice in the digital society: artists, programmers, engineers, CG animators, mathematicians, architects, web & print graphic designers & editors. Referring to themselves as “Ultra-technologists”, their aim is to achieve a balance between art, science, technology & creativity.
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Posted by Yellowmenace

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Miho Hirano’s delicate portraits of young goddesses are in and of nature, adorned by pastel flowers, butterflies, and humming birds. They stand blissfully as slender tree branches wrap them in love and color, or wade neck high in a shallow river. We are immediately reminded of “Flora,” represented in Botticelli’s “Allegory of Spring”, a profusion of flowers coming out of her mouth.

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What is it about this twilight hour? Even the sound of a barely perceptible breeze pierces the heart. (Ono no Komachi, c. 825 – c. 900, Japanese poet of the early Heian period).

It’s no longer day but night hasn’t come yet either. One by one, the voices that fill the hours of the day with their incessant noise fade until the silence is almost complete. Some aspects of the colours stay concealed in daylight, but now comes the moment for them to appear. The evening light reduces every superfluous detail, every unnecessary shape; it is at the same time the absolute truth and the most beautiful lie.

Today let’s wander in evening landscapes (top to bottom, left to right): Evening at Ushibori, by Kawase Hasui, 1930 [source]; Evening Glow at Choshi, by Tsuchiya Koitsu, 1932 [source]; Dusk at Itako, by Kawase Hasui, 1932 [source]; Fishing Boats at Sea, by Ohara Koson, c. 1900 [source]; Evening at Minano in Chichibu, by Kawase Hasui, 1946 [source]; Evening Snow at Hashiba, by Utagawa Hiroshige II 1861 [source].

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Dreams are considered important, real, and public in some cultures, but absurd, irrational and personal in others. Japan has its own history of dreaming, and the importance of dreams has evolved through Japanese supernatural beliefs and art for centuries. “Dreams are like strange stories,” says Tokyo based artist Atsuko Goto, who builds on her own visions of dreams in her other-worldly mixed media drawings. “I draw what comes up from our unconscious, like hidden feelings reflected in our dreams.”

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