j.j johnson

Some long thoughts on a few #Gates

Right, I’m back and plan on reopening my asks soon-ish. Before I do that, though, I just want to address a few of the big dramas that unfolded in my absence. This is mainly so that I won’t end up addressing these questions through various ask replies, so if I don’t respond to your message it’s probably because I’ve said the last thing I’m going to say about it here. Onward!

On #RomanceGate

As we have previously established thanks to a tweet from David Kamp with the full, unedited transcript of the excerpt of the interview pertinent to romance, the published Vanity Fair article did not fully reflect what Rian was actually trying to say about the question of romance in Episode VIII. The Vanity Fair article said this:


A big, central-to-the-plot romance. For all the fan-fiction fantasies of “Reylo” (an imagined union of Daisy Ridley’s Rey and Adam Driver’s Kylo Ren) or “Stormpilot” (the same, for John Boyega’s ex-stormtrooper Finn and Oscar Isaac’s pilot Poe Dameron), Johnson says that The Last Jedi offers “no one-to-one equivalent of the Han-to-Leia, burning, unrequited love. In our story, that’s not a centerpiece.”

And this is what was actually said between Kamp and Johnson in the interview:

Now, what initially seemed to rule out any inclusion of romance in The Last Jedi actually suggests something quite different - Rian seems to be saying that he was keen to include a big, sweeping romance, but that when it came to it the characters didn’t seem to be in the right place for that to happen. He doesn’t at all rule out subtle traces of romance or flirtation (as Kamp highlights in his tweet), thus the classic ‘wait and see’-style response. 

It is also very important to point out that the references to Reylo and StormPilot were clearly Kamp editorialising. While terms like ‘imagined’ and ‘fan-fiction fantasies’ sting to anyone familiar with all of the misogynistic BS female fans have to deal with for daring to be interested in the human relationships in these stories, as I see it the references to popular ships are simply there to provide context for the mainstream audience and boost SEO rankings. Rian Johnson has been very emphatic about distancing himself from Kamp’s phrasing, and the full quote makes it clear that no specific relationships were raised in the context of the original interview.

So, while I still think we need to be cautious and keep expectations for an overt Reylo romance in The Last Jedi low (as Rian says, there is no central romance plot in his film), I certainly think that the full quote should relieve the anxiety that love and attraction won’t be in play to some extent. Although I don’t think that we’re going to get a Reylo kiss (that’s my opinion re. The Last Jedi - come back to me after December to get my thoughts on Episode IX), it clearly isn’t out of the question that The Last Jedi will progress Rey and Kylo so that they are ready for a full-blown romance in the next film. I can’t stress enough that Rey and Kylo end The Force Awakens on different sides, with Kylo having killed his father and Rey having just slashed Kylo’s face open. They both have huge personal journeys to go on (Rey has to come into her own in the Force, and Kylo has to wake up to Snoke’s evil and show remorse for his terrible mistakes) before they can truly go on a journey together. Essentially, to progress from the current state of affairs to a consummated love affair in the space of a single movie would, to put it mildly, be pushing it. 

Speaking for myself, I would be ecstatic if The Last Jedi simply shows Rey and Kylo developing empathy and perhaps even compassion for each other. Rey has already defeated Kylo in a duel, so their journey together going forward won’t simply be one of antagonism - as J.J. said in his commentary (which was recorded after he had read the script for The Last Jedi), Kylo is “a character who [Rey’s] going to have a very interesting relationship with moving forward”. In short, I have no fear that the dynamic between Rey and Kylo Ren is going to remain static or be less important going forward. Rey and Kylo are crucial to each other’s stories, and we have every reason to believe that Rian is honouring that. 

On #PlotGate

These are the tweets that started the famous #PlotGate:

Now, this actually didn’t worry me at all. But why would I - one of the people who has written thousands of words analysing the minutia of The Force Awakens - be unconcerned by the suggestion that Rian could do whatever the hell he wanted in The Last Jedi? Why am I not freaking out when there doesn’t seem to be a plan for the trilogy?

Well, the simple answer is that I’m not alarmed because these kinds of sentiments are far from new. From the very beginning, the narrative has always been that each filmmaker has a considerable degree of freedom to tell the story they want to tell. For a great explanation of how the early development of The Last Jedi worked, see this quote from J.J. Abrams from November 2015 (particularly the bold bits):

The script for VIII is written. I’m sure rewrites are going to be endless, like they always are. But what Larry and I did was set up certain key relationships, certain key questions, conflicts. And we knew where certain things were going. We had meetings with Rian and Ram Bergman, the producer of VIII. They were watching dailies when we were shooting our movie. We wanted them to be part of the process, to make the transition to their film as seamless as possible. I showed Rian an early cut of the movie, because I knew he was doing his rewrite and prepping. And as executive producer of VIII, I need that movie to be really good. Withholding serves no one and certainly not the fans. So we’ve been as transparent as possible. Rian has asked for a couple of things here and there that he needs for his story. He is an incredibly accomplished filmmaker and an incredibly strong writer. So the story he told took what we were doing and went in the direction that he felt was best but that is very much in line with what we were thinking as well. But you’re right—that will be his movie; he’s going to do it in the way he sees fit. He’s neither asking for nor does he need me to oversee the process.

There are endless quotes from J.J. and Kathleen Kennedy supporting this picture, and I think this is exactly as it should be. Rian is not making The Last Jedi in a vacuum - he is building it on the foundation set by The Force Awakens, and had a say on the development and presentation of that film so that it would weave seamlessly into his movie. Rian even reiterated this sentiment himself in the main Vanity Fair article on The Last Jedi:

J.J. and Larry and Michael set everybody up in a really evocative way in VII and started them on a trajectory.

Rian is insistent on stressing his independence as a filmmaker at every stage because people are keen to paint him as a slave to the Walt Disney Company’s whims. At every turn, he has to deal with people assuming that The Last Jedi will repeat the trick played by The Force Awakens by mirroring its famous and beloved antecedent - for The Force Awakens this was Star Wars, and people expect it to be The Empire Strikes Back for The Last Jedi. Understandably, Rian wants to stress that The Last Jedi is his baby - it’s infused with his own creativity rather than studio notes and nostalgia. 

But, at the same time, that doesn’t mean that Rian can do whatever the hell he wants. I can almost guarantee that Rian would have received furious correctional notes if he had tried to pitch a story where Rey Rey Binks died in the second act. There will be certain strands established in The Force Awakens that The Last Jedi will nurture and evolve, and Rian will be taking pre-existing characters and relationships and building on them further. As Pablo appeased an anxious fan on Twitter:

In short, there absolutely is collaboration - between the individual filmmakers, and between the filmmakers and Lucasfilm. Rian is free to tell the story he wants to tell, but that story has a baseline in The Force Awakens and also has a responsibility to establish a platform for Colin Trevorrow to build on with Episode IX. The filmmakers are talking to each other, and there is absolutely collaboration and handoff between them so that these film will ultimately make sense as a trilogy as well as on their own terms. 

In other words, I really don’t see much to worry about. I have seen nothing but praise for the script for The Last Jedi, and Rian’s filmography amply demonstrates his talent as both a writer and a director. 

I’m as excited for The Last Jedi as I ever was, so I hope I’ve been able to put some people’s minds to rest with this. Bring on December!

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Who’s ready for J.J. or Rian directing a Star Wars movie round 2


Miles Davis - Moon Dreams (1950)

Miles Davis – trumpet
J. J. Johnson – trombone
Gunther Schuller – French horn
Bill Barber – tuba
Lee Konitz – alto saxophone
Gerry Mulligan – baritone saxophone
John Lewis – piano
Al McKibbon – bass
Max Roach – drums

My Top Films of 2015

1. The Lobster - Yorgos Lanthimos

2. Evolution - Lucile Hadzihalilovic

3. Entertainment - Rick Alverson

4. The Forbidden Room - Guy Maddin & Evan Johnson

5. Cemetery of Splendour - Apichatpong Weerasethakul

6. Right Now, Wrong Then -  Hong Sang-Soo

7. Love - Gaspar Noe

8. Mountains May Depart - Jia Zhang-ke

9. Jealousy - Phillipe Garrel 

10. No No Sleep - Tsai Ming-Liang

11. Queen of Earth - Alex Ross Perry

12. Tangerine - Sean Baker

13. Carol - Todd Haynes

14. Star Wars: The Force Awakens - J.J. Abrams

15. Ex Machina - Alex Garland

What The Last Jedi director Rian Johnson asked J.J. Abrams to change about the ending of The Force Awakens

Rian Johnson had (at least) one request for J.J. Abrams about The Force Awakens‘ ending – to have Artoo go with Rey instead of BB-8, so the classic droid could be reunited with Luke Skywalker. Luke, naturally, is central to The Last Jedi:

“Figuring out where his head was at was the very first thing I had to do when writing the movie. I had to crack this. And it had to be something for me that first and foremost made sense. Why did Luke Skywalker go off to this island?” Johnson says. “That was the starting point, and that’s what the entire movie explores.”

So Luke’s self-exile – and his reasoning – is a key factor in the film.

Dating Johnson...//J.J.
  • constant i love yous
  • not liking madison at all
  • being a twitter savage
  • sex
  • all
  • the 
  • time.
  • weird cuddle positions
  • rap battles
  • getting high
  • midnight basketball
  • 2am skinny dipping
  • matching stuff
  • disney movie marathons
  • roses
  • weird snapchat stories
  • twitter ‘fights’
  • bjs to wake him up
  • telepathic convos that freak the boys out
  • making Gilinsky third wheel as pay back
  • ‘accidentally’ fighting madison
  • ‘say sorry’
  • ‘absolutely not’
  • ‘g says you broke her nose’
  • ‘sorry not sorry’
  • ‘what am i supposed to do with you’
  • both being stubborn
Rap Queen//J.J.

Originally posted by skatexgilinsky

  • Summary: Johnson catches you rapping
  • Disclaimer:  Not my gif
  • A/N: Johnson needs to marry me
  • Word count:723
  • Masterlist

“Hey babe,I’m going to chill with the guys for a while be back in a bit” I nodded and said “alright.” Johnson walked out the door.

What can I do for a while? I thought to myself. I’ll take a shower I made it upstairs got my music on shuffle and got in. About two songs in “like that” came on. Nate’s part was on and I was out the shower and started rapping.

Met a bad bitty from the state of Mississippi
Really pretty and I wanna take her home to see the city (in my city)
Doing your thing, got me insane
Walk in the mall and you cop me a chain
I was like damn,
You hot as a flame.
Your mom is the only one that you can blame
You so cute, girl, yeah you is a blessing
And I’m the reason that your boyfriend keep flexing
Never stop texting every time I see your name up in my phone
I’m just picturing your body in that dress and makeup on
You don’t even need the makeup
Save that shit for later
You the baddest thing I seen I’m thanking your creator
Girl, I see you working like Miley Cyrus be twerking
I’m certain you’ll be screaming for me when I close the curtains
But it’s funny, ‘cause I’m the one screaming now for you, baby
I been messing around with too many girls, I need a lady
Hoping you can be the one but you need to show it
And if you prove it to me, all this money, girl, we’ll blow it


“Babe I’m back!” I yelled through the house. No response. I heard the shower turn off and headed to the bedroom.

Once there I was in complete shock. Y/N can rap? Damn she sounds like she does it for a living. She sounds better than me. I stood there listening I noticed she did all the parts perfect but skipped mine. I wonder why? I got on video to show the guys.

•group chat•

“Guys check this out”

“Yo is that Y/N?” Nate replied

“Damn she’s amazing” Gilinsky said

“I know she is. Got to go shes comin, later”

•end group chat•


“Hey baby” I greeted Jack. “Hey,how long have you been able to rap?” At first I was confused but then realized he heard. Shit. “Um… Well always?” I replied unsure. “Why haven’t u told me before we should do a video together, oh u can come on tour with us!” He said excited “uhh …no?” I answered nervous. “Why not ur so good the guys agree.” “Wait you told them? When?” “Just now I sent them a video.” He replied shaking his phone in his hand. “Okay first your sneaky second delete the video.” I told “why?” He asked me curiously “. 'Cause I don’t want anyone else to hear I don’t like it that’s why I never told you” he walked over and put his arms around me. “You don’t have anything to worry about okay.” I hesitated a little but I trust him. “Okay I won’t.” “Good I already posted the video.” He said smirking. “Also why didn’t you rap my part?” He added sounding a little hurt. “I can’t do your part like you, your too fast but I know it all.” That brought a smile on his face and his eyes lit up like a little kid on Christmas.

“So will you come on tour with us?” “I don’t know…” “Yes. You are coming” he said following me down stairs to the living room to find Nate and G there.

“Is she coming Johnson?” Nate asked

“Yea” he said

“No I’m not.”

“Why not” they all wined “Cause your fans will hate me” “They already love the video” G said showing me the comments on his phone I read them all and started smiling I look at Johnson and his eyes were filled with curiosity.

I sighed sitting on the couch with them still standing. “Sure why not” they all cheered and Johnson kissed me with so much passion. “Oh and Y/N you should rap more it’s super sexy” he whispered in my ear with a devilish smirk. “Y/N can be like our Rap queen” G said. “I like the sound of that” I informed them smiling.