Union Army guard at Price, Birch & Co. slave pen at Alexandria, Virginia, circa 1865. Detail of albumen print. Photograph by Andrew J. Russell
The pens were torn down in 1870, and the building then spent nearly a century as a nondescript Alexandrian row house. In 1996 the house became the headquarters for the Northern Virginia Urban League. The building was renamed Freedom House, and contains offices and also a museum in the basement.
Between 1830 and 1836, at the height of the American cotton market, the District of Columbia, which at that time included Alexandria, Virginia, was considered the seat of the slave trade.
The most infamous and successful firm in the capital was Franklin & Armfield, whose slave pen is shown here under a later owner’s name. Three to four hundred slaves were regularly kept on the premises in large, heavily locked cells for sale to Southern plantation owners. According to a note by Alexander Gardner, who published a similar view,“Before the war, a child three years old, would sell in Alexandria, for about fifty dollars, and an able-bodied man at from one thousand to eighteen hundred dollars. A woman would bring from five hundred to fifteen hundred dollars, according to her age and personal attractions.”
Late in the 1830s Franklin and Armfield, already millionaires from the profits they had made, sold out to George Kephart, one of their former agents. Although slavery was outlawed in the District in 1850, it flourished across the Potomac in Alexandria. In 1859, Kephart joined William Birch, J. C. Cook, and C. M. Price and conducted business under the name of Price, Birch & Co. The partnership was dissolved in 1859, but Kephart continued operating his slave pen until Union troops seized the city in the spring of 1861.
#4 (May 1989) Written by Mindy Newell, art by J.J. Birch and
mini-series built on her new “Year One” origin that turned Selina
Kyle into a prostitute, ading abuse and tragedy to her back story. In this
final issue, Selina explained to her sister, Magdalene (a double sister, really,
since she was also a nun), that her Catwoman identity helped her escape the pain
of her life and her past. It was a dark tale that further moved Catwoman away from
the fun, free-wheeling thief she’d been for decades before.