Carefully designed presets unlock iconic vocal sounds like
hardware vocoders, classic talkbox, vintage computer voice chips, or
formant and pitch-shifting effects. Plus, Global Presets combine all
four engines and the effects modules, opening the door to the next new
From one voice, many
Build your backing choir from just a lead vocal. VocalSynth can create additional voices
to fill out a composition and add depth and impact to your chorus or
bridge. Introduce pitch and timing inconsistencies to make more human
and natural sounds.
It’s not hard to skip the hardware
Traditional vocoders and talkboxes are tricky pieces of hardware (and
PVC tubing!) to master. VocalSynth gives you quick access to the classicsounds, with less sweat and no drool at all.
Achieve the vocal sounds of the Beastie Boys, Coldplay, or James Blake—without a headache—with this complete, powerful vocoder.
Quickly choose between a range of classic hardware and modern digital vocoder sounds.
Three modes: Smooth, Vintage, and Hard.
Sound like Daft Punk, Tupac, or Dr. Dre—no learning curve or slobbery PVC tubes needed!
Emulate an old school Talkbox to make a synthesizer or any side-chained instrument “talk” like you.
Three modes: Dark, Classic, and Bright.
Create organic harmonies built from your voice with this polyphonic pitch shifter.
Give vocals more “oomph” by building a group of backup singers that sound as natural or as computerized as you want.
Get a whole Heap of totally crazy pitch-shifted superhero sounds for your voice.
Computer voice effect modeled after the handheld talking and teaching toys of the ’80s.
From Skrillex and Diplo to Radiohead and Kraftwerk, get a range of glitchy digital vocals effects.
Pull out the breathy “spookiness” from the voice.
Auto or MIDI voice generation
In Auto mode, just sing and VocalSynth will add voices to create
chords, octaves, or doubles. In MIDI mode, play your optimum melody or
harmony on a keyboard and VocalSynth automatically shifts your voice to
Automatic Pitch Correction
Pitch correction lets you do anything from subtle, reasonable
correction to more extreme pitch-shifting effects. Push it to the
extreme and recreate robotic vocals like those made popular by Cher,
T-Pain, and Kanye West—or even wilder!
A wave-shaping distortion with custom tones designed to enhance
VocalSynth’s re-synthesis engines. The distortion module is great for
either subtle overdrive or gnarly, harsh, high-gain distortion. It’s
loud, it’s noisy, it’s great.
Filtering is a simple but effective way of adding character to your
vocal. VocalSynth’s Filter includes New York for warm and buttery
’60s-style filtering effect, Scream for resonant filtering and
aggressive peaks and overdrive, or the Combo filter that combines both
flat High-Pass and Low-Pass filters in a single sweepable control.
The hand-picked convolution speaker models bring out the full
character of VocalSynth’s re-synthesis engines. Dial in amp convolutions
and speaker emulations to enhance space and realism or find common
special effects like telephone or radio voice. Choose the right space
for your vocal.
An evolution of iZotope’s beat-repeating technology, just turn it up
and immediately achieve the glitchy, funky dance track sounds you’ve
been after. Shred takes part of the buffer and repeats it in interesting
ways that add rhythmic range to your vocal-processing arsenal.
VocalSynth’s Delay is a wide stereo delay with just a bit of
filtering for flavor. The Delay creates exciting spatial effects with
panning movement, great for adding interest to an otherwise steady vocal
How to: Bryson Tiller lo-fi record player effect – Bryson Tiller is one of the hottest artists in the game right now. Since T R A P S O U L dropped, Tiller has become the face of a slower tempo Trap genre. If you listen to the album (and if you haven’t, you should) you’d feel as though your listening to music off a vintage record player. In the following tutorial, we’ll be… #brysontiller #fx
iZotope have re-released the 64bit version of Vinyl! Once again you can now use the instant vinyl ageing parameters on your tracks without any type of 32bit bridge or awkward work around.
Its a highly intuitive plugin to use as all the parameters are obviously labeled so there are parameters for mechanical noise, wear, electrical noise and classics such as dust and scratch. There are also the major speeds 33/45 and 78, so pretty much all the parameters you could need to recreate the sound of a record playing. It also runs without the need of an iLok which is nice, oh and did I mention that it’s currently free.. That’s right absolutely FREE!
S/o and follow @magicxsound
Perfect way to get your mind of bs. #radioactivemusik. #ableton #bitwig #pushforbitwig #abletonpush #ozone6 #izotope #mastering #maudio #humble #mastermind #musicproduction #Maschinemasters #Producersgear
Create a Track with iZotope's Trash 2 and You Could Win the Full License
iZotope invites producers and DJs to create an original track using their plugin, Trash 2, which is primed for a powerful new era of audio mangling, distortion, and experimentation. Publish your original track on Blend using the trial version of the plugin for a chance at winning the full license.