its a big part of this project

I’m a fan of real idols, real Japanese girls who sing and dance and train almost everyday to do their job of making people happy and smile. I hate when I mention that I like idols, then a LL fan goes ‘me too’ and shows me a pic of anime girls. They’re not real, they don’t deserve to be put at the same level as real live actual idols. Even the seiyuu, they’re not idols, they’re SEIYUU. This is why I hate the LL fandom, with them calling themselves “idol fans” they’re discrediting all the work that these girls do almost everyday. They’re constantly scolded, crying, training all the time and you people think it’s fair to compare some anime girls to it. smh

6

Finally, here’s the last part of the Valentine’s comic!

This is so late but I really didn’t expect for this to take me so long or to even be such a big project in the first place aaah

Anyway! I hope you all had a nice v-day~
And thank you so much for reading! ♥


Previous parts: [part 1] [part 2]

As we’ve already mentioned, the original Star Wars trilogy was a coded metaphor for George Lucas’ life – how a young idealistic man didn’t want to be dragged down by his father’s bad choices. So it’s fitting that in Star Wars: The Force Awakens, J.J. Abrams not only revisits the plot of the original Star Wars, but also its motivation. Only this time, the father is George Lucas, and his bad choices are the steaming piles of Bantha fodder that are the prequel trilogy. Right off the bat, the opening crawl lets us know that Luke (who remember, is Lucas’ fictional counterpart) is out of the picture. Like in real life, the guy who was a big deal decades ago isn’t a part of this movie.

So why have the heroes of the original Star Wars been banished to strange planets / luxury Californian estates? Both Luke and Lucas tried to follow up their successes with another project and screwed up royally. Lucas made three craptacular movies, while Luke started a new Jedi Order but ended up teaching a new Space Hitler how to murder people with laser swords. Hard to say which is worse.

6 Personal Secrets Filmmakers Hid In Famous Movies

Highborne Ruins - Eldre’Thalas

Sidenote: The city has been spelled with the ‘t’ in ‘thalas’ both capitalized and lowercase. The importance of one or the other is unclear, however the spelling of Eldre’Thalas where it is capitalized seems to be the official one.

One of few royal cities in Azshara’s empire, Eldre’Thalas was built during her reign twelve thousand years ago to protect Queen Azshara’s most prized arcane secrets. This ranged from processing her most important demands to the safekeeping and storage of her precious tomes. Led by Prince Tortheldrin and Azshara’s greatest revered arcanists, the House of Shen’dralar, Eldre’thalas was established by expeditionary forces in the lush jungles of Feralas.

Eldre’thalas appears to have more of a druidic and naturalistic direction than many other Highborne cities of its age. Granted, all night elf cities were shaped in concert with nature and built with dozens of gardens, however Eldre’thalas has the touch of nature magic in its very existence. In addition to many elven statues, there are figurines of deer, bears, and owls. Eldre’thalas had an Ancient protector, Tendris Warpwood, whose very heart was inexorably entwined with the fate of the city. The official art of Eldre’thalas shows wandering treants, some of which inhabit the conservatory in the eastern wing and Milicent Serene, Highborne naturalist, created the Fruit of Fertility which protected Eldre’thalas and made it flourish. Eldre’thalas may, as a result of its unique direction, have been a useful location for the combined study of arcane and natural magics even before druids existed.

Geography

Eldre’thalas is a massive, multi-tiered sprawling expanse of gardens, districts, and corridors (sometimes hidden) that connect every part of the city. There are three official districts in addition to the central colosseum. The north and western districts, the Gordok Commons (named for the ogres that now inhabit it) and Capital Gardens respectively are connected to the Athenaeum, the library that serves as the very purpose of Eldre’thalas’ existence. The eastern district, the Warpwood Quarter exits through multiple passageways, such as Lariss Pavilion which opens up well outside the boundaries of the city.

In similar fashion to other decrepit Highborne cities, some areas of Eldre’thalas have been renamed in favor of their intruders. The Gordok Commons and Warpwood Quarter were claimed by outsiders and likely no longer sport their original names (although the Warpwood Quarter may have been named for Eldre’thalas’ protector, Tendris Warpwood). The function of the northern district is unclear, but the eastern district has a conservatory, a pool (either for bathing or as a moonwell, perhaps), and the Shrine of Eldretharr. The western district, the Capital Gardens, was likely a great place for socialization. It’s dominated by a massive garden and plethora of benches which make up the Court of the Highborne.

The Athenaeum

The Athenaeum is indisputably the most valuable part of Eldre’thalas. It is the library that holds much of Queen Azshara’s tomes in addition to compendiums detailing the known history of Azeroth. It may also be a place of science, considering the Highborne armillary sphere on display. It shares its model with the Highborne Astrolabe, however it looks like an armillary sphere which is a model of the celestial globe.

All books stored in the Athenaeum are protected with the Mark of the Athenaeum which prevents any unauthorized viewings. Even if one were to break the seal, it is implied that only people with the “requisite intellect to consume the knowledge” can read the sacred books. This may just mean that it depends on the reader’s skill level and has nothing to do with one’s magical aptitude.

The books are arranged according to the Dewey Decimal System.

Eldreth

The same prefix, “Eldreth” shows up in regards to Eldre’thalas many times. Eldreth Row and the Shrine of Eldretharr are subzones of the massive city. Ghostly inhabitants are called “Eldreth Sorcerers”. It is likely some Darnassian word with an unknown meaning, however ‘thalas’ alone translates to kingdom. In the translation of Eldre’thalas, ‘Eldre’ would then be its own word, meaning that Eldreth, at least where the name of the city is concerned, does not apply.

Eldreth could be a name for the inhabitants, similar to how people who live in America are called Americans. It could simultaneously be a word used to denote things that are “Eldre’thalas” in design, like how one will refer to certain items as “American”. Eldre’thalas is inhabited by the Shen’dralar, however they are not a race so much as they are a house: the House of Shen’dralar. This may have been Prince Tortheldrin’s royal house, which would include his servants and most loyal followers. The Eldreth, in this case, would be the lower caste civilians of the city, later to be sacrificed by the Shen’dralar in order to prolong their lives after the Sundering. That would explain why any living Highborne from Eldre’thalas never call themselves Eldreth, but instead Shen’dralar.

Slowly making progress on a long overdue MAP project :’D

7

BIG HERO 6 X JURASSIC WORLD AU, PART 4 of 6

So how many people now know who, or rather what Hiro is? ;D

Either way, we’re drawing to a close and one more comic part left, then the background part that’ll explain everything.

And reminder, I will not be answering questions about the content of this AU until after all 6 parts have been posted. Please look forward to the other parts! (´▽`) And if things click into place faster for you, don’t spoil it for others~!

                      <<PART 1>>       <<PART 2>>       <<PART 3>>

More on this AU and other links will be added to the MASTERPOST found here.

This project is, as of now, concluded. This was the original open-ended conclusion I had planned, and while I later wanted to add additional explanation parts afterwards, I no longer have the motivation to do so. If an additional part is ever added, the update will be listed in the above linked Masterpost.
9

BIG HERO 6 X JURASSIC WORLD AU, PART 3 of 6

Okay so this part is admittedly slightly filler, but since we were all about Hiro last part, it makes sense to focus on her brother for part 3?

I have many alternative titles for this part, including “Fandom Treats Tadashi Too Nice and Forgets He Did a Really Stupid Thing So Let’s Rub It In,” “How the F*** Do You Draw Chris Pratt,” “OOH LOOK RAPTORS I LOVE RAPTORS,” and “I Can’t Draw Chris Pratt.”

Also, there was this marvelous scene in the Jurassic World deleted scenes in the DVD that was released Oct. 1st. Mind you, I had this mostly drawn and finished in June/July. It was kind of amazing how well it fit with this scene. I’ll put screenshots (with my camera b/c iTunes won’t let me take actual screenshots *sigh*) behind a cut at the end of this, but look at this marvelousness that is Owen, Claire, and Pile o’ Dino Poo:

Ahem.

And reminder, I will not be answering questions about the content of this AU until after all 6 parts have been posted. Please look forward to the other parts! (´▽`) And if things click into place faster for you, don’t spoil it for others~!

                        <<PART 1>>       <<PART 2>>       <<PART 4>>

More on this AU and other links will be added to the MASTERPOST found here.

PLEASE DO NOT REPOST MY WORK. This includes onto Tumblr and other social media platforms. To share, please REBLOG or share the link to the original. Please do not translate my works without my permission. Please do not delete my comments. Reposting may result in termination of this project and cancellation of future posts.

Now click behind the cut to see images from the actual Jurassic World deleted scene of Owen, Claire, and Poo:

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Do you want to be in a webcomic?

You could be! Im starting a project called 13:21, an interactive web series, where YOU, the reader, are a big part! 
It will be coming out soon, sooner than the Seven Circles project, so in the meantime I have some time to get the story and art together! ::D
It would mean a lot to me if you could share the pieces that come out around to your friends and followers, so they can be a part of it too!
thanks!

Evangelion spinoffs be like

Writer 1: Shit. What do we do with Kaworu now that he’s not an angel? That was a huge part of his character. How do we fill that gap?

Writer 2: Well he’s gay.

Writer 1: Yeah?

Writer 2: So make him gay.

Writer 1: …..alright, but we still need more personali-

Writer 2: No, just gay.

Writer 1: ……..

Writer 2: And have everything that he says be an innuendo.

Writer 1: About wanting to fuck guys?

Writer 2: Now you’re getting it. 

7

Denver International Airport secrets:

Apocalyptic murals, a secret underground facility, masonic symbolism, and more - for several reasons, the Denver International Airport has been the target of speculation. 

For one thing, there was a perfectly good airport closer to the city of Denver, which DIA needlessly replaced on 34,000 acres inconveniently placed way outside the city of Denver. The initial cost of DIA was to be 1.7 billion, but it ran 3.1 billion over budget costing a total of 4.8 billion to construct (and its anyone’s guess what the extra money went into). 

Lead observers and enginers as well as workers reported that different contractors were hired to build sections of the airport (including a massive underground facility) then fired after completing only pieces, so that no one company could get a big picture of the entirety of this project. No one company even completed an entire tunnel before getting laid off. Stew Webb, a federal whistle blower worked on the project, drew a diagram of some of the tunnels and buildings (parts he knew of) 75-100 feet beneath the surface, with tunnels 12 feet tall and 16 feet wide, large enough for buses to drive through, and leading to five buildings. The five massive buildings were further connected by intersecting tunnels. 

The workers were lied to, told that the underground system would be for water and sewage, yet they could see that they were not the right type of facility for water and sewer, not constructed to hold water, and having no water stops, teflon coating, or rebar. Nearby, Webb observed massive amounts of dirt hills being piled up (110 million cubic yards of earth), even though this is located in the planes where everything is flat, so they were obviously constructing more buildings and tunnels for the underground facility. Jesse Ventura did an episode of his conspiracy theory show on DIA, and while they were filming, they saw concrete tunnels waiting to be placed underground, and more massive piles of dirt being displaced.

5300 miles of fiber optics were installed for communications (USA coast to coast is 3000 miles in comparison). And the fueling system can pump 1000 gallons of jet fuel per minute. This amount is totally absurd for a commercial airport. Granite was imported from all over the world even though the project was already grossly over budget.

The words “new world” also appear in the freemason capstone, though the company that its supposedly talking about doesn’t even exist. Theres also a freemason time capsule that no ones allowed to open for decades. 

The murals in the airport which anyone can photograph, depict an apocalypse scenario, and then the remaining survivors uniting under the new world order. One of the pieces of art mentions peace and harmony with nature, much like the Georgia Guidestones which call for depopulation of earth.

The city in the background of the scorched earth apocalypse painting has been retouched and painted over many times during the years, as if it represents something important for the creators. It seems surrounded by an ill colored haze, as if it was attacked by a bio-chemical weapon. 

One of the children in the murals holds a Mayan tablet. At the bottom of this peaceful painting, we see three open-caskets containing dead girls from different cultures. Why are they laying there with the other animals?

The girl on the right holds a Bible and a yellow “Juden” star used by the Nazi to identify jews. It seems to symbolize the death of Judeo-Christian beliefs. The group at the origin of the imagery of this airport are definitively NOT Christian or Jewish. Secret societies have their own belief system. Caskets however are an important part of masonic symbolism. Tombs are also a big part of the Skull and Bones’ rituals. 

One of the murals obviously represents countries of the world giving up their military might and their national identity for “the common good”. Another reference to a New World order, with one government and one army.

The creepy horse statue outside also reeks of apocalypse symbolism: “And I looked, and behold a pale horse; and his name that sat on him was death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth”. -Revelation 6:7-8

You know that thing you’ve been putting off doing? It’s just going to keep stressing you out if you keep ignoring it…
Could you try taking little steps toward finishing it? Even if you just make a plan today, that’s progress!
I promise you’ll feel better once you have it done. The hard part is starting the project, but you’re almost there!

8

We get into it, like in a good way. He’s so good, he is such a good actor and he is so committed in his part, and he has strong opinions–which I like. I’ve only ever worked with people who have strong opinions and big personalities. So, he would be the first to admit this, and he’s such a gentleman he would never bring it up. We have a very fun, super creative and loving, slightly tempestuous relationship, but I think it’s good for the show.   – Mindy Kaling

One Piece Big Bang 2016  -  What Are The Odds? 


you can read the awesome story behind this picture here, by

@fromthedeskoftheminister

 

Thank you so much for this great opportunity, i really enjoyed being a part of this project :’)

anonymous asked:

Seeing as you talked about the missing Skam trailer earlier; as long as NRK and IFPI don’t come to an agreement we won’t get a trailer or a new season anytime soon. The music is and always has been a big part of Skam, and unfortunately there are no way NRK can pay for music rights covering the world. Skam is, despite its success and sales, a project that cost NRK more to produce than what they earn from sales.

Anon, do you think that the only two options are either to pay for music rights for the world, or to cancel the show??? This isn’t exactly my area but I’m a bit ‘er’.

anonymous asked:

I don't think Love Incredible is a single that C wants to promote like Bad Things for example. She said in her little announcement tweet something like 'glad to be part of this artistic project' or whatever so that makes me think its more a project for the sake of art (if u get me) rather than something to smash the charts and make big bucks

i’ll still never understand why she promoted bad things the way she did tbh. 

-A

Dressing Successfully

or an introduction to the man’s classic wardrobe.

Our appearances tell the world not who we are but who we would like to be. From our hair, or lack of it, adornment in jewellery, watches, the cars we drive, the cigarettes we smoke and the ping of the lighter that lights them - all tell the story of who we would like to be identified as. From how polished our nails are, or the presence of tattoos and piercings, near everything we do is a reflection of our own self image, and a projection of who we would like to be.

There are few aspects of our daily life as adaptable or as fluid as our wardrobes.

They are costumes of our idealised selves, literally a suit of armour to help us battle our way through the trials and tribulations of the professional world. Every profession has its standards, and every professional has their way of adapting that standard to themselves, be it conscious or no.

The beauty of classic menswear, and a big part of why I love it, is the fact that it is rarely revolutionary, but rather evolutionary. The changes can be tracked by decade rather than season, and it is slight adjustments that complement the individual, both physically and in less tangible ways, that takes well dressed to best in class.

Below are a few rules that should see any man aiming to build a wardrobe do so successfully and without fault.

1. Know the Rules, Understand the Context

For generation upon generation, from frock coats through to the establishment of the lounge suit as the standard of business formal, men learned the rules of dressing first from their father, then from their tailor. A boy could expect to learn the basics of dress from his father - when a suit is appropriate and when a blazer will suffice, how to tie his four in hand and bow, how to keep his shoes polished. To visit his father’s tailor was a rite of passage that many well-dressed men still remember fondly, and many great tailors will make it through three generations of a family before hanging up his shears. From his tailor men would learn how to dress for their builds, their complexions, and their everyday activity.

But something changed in the 60’s about the time JFK opted to go naked to his inauguration - hatless, at least, which was tantamount to being bare-assed in those times. Fashion started to infiltrate menswear. It was now fathers asking their sons how to dress, as the fashions of the times went from street to store, not vice-versa. A generation broke the verbal history of classic menswear, and we went from decade to decade of revolution rather than evolution.

That menswear has rules is what scares many men away - there is a lot of esoterica and obscure vocabulary that can be daunting to those uninitiated. But unlike womenswear, which sets its watch by the season and flips its priorities by the designers whim, men need only learn a few things. What is the standard, and what works for him. So a few fundamentals that are easily learned and quickly mastered;

The Lounge Suit - Easily summed up as a business appropriate suit of matching jacket and trouser. The classic palette of Grey and Navy is the most universally accepted, while Black is most often considered an evening suit in the classic tailoring world.

The sporting suit - Not often referred to in the modern wardrobe, a sporting suit is one worn for sports - primarily hunting. Patterned suit in tweeds or thorn proofs, in palettes of greens, brown and tans, things that would now be considered very English. What we have brought with us into the modern lexicon, however, is the sports coat - the odd jacket worn in non-traditional suiting colours, patterns and textures.

Formal Wear - Described below, a great rule to follow with formal clothing is that the more formal it is, the less open to interpretation. Formal clothing is something of a costume, made for specific occasions to ensure a consistent level of formality. Should you feel comfortable enough in your relationship with the host, bucking that courtesy is a risk you can take. Many a confidant dresser has adapted formal clothing to his personality successfully, but it is definitely a move for an experienced hand.

The Morning Suit - Also called a cutaway, the morning suit is the day time equivalent of the dinner suit, most recognisable as what would be worn to Royal Ascot or a formal day wedding. It is most traditionally worn with a black of charcoal coat, cutaway and finishing behind the knee. Odd trousers in a small tonal stripe, called Cashmere stripe trousers, despite usually being made of wool are worn below, although some rogues such as Prince Charles will wear matching light grey trouser/jacket combos. A double breasted waistcoat in Dove (light grey) or Buff (cream), a formal white shirt and a tonal ascot at the throat make up the majority of the habit. A top hat literally tops it all off.

The Dinner Suit - Often referred to as black tie, or a tuxedo after the famous Tuxedo club of New York where it made it’s American debut. A dinner suit is in black, or occasionally midnight navy, and worn with a bow tie, a white bibbed shirt, be it pleated (plisse) or dimpled (marcella). The dinner suit is an investment, and for those who love their wardrobes often ties the overcoat as the most significant single investment in a wardrobe. As they are worn less, and generally will last much longer, elegant men often put a little more thought, time and money in to the execution of each. A few rules for the dinner suit -

Black Tie is always worn with a bow tie. A four in hand tie with a dinner suit is fundamentally incorrect. Also - a bow tie is something that is knotted with each wear, one that is pre-tied is only appropriate if it spins or shoots water.
Matching elements on your dinner suit - your lapels, your bow, and your cummerbund should you choose to wear one. They are usually found in some form of silk - Grosgrain is often the bespoke choice, Barathea for something a little less archaic, Satin the most recognisable.

White tie - The most formal of traditional formal wear that is still commonly worn, and following that trend, the least open to interpretation. A white wing collar shirt, a white marcella bow tie and matching waistcoat is non- negotiable. A tailcoat cut short to just cover the bottoms of the waistcoat in front, double breasted but generally non fastening, with matching trousers finished, as with all formal clothing, cuffless. The most appropriate shoe is a well-polished opera pump, but a pair of plain black oxfords will do just as well in a pinch.

To quote the great G.Bruce Boyer on formal clothes:

In the early years of the twentieth century, a gentleman’s wardrobe was prescribed by the hour: morning coats till noon (or a short “stroller” jacket at a private gathering), lounge (business) suits until 6 p.m. (although swallowtails, striped trousers and top hats were still de rigueur in many professions), then evening clothes of one sort or another, depending on the occasion.

Of course, the high degree of prescription in dress was merely an objective correlative for the greater sense of rigidity and ritual about occasions. Every sport, for instance, not only dictated its own specific outfit for participants, but for observers as well. The most famous story about a breech in this etiquette took place one day in the early 1900s during the London season. King Edward VII happened to glance out a window and saw his master of the household, Sir Derek Keppel, entering the palace wearing a bowler hat. “You scoundrel!” the king yelled at the man. “What do you mean by coming in here in that rat-catcher fashion? You never see me dress like that in London!” Tough man with the proprieties, was Edward.

The king was a stickler for detail in an age of details. He once told a friend, who had proposed to accompany him in a tailcoat to a picture exhibition before lunch: “I thought everyone must know that a short jacket is always worn with a silk hat at a private view in the morning.”

Edward would be rotating in his hand-carved coffin if he could see what some people’s approach to coordinating outfits is these days. While we’re mercifully relieved of all that stifling rigidity, the downside to it is that, when the rules are thrown out, unbridled freedom often leads to chaos, confusion, frustration and terrible insecurity. Not to mention that some folks should be given warnings about assaulting the environment–you know, like obscene billboards and such.

Fortunately, there’s still one garment, the time-honored tuxedo, that prevents such fashion fiascoes. The one decidedly good thing about wearing a tux is that a man doesn’t need to make any decisions or worry whether he’s making a mistake: the prescribed outfit, top to toe, works perfectly fine. That is, works well if one knows the occasion calls for “Black Tie.” There again the Edwardians provided the rules governing the occasion by stipulating on the invitation what type of dress was expected. These days “White Tie,” “Full Dress,” “Decorations and Medals” and other such instructions are quaintly arcane at most functions. And the best place to see a tailcoat is in an old Fred Astaire film. Generally, the only men who own their own tails are diplomats and symphony orchestra conductors. If you are escorting a debutante to a fancy ball, rent.

2. Care for Your Stuff

Nothing looks better than a well loved pair of shoes, creased and polished, worn and resoled and polished a-glow again. Good clothing is an investment, and like an investment it needs some care to make sure it has a full life.

Dry cleaners are a last resort, not a regular occurrence. The method of dry cleaning is aggressive and damaging to cloth, and a well made garment is as much about the press as it is about the stitch, so regular dry cleaning is to be avoided. A good rule of thumb with tailored garments -

Rotate them regularly - When worn, cloth becomes warm and damp, the sad nature of our perspiring human bodies. Warm damp cloth is most likely to pill, to wear, and to stretch. Aim to have enough tailored garments in the wardrobe that none will be worn more than once in a working week.

Hang them warm - The miraculous nature of wool means that the fiber likes to return to its woven form. Wrinkled cloth and stretched seams will try to return to true if they are hung while warm from the body. So rather than drop your coat on the bed or on the back of a chair when you return home, put them on a shaped hanger. Your clothes will thank you for it.

Brush your garments - Dust and dirt abound, and when regular sponge and press is not an option, a good brushing will go a long way. Brushing the cloth helps return the fiber to its true direction, removes dust or dirt that may be sitting in the cloth, and will stave off the need for cleaning. The best brushes are natural bristle - horse for a softer brush, better for fine and delicate clothes such as cashmere or superfine wool, boar bristle for when you need something stiffer, such as tweeds, overcoatings, thornproofs or cottons.

Nurture your shoes - Your footwear is the most easily identified when shoddy, but also the most rewarding to care for. Like your clothing, shoes benefit from the following - Rotate them regularly. Never wear them two days in a row, and if wetted, should be offered an extra day or two to get fully dry. A solid brushing after each wear will see the need for a polishing greatly reduced, although polishing your shoes is something you should do yourself. If you haven’t learnt the method of glacage from your father, learn it  and make sure you show it to your son.

Shoe trees are to shoes as a good shaped hanger is to a suit, if not more so. Shoe trees are best when lasted, but still far better than nothing even when they aren’t modelled from the last. Put them in when the shoe is warm, before you apply the brush. Dustbags are great to stop dust from settling, but a brush is equally effective in removing it once it has.

3. Fit, Fit, Fit

Fit is to clothing as location is to property - arguably everything. A poorly fitted suit, no matter how beautifully made, will look appalling. Likewise a below average suit can be greatly improved by good tailoring. Look for these keys -

The collar - a jacket hangs first from the collar, second from the shoulder. Look at these two places when judging fit. A well fitted collar will be firm to the neck through a normal range of motion - that doesn’t include star jumps and burps, but driving, speaking on a phone, shaking someone’s hand - none of these should cause your jacket to need adjustment.

The shoulder - Extension of the shoulder is largely dependent on the shoulder pad, but ideally it should extend just far enough past the edge of the deltoid to fall straight and not divot when worn.

The chest - Despite the trend for slim and fitted clothing, there are parameters to what is slim and what is tight. A proper fitted chest on a jacket should fall to the button without creasing or ‘breaking’ as we call it in tailoring. Being practical garb, your suits should fit as you would most often wear them - if you carry a wallet in your breast pocket, your should fit it with that self same wallet.

Length - The most often mistaken are of fit on any garment is the length - particularly for those that feel they need to compensate in one way or another. Think of images of NBA players in jackets of zoot suit proportions. It does little to mask their height and instead makes them appear even taller. Likewise, many shorter customers over compensate by slicing their jackets so short as to look like a waiter in a French Bistro.

An easy rule to remember, is that most parts of a garment are made to cover certain parts of the body - a jacket should cover the torso, so ideally finishing at the base of the derriere. Sleeves cover the arms, not the hands. Gloves are for hands, not jacket sleeves! Likewise with trousers - properly fitted they should cover the legs, from just below the natural waist, falling to rest lightly on top of the shoe.

4. Keep it Simple

The most common mistake of those who are trying to build a wardrobe, and all of us who are passionate about dressing well are guilty of this, is indulging in the novel, the interesting, the different, for love of the garment and not the harmony of the whole. As Beau Brummell, that grand forebear of the male wardrobe put it -

“If John Bull turns to look after you, you are not well-dressed, but either too stiff, too tight, or too fashionable.”

The absence of colour and pattern in an outfit denotes it’s formality - the most formal, like the dinner suit, is simply black and white and without pattern. Often the very buttons are covered adding to the austerity. Likewise can be said for business - if you aim to look formal and serious, a palette of subdued colours and plain or very small patterns will serve you best. And in the great logic way that menswear tends to follow, the formality of a pattern follows directly it’s descending scale - a very fine pattern the most formal, great big patterns the least. The same can be said for textures, fine wale cord for an elegant option, while wide wale is best kept to the weekends.

5. Be Comfortable and Enjoy

You will never feel comfortable in any occasion if you don’t feel so, and nothing is more of an impediment to productivity than being pre-occupied with ill fitted or poorly styled clothing. Your wardrobe should be a cinch to dive in to of a morning, should see you through the day with aplomb, have you shoulder to shoulder with both clients and colleagues, and whisper your quirks and idiosyncrasies only to those that are listening closely.

7

(Indonesia) Five Nights at Freddy’s gijinka team!
Place taken in Ciputraland Mall, 5th floor | Part 2, The closeup 

hnngh we only need Freddy thou but its okei cause in the end it was fun /o/
The cast ;

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