I approached (FROOT) very simply. I didn’t really have a conscious plan for what I was going to write or what the album was going to be like. I think I was just really relieved to do things in an uncomplicated way. With Electra Heart I still feel very complex [feelings] about it, because there were so many things that I loved about it that were positive, and there were certain things, artistically, that made me realize what I didn’t want to do, what kind of artist I didn’t want to be. So (making Froot) was almost repositioning those realizations.