it's like an actual character

You’ll never guess which game has been sucking up all my free time for the last month. 

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Me: *sees a bunch of cool edits of Pidge with long hair* 
Me: Nice
Also Me: *starts to think a lot of reasons about how is not a good idea to have long hair in the space* 

people who don’t like hunk genuinely confuse me. what has hunk ever done wrong? name one time hunk has done something wrong. see? you can’t. he is perfect.

4

Multifandom Challenge  ||  26/100 Characters  ||  Chiyoh
↳   “All sorrows can be borne if you put them in a story.”

I thought itd be fun to draw the kids all grown up haha so heres this lineup while i work on the finished pics of them

Voltron AU where everything is the same except the Blade of Marmora episode is basically the RING OF FIRE!!! scene from Finding Nemo

Kolivan: Brother Antok, proceed.
Antok: Keith! Newcomer of red and white! You have been called forth to the space between spaces to join us in the fraternal bonds of bladehood!
Keith: … huh?
Thace: We want you in our club, kid.

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1BitHeart: Main Characters

[click for better quality!! also transparent]

3

If you can’t protect Iris, Joe has no use for you

kittyichooseyou  asked:

I have a klk question, and I apologize if you've answered it before, but, do you find any significance in Ryuko taking a big bite out of an unpeeled lemon in her introduction? Like, was it just meant to make her seem hard? Or like, does it have some subtext I don't understand? Is she ever seen eating lemon/drinking lemonade as a background thing? I've always wondered about this. Thanks.

I gotta be honest with you: I’m atrocious at talking about symbolism. There’s a reason that my hundreds of essays hardly ever mention it. 

So… I haven’t especially covered this before, but I can provide some Thoughts.

First and foremost, the lemon scene has been largely understood as a homage to FLCL, a coming-of-age anime worked on by Gainax—the studio that Hiroyuki Imaishi and Masahiko Otsuka left to found Studio Trigger, which is the team behind Kill la Kill

In the first episode of FLCL, Naota, the protagonist, refuses to drink the rest of the sour, “Lemon Squash” pop that his friend Mamimi didn’t finish. He claims that he “[doesn’t] like sour drinks” and proceeds to toss the can aside.

However, at the end of the episode, Mamimi offers Naota the sour pop again, and his reaction changes. While he repeats his sentiment—“I told you, I don’t like sour stuff”—Naota doesn’t toss the can aside this time, instead guzzling the drink down.

So, when Ryuko, the protagonist of Kill la Kill, begins the first episode of her show not just forcing herself to consume something sour, but does so purposefully, without flinching… there’s probably something there. Kill la Kill’s director Imaishi did work extensively on FLCL, after all.

But what exactly is meant to be conveyed in either series is entirely dependent on how the “sour” symbol is understood.

On the one hand, the “sourness” could be a symbol of “first love.” For Naota to accept the drink in FLCL would be to accept an “indirect kiss” from Mamimi, who had been drinking from the can previously. The “first love” idea seems supported in Kill la Kill, with Ryuko noting, after Mataro steals her lemon (at least in the original Japanese script), “You’re that eager to learn what first love tastes like?”

Mataro: Bitch, don’t try to be all witty! I’ve had my first kiss!

And with the idea of “first love” comes the idea of childishness. Though it may have some… Unfortunate Implications, in both FLCL and Kill la Kill, it could be said that getting into a first romantic relationship is a sign of growing up. The fact that Naota initially refuses to taste “first love” represents his initial refusal to come of age—and the fact that Mataro in Kill la Kill insists that he has had his first kiss (or “get[s] way more action than [Ryuko]!” in the dub) represents his desire to seem “grown-up” and experienced.

Ryuko’s utterly blase eating of the lemon would then also imply that she has had romantic relationship(s) in the past and is not afraid of them.

However, with all of this, the “sourness” could simply be a larger metaphor: a metaphor of adulthood, maturity, that kind of stuff. Naota deciding to take in the sourness at the end of the first opening episode signifies that his show is going to feature his coming of age—something he initially didn’t want anything to do with, but that the story is going to push him to experience regardless. Ryuko immediately biting into a lemon could then signify that she’s already come of age, but—and more likely, considering Kill la Kill’s ending—it could also signify that she’s not afraid of the hardships, challenges, and “sourness” that comes with coming of age.

In this way, I also see the “sourness” as a bit of a metaphor for moving forward rather than running away. The lemon pop in FLCL is first featured when Naota struggles to tell Mamimi that his brother is seeing someone else—a hard, difficult, “adult” situation that’s not fun and not comfortable. Naota throws the can away, perhaps representative of how he wants to run away from this problem. At the end of the episode, though, Naota has revealed the truth to Mamimi, and he then drinks the pop, signifying that there’s no more running away: he’s growing up, whether he likes it or not.

But disregarding the FLCL tribute, a character introduction that features the character biting into a raw, unpeeled lemon is powerful on its own. It tells audiences right away that this character is badass—whether her lemon-eating is because she’s not afraid of growing up or hardship or “first love” or because of any other reason, you shouldn’t mess with this chick.

*Logs on to tumblr
*Throws an attempt at a Taako design at the internet.
*Shrugs and runs away

Art blog

a-lighthouse-a-man-a-city replied to your photo “The scar the trailer didn’t show. Well, my speculation about what it…”

Hey folks, this artist is actually racist af. Feel free to message me for more info, it is a great pic but I refuse to support the artist because of some huge past issues they are apparently trying to “fix” with this. No more notes on this post, pass it on. They don’t deserve credit for POC representation after what they’ve done

“Huge past issues” = Me drawing a caveman Kylo with matted hair (that I called “dreadlocks” for lack of a better word, english isn’t my first language and in french, there’s only one word to describe it) 1 year ago and telling you all to fuck off when you went crazy on me and my friends for this one doodle because I refused to consider myself racist for drawing it. What is considered racist or problematic in your country might not be in another, I know how shocking it can be to learn that North America isn’t the center of the world and designated world leader of what’s considered politically correct. 

Jfc take a step back and look at what your life has become.

Yesterday, one of you made a post and compared me to a klan member. I have been told to choke and die, to kill myself. About 50 hateful posts calling me slurs have been reported to me in the past 6 months. You are all acting as if I have been posting the worst hate speech in the fandom and been harassing me for a year because I drew a picture you don’t agree with.

I know people who would have hurt themselves or fallen deep into depression for less, how do you sleep at night after telling someone to die over a picture?

And now you get mad because I have been drawing Finn and it has gotten a lot of notes.

But guess what? I have been successfully drawing him multiple times in the past, and I’ll draw him again. And I’ll get better at it and my pictures of him will continue to gain attention. 

Because I like Finn.
 
I don’t give a shit about your “POC representation” points, contrary to you I like a character because he’s special to me, not because it will make me look better and “woke” to my online friends. 

You don’t like it? That’s cool, then block me. That’s the magical door to the land of to never having to see my art again.

Because if you don’t, then believe me, it’s not the last time you see my art on your dashboard.


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Lois and Clark: The New Adventures of Superman
“I guess I am kind of a softy. But it’s probably what I learned as a kid. You know, when my father left I thought it was because of me. And then I realised that, you know, that’s just the way people are. They can make the deepest commitments to each other and even have kids and because they’re selfish and just think of their own needs they walk away from it all. That’s what I learned as a kid.

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“He is tired of life. He has madness in his soul.”

Alexander Siddig as Mr. Shaitana, “Cards on the Table” - Agatha Christie’s Poirot [2006]