it was so hard to keep the non dancing scenes from looking bad

Words Speak Louder Than Actions

Bucky Barnes x Female Reader

Warnings/Contains: sexting, dirty talk, mention of the word “nut”, mentions of ass eating, no actual penetration, metal arm kink, flirting with a woman, masturbation

Word Count: 2234

bang this might be bad idk (p.s the gif has nothing to do w it lmao it probably would’ve gone better w shoot from the hip)

Originally posted by khalblogo

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A lot has been written on Moon signs.

These perspectives come from a Scorpio moon (in the Third House)

The understanding of each astral body deepens as you factor in what each works with or opposes. This is where it is crucial to see what else is creating discord or harmony with your moon. You are attempting to perceive the universe as a whole rather than isolating each individual part. Your sun and rising sign especially help to define what exactly your Moon is to your conscious mind. How you feel is not always what you present to others –something most people would agree on. The drives of the moon are not always easily understood by the intellect.

These are my experiences with each individual moon sign. I don’t have an equal amount of experience with each and so I apologise if some signs have longer write-ups than others.


Bold, yet child-like, yet anxious. Dramatic, explosive, quick and then bored. There is a wonderful sincerity and silliness about the Aries moon. They are the first to get up and boogie. I find many of the pains Aries moons carry very visible to me and I respect that vulnerability. I think it is part of what makes them direct. They play by fighting you. Imaginative and raw. I think of the archetypal anime protagonist gleaming a toothy grin and then fist-pumping in the air as we embark on a quest up Candy Mountain. They are social-spiritual pioneers. Sometimes, they don’t stand up to the people they should and take their anger out on those who don’t deserve it (ala ‘kick the cat’ syndrome). Sexually open and willing though the roles are traditional, primal. They can get quite down when their flame flickers out and the warmth fades. Their competitiveness can get the better of them and it can be hard for them to detach from their identity into a larger unified picture. However they are equipped with fantastic gusto and enough of it to make it up those mountains. They may see themselves as that youthful inner child however that image can become the justification for roaring anger – to protect the child.


Oh, man.
I have an intense level of respect and also, to be frank, fear of the Taurus moon. I fear getting too close, and I think they do too (maybe that’s why I feel it) (hold on maybe they’re afraid of me?)

So yes of course they progress slowly, steadily, stubbornly, charmingly… With a silent and deep appreciation for the small pleasures in life. They are beautiful and frustrating. Wise and sometimes closed minded. Forgiving but not forgetful. I think the patterns and routines Taurus moon carves deeply can lead them to believing that people are limited or ‘they are who they are.’ It may seem like a safe thing to do but it inevitably leads to buried feelings that manifest as irritation. This is why they feel that magnetic attraction to their opposite, Scorpio, as buried feelings is what Scorpio specialises in. They need to be released!
If they do have transformative experiences with people, however, there is not much in the world they cannot accomplish. You don’t want the limits of your perception to become the balcony you lean over to judge others. Taurus moons are, regardless, unendingly kind, caring, generous and full of good humour with those they love truly. They do not seek outright praise, preferring the smilingly cheer you on from behind the scenes. They step into a nurturing authoritative role with ease because it is easier for them to do that than be on the receiving end. They do want both sides though. They understand boundaries instinctively.


I wish I knew more Gemini moons!! I do not feel that qualified to comment as I have not gotten terribly close with one. I can only think of a few people I know with Gemini moons who will have to serve as my inspiration.
I am still grasping mutability (or not, you changeable bastards) and I imagine Gemini moons to have fervent mental chatter, a whole cast of different characters their radioheads tune into. 

The wittiness is always a go-go and I also do wonder if the 'identity crisis’ many astrologers report with Gemini could be more to do with conditioned language patterns Gemini is highly attuned to. Seeing as being overly identified with words and labels can trap you, Gemini dances between contradictions and in the in- between, wonders who the heck they are. But crises can purge and the truth is always what’s left behind.
There is a lot of restless energy here. Gemini’s curiosity is something they must accept in its entirety if they wish to wield it to its utmost potential. If only we were inside a simulation game, these guys would be the game masters for sure. Gemini moons may feel like keeping the dialogue internalised but actually they should share it. It is the way they will attain the peace and relaxation they crave. By communicating with meaning and truth –these are the lessons they must embody and bring to us all.


Ah yes the intuitive understanding of Cancer moon. Sensitive, headstrong and goofy they can swim in the natural affection they feel all around, breaking the ice and helping us all accept the sweetness of the moon, forever watching us at night. Their sacrifices (farts) are a blessing. Like Gemini moon, I have yet to get really deep with a Cancer moon but I know it would be powerful.
They have a contagious excitability and sincerity that will forever be taken advantage of if they do not learn to love and value the magicians they are. 

They must never slip into a Madonna/Whore complex or let purity be defined for them by others. Lucky that their intuition is always so on point. Expressing their anger in healthy ways that don’t perpetuate victim-centred scenarios is something they are learning. It is easy for Cancer moon to suck in aaaaall the bad vibes as water signs do. Don’t ignore your feelings and don’t be compliant, especially if you know you’ll regret it or backtrack it! Cancer moon’s energy is precious and magical. They do not always see the doors they open for people because they can get distracted by shitty thoughts or past emotional residue. Love you guys


Leo moons are insanely loveable, proud, gleeful, naughty, fun, dramatic, loyal… They are like a non-submissive Pokemon who wants to kick as much ass as possible with you. They are less forthcoming with their emotional issues, preferring to be a proud lion. Pride is a lonely cage though and isolation, especially for Leo moons, can lead to very depressed slumps. Ultimately though, all their lows help them appreciate comraraderie all the more. They dislike being ignored.

Leo moons are inventive and creative practically, they will really do it, not just say it. Their impulsiveness can get them into all kinds of trouble and even then they are so friendly and groovy that they can get away with it. Their hearts are powerful and when all is aligned they exude warmth followed by big headed claims and roaring laughter. 

They really are the party Kings and Queens of the zodiac because no one else will get so wrecked and hold it down so well and also still look like they had the best time ever. Their things are their treasures. A mere scarf becomes a robe, a daisy chain a crown. 


There is a quiet (and somewhat bitter) determination to Virgo moons. They are aware of the bullshit in this world and make sure you know it too. Their kindness is not loud or showy but a quieter, understated recognition of all the work we do to help this Ferris wheel of a life be better for all. They are secure when they are in their homes or a place where they are understood for the dexterous work they do, whatever it may be. It has been said before but I will say it again: you Virgo moons are too hard on yourselves. Yes you must be brave, Virgo moon, and share your legitimate concerns when they arise. Once you feel accepted for your thoughtfulness, even if it’s a bit sharp, the pressure will be released. Don’t hold it all in, or you will suffer from nervous tension that can fester. They need to be wary of the preconceptions they bring into conversations that may have people thinking they are more closed minded than they really are. 
Virgo moons are a lot cooler than they give themselves credit for so let them know (though they will laugh it off). They need to be not stuck in their own heads. Analysing is fine but only if you already have material, a project or a relevant issue to use those powers on. Otherwise you are putting the needle right into your soul and it is destructive. Facing your fears and mistakes instead of hiding will open you up and others will finally get to see the very real and down to earth being that you are. I am very grateful for Virgo energy. Their conservativeness may polarise and they may get stressed but they are never ones to ignore good common sense or injustice. Their shyness and dirtiness reflect the contrary mutability they possess. Someone you can underestimate but will surprise you when they pull out  the perfectly sharp edge of the knife.  


Libra moons are playful and intelligent; they quickly slide in golden nuggets of advice during a conversation, like their words are the lubricant to help everybody get along… And they do. A libra moon (or sun) who believes in love and in people can open up the mind of the most hardened  of cynics. It is essential that they make room however to have quality alone time. That way they will feel far more centred and their own person when interacting with others, instead of getting lost in a room of mirrors. They can be so nice and compliant that they can slowly lose their true sense of who they are and what they believe in as they care a lot about the wellbeing of everyone.  Only when they are unbalanced do they get defensively self righteous. Or block everything out. That said a Libra moon won’t go to bed after an argument – they really can’t tolerate the tension and would rather apologise and seek a peaceful resolution.

There is a very natural understanding here that the state of being people are in greatly affects the environment. Ideally though (see what I did there) they are cool, calm, collected, filled with balanced thoughts for us all and ever graceful. And pretty.
Conflicts and issues in relationships can shake them up so much that they may deny and avoid them for a long time. It can result in a lot of heaviness – and this sign wants to be light! Comfort, like with the also-Venus-ruled Taurus moon, can become the enemy if they are not doing work they truly believe in or are not supported by real friends who care for them. Most Libra moons wisen up to the limits of superficiality, as beautiful and interesting as some people/places may seem. They don’t want to waste beauty.
Libra moons are also awesomely progressive and they should share their great ideas with people who can help them manifest it all, or at least push them to. They can’t cope with being on one side of a fight unless there is extremely good reasoning behind their choice, the possibility of being bigoted really screws with their principles, which are essential to them. Bitching about people hurts them a lot because they want to be liked and for everyone to co exist peacefully. It may take a while to get close with them and they can flake out when it comes to routines and schedules but if you are patient they prove to be the most loyal of friends.


Aaaaaahhhhh!!!!!!! Why do we try to fix things by controlling them MORE??!?!?!?!? Scorpio moons need to learn, on as many different levels and in many different ways, to relax. For real. Surrender, as much as you can, to whatever the situation is, and let yourself relax. Whenever a Scorpio moon transforms though, everything changes. People are gob smacked by how low to how high a Scorpio moon can go. They think we must be utterly mad ;-) It is extremely difficult but extremely necessary for Scorpio moons to transmute and transform their emotions. Only then can we unleash our gifts. Otherwise, yes, we will become the villain in any given scenario (unless cap moon is on a rampage) 

okay so yes sex and death deeply changes the vibe in the room but is that all we want to be known for?? Not at all. Not at all. Scorpio moons must not numb themselves because then they are building and building and building up all the pain and gearing up for another destructive bender. It is far better to cry and scream and simply let yourself feel the pain. All the answers are in that pain. Don’t you forget it.
As always and with all signs, Scorpio moons are their own worst enemy. By not showing our emotions we create and perpetuate a MASSIVE LIE about WHO WE REALLY ARE. This is what I believe to be at the root of the notorious intolerance Scorpios have for lies. It is intolerable precisely because we are already experiencing lies on a soul level, lies that do not allow people to see our depth of feeling and understanding. Vicious cycles of lies that lead Scorpio moons to believe that by closing more people out or building taller walls, will be better for us. Note how close Scorpio is to Libra and the theme of relationships. Sometimes people need to see those flowers that bloom in the dark, when they’ve lost all hope.

 The sooner we can relax and reveal more of who we are the better– not only will people have a better idea of how to respond to us but ultimately those who matter don’t mind and those who mind don’t matter!
The more a Scorpio moon argues the more everyone in the room feels that painful non-acceptance of reality building tension. Such is our force. We are equipped to do incredible things and incredible never means easy.
Sex is not the sole route to intimacy and life does make that lesson torturous and clear. Scorpio moons can get very lonely and will push themselves to extremes when they are not accepting reality. The struggle to express our feelings, fear of vulnerability and other peoples wariness of us all plays into us thinking we are some long-living Gollum creatures. We are not. Believe that you are sexy. You don’t have to prove it to anybody but you. Power is knowing you already know. Yes the know-it-all controlling nature destroys all our relationships. It’s only because we are overdoing it. Pull back and let people impress you back! Take note of people’s discomfort and make changes in the moment to show you do feel it too. You do have a lot to share, don’t hide behind your pride. (And yes we do know when we are being lied to or if you are having sexual thoughts)


My best friend since childhood has a Sagittarius moon. Intelligent, at times too cool for school, wild and loud and self-conscious- where do I begin? Sagittarius moons are righteous and don’t hold back on delivering the truth to your face. Their friends will think it’s the most hilarious thing ever and you will feel dumbbb. They are damn good at that, however if they are having internal struggles they will stir the pot just to stand up righteously, or wait for you to fuck up.
It’s understandable that many fall for Sagittarius moons – they’ve been there and done that and their sense of humour demonstrates that well. You want to impress them! Their open minds are a turn on, and I have found it to be true that they have a lot stories to tell surrounding cults, religions, specific groups and cultures of people… I can always see myself skydiving with a Sagittarius moon. They don’t do well with clingy people, but accepting that emotional attachment is a naturally occurring phenomena would help them.  

They need to work on staying humble in their hearts not just in words or in clothes or style– that is what led to the bountiful knowledge of the spirit in the first place. They can chase after the original high until they’ve burned down the path entirely. There is a cheeky, mysterious side to them that is sexy and their joy and gratitude is so vibrant it can reverberate right up your spine.


I really love Capricorn moons, even though we likely roll our eyes at each other and really have no clue about the other at times. You can’t get away with everything, boss or not, and Saturn makes sure these people know that (eventually). They are industrious, ambitious with high expectations, professional, suave, aware of the 'audience’ and have great reserves of ancient knowledge stored in their laughter and often pained expressions. 

Capricorn moons, surprise surprise, are really hard on themselves, like Virgo but with far more whiplash. They keep it under wraps. They need to be careful they don’t get crushed by the weight of the burdens they carry…and maybe to remember too that those burdens may in fact be wings they have yet to unfold and fly with. Shrewd and covertly manipulative, they can bring out the criminal in people, yet at the same time their logically intuitive judgement is there, watching you make an ass of yourself. They don’t always share their shady observations, but should with confidence, not anger, because they make a lot of really great points the right people don’t get to hear. Their realistic feedback could serve to really improve a myriad of issues. 

Capricorn moons are great at working the system (that includes within a family system) but need to remember not to become slaves to that system and cold to everyone else. That system could be based on lies or agendas that don’t factor in their personal success at all. Luckily as soon as they know that they will dump anything that is holding them back. Their feelings are private and reserved only for them, and if you’re lucky and earned their trust consistently, you too. They know how to work you into a state of compromise.


I go through periods of being intensely fascinated by Aquarius moons and then I dismiss them. This may be a mutual thing between us. They really are ahead of everybody though (and slow to admit they care!) and they do know what they’re talking about. Try not to always believe everything they say, as they need to be pushed to be the best messengers they can be. Otherwise it comes a predictable Gaslighting exercise, sorry to say it.

Their emotional detachment can get in the way of people engaging on a real level with them and of course their own ego. The gifts they do bring are life changing but hence the struggle. The pride of being an original, of giving no fucks, of going anywhere and everywhere, of laughing at the aliens in your mirror… This is the Aquarian. However as the moon is much more internal people may not realise how weird and zany those with an Aquarius moon are, and they may hold themselves back socially..and then erupt into a nutty character when they’re drunk. They work hard to maintain objectivity and a logical mind state, though the bellows of emotion from others can send them back into their rooms for a while. They may struggle to deal with one on one interactions for extended periods of time, preferring to thrive in a group where they can disperse their knowledge through vivid storytelling or in juicy snippets.
Aquarius moons far reaching perspective does make them a boss, but the fear of getting 'too close’ can really stop them reaching out. I know it’s crazy to say to them that not all emotions were manufactured by Disney but it’s true. It is the fear ITSELF that warps their visions, not experiencing intimacy. It would really help them express their natural eccentricities a lot more if they could dare to go there, don’t hide out in space! It is true that in some of my darkest times I have been inspired by an Aquarius moon, or they have simply pointed to all the space above us and smiled, because with so much space how you can get caught up in such pettiness?
Anyway they are lovely souls and friends, their intelligence is anchored in carefully thought out principles and they will still listen to you before disagreeing! Hahaha


With all water moons it is important that they stand up for themselves before they feel violated by too aggressive people. Such is true for the Pisces moon. They are natural space cadets, dreamy, creative, musical, impressionable and empathetic. They also give no fucks about current fads and trends that enslave people in time. They are not ones for tedious, high pressure work with no creative or tangible productive merit (and fair enough too). There is far beyond all of that and they know it.
What they aren’t always aware of though is how powerful their empathy is, how strongly people feel understood by them to the point where people will unleash their demons on them because they think it’s okay–Pisces moon will understand, right? Wrong, it’s never cool to abuse people like that and we should aim to get more on their level rather than pull them down to ours.
Pisces moon needs a consistently peaceful and chilled out environment where they feel they can creatively nourish themselves without getting dragged into any of the preceeding 11 moon signs’ drama. They are wise in that they know how closed off people can be whilst still having a heart.

Big Bang Reaction Masterlist Post

Thanks to @jamlesschogiwawhisperingjyphoe for doing this for me!!! I’m glad you could get it done!

This episode was SO jokes {TVD 8x15 Review}

Hi all! You know the deal. I write my thoughts in real time so anything I saw at the beginning that might be a mistake may be corrected by the end. This review will have anti-Damon, anti-Delena, anti-Steroline, anti-Bamon, anti-Bonenzo sentiments and will most likely have references to other shows and to the misogynoir, anti-blackness and racism in the narrative. If you do not like it, you do not have to read this. Are you ready? OK! Let’s go.

1. So I’m stopping a very promising Kdrama to watch this. The Kdrama is called Mirror of the Witch, I’m on the first episode and already there are more consequences in this drama than all eight seasons of TVD. So far it looks exceptionally dark and mean-spirited, I think it might actually disturb me. Anyway. It’s still entirely ridiculous that Cade’s last words are “Go to hell.” Like why? Also why would Stefan say, “You first”? Wasn’t Cade already in hell? Like didn’t he sort of create it? And now he’s just … dead? What was that dialogue?

2. I like how opening the door to Cade’s world will only destroy everything for “miles”, like that’s such a small scale, shouldn’t it be the end of the world if the devil is walking among us? Or is he not the devil, is Katherine the devil? I’m confused about the Hell hierarchy, you see.

3. Also I should mention I have a cold and I took cough syrup and it SAYS non-drowsy but last night I was knocked the fuck out so if I get a little loopy near the end, it could be that. Or it could be that watching TVD has finally addled my brain. Who knows.

4. They really do hype Katherine way too much.

5. Sorry, pausing because my cat is being extremely affectionate and I would rather play with her for a little than watch what trash this episode is going to be.

6. But now she’s on my keyboard. It’s like she’s trying to spare me.

7. The lighting in this episode seems to be darker than normal, I can barely see anything.

8. I think it’s funny that Caroline keeps waking up expecting to see Stefan and he’s not there.

9. Matt’s hair is SO stupid though. LIKE WHY.

10. I have it paused because the video is loading still but like seriously, he looks thoroughly unattractive like this and out of character I think Zach is pretty cute, so like ugh, why am I subjected to this.

11. Why do we care about Matt’s dad again?

12. Or his mother for that matter.

13. Like remember when she came to town and then made out with Damon and then they discovered Vicki was dead and she made out with Tyler? Or was Tyler first and then Damon? Either way, she’s messy af. The only interesting dynamic was her and Caroline and Elena. She’s pointless.

14. “That was a lifetime ago, things have changed since then” that should just replace the title of TVD. “Didn’t Damon kill your sister?” “That was a long time ago.” “Didn’t Damon kill your brother” “That was a long time ago.” And now apparently abandoning your family because of man pain and cowardice and immaturity is “a lifetime ago” too but oh no, Stefan was a ripper a literal century ago and we need to harp on it forever.

15. Real talk, I already feel kinda woozy but it’s fine it’s like being buzzed and it’s probably the only way I will get through this episode.

16. Why would Dorian agreeing to help them on how to get rid of the “Queen of Hell” be misconstrued as him being “cool” with Stefan though? Isn’t getting rid of someone who is supposed to be the devil Plus be in everyone’s best interest? Like whatever, it was just another chance to take a shot at Stefan. Transparent as fuck.

17. That red looks nice on Kat.

18. I like how Katherine is in this world, everything is supposed to be going to shit and Matt isn’t like “Mom, Dad, I hate you but you need to leave town because you could possibly die” he’s just like yeah fam, I’m rescheduling our awkward dinner date. Like lol. It would be more interesting if he didn’t give a shit if they died but this is just the writers being the writers. In Buffy, when the Mayor is supposed to devour all of Sunnydale, Buffy forces her mother to leave town and tells her if she doesn’t her presence will get her [Buffy] killed.

19. I love Stefan’s face when Damon says “she’s obsessed with Stefan” like BITCH WHO TOLD YOU TO TALK?

20. Why does it have to be a wedding though? It could just as easily be an engagement party or a rehearsal dinner, like sooooooooooo forced.

21. I mean, I don’t blame Bonnie for hating Stefan but Damon was responsible for killing Jeremy and kidnapping Jeremy, Enzo was responsible for suffocating Jeremy and she’s cool with both of them, hell she fell in love with one of them so I’m just like girl, I guess. The writers are ridiculous because it just feels like they don’t know the web they’ve created with these characters and understand that they’ve turned pretty much everyone into a hyprocrite.

22. And as a non-Beremy shipper, I still think Bonnie loved Jeremy more than Enzo and Beremy was a problematic af ship but at least some things were halfway earned, Bonenzo is pure dialogue, fam.

23. Oh and looks.

24. I don’t even know why Damon needs to tell Stefan that what happened to Enzo will haunt him like Stefan isn’t new to guilt. Why are they making it seem like this is Stefan’s first rodeo?

25. My video keeps fucking buffering. I might switch sites because I love myself too much to drag this out longer than I have to. Because I am only eight minutes in, that’s not gonna fly.

26. OK so everything is just buffering. I was supposed to have my data back, what is this.

27. Right now I have it paused on Damon. I really don’t get what anons mean when they tell me his arms are huge. Like I don’t see it.

28. WHO CARES ABOUT MATT’S MOM? What’s her name again? Kelly?

29. Is she dying?

30. She’s dying.

31. Oh she’s dead. Ish.

32. “Oh please don’t be mad at me, Caroline” that actually sounded like Stefan was talking to his mother.

33. Yeah this BE scene is giving me nothing.

34. Liz did a TERRIBLE job protecting MF, who are we kidding? And toasting with your rape victim about how her mother became your best friend and now her daughter will be your family is disgusting.

35. Lol yes use the SE necklace that Damon kept taking to give it to Caroline on her wedding day for Stefan because we’re ignoring how important that necklace was to SE, sure.

36. Seriously, Caroline looks at Alaric with more love than she does Stefan. Like just marry him, y'all are more compatible and have more chemistry than you and Stefan anyway. Like omg.

37. “I hope I get to see this one day with you and Elena” lol the FLATTEST delivery ever. Like do you even mean it? Do you REALLY? Think hard, Stefan.

38. “I want to be a part of your happiness” I mean I guess. I don’t like Bonnie being arbitrary in her blame for Stefan but like can the girl be selfish and feel what she feels when she feels it for once? And indulge? Like??

39. I also find it interesting that Stefan and Caroline don’t have a private moment before the wedding, like I know this isn’t how we wanted to do this blah blah blah. They’re so segregated even when they’re together.

40. Do the writers not know of any alcohol other than bourbon?

41. The slow mo doesn’t change the deadened expression on Paul’s face, guys. Sorry.

42. Also Alaric’s speech is stupid, who becomes “family” with the people who have continuously terrorized your life and are responsible for the people you’ve lost? Like that’s when you see a psychiatrist because you have serious emotional issues.

43. “You saw light in me when all I saw was darkness.” WHEN WAS THIS? NO LEGIT WHEN? I REALLY WANT TO KNOW. Madly in love, you don’t even look madly in love, you look SO chill. OMG.

44. LOL bout you’ve been ready since you saw him at school. You were on his jock for one episode, then you onto Damon and were unfortunate enough to be his victim, then it was Matt, then it was Tyler, then it was Klaus, then it was Tyler then it was Jesse then it was Klaus then it was Stefan. Girl bye.

45. That SC dance looks SO AWKWARD.

46. Of course Matt’s dad isn’t dead. I mean he got stabbed when it was light out and now it’s dark but he’s still gurgling. Jesus. We met him THIS season, Julie, you can kill the irrelevant fucker off.

47. I don’t know why Caroline is STILL wearing the necklace.


49. Why isn’t Caroline vamp speeding into the house?

50. Really? That’s your reaction to your kids potentially dying?

51. So like the smoke is having no effect on Bonnie?

52. And them siphoning her doesn’t hurt?

53. Caroline is legit calm when she thought her kids were dead for a minute.

54. LMFAO SO WHO ISN’T IN HELL? Vicki was in hell, Kelly was in hell, so like ERRBODY GOES TO HELL THEN? WHAT CRITERIA IS THERE? Like if I run a stop light do I go to hell because it’s against the law? What if I jaywalk or accidentally step on an ant or something? BECAUSE SERIOUSLY.


Final thoughts: This episode didn’t enrage me like I thought it would, it’s just thoroughly ridiculous because it attempts to haphazardly rewrite history and Paul was such a lacklustre groom, like faaaam, those vows were horrible. And Caroline and Stefan are just so isolated from each other, like they don’t feel like a couple or a pair, they don’t feel like one, it’s so very cold. Kelly coming back with her daughter to destroy MF is like, I mean I guess, Katherine’s plan isn’t even original, Stefan was going to burn MF to the ground first anyway, like we’re seriously recycling plots in the same season too? This was actually laughably bad.


(Spoilers if you want to see the show)

So I saw hamilton yesterday and it was the most amazing experience ever and so worth the amount of effort I put into getting my Canadian ass over to NYC.

Now every stage show is different but this is just some of the neat shit I saw on stage and thought I should share.

-Aaron burr spends the entire beginning of “my shot” trying to ignore the crew and read a book but he keeps looking up, continually distracted by hamilton

-somebody threw a stool across the stage in “my shot”, like a couple metres, and someone caught it perfectly like a big ass stool was just chucked from one ensemble member to another with ease it was amazing.

-Laurens acted drunk his entire stage time and just got progressively more wasted as the show continued.

-during “the story of tonight” Laurens goes over to ham and the do that arm hug thing and stare longingly into eachother’s eyes. Mulligan and Lafayette pull Laurens away into a friendship hug and roll their eyes when he inevitably goes back to sorta hugging Hamilton and gaining longingly into eachother’s eyes.

-in “farmer refuted” he tries to fight Seabury immediately but is pulled back by burr and so seabury actually manages to get through his first few lines.

-seabury is standing on a box and when hamilton starts harassing him he picks up the box and moves it in from of hamilton so he can block the other man. Eventually hamilton gets on the stool with him to further yell into his ear.

-when ham gets Philip Schuyler’s approval in “helpless” he secretly does an awkward dance that reminds me of usnavi when Vanessa agrees to go out with him, it was that sort of dance (oh snap who’s that don’t touch me I’m too hot yes!)

-in “satisfied” when it rewinds to the ball scene Angelica is dancing with Washington while singing about her love for hamilton.

-daveed does in fact jump off the table when he starts rapping fast during “guns and ships”

-In “what comes next”, Groff walks in under a red stage light. When he says “I’m so blue” he taps his cane and glares at the lights angrily. They change to red.

-in “dear theodosia” burr and hamilton are both siting on chairs symmetrical to eachother and gazing forward lovingly at a child they cannot see. Hamilton has a huge smile on his face that remains until the end of the song where Eliza comes in and tells him they’ve received a letter. Hamilton keeps smiling at the Philip we cannot see when he dismisses her (it’s from John Laurens I’ll read it later). The smile drops when she starts reading and above, behind them mulligan and Lafayette are reading the same letter.

-during hamiltons second rand in “non-stop” he is standing on a table while the ensemble members watch him in awe. But is sitting with them but keeps rolling his eyes at the audience and gesturing to ham like “see what I have to put up with?”

-in “cabinet battle 1” Jefferson drops the mic and it is immediately caught by Madison

-also when ham starts insulting Madison, poor James is having a coughing fit and has to sit down. Jefferson comforts him while glaring at hamilton. Early in the song he was grinning but the second Hamilton brutally insults Madison’s health he looks about ready to kill a bitch.

-during “take a break” at the end of the French counting, like Philips final count at the beginning, he jokingly growl/screams the final CINQ

-(mnsfw)at the end of say no to this Maria sits on hams lap and starts grinding and this was 100% buttsex I’m not lying lin is making an orgasm face. He gets up and hands James Reynolds the money saying “nobody needs to know”. Then James snaps his fingers at Maria to get her to come. She looks back sadly at Hamilton before reluctantly following him.

-in cabinet battle 2 Jefferson proudly shoves the microphone in James Madison’s face to prompt him to say “France”

-at the end of “I know him” the king goes and sits in the corner of the stage and starts jamming out to the Adams administrations before getting shooed of stage

-in “the Adams administration” hamilton throws a large pile of papers loudly only the floor from the upper back balcony before swearing and storming off

-at the end of “hurricane”, it’s Maria Reynolds who hands hamilton his pen to begin writing the Reynolds pamphlet

-in “the Reynolds pamphlet” Philip is looking up shocked as his father while he gives the speech. He stumbles backwards into Jefferson who eagerly hands him a pamphlet. He reads it and runs off stage. Washington also come in glaring at ham and seems to yell at him before storming of. Groff walks on and throws some for good measure.

-“my looks not where the resemblance stops” Ramos gestures to his dick in case u weren’t sure

-at the end of “stay alive (reprise)” when the counting stops Eliza screams this agonizing scream and breaks into sobs. It tears your heart out of your chest.

-burr is eagerly listening to what the people have to say to him during “the election of 1800” and When the final ensemble member says “like you could grab a beer with him” he fist pumps the hair and jumps backwards really excited (this might just be Sidney’s version of burr but it was dope)

-in “the world was wide enough” burr shoots at the end of ten and an ensemble member grabs the bullet in midair, everything freezes and she dances while she carries the bullet closer to ham during his soliloquy

-Eliza let’s out an indescribable sigh at the end of “who lives who dies who tells your story”. I’m not sure if it was relief, it’s hard to say. Hamilton comes out while she’s taking about all the shit she’s done and just watched her in awe.

Other stuff:
-if you want shit signed at the door have your stuff ready and Sprint out the door the second you’re done clapping for the final song, like seriously run
-there doesn’t seem to be a bad seat in the theatre, not from the mezzanine anyway.
-Sydney James Harcourt always signs his name between hamiltons legs if you hand him a playbill or any thing with the main logo on it.

shpevrythng  asked:

ok for a Queliot head canon about them going to prom together (high school au)


  • “You’re going to Prom with me.” 
  • Quentin dropped the beaker in his hand and nearly fell over in his stool.
  • “I’m…what?” 
  • “You. Me. Dapper clothes. Prom. Together.” Eliot repeated, seemingly unfazed by the broken glass that landed by his Fluevogs. 
  • Quentin still gawked at him even as a lovely shade of red crept up his neck and onto his cheeks. 
  • It didn’t help that the entire classroom was now staring at them. 
  • Besides, even if they were friends, cool, suave, sexy people didn’t just tell brainiac super nerds that they were just going to Prom together, did they?
  • On second thought, they probably did. 
  • The longer Eliot stood waiting for any response from him the more troubled his expression became, like he realized that he made a mistake and he wanted to take it back.
  • Or maybe, just maybe, he was afraid of being rejected. 
  • Quentin prayed it was the latter as he opened his mouth. 
  • “Uh…sure. Yeah. Prom.” 
  • Eliot’s grin almost split his face in two. The entire class made cat calls and jeers, and Margo was no exception as she yelled “Go get you some dick, Babe!” At Eliot. To no one’s surprise, she would be having a meeting with Principle Fogg about her use of foul language in class. Again. 
  • Eliot took his seat again, but not before leaning to whisper in Quentin’s ear. 
  • “Who knows, maybe we’ll get that far.” 
  • A hard shiver ran down Quentin’s spine. Part of him hoped this was some weird dream and he would wake up any second. 
  • But part of him hoped to God that if nothing else in the world was real, that this moment was. 


  • Quentin stared in the mirror for what had to be the fiftieth time in ten minutes. He consistently smoothed a wrinkle that only he could see because Julia swore that there wasn’t anything there. 
  • He opted for slicking his hair back, despite his James and Julia protesting that he ‘should just cut it for fucks sake.’ 
  • He had to admit though that the mint green dress shirt looked rather nice on him. According to his mother, it ‘brought out his eyes.’ Whatever the hell that meant. 
  • Quentin was thankful that James and Julia agreed to come with him to pick Eliot up because he didn’t think he could do this alone. 
  • Eliot was everything Quentin wasn’t, and yeah, maybe he had tossed around the idea of being more than friends, but he didn’t think Eliot would take him seriously. No one else had in the past. 
  • Nerves struck as he waited on Eliot’s doorstep. His palms began to sweat and he wiped his hand on his pants, surely making the non-existant wrinkles worse. 
  • Margo opened the door and beamed at him. 
  • “You look good, Quentin!” 
  • Quentin managed a small smile.
  • “Thanks, Margo. You look nice.” And she did. Margo wore purple well, and the white gold jewelry that sparkled off her tanned skin really made the whole outfit. 
  • “I’ll take that as a compliment.” She stepped aside and allowed them in before calling up the stairs. 
  • “Eliot! Your chariot has arrived!” 
  • Quentin was suddenly reminded of a stereotypical scene in those stupid romantic comedies where the guy waited for his date at the foot of the stairs at gawked at her as she descended. 
  • And he was very much okay with this as Eliot came down said stairs because he couldn’t have imagined this moment any other way if he tried. 
  • Eliot was the very definition of elegantly gorgeous in a navy blue suit and a matching mint green dress shirt. 
  • Quentin distantly wondered if Eliot had a Fairy Godmother that he was keeping hidden away because no one should look that good in anything. 
  • He was pretty sure he was grinning broadly as Eliot stood in front of him. Silence hung between them for a moment before they both began giggling
  • Oh dear God, he was giggling. 
  • And Eliot was giggling. 
  • And Quentin thought it might just be the cutest thing in the world.
  • It was certainly and immediately his new favorite sound. 
  • Everything felt…better with Eliot. His nerves, though still there, weren’t so bad, not when he thought that maybe Eliot was also just as nervous. 
  • Maybe they would kiss when then shared a slow dance. Quentin hoped so. 
  • Who knows? Maybe Margo was right and Eliot was going to ‘get him some dick.’ 
  • In that moment, as Quentin offered him his hand and Eliot took it graciously, he felt like he could do anything.
Secrets - Matt Murdock/Reader

Pairing: Matt Murdock/Reader
Word Count: 15,017
Prompt: “Can you do daredevil one where the reader is a S.H.I.E.L.D agent and Matt’s girlfriend but they don’t know about each other’s work/nighttime activities and one of them found out and confront the other?”
Summary: You’ve never liked keeping secrets from Matt, but given your line of work, he’s safer that way. You’ve kept your big, glaring secret from him the whole relationship, despite the difficulties. But pretty soon you find out he’s been keeping some of his own, too.
Warnings: Lots of scenes with food, a brief scene with alcohol, a significant deal of violence/injury, a scene with some light smut, the occasional use of profanity.
Notes: Reader with she/her pronouns. Non-established relationship. Reader is a S.H.I.E.L.D. agent.

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williamspooky  asked:

Hello! Fictober prompt: a fic featuring a quote from My Immortal (the fic, not the song)

Oh god. I hate you a little!! I had never read this before and now I can’t unread it… however among the endless angst of FicFest - some semi-cracky levity might not be unwelcome. So here we have it…. set post FTF, Yes I know this makes no sense with HP chronology but I really don’t care :P If you really hate yourself, read My Immortal here… Feedback very welcome on this - comedy is not somewhere I’ve really gone before in this fandom so…. enjoy?!

Into the Woods 

A MSR ficlet inspired by a quote (bolded) from “My Immortal” | Rating : R

Scully’s not sure what the hell Mulder was thinking when he dropped the thick manila folder on her desk. In fact, she’s not sure what he’s been thinking at all these past few days. They arrived back from Antarctica battered but united, walked through the park hand in hand and she’s been waiting for an encore to that interrupted hallway kiss ever since. Thankfully she was smart enough not to hold her breath for it or she’d have expired some time ago.

Instead of romantic overtures or just some straight-up release of five years worth of sexual tension she’s had two weeks of bored, irritating Mulder. In the rumpus of the bullpen he’s become adept at dropping her questioning gazes into silence, avoiding being alone with her and resorted to sending increasingly bizarre urban legends to her for “appraisal”, filling her time with one wild goose chase after another as they await reassignment to the newly re-opened X-Files. 

This particular folder had landed at the end of an especially frustrating Friday, the weighty thunk of it’s arrival adding insult to the injury that was Mulder’s accompanying sideways glance. She’d wearily asked what it was this time, expecting the usual challenging shrug and instead been greeted with a new Mulder look. Somewhere between guilt and mischief, it kick starts an immediate pulse between her legs which is just as quickly crushed by his rapid exit from the room. Scully drops her forehead to the desk and attempts to knock some of that strict rationale back into herself by the proven scientific method of gently slamming her head against the backs of her hands.

‘Jeez Scully!’. Mulder returns, just in time to witness her dramatic turn, amusement playing with the full curve of his lower lip and she gives him her best sarcastic eyebrow as she tries to pull herself together.

‘What is it now Mulder? More killer trees? A last minute autopsy or three? Or a new report on invisible goddamn beehives?’ She loads each question with sarcasm, poinst them at him and shoots, gratified that he at least looks surprised by the bitterness of her tone.

‘I was just going to ask if you could give me a ride home.’ He mutters, ‘But I can ask…’.

‘It’s fine.’ She cuts him off. I’m leaving at six. Not a minute before so don’t show up here at 5:30 and complain that it’s Friday and that nobody cares because I do.’ With that she turns her attention back to the file and refuses to look at him as he shuffles out, muttering something about her being such a damn prep.

30 minutes later….

What. The. Fuck.

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JigSue's game for Klaine - Emotional denial, but forever and always

6X05 analysis by Whitney

For the sake of my own sanity guys, I will not be discussing all the meta that happened in this episode.  It’s part of Glee’s formula, for it’s a show centered on pop culture.  I was not offended by the meta, because that is how fandom is.  I know some were, so I’ll leave that to discuss amongst yourselves. The meta only moved the story along on the guise of Sue’s desire to reunite Kurt and Blaine.  Jane has been simply brilliant these last few episodes, so kudos to her. (Plus, I wrote 5 pages of notes without the meta, so no more haha.)

Now onto the actual story.

Sue sets up her plan for Kurt and Blaine at the very beginning of the episode, stating that one co-director will go missing.  The audience clues in that it’s Kurt from the many reaction shots of him to her monologue of rules.  The date with Walter yet again shows how unsuitable they are together. I won’t go into it further, but just because Kurt said it was a second date, does not necessarily mean he’s into it.  He is trying to move on.

Now at Sue’s little “Klaine” shrine the audience is shown a tape of moments between Kurt and Blaine - First Prom, The First Time and Come What May.  I will gloss over the meta again and just say that the fact that these 3 moments were shown are important because they all have a key role in this episode.  I’ll explain why as each moment they reference shows up in this particular episode.  (It’s actually very smart and subtle.)

The boys run into each other outside of the faculty bathroom. (When someone figures out Blaine’s fascination with bathrooms, will you let me know?)  The two are calm and enjoy easy banter about non emotional topics.  This clues the audience in on the fact that the boys are beginning to tear down their walls around each other and reform a friendship. They are, however, avoiding “the talk” they both desperately need to have with the other.  

Hence the elevator scenario.  I have already explained that by enclosing two characters at odds with each other (enemies or separated lovers), it will force them to confront what is bothering them.  In this instance, Kurt and Blaine will reform the bond of friendship consciously, as one can see in their united front with Sue at the close of the episode.  Unconsciously however, the boys will begin to ease back into their relationship (hence Blaine’s touching and Kurt’s acceptance of the touching.)

Now, it will be shown multiple times in the episode, but when the boys feel threatened they move closer to each other.  This shows significance in how they both want to protect each other and how safe they feel with one another.  Correlate that to Kurt telling his father that Blaine makes him feel safe and connected and all the times Blaine has wanted to keep him safe. (I’ve talked about this in previous posts, so no need to go through it again.)

As Rachel questions where Kurt is, Sue simultaneously feigns shock at Blaine’s disappearance.  Even though the audience already knows they are together, the characters don’t, which will set up Rachel’s reaction to the boy’s reappearance.  (She definitely wants to know if something went on.)

The second elevator scene starts with Blaine banging on the doors, which causes them to argue like a married couple.  But the banging could also be seen as a physical representation of Blaine trying to escape his feelings.  Like I said, the elevator trope is commonly used to help characters come to an emotional realization between the other character in the inclosed space.  Blaine runs to protect Kurt from JigSue and the boys steadily move closer to each other as the scene progresses, because they feel threatened (like I stated above.)

JigSue tells them that they must kiss, so they pretend that kissing is no big deal and air kiss.  Kurt and Blaine don’t go through with it though.  This is classic denial, but yet shows how afraid they are to kiss, because they have both been denying their feelings (Blaine the longest.)  This is more noticeable during Blaine’s rushed reaction to having to really kiss Kurt.  But take note of Blaine looking at Kurt as he says “just let us out.”  He is still gauging for Kurt’s reaction and Kurt is against kissing him for his own reasons.

JigSue delivers a picnic for two.  The two previously reunited over a picnic in 5.01.  During this picnic, they yet again talk in the way one does with a long time lover. (“Definitely not gonna kiss because I had a bunch of these”.)  Blaine doesn’t seem so disinterested in the kiss now, except for that he may have bad breath. This clues the audience in on the fact that Kurt probably has told him numerous times that he won’t kiss Blaine when his breath smells of garlic.  They banter about how to get out.  The two take turns letting the other sleep.  This shows that they want to protect each other from any more harm from JigSue.  But by having both look at each other as they sleep, one can infer that they are comfortable in the silence of being near each other and longing to say things that they are unable to say to the other person when they are awake. (Again, denial of their feelings and afraid to voice them out loud.)

The entire heads op game sequence in the elevator was improvised. This works by the director giving the actors an outline of a scenario and letting them fill in the gaps.  They do bring up special moments for the fans of the couple so that is nice.  This is why the actors have a great working relationship. Improv is hard and they are both so quick with their responses. 

The scene does bring up Dave Karofsky and it has many implications.  Remember how I said the fact that showing the Prom Queen episode during the beginning of the episode was important, well here is why.  Dave’s refusal to dance with Kurt allowed Blaine the chance to overcome his own fear of being beaten again and dance with Kurt because they have found strength in each other.  This time though, the mention of Dave has encroached on Kurt and Blaine’s reconciliation of friendship and shown where each boy’s heart really lies, even if the words they say don’t reflect it. Remember how I said that Kurt is a character where importance is placed on what he doesn’t say.

Kurt’s smile immediately drops from his face at the mention of Dave and he says that, “It’s so hot and I’m gonna be sick.”  He’s upset that Blaine is with another guy and he’s hurt.  We are also shown a reaction shot of Blaine, who says nothing, but looks as if he regrets the very words that came out of his mouth.  It is very similar to the the time the audience was shown Blaine’s remorse/guilt over Eli C.  By doing it this way, the audience is able to gauge both boy’s emotions and feel sorry for both of them.

This also can be inferred as the boys still having miscommunication on the romantic part or their relationship.  They are reconnecting as friends, but yet again skating over the issue of their romantic feelings.  This does not sit well with JigSue, who immediately reappears.  She changes the game, the two must kiss to get out of the elevator. 

Blaine is the one to suggest that they kiss to get out of the elevator.  He babbles that he is only doing it because he is hot and wants to go home.  Kurt takes this all in in silence.  It is in these moments that Kurt gives away his desire to kiss Blaine by the finger gliding up and down his arm.  This connects to The First Time episode footage shown at the beginning of the episode.  During that episode, Blaine had suggested to Kurt that maybe it was time that they explored their relationship further, this time he suggests that they kiss.  Blaine looks to Kurt to gauge his reaction to the idea.  The scene ends with Kurt saying nothing.  However, he says a lot by the movement of his fingers.  Kurt wants to kiss Blaine, but is afraid to say so.

Both are afraid to kiss each other, so it’s easiest to place the blame on something or someone else.  The boys are using JigSue as an excuse.  They both state it means nothing, but from the previous scene, the audience can infer that it means quite a lot.  Blaine was constantly seeking Kurt’s reaction to the kiss and Kurt was quietly grazing his finger over his skin.  To Kurt Hummel, the brush of the fingertips is as sexy as it gets.  It’s an intimate gesture.

Now let’s look at the songs and how they influence the Kurt and Blaine scenes.  Remember, I said that songs generally reflect the person singing it.  But the lyrics can also be used to infer meaning to characters that the lyrics over lap in shots. It is most prevalent in this episode.

It Must have Been Love

Lay a whisper on my pillow

Leave the winter on the ground
I wake up lonely, there’s air of silence
In the bedroom and all around

Touch me now, I close my eyes
And dream away

These lyrics play a bit before and during the segment of Blaine and Kurt in the elevator where they both discuss how they both should make a promise that this kiss won’t mean anything and they are just doing what they have to do.  These lyrics are meant to clue the audience into the fact that what the boys are saying couldn’t be further from the truth.  Here the lyrics are painting a picture of a lover who is recalling the love they lost (whisper on my pillow.)  They want to leave the winter (loneliness) and they are surround by memories of a relationship (air of silence in the bedroom.)  I have stated before that seasons (winter) is an important metaphor for Kurt and Blaine.  Seasons represent forever and that is what they are.  This also cues back to the CWM footage shown at the beginning of the episode (Please refer back to CWM analysis for significance on seasons and the fact that Kurt is the one that reaches for Blaine in the dream sequence.)

Right now, both of these boys are clouded in winter (lonliness), but their love for each other is still there (seasons)  See how seasons can be used to express both the state of being they feel without each other and how their love for each other will be forever.  The “in the bedroom” lyric can correlate to 6.02 and 6.03.  We were shown Blaine crying in his bedroom over losing Kurt and we had Kurt singing the line about “laying in his bed all morning” during the It’s Too Late duet.

The touch me now and close my eyes portion of the song is a metaphor for the kiss and represents them longing for their future (dream away.)

It must have been love but it’s over now

It must have been good but I lost it somehow

It must have been love but it’s over now

The above section of lyrics plays over the scene where Kurt and Blaine talk about how they are only kissing because Sue is forcing them.  It can be inferred that both of them are denying the love is still there, because they are unable to handle the emotional fall out at the moment (hence what the elevator trope is.)  This is even more clear in the direct dialogue between the boys (forcing us lines.)  The use of the elevator is to tip the emotional scale - the boys will be talking in a later episode.  The stakes have to be raised and they are.

Now, since seasons represent the boys’ everlasting love for each other look at “water” and “wind” as an element of a season.  Love is where “the water flows” and where “the wind blows.”

It’s where the water flows

It’s where the wind blows 

Where the wind blows

Where the wind blows (Kitty and Spencer: Blows)

The boys kiss exactly on the lines “where the wind blows.”  One can infer that to mean that Kurt and Blaine are the love of each other’s lives.  

Now let’s look at it in terms of their first kiss in Original Song.  Blaine is the one to initiate that kiss. This time it is Kurt.  Kurt is reaching for Blaine just as much as Blaine is reaching for him (look back at the significance of Kurt reaching for Blaine first in CWM analysis.)

There is a reprise of the “it must have been love” portion of the lyrics as the boys begin to pull away.  This is intentional to show the viewer that the boys are now realizing on their own that their love is still there.  But it is a higher stakes version of the first kiss.  The shots used are similar and the boy’s reactions are similar.

Whereas in the first Kiss, Blaine was realizing his heart beat for one Kurt Hummel, this kiss restarted his heart.  Blaine has been emotionally distant all season (the stark contrast in his body language with Dave.) He has also been very sassy (which Kurt finds amusing.)  But this time, not only is Blaine leaving his heart on the line, he is looking at Kurt for his reaction.  It is Kurt who broke them up and it is going to have to be Kurt to talk to Blaine first.

Kurt on the other hand.  His reaction to the kiss is the exact same as the first kiss, only it has different meaning.  In the first kiss, Kurt was rendered speechless by the fact that Blaine could love him at all.  This kiss, Kurt is realizing that Blaine has been the only one, and will be the only one, to move his heart (Walter Who?).

The elevator has served its purpose. It has brought both boy’s feelings to the surface.  The feelings they have denied terribly.  They stare at each other, speechless, both unsure of what to say.  It is Kurt who breaks eye contact first as the doors open. Remember, it has to be Kurt this time to talk to Blaine.  They run from the elevator.  A physical representation of them running from “the talk” they need to have with each other.

The creators show a shot of “None Of You Are Hot.” It’s meant to directly talk to the audience, but shed’s light once again on the boy’s denial of feelings.

The boys reunite with Rachel, who asks where they both were.  Kurt tells her it’s a long story.  Let’s talk about this for a minute.  Remember how Kurt referred to Adam as “no story” to Blaine.  Well look at the significance in that.  Blaine and Kurt have a history and it’s one that is important to both of them.  Blaine lingers longer than necessary, touching Kurt as he walks away. 

By not telling Rachel what happened, the boys are keeping this development to themselves (at least for now.)  Blaine doesn’t even tell his students where he was.

During All Out of Love, shots of Kurt and Blaine happen during the line “I can’t be too late to tell you I was wrong.” Here, it can be implied that Kurt wants to fix things with Blaine.  This is why he came back to Lima in the first place, as stated during his talk with Rachel in 6.01. There is a difference this time - Blaine.  There is a shot of Blaine with his first genuine smile of the season (at Kurt.)  This can be inferred to mean that the walls he put up around his heart are falling down.  He’s open to communicating with Kurt.  However, it has to be Kurt to start the conversation.

The longing stares at each other also can represent that the boys, as of now, have a secret.  They have kissed and they love each other, but are keeping it to themselves.  I believe, before anyone knows they are together, they will talk about it themselves.  They will then seek council from friends and family in 6.08, but only after they fully commit to trying again.

The final scene between Kurt, Blaine and Sue shows the boys reunited in friendship, as they confront her together.  The two tell her that her plan didn’t work, but that it has allowed them to get past the bitterness and become friends again.  They fight like a married couple and are comfortable with touching each other again, showing the audience that they are still denying their romantic feelings.  However, they are aware of them, just keeping them from the other.

Instead of it being Kurt and his many “were just friends,” it’s Blaine’s turn to pull the “friend card.”  But take note of Kurt’s silent head nod.  It mirrors all of Blaine’s reactions to Kurt’s denial of a relationship in season 4.

Now, thanks to the Sue and Becky scene at the end of the episode, the audience knows that is October 17, 2014.  Her plan is going according to schedule.  Week five, Kurt and Blaine are friends again.  Nice little throw back from the creators to have it written in courage letters.

Week 8 will be SIGNIFICANT!  But, we will talk about that later.  We have to get through 6.06 and 6.07. There will always be forward movement though.

Enjoy and let’s discuss.