it was fun to color though

Last week, in an effort to loosen/test out my hurt hand, I doodled ALL of the heroes and villains (minus Clock-La) from Sly 2: Band of Thieves instead of just Arpeggio for a change! It was sort of an experiment as I used NO references. I drew each character completely from memory (and also did not look up any animal references like I normally would). It was a lot of fun!

As to be expected, though, they aren’t all completely accurate. I ended up changing some design elements purposefully, but I’ll keep it a mystery on what was intentional and what wasn’t ;) The only thing I’ll say I for sure did on purpose was make Neyla a cat instead of a tiger because she was always just a cat to me, and I don’t care what canon says. REBELLIOUS.

I also used a limited palette where I reused the same colors over and over save for a few. They really liked to use blues. Like. A lot.

Done in ballpoint pen and colored in Clip Studio.

a restful home.

Hey so in honor of Pride Month here’s a list of musicals with actual LGBT characters in them so people can stop pretending that “implied gay/bi characters in Hamilton” is the pinnacle of LGBT representation on Broadway

-Avenue Q

-Cabaret

-The Color Purple

-Fun Home

-Hedwig and the Angry Inch 

-Kinky Boots

-Falsettos

-A New Brain

-Spring Awakening

-Rent 

-Book of Mormon (if you want to count that)

Feel free to add to the list!

anonymous asked:

Hello friend! Although I've been practicing in digital art for almost 3 years, I'm never completely satisfied by the result of my works. I usually never like the coloring. And from what I've seen you have the most unique and beautiful coloring style. So, I wanted to ask you, how did you find it? How did you expirement and settled in this style? Thank you for your time!

!!!! Thank you so much! ;v; 

We’ll start with ygo !!  because everything else before that is Dark Past and absolutely terrifying Never Again

early 2015, I used to try doing semirealistic art because artists like jiyu-kaze, artgerm, and sakimichan
the last piece took probably 2 weeks???? it was painful lmao

I used to do the thing where you painted everything in grayscale first and then used a bunch of layer modes to layer colors on top, inspired by this, and it carried over to my tg art. it would take maybe long time to finish anything because I didn’t really know how to use it correctly. 

 Then my style started off being inspired by sui-zakki  (the author of tg), especially these pieces xx, x

I switched to using base colors after a while and tried to paint the way ishida did. I really liked the way that his art wasn’t exactly smooth?? or that you could still see the edges of each color next to each other… the colors looked really sharp and abstract. You could say this is the start of the style I have right now <:
Along with base colors, I used a lot of lumi & shade layers to add highlights and shadows. My backgrounds were usually a lot softer and sort of random at the time (I think you can see my style improvement best through the way I drew/colored my backgrounds ‘v’ )

Around 2016ish, the colors I used were lighter because I used less lumi & shade and used more on overlay and multiply layers (this is what I do now) or by coloring with only changes in opacity (this was mostly influenced by ammeja). There’s the prominent geometric edges or whatever in my colors because I started using a more square-ish brush for everything and I really liked how it looked when the colors weren’t seamlessly blended together. (the victor in the center was my first yoi fan art, he looks so different now asjdfjgjgjgjf :’> )

I color in a more blocky/geometric style, and instead of painting my pieces and smoothing them out like the ones above, I just stuck with sketches/lineart (this old tg piece is the one that got me to stick to lineart).
My coloring was mainly influenced by barachan, lanxin, and seventypercentethanol, and their pieces like xx, x
yahoberries (I love her art so much you don’t understand) influenced my blue/white outlines as well as the stray blob of colors that I sometimes don’t erase around my art
I really like crystal/gem-looking colors, and having geometric shapes as highlights or shades looked pretty cool too, so that’s how my style happened <3

5

everybody lives AU | AKATSUKI
• setting — the Last

Akatsuki becomes a mercenary group for hire, as they did in Road to Ninja. 
This is more appropriately named the “everybody comes back to life and somehow things work out AU”… but as promised, 10 Akatsuki members in the timeline of The Last! Designing is fun (esp the village flak jackets) (・∀・)

See more extensive character/AU details below the cut!:

Keep reading

5

Fun fact: Prince was the original intended actor for the role of Ruby Rhod in ‘The Fifth Element.’ Above you will see the costume design for Prince drawn by Jean Paul Gautier. Upon meeting with Gaultier, Prince didn’t say a word but was amused. Prince thought the costume was “too effeminate” for him. Though, the real reason for Prince not taking the role had been tour date conflicts. Of course, the role would go to Chris Tucker; who did a fantastic job with the colorful character.🔥💎🔥

ArieVogues.Tumblr.com

So this is a totally useless rant, but as a skinny girl, I’m getting extra, extra tired of fat-shaming.

I work for a corsetier at a Renaissance Faire. We sell corsets. Not flimsy bullshit costume corsets; like real, durable, waist-training corsets. Today a woman came in with her boyfriend, so I helped her pick out a corset and try it on. While her boyfriend—who was decidedly enthused about the whole corset thing—sat watching me lace her in, he told me, grinning, “Of all the good jobs at the Renaissance Faire, I think you have the best.”

I shrugged in agreement. “I touch butts and reach down cleavage all day; I mean…” Because we like to be a bit rakish at the Faire, and, y’know, it’s true. Tying people into corsets pretty much invariably requires getting handsy.

The couple laughed at that, and the boyfriend said, “That’s the job I would want!” But then he chuckled again and said, offhand, “Or maybe not; while we were looking at the racks, there were some pretty big sizes on there!”

Our sizes are all done in inches, and the biggest we make is a 46. And you’d better believe our large sizes sell. For a second I wasn’t sure what to say to the guy’s comment, but I answered him casually. “We get a lot of beautiful big ladies in here.” Because we do. “We make corsets for real women, not Barbie dolls,” I added. Wasn’t trying to be smart, just kind of tossed it out there because that’s the line we like to use when people ask about larger sizes, and because, again, we do.

The boyfriend went quiet at that; I didn’t think anything of it, I just kept on lacing. A moment later, he said, a little awkwardly (but sincerely enough), “Didn’t mean to be offensive.”

I quickly smiled and brushed it off, said he wasn’t, said I was just saying. (Don’t want to make the customers uncomfortable, you know?) And that was the end of it. His comment had rubbed me the wrong way, but it wasn’t a big deal. Now, I wear a 20-inch corset. I’m a few cup sizes short of being one of the Barbie dolls. Like his girlfriend, I’m one of the “hot chicks”; he doesn’t have to worry about offending me by implying that I wouldn’t be fun to poke and pull at.

Honestly though, of all the people I fit sexy technically-undergarments to in a day, fat girls are maybe my favorite people to lace up. Because they are just so damn happy that we have stuff that fits them. They are so damn happy that the corsets we make in their sizes are all the same pretty, shiny colors and cool flower/dragon/skull/etc. prints that the smaller corsets are, not ugly beige and boring “granny” colors. They are so goddamn happy that at least one (of several on the grounds) corset shop carries things that they can wear, that they actually want to wear, and that they look fucking awesome in. This is only my second season working, and we’ve fit 60+ inch waists and double-K busts. The only people we’ve ever had to tell sorry, we don’t have anything that fits them, are twelve-year-old kids.

It’s half-wonderful, half-heartbreaking how excited those women get. Women who say with sad smiles, when we ask if they want to get fitted, “Oh, no, you don’t have anything that fits me,” and then are stunned when we’re 300% confident that yes we do, and we have options. Women who can’t stop smiling and looking at themselves in the mirror after we’ve got them laced in.

I had a lady last week whose waist I measured (cinching the tape tight, as per procedure) at 41 inches—honestly not all that big. So she picked out a 41-inch corset to try on. I could tell halfway through getting her laced that it was going to be a bit big for her, so I mentioned it and said she might do better to try a smaller size. She started crying on the spot. She was so overwhelmed; she couldn’t believe someone had just told her that a 41 was too big. She told me about how hard clothes shopping was for her, how her mother would tell her she needed an XXXL instead of an XXL, how she had recently lost weight but still couldn’t wear certain colors because they didn’t fit or she wasn’t confident enough.

She did end up getting her corset, and after I checked her out she asked if she could give me a hug, so we ended up standing there hugging each other for a minute. While we did, I told her, “Do not ever let anyone tell you any bullshit. You are gorgeous.” She said, “I have a new boyfriend and he keeps telling me that.” I told her he was right, and to just keep telling herself she’s gorgeous; it was okay if she didn’t always believe it, but to keep telling herself anyway. (That’s how I talked myself through shit when I had bad anxiety.)

We all know fat-shaming is bad. The stupidity, fatphobia, and misogyny of it has pissed me off since I first became aware of it. But working with clothing, especially as figure-hugging and precise as corsets, has given me a new perspective on it—how much it affects people and just how shitty it is. Like, what does it say that I had a grown, only average-big woman crying into my shoulder because she was so overjoyed not to be the uppermost extremity of what a manufacturer can clothe?

My job rocks and it’s really rewarding, but sometimes it highlights some of the ugliest shit about society. I’m so glad I work at a shop that’s not bullshit about body types and operates with more people in mind than just scrawny white chicks like me. The fat women I work with are a ton of fun to lace up, and they’re so much more than their size—they’re cool, they’re smart, they’re funny, they’re sweet, they’re great to talk to, and yes, they’re hot. I’m so damn done with them getting short-changed and shamed by petty fucks who refuse to make them nice clothes, who refuse to even try to work for them, who refuse to consider them pretty. This whole rant was useless and won’t get read, but I had to vent because it’s been driving me nuts.

So actually, screw you, random dude. Fat girls are the highlight of my job.

he gives me so much butterflies making me never want to stop thinking about him. he’s always the last thing on my mind and i’m always making fake little scenarios i wish would happen. seeing him in person makes the butterflies in my stomach seem like nothing. he’s always smiling which makes me want to smile back. his eyes make me drown even though they aren’t even close to the color of the ocean. his voice and his laugh are just so adorable. his personality and how he likes to have fun makes me so happy. he’s so hyper and just so ‘loveable’. i’m falling for him so badly but he can’t see how i can make him happy. how i can help him in bad times, how i can always be there for him, he just doesn’t see how much i want to be there by his side. it stings me just knowing that i think about him all day when he has probably never even thought about me once. i wanna be his but i also want to get over him but neither is happening.
—  rant.