it might be relevant

someone left a comment in their tags on my last drawing of the DA girls that just said ‘i love arm’ and ive been thinking abt it for days….. like same… i love arm too. heres some more arm sketches for you

Some fun stuff with obstetrics.

Okay so I crunched some numbers re: that panel with Touka’s due date and Yoriko’s notice, and here’s some fun stuff I figured out:

(Credits to @juuuzo and their post for the pic above and for illuminating some things for me!)

x Firstly, I don’t think it takes a genius to glean from this panel that the Touken baby is due 12/28 (which apparently is Ishida’s birthday… making the Ishida the One Eyed Prince?? dundundunnnnn)

x For the Obstetrics nerds: It’s hard to see based on just this panel if Touka really did use Naegele’s rule to figure it out, but if the due date really is 12/28, a couple of the numbers highlighted above (and a few that I squinted at) correspond to the formula. But it’s really hard to tell because Touka’s writing is shit lmao.

x But using some reverse engineering (not really, I just like that term; I used the Qx calculate app), if the due date is 12/28, Touka’s last menstrual period was 3/23.

x This is Yoriko’s execution notice:

x The penalty was placed 4/15, and Kaneki received the notice approximately 4/17, which would be the current date of the story right now. (How did I figure that out? See this post.)

x By simple math, we can estimate Kaneki Jr’s current gestational age as 3 weeks and 4 days. Taking things further, the end of the first trimester will be on 6/15.

x I have the urge to discuss the stage of embryonic development Kaneki Jr is currently in, but 1) ghoul biology might be different, and 2) really? do we really want to get into that? lmao.

x Interestingly, I looked back in the calendars, and comparing Touka’s calendar, the story seems to be taking place in 2016.

honestly what the fuck are you all doing? an exo8 comeback is definitely not what we wanted but you’re seriously going to go around saying you won’t support the comeback and that exo can “keep it”??? we’re all sad that he won’t be there but I won’t throw away the hard work of the other members because of this. Yixing is in exo, he’s not leaving. He should not be punished for skipping this comeback but the other 8 members should not be punished too. It’s not their fault. Exo needs to have a comeback, it’s been more than a year since their last studio album. They can’t go in the SM basement. They took so much time off, they rested but now it’s time to have a comeback. They need to stay relevant and they need the support from fans. Seeing comments like “where is Lay?” on Sehun’s last ig update is so stupid like, why are you doing this to him? He’s posting pics (or comeback spoilers) for THE FANS and all you do is ask something that wasn’t up to him and saddens him more than it saddens us

anyone wanna talk abt how nina and kuwei absolutely remain close friends to this day and visit each other in ravka regularly because i know in my heart this is true

  • nina gets what it’s like to be on your own in a foreign country trying to accomplish a seemingly-impossible task, and having her check in every so often is a huge help for kuwei settling into his new life there
  • they’re the most multilingual of all their friends and bond over this.  nina doesn’t get many opportunities to practice shu even though she speaks it fluently, and although kuwei speaks passable ravkan, he improves a lot faster from speaking to nina without the added pressure of having to do anything other than talk.
  • both of them religiously pick up bits of gossip and remember all of it and have at least an hour sharing all of it every time they meet (mostly nina.  kuwei likes keeping things to himself so he can use it if he ever has to.  but sometimes he’ll tell her something and nina’s eyes go wide because there’s no way kuwei should know that.)  between the two of them, they know what’s going on with everyone at any given time and have also been known to discuss this in earshot of whoever they’re talking about by switching languages so nobody can prove it
  • when inej comes to visit nina, the three of them go for waffles.  afterwards, inej and nina take turns teaching each other the rowdiest sea shanties they know and kuwei looks on with a mixture of confusion, amusement, and horror, because neither of them can carry a tune and there are some lyrics he wishes he didn’t understand.  (he’s totally memorising them for later, though.)  they’re so happy and enthusiastic about it that after a while it’s hard not to give up and laugh
  • both of them also know what it’s like to lose someone you care about and to have to move on and make a life for yourself regardless.  it’s not something either of them talks about a lot but sometimes, a good number of years in the future, they will.  nina tells him about matthias, about the future they were going to make together and how they were going to change the world.  the work she’s still trying to do on her own.  the promise she made to try and help the younger drüskelle who could become something more, like matthias did.  kuwei doesn’t need to say a lot to that, mostly just listens, but he’s seen how much nina’s accomplished in the years since the ice court job and matthias’ death and all of the good she’s done.  
  • he especially doesn’t have a lot to say about his life before fjerda and ketterdam, not a lot of it is things he wants to remember, but he was close with his father even if their relationship wasn’t perfect and sometimes there’s something to say about that.  about how it might have been better for the world if it was his father who survived shu han, how kuwei could have done something to help them escape if it wouldn’t have exposed him as a grisha to the fjerdans.  i could have brought matthias back, nina says quietly.  i almost did.  sometimes letting go is better.  
  • the potential with these two is honestly so underrated and i feel like we as people need to talk about it more

bonus:

  • nina: wake up, i have a huuuuge dilemma i need your opinion on!  
  • kuwei: what?  
  • nina: am i more beautiful today than i was yesterday?  i mean at first i looked in the mirror and i thought well, yes, definitely, huge improvement–  
  • kuwei: can i have my pillow back?  
  • nina: –but then i thought maybe it’s not that i’m more beautiful today, maybe i was just as beautiful yesterday but i lacked the self-esteem to recognise it!  
  • kuwei: don’t take this personally but get out

anonymous asked:

Excuse me, but... why do you hate when straight woman go to a gay bar? I'm a straight woman and I live in Madrid, and here lot of straight people like going out around the gay area (Chueca). I sometimes go with my boyfriend, with my friends, and sometimes with my gay friends, who are very happy I go out with them in Chueca. For me, going to a gay bar is like going to any other bar. Wouldn't be homophobe if I said, no way I am gonna go to a gay bar/gay area? Sorry for my english.

Hi love. Your English is fine! 

This is a complicated issue, and I will try and speak about it to the best of my ability. First off: if I said I hate when straight women go to gay bars, I was speaking hyperbolically and being reactionary, which is totally my right as a lesbian who seeks safe space the same way any gay man does. But the truth is,  that I don’t SIMPLY hate it, every time, always. I hate the way it changes how gay bars feel to me, and I hate the culture it creates and lends itself to. It’s something I have nuanced and complex feelings about. 

Like, I understand why straight women enjoy going to gay bars. I know often times straight women just want to have a good time and get away from straight men, and as someone who ALSO wants desperately to get away from straight men,  I get how gay bars can provide that space. 

However, many straight women can be super disrespectful to that space because they don’t understand the historical significance of gay bars for gay people. Here are some of the things that are really damaging that I see on the regular. Not all of them are specific things all straight women do at gay bars, but they ARE inevitable affects of the PRESENCE of straight women and straight culture within an LGBTQ space: 

1. straight women sometimes get offended when lesbians hit on them at gay bars, which is absurd because….it’s a gay bar. You’re in our space. I also regularly witness straight women acting particularly disparaging or even DISGUSTED by butch women in gay bars, which really hurts and is so cruel and disrespectful. The amount of times I’ve seen gay men band together with straight women to mock butch culture/appearances is innumerable. 

2. At least in LA, its become such a commonplace thing for LOTS of straight women to go to gay bars, that they out number the amount of lesbians/wlw. First off, this just feels awful and isolating for us, but additionally, it makes lots of wlw so uncomfortable that they don’t feel safe cruising/asking women to dance because the probability of the girl being straight is really high. Can you imagine how lonely, scary, and frustrating this would feel for wlw to go to a bar that is supposed to be FOR THEM and feel afraid and outnumbered by straight women? 

3. Lots of straight women treat gay bars like some wild tourist space.  They get to come to the gay part of town and watch the gays interact in their natural habitat, they get to see crazy wild freaky things like boys in make up and butch girls in plaid and go-go dancers and hot guys making out! How titillating and exciting and funny! Now, I’m not saying you do this, personally, but you have to understand that MANY straight women DO. It feels awful and hurtful to just want to go out and dance and be yourself AWAY from the cruelty and scrutiny of straight people, and end up at a bar where you’re getting watched like a sideshow ANYWAY. 

4. Many straight women bring their boyfriends. For numerous wlw and MANY gay men, straight men are traumatizing. They are our abusers. They’re the last thing we want to see in our safe space. NOTHING makes me feel more unsafe and invaded and shitty at a gay bar than the presence of straight men. And if there are straight women, there are likely going to be straight men, at least eventually.  Now, even aside from them making me feel flat out unsafe an horrible, it’s also just disheartening and irritating to see straight couples taking up space in an LGBTQ environment when I’m literally trying to get away from them! I don’t want to see straight people making out. I don’t to see straight people dancing. I don’t want to see straight people standing by the bar pointing at us. If I wanted all that, I wouldn’t be going to a GAY BAR.  

5. Again, at least in LA, it’s so common for straight women to go to gay bars that straight men will actually go to gay bars with the intention of finding straight women, because they KNOW it’s a place where single women congregate. I kid you not, it’s a pick up artist “trick” to go to gay bars. This means, predatory straight men in LGBTQ spaces, trying to hit on women. This INCLUDES WLW because sometimes they can’t tell the difference or literally don’t care!!! I DO NOT WANT to be around straight men, even the ones who are there with their girlfriends, so I ESPECIALLY don’t want to be around the type of straight guy who is looking for a hook up!  I don’t want to be hit on my straight men, I don’t want my bi friends or my femme friends who came to a gay bar looking for solace and to escape unwanted attention to be hit on or checked out by straight men IN THEIR OWN SPACE!!!

I remember the first time a straight man hit on me at a gay bar, I started dancing with him, close and kind of sexy, because it’s not uncommon for lesbians to dance with gay men like that in a playful way. Then, he started touching me, and I thought it was a little weird but was like “whatever he’s probably gay” and THEN HE KISSED ME and it was like my fucking world came crashing down. I felt so terrified and unsafe and dirty, and when I tried to scramble away and was like “Oh my god I’m gay stop” he literally said, and I will never forget this, “I don’t care. You didn’t a minute ago.” 

Whether or not you realize it, the presence of straight women in LGBTQ spaces leads to the eventual normalization of this type of behavior. Straight people and particularly straight men are ALWAYS coopting space that doesn’t belong to them and making it unsafe for LGBTQ people, who are ostracized outsiders who live in danger everywhere else. If I can’t go to a gay bar to get away from these types of men, where can I go? If my friends can’t go to a gay bar to pick up women, where can they go? 

NOW, you mentioned you were from Spain. I have never been to Spain and have relatively no idea what the gay scene/bar scene is like there. Some of this might not be relevant to you personally, and I’m sensitive to the fact I’m speaking from the experience of someone who grew up clubbing in West Hollywood/LA, so this might not apply to you. It might be different in Spain, and I get that you want to support your gay friend when you go out with him. That makes sense to me, and I know there are ways straight women can be respectful in LGBTQ spaces. 

But please, consider all of this. Also, you said something that really stuck out to me: “ For me, going to a gay bar is like going to any other bar.”

That stings, because for us, going to a gay bar is NOT like going to any other bar. Going to a gay bar is like going home, or it should be. You have to understand we don’t get to feel safe or supported most of the time when we exist in the world. We have to seek out those safe spaces, so when those safe spaces get infiltrated by the people who make the rest of the world unsafe for us, IT HURTS. We don’t want gay bars to be like any other bar, they need to be treated as the very specific, historically significant, cultural phenomenon that they are. It’s not just a rainbow on the wall that makes a gay bar a gay bar. I hope that makes sense. 

Further reading here! 

Lesser seen french tips

These are a few things that i think might be relevant to language learners that i don’t think I’ve seen on langblr! At the end of the day it’s whatever works for you, but i hope these might be helpful 💙

🗼pouvoir, vouloir and aller (to be able, to want and to go) are really useful verbs to learn confidently. If you want to use a verb you don’t know how to conjugate, you can often follow one of these verbs conjugated with the infinitive to express something similar. It’s always better that than guessing a conjugation!

🗼watch videos of french people speaking english! Most french people will still impose a little bit of french pronunciation even while speaking really good english, and this highlights french pronunciation that you wouldn’t notice in a person speaking fluent french. 

🗼for me, reading simple YA novels written originally in french is actually more beneficial than translated english books that I’m familiar with. This will prevent you from reading by assumption/context/memory. Also, french books tend to be more culturally relevant, and include phrasing and idioms that are more typically french.

🗼contradiction of my last point, but try watching shows originally in your native language with french audio and subtitles. For some reason, it’s far easier for me to understand and i know many people struggle with listening to french. Netflix often has the option of picking the  language of your show, i would highly recommend this if you struggle to understand french films/shows. 

🗼quizlet is the most effective method of learning vocab I’ve found! For me, writing out flashcards takes a long time, and typing in the answers solidifies spelling better than just repeating the words. 

🗼if you’re someone who struggles with pronunciation, some people find it helpful to have someone who doesn’t speak the language read aloud in it, as it highlights typical errors that a speaker of your language will make (and will probably make you feel good about yourself lbh) 

🗼practise just speaking aimlessly in the language, be it to yourself, your pet, or even just while thinking. It’ll help you practise coming up with things to say on the spot, and when you screech to a halt because you don’t know how to express something, you’ll know what vocab it’ll be useful for you to learn next. 

There’s something that new k-pop fans might not understand about the older generations of idols. Many people like to criticize Super Junior for their past actions, seeing them only as variety idols without any musical value. Some might wonder how they have lasted for so long, thinking that they aren’t even popular anymore, that they are overrated, etc.
It’s a well known fact that one of the secrets to Suju’s successful career is because they treat everyone around them with respect. Numerous hoobaes and sunbaes have said the same thing over & over again : you might not see them as popular or relevant now, but their popularity and impact were grandiose, more than you could ever imagine. SJ has so many connections in the industry, going from actors/singers, to MCs/producers. They spent a decade trying to tie countless of relations here and there, finding many opportunities to spread their talents. What they do might not interest you, but they are really what you call a well-rounded group. There is not one single member who is useless or isn’t talented.

You want a good producer? You have Shindong. Great MCs? Leeteuk, Heechul, Kangin, Eunhyuk, Kyuhyun are doing well. Radio DJs? Ryeowook and Shindong are comfortable doing that. One of the best vocal line, if not the best in kpop? Kyuhyun, Ryeowook, Yesung are here to please your ears. Zhou Mi is super great as well. Kangin & Shindong went on Masked Singers (Still waiting for Heechul to make an appearance). Actors? Yesung, Siwon and Heechul are pretty confident in this field. Dancers and choreographers? Of course we can’t not mention Eunhyuk, Donghae and Shindong. Composers? Not only Donghae is a genius, but a few of them have proven to be talented as well (Did you listen to Don’t Leave Me? If not, you should, and thank Siwon later; also can we talk about Henry? That guy never cease to impress me). Musical actors? Sungmin, Ryeowook and Kyuhyun excel in musicals. And those are just a small part of what each member can do. On top of that, members can play instruments, have a great variety sense, are hilarious, are a genuine and caring group of people, are hard workers, and most importantly : all of them can actually sing, contrary to popular belief. Their voices mixed together blend perfectly and they have a unique sound. Even their sub-units will impress you. Give their discography a listen, because they have proven themselves so many times already. You will not be disappointed.

The thing is that it seems like everyone who’s working in this industry knows how talented Super Junior is and how difficult it was for them to be where they are today, yet the public chooses to ignore this side of the group. They’re veterans in the industry that should be respected. I mean, their name was supposed to be SM Junior when they debuted, but they changed it to “Super” because the members themselves said : 
We have to become first at what we do best, so that when members gather, we’ll be the top of the top. That’s why we are Super Junior.” 

  • Steven Moffat: Bill being gay only comes up when it’s relevant.
  • The Pilot: For instance, when she randomly tells a story about a crush, seconds into the episode.
  • The Pilot: When someone makes a remark about guys.
  • The Pilot: When a love story starts to develop.
  • The Pilot: ...oh, that's ALSO this week's plot.
  • The Pilot: ...AND the resolution of the episode.
  • The Pilot: Travelling with the Doctor, she might meet Heather again.
  • Steven Moffat: Like I said, only when it's relevant.
Homestuck Meta Theory

Alright, so I know there’s a lot of people disappointed with the ending, again, I sound like a broken record by this point. And don’t get me wrong- While I love the ending, I would still love to see more of the characters and the story! I just feel it’s a good end as it is. I’ve made a lot of theories about what the End means and everything about Act 7, but all of the things I said, about the Jujus, about becoming freed from Paradox Space, it made me think about the rest of the story, and I believe it has made my entire idea of what Homestuck is change.

So the big question here is, what IS Homestuck? Most people, including me, when talking to someone who knows nothing about it, will speak about the story, the 4 Kids playing SBURB, and the subsequent destruction of Earth. And then mention its huge amount of references towards programming languages, popular culture, storytelling in itself, and it’s self-referential nature. But this Ending has got me thinking that maybe the reason why so many people have been disappointed in the End is because they got Hussie’s intentions wrong.

We tend to reference how the humor and the nature of Homestuck’s narrative is a little extra onto the story, and while it is true the story itself and the characters have drawn a big part of the Fandom, I thought… What if the important part of the Narrative isn’t the Story, but the Meta elements.

As soon as I made connection, everything about the ending began to fall into place. I have commented before that I feel Act 7 is like being shown the Good Ending of a video game without seeing its Neutral Route. 

The Kids have Earth, and Juju Vriska uses manages to flip the ending so that instead of being trapped by Paradox Space’s rules…

They manage to ‘End’ the game properly and get their Happy Ever After.

All while Caliborn is shown getting his power of Immortality, and while we’re left ambiguous about what happens to Vriska and Lord English and everyone in the Dream Bubbles…

Another thing people have complained about is the Character Arcs.

They say how ‘different’ the timeline is. What was the point of Rose’s alcoholism if then Vriska just swats the drink away and it never had any relevance anymore? Terezi’s relationship with Gamzee never happened. Dave and Karkat got together? The Game Over Timeline is bad, everyone agrees that people dying is never good, but they also claim that suddenly having all that Character Development changed made them unable to relate to some characters anymore.

And of course there’s always the mention of how Vriska, even though she’s an abusive 8itch, ended up being somewhat of a heroine, or at the very least not seemingly getting too punished…

That’s where the Narrative itself told us there was something off.

DAVE: rose we dont have fuckin “arcs” we are just human beings

Many have mentioned it, about how not having a closure to certain character arcs referenced this portion, the notion that the characters didn’t have an arc. The same way she then references Jade breaking Endgame ships and such. Rose’s power is Light, and her information source comes from the same place as SBURB and Skaia. It’s a game. Of course she’d have the notion that all of them have to fit certain predisposed stereotypes or their stories have to follow a certain pattern- Rose is looking at their lives since SBURB started as it has been. A Story.

But Dave is having none of it. Dave is beyond the thought that all they do has to follow a set pattern, and claims they don’t have character arcs. This might sound like a clever device by Hussie so he didn’t have to explore more of each of these character’s lives and he could close the comic leaving some loose ends but, there’s more.

Hussie? As an entity? Exists within the story. This would be all fun and dandy if it were a couple of stupid references and memes. And that’s what many people think! Most of his appearances in canon have been a joke, really. But…

Hussie joked about his influence on the comic, when his bot-self was about to mess up with the Kids in the Yellow Yard, but eventually didn’t do it. And yet? His fight with Vriska. His interactions with Caliborn. Everything pictured above? Hussie is a physical entity that follows the same rules as everyone else in Paradox Space and can influence the story. But he’s not a self-insert. He IS the Author. He is the one who wrote every of these characters and continued the story. He’s not another character, he’s himself, in the Homestuck Universe.

And then it began to dawn on me, that perhaps the Meta aspect of Homestuck was a bit more than Fourth-Wall Breaking fun and references to real life stuff. Of course, this train of thought led me to another main plot device that has never exactly been explained to its full extent. Jujus.

There’s the Sucker…

The Crowbar…

The House Juju…

A lollipop that could change character’s personalities, making them immediately make up for aaaall of their mistakes without a care in the world, start alchemizing new weapons, and end up exactly where they needed to be.

A crowbar that can break other of these mysterious devices, and more importantly, has been shown to be able to interact with the Website itself, which seems to be its own physical entity as well!

A house that gave John the ability to change the story, and that ended up being used against the Big Bad of the entire comic.

A puppet that trapped the Souls of various characters and became the gateway for the Big Bad of the comic to become who he is.

A mysterious pair of rings that oh so conveniently appear and disappear on characters, and leave you wondering what they really do, but clearly shown to at least be able to revive someone who, by no other means in the story, would have been able to get back to the world of the living.

Jujus are mysterious, when you look at them from the perspective of the characters. They have no beginning, no end, they just appear at some point and do a loop through time, ending up exactly where they appeared first. They are powerful artifacts able to change reality itself, with no explained origin… But we are no characters. We have seen what these things do on the comic through its entire lengths.

Jujus are plot devices meant to alter the Meta of the comic. They are not things that make sense in a true physical reality. They are artifacts that alter the rules of the plot. Because that’s what the plot is. A story. Because Homestuck is not real, and it acknowledges this.

Or at least… It was supposed to acknowledge this. Many have also claimed that the last updates were so disappointing, compared to Cascade, as Cascade managed to solve so many plot points, but this last one felt empty of everything. Plot. Character Development. That’s where Jujus and Hussie come in.

Hussie dies, in his own comic, a comic that acknowledges him as the actual AUTHOR of the events taking place. And later, we see…

Caliborn, the young version of Lord English, acknowledging Hussie’s death, as he takes the rest of Act 6 and makes it his. Through the use of the Command Prompt, through his own drawings, he begins to write his own story.

[S] Cascade had so many plot points resolved, and these last updates didn’t. Because that is the point. Ever since Act 5 ended and Act 6 started, Hussie has begun to lose control of the story. He was killed by Lord English, the big bad, who also took control of the narrative. Vriska acknowledges a narrator speaking, and forces the narrative to shift back to her opening the Juju chest out of frustration. The command prompts, John’s retcons- At this point, Hussie is no longer in control of his characters.

The Game Over timeline was bad, but it felt like it had more Character Development. That is because it was a not-retconned Timeline. The characters had struggles, the plot moved on forward, some people was possessed, it was all prime material for a conflict and a resolution afterwards! But Aranea’s intervention made it a Doomed Timeline. A Bad End. We all know how Doomed Timelines work, so everything that happens there would have been totally irrelevant. But John didn’t want to accept that. Roxy was still alive, and sad. And Terezi wanted him to fix things up. So instead of acknowledging he was in a Doomed Timeline, like Roxy did? Roxy, who saw her mother-daughter die in her arms, and claimed there might be nothing left for them. And meanwhile, John just managed to get his powers ready, zapped back in time and solved everything.

New problems arose in the new Timeline, sure, but not as many. And a lot of the character arcs were suddenly shoved back. Rose no longer struggles with alcoholism, Karkat doesn’t chase after Terezi, and becomes Matesprits with Dave after mellowing down. Gamzee, one of the biggest dangers, is shoved back by Vriska until he’s barely relevant anymore.

And all of this might just be me trying to find an explanation to the sudden loose ends not being tied. But I think, all of this, was meant to express more than Hussie rolling the story back or changing the story to fit other things. No.

We go back to Dave’s words. We’re real people, we don’t have arcs. We are real people. In a comic, where the author is a character, and that always acknowledges it’s a comic? Dave saying they’re real people is big. It was taken as a joke, because they are characters, come on! Right? … Right?

Well of course they are. But that’s the thing. Up until Act 6, all of the various characters were nothing more than that. And even during the Game Over Timeline, they were nothing more than that. But Hussie’s death, the ghosts, no longer relevant, trying to fight back against Lord English? Caliborn’s acknowledgement of a story and trying to take control of it? And finally, John’s powers.

The House Juju gave John something more important than being able to change the Timeline.

The ability to make Selfcest canon.

Wait no- That wasn’t it.

The ability to alter the plot to his own whims.

John’s zapping doesn’t follow the rules of Paradox Space. It allows him to change the timeline as he wishes and it still be the Alpha. Not only that, but he can also warp out of the story itself, sending people and things to the background of the website.

It’s when Vriska starts to try and find this Juju that everything about the narrative begins to shift gears. John now can change the plot. Which means he is not adhering to the rules that bound them all anymore. He can go back, bring people who were dead back to life, save his friends, and aid them get a better ending.

And in this new timeline he’s changed? Everyone seems a bit different. They have gone through different things, and are as confused as anyone else about what is going on. This is the moment where these characters stop being characters.

This isn’t a story about Four Kids playing a Game, getting involved in Shenanigans and trying to live a happy ever after as villains try to plot on destroying them and reality. Homestuck is the tale of the characters from a webcomic, becoming self-aware, and escaping the grasp of the author and the narrative.

I don’t know if this is what Hussie intended, and if it is, at what point he planned to start leading the story this way. I might just be crazy and be reading too much into this? But as I see it? It closes every single loophole in this story.

Doomed Timelines are meant to be nothing. They are meant to fade, and not be relevant anymore. But the ghosts are having none of this. They WANT to be relevant in this story again. They create an army, and head off to defeat the biggest threat in the entire comic.

Caliborn knows reality itself isn’t as it seems, and tries to make his own story within it. He strives to become almighty, and then begins to destroy and rend reality itself so he can make way for his own rule.

Vriska knows she’s in a story, having interacted with the very Author and the command prompt! But she is not trying to change the story- All the opposite. Vriska follows the rules of the story, closes loopholes from what she has seen, but tries to be the one who causes everything. She wants to be in the spotlight of this tale. She creates Bec Noir just because she had seen it in her screen. And knowing this is a story, she goes off of her way to find methods to defeat each of these villains, at any cost. Because in a story, once she defeats these big, powerful foes, she’ll be a heroine, and everyone will regard her so highly, she’ll be over everyone else. Just like she wants.

John? I don’t think he knows he’s in a story. But he has the power to alter it. And after he begins to mess with the timeline, the rules of Paradox Space begin to shatter around him and his friends. Time loops, Rules, Plot, why would they care about how a story goes, if it’s not a story, it’s their lives. They just want to be happy and get away from this cycle of destruction and death.

I’d even go as far as to say God Tier Calliope knows this. If her Land and her Earth were anything like Caliborn’s, she might also been in contact with the command prompt. Perhaps the fact her entire mission was a self-sacrifice to collapse the Green Sun represented how she, too, saw Paradox Space as what it was- A construct that kept these characters trapped as that. Characters. And the only way to escape its grasp was the erase its very existence, using Lord English’s destruction to tear a hole through the comic, and destroy it.

In this way, everything that happens towards the ending makes perfect sense. There are hundreds, thousands, who knows how many timelines, in which every plot hole will be closed. But we’re not following these. It would be easy to cause, say, the Condesce to wake up. Because of her immortality curse given by Lord English. Or the Draconian Dignitary get to the Frog Lily Pad. Something happens, interrupts the kids from entering to the new Session, and bam! Suddenly more plot! Their entrance to the Universe is blocked. Terezi worries about Vriska, so they begin to plot a way to help her defeat Lord English. The black hole in the Session that likely leads to Caliborn’s land becomes relevant, and they all have a trip to beat up Caliborn. Something happens to Calliope, her ring has ended up in Caliborn’s hands as well, he traps the kids, the Alphas beat him up, all loops are closed, we have a bittersweet, predictable ending. And this has happened. In many timelines before. Over, and over. Perhaps the one we’re following isn’t even the Alpha, for that very reason.

But it doesn’t matter. I talked about how the Jujus were a way to alter the plot, and let’s go back to this, and look at my theory about the Kids Souls being Trapped for all eternity in this Juju. The moment Caliborn uses this Juju, he kickstarts the entirety of the rules of Paradox Space. These kids we follow through the story, are trapped in a plot, with rules dictated by narrative that they HAVE to adhere too.

Then the ghosts decide that this is bullshit, and that they, even after death, want to still be relevant. Instigated by Vriska and Meenah, and aided by Aranea’s mind control, they manage to find a way they can alter the plot once again, a Juju. John touches this Juju, and suddenly he gains the power to alter this plot as well, and begins his and his friend’s journey to escape the clutches of Paradox Space and the comic itself.

John was trapped in the house all along. So of course, shoving his arm through it? He managed to grasp at the other side. He got a taste of what it was to be free. And he gained the power of changing the plot as a result.

Then, Vriska becomes alive again. She’s relevant, and bashes down on her ghost self. Ghost self that had at one point tried to make herself relevant, even though since she’s dead she shouldn’t be. This way, Vriska proves that, while she acknowledges the story as a story, and wants to be always present and in the middle, she never sees it as something she has to escape. She has no character development, because now, in this timeline that John has changed, she’s free to do whatever she wants, she’s her own person without a character arc, but doesn’t find the need to become said person. She doesn’t want to change, she wants to keep following the plot, and take down the big bad.

So Vriska takes the house Juju from her alternate self, goes against Lord English, beats up the Author of the comic itself as a last Fuck You, and then uses the Juju towards him. And this is when Alive Vriska makes her big mistake. By following this plot, this story, the Juju house crashes behind her…

She’s on Lord English’s side of the house. Because both of them know the comic is just that, a story. He knows about the narrative, and the author. So he kills the author, and becomes the big evil that must be defeated. Meanwhile, Vriska knows about the narrative, and the author, so she beats up the author and tries to become the heroine.

Caliborn and Vriska could very well strive to break free of Paradox Space in other ways, but instead they do what they do best- Be themselves, and fuck shit up in the process. And it’s this mentality that in the end, as the House Juju appears, tells us that both of them have been doomed. Doomed to be trapped in this Collapsing Paradox Space there’s no escape from.

Except there is an escape.

Because the door opens. It opens for the Kids and Trolls on the lily pad. And it opens for the Ghost Army and everyone else in the Bubbles. These are people that have been living aside from the story for a long time. The ones that are alive in the Session have had John change everything and the events happening after make them question Paradox Space itself. And the dead ones or the ones just stuck in the Furthest Ring? They fear being forgotten. They fear being erased by the collapsing Paradox Space, and had faced Lord English to try and become relevant once more.

Of course Condy’s curse didn’t wake her up. Of course DD didn’t appear. The moment the Juju appears, the story is done. There is no more plot. Because it’s not a story. The ones wanting to follow the plot are now seeing it crumble, seeing everything end. And the ones that wanted to become relevant against Paradox Space- Why would they need to even follow the rules? They are trying to escape them.

The Plot Holes are part of the plot in itself. John and everyone else didn’t need to fill it up. Because they are not part of the story anymore. We didn’t see their character arcs close. Because they are not characters anymore. They are not characters anymore. They don’t need to show us they have grown- Or maybe they haven’t even grown. They are always growing, learning. But now, they have escaped this evil Universe that trapped them and forced into cruel and crueler situations. They have escaped to a peaceful realm. They don’t need to keep following the story. They are happy and free to live their lives however they want.

They are finally happy.

Lurker Speculation:

DISCLAIMER: This is my personal opinion. In no way am I stating what I say here is canon or completely accurate. if you disagree with my opinion, that’s perfectly fine! Everyone has a different point of view, but if you are going to send me messages trying to argue points of view with me or send me hate messages, do me a favor and please just don’t even bother.

I am yelling rn, okay. Y’all remember this guy, right?

Wtf FUCKING JESUS I’m really starting to wonder who this is. Obviously it’s someone important because, hello! Here he is again this month:

And Falco speaks to him, Grasping at straws here I’m really starting to believe this might very well be Eren. It’s either him or another extremely relevant character. Half of their face is hidden by bandages or entirely thanks to the way Isayama chooses to draw them. Obviously purposefully wanting to hide their identity. His armband is on the wrong side, and we’ve seen him lurking in two chapters. Is this really Eren???????????? I have my doubts tbh because it seems too easy and entirely too risky, but BRUH this long haired dude popping up in covertly drawn manners in two chapters now is too eerie to ignore. 

WHO ARE YOU LONG HAIRED BEARDY MAN?!

fullmooninthenightsky  asked:

Hey, I read you answered questions on witchcraft and I'm just about starting out on being a witch and I'm just kinda lost. How do I find out what kind of a witch I am, for example? And what about room decor, plants, drying herbs, crystals, sigils and others? How do I even start being a witch?Do you have any websites or blogs (or tips?) that could help me out? Thank you ♡ x

Hi there!

You find out what kind of witch you are, by deciding what kind of witchcraft you want to practice. Most people just choose what they want to be, based off what they like, what they feel drawn to, or just what they want to do. [Here] is a list of types of witches that might inspire you / help you get started on finding a type of magic you want to work with first. This list is not extensive, and what you choose you aren’t stuck with forever - you can try other things, combine things, whatever you want to do! Witchcraft is super personal, and it’s all for you, by you. You also don’t need to confine your magic to any singular label; you can choose more than one to work with.

I picked sigil magic to start with, for example, because it seemed easy, and I knew I could draw; it also required very little supplies, and it also honestly seemed the least likely to backfire. xD My craft eventually evolved into eclectic magic, because I began using a bit of everything else (crystals, herbs, candles, etc.) in my magic to get what I needed.

As for room decor, that’s up to you. You don’t need it, though. You don’t need to *look* witchy to *be* witchy. If you need to be on the down low about your magic, you don’t have to draw huge pentacles on your walls or wear all black or anything like that to still have magic work. What makes you a witch or magic user is what’s inside you, not around you (it can help but, you know, not required). But, if you want to make your room look “witchy,” whatever that means to you, go right for it. But I don’t think it will impact your magic in any way. (I don’t view altars / magical work spaces as decor - they are more than just decorations.)

In regards to plants, it’s another case of if you want to. All my herbs I get pre-dried in grocery stores and bulk stores, because I can’t grow plants worth squat. I’ve taken fresh herbs from grocery stores, actually, that’s a lie, but they were already grown, and I just hung them in my window to dry them. If you want to try growing your own herbs, feel free, but it isn’t necessary - pre-dried and store bought have worked perfectly for me for the last two years. (I also don’t know anything about growing herbs or gardening, so you’d need to go elsewhere for those answers.)

Working with crystals and sigils are optional - they can prove beneficial, but if you don’t want to do that, you don’t need to. 

Working with *anything* is optional, when you get right down to it - all these things, candles, herbs, crystals, are just amplifiers and focuses for magic. You can perform witchcraft with just your own body, energy, and intent. You just need to know how. (P.S. [energy work] is how.)

Doing your own research will never go amiss, let me tell you that right now. I know it can seem daunting, and you don’t know where to start, but seriously, just a Google search of “witchcraft crystal magic” or “witchcraft sigil magic” can pull up a lot of information and give you more ideas of where to go that you can follow on your own. (I really recommend specifying “witchcraft” when searching on the internet, because you might get a lot of pop culture links that just aren’t relevant, or a variety of other articles that might not be applicable.)

You start being a witch by deciding you want to be a witch. Boom, congratulations, welcome to witchcraft! :D From there, it’s going to be a lot of research. Research will help you determine more about witchcraft in general, and from there you can decide what you want to do with it. Once you have an idea of things you might want to try - working with crystals, herbs, sea magic, etc. - you can do more focused research on those topics. 

Once you have an idea of what you want to do, try it out. Give some things a shot and practice. Write down what you try, so if it doesn’t work or things go wrong, you can look back and think “what if I try this instead?.” and then try it. It really is all about experimentation. You will make mistakes, spell may not work - it is something that has happened to us all, and likely will again. Nothing is perfect and neither is magic. Don’t be daunted, though - you are new to it, it will take some time to get the hang of and build your confidence up. Just stay positive, and remember that mistakes are learning experiences, and help define you more as witch. Never give up. The magic is inside you, you just need to find the right way to work with it. 

Here are some more posts on starting with witchcraft:

Some of my favorite blogs:

@breelandwalker @oldmotherredcap @fuckyeahpaganism
@recreationalwitchcraft @maddiviner @cunningcelt @witchtips
@teapartyforthewitches @sigilathenaeum @orriculum @magpiesmagicnest
@the-darkest-of-lights @witchy-infobook @thepaganstudygrouppage
@spooniewitches @lowspoonswitchcraft @neurowitchcraft @neurodwitches
@witchy-words  @urbanspellcraft @witchsaves @thewitchlessons
@thewitchingour @witchy-woman @violetwitchcraft @spiritvexer
@the-ram-witch @theoryofmagick @low-budget-witches @witchoncampus
@phoenyxoftheashes @cosmic-witch @phaesphore @stormbornwitch  
@stormwaterwitch @witchglitch @cladinscarlet @smokeandblueroses  
@darkwoodswitch @alsowitchcraft @nightkunoichi @stsathyre
@witchofkeys @witchy-tips @witchy-businesss @thiscrookedcrown
@herbs-and-spells @herbs-and-journals @belladonnaswitchblog
@the-atypical-pagan @thepunkgreenwitch @liberumbrarum
@upthewitchypunx @queerkitchenwitch @lavenderspells @witchcraftings
@broomcorner @modern-witchcraft @themoonmysteries
@idontusemycauldrons

Long post, but yeah, I hope that helps you! If you have any more questions, I’ll do what I can to help you. :)

Fanfiction Vocab

As anyone who follows my main blog knows, I have a definite shipper bias. I actually became interested in the language while searching for endearments I could have Spock say to Jim in my fanfiction. Whoever you ship, if a Vulcan is included and you create fanworks, it can be really interesting to include some Vuhlkansu.

So for a fun post on this early-summer Friday (at least in my part of the world), I’ve compiled a list of vocabulary and phrases that might be relevant to shippers and fanfiction writers.

Also, if anyone knows of writers using the language in their fics, let me know! I’d eventually like to compile a Vulcan language-specific fic rec list to share on this blog.

Relationship Status

Bondmate/Spouse Telsu
Husband Sa-telsu; adun
Fiancé Sa-kugalsu
Fiancée Ko-kugalsu
Lover Ashausu
Wife Ko-telsu; adun'a

Sexual Orientation

Asexual (adj.) Riguv-, riguvik
Bisexual (adj.) Dah-guv-, dah-guvik
Bisexuality Dah-guv'es
Homosexuality Ka-ashau'es
Homosexual man Sa-ka-ashausu
Homosexual woman/lesbian Ko-ka-ashausu
Heterosexuality Vath-ashau'es Heterosexual man Ba-vath-ashausu
Heterosexual woman Ko-vath-ashausu

Endearments

Beautiful Vaksurik
Beloved (n.) Ashayam
Beloved, darling, sweetheart (n.) Ashal-veh
Beloved, darling (adj.) Ashal-, Ashalik
Cute Petakov(-)
Love (n.) Ashaya

Romantic Vocabulary

Embrace Nartaya (n.), nartau (v.)
Finger embrace (n.) Ozh’esta
Honeymoon (n.) Wuhr-sa'le
Kiss Shok (n.), Shok-tor (v.)
Love Ashaya (n.), ashau (v.)
Loving (adj.) Ashaun-, ashaunik
Love potion Ashau-krel-masu
Love story Ashaya-var

Sexual and Anatomical Vocabulary

Anal Pekh-razh-, pekh-razhik*
Anus Pekh-razh*
Body Vukhut
Breast Thak
Clitoris Ko-Lok
Copulate Az’ir’kh’ar
Ejaculate (v.) Khrasau
Ejaculation Khrasaya
Erect Abul-, abulik (adj.)
Erection Abun
Erotic Guv-dau-, guv-dauk
Penis Lok
Mate (v.) Katelau
Nipple Thasek-gonaf
Sexual Guvik
Sexual favors Dihrf
Vagina Keshtan-ur*
Vaginal Keshtan-urik*
Vulva Kotik si-guv-kruslar

*Thanks to the ultra-logical Vulcans, these aren’t exactly the sexiest terms, so use them with caution in your fics: keshtan-ur literally means “birth tunnel” and pekh-razh literally means “feces hole.” I humbly suggest that razh, literally “hole,” could serve for any sexy orifice.

Phrases

I cherish thee Taluhk nash-veh k’dular (traditional Vulcan)
I love you Ashau nash-veh tu
Feeling “head-over-heels” for someone Shon-ha-lock/shan’hal’lak (literally the engulfment)

Note: T’hy’la, the word created by Gene Roddenberry meaning “friend/brother/lover,” will eventually have its own post, as there’s too much to cover here.

Dear little boys

Dear little boys,
You are just as important and relevant as little girls. I know it might seem like the whole community is against you with the pink and the name ddlg which is daddy dom/little girl. However that is not the case. You are loved, you are supported, you are valid in everyway that is possible. You may not be as popular as a little girl but you are just as amazing as any little girl out there.

Ok but like honestly you’ll have to pull American All Might from my cold, dead hands.

- All Might who has always stood out in Japan as being foreign, with his blond hair, blue eyes, tall build that has him towering over most Japanese citizens. Despite living in the country most of his life, he never stops feeling out of place which probably contributes to his isolation as Toshinori.

- He loves living in Japan, he really truly does but you do not mess with his American movies and music. It’s soothing to him to listen to people in his native tongue after hearing nothing but Japanese all day. Big fan of classic country/heartland rock. He will also bring out English movie quotes when he’s in good spirits. Usually they’re out of context and no one gets them but it makes All Might happy so they play along.  

- I put him as being from smack dab in the middle of the US (Kansas specifically) and he has this obvious mid-western accent. That accent still present when he speaks Japanese, though it dulls over the years of constant use. But you bet the moment he switches to English that lazy drawl is there and his students are so confused.

- He sometimes helps teach the kids English class. He tutors some of the kids who struggle with it, he’s not good with the grammar but he’s great at practicing conversation and teaching slang bits.  It always feels weird because he sounds so different in English.

- He almost never curses in Japanese, not when it’s so much easier to curse in English. He’s almost upset that more people in Japan are learning the language because now he’s got to learn to censor himself where before no one batted an eye. He almost had a heart attack when he heard precious, lovable Izuku repeat a string on English words he’d heard his mentor say and was hoping to impress. Izuku was given ice cream if he promised to never, ever repeat those words and for the love of god don’t tell your mother you got it from me.

- Toshinori would also unironically say y'all and y'all’d’ve without a bit of shame. He actually said what in tarnation one time and Izuku almost started crying because he had no idea real people actually said these things what happens in America

- Honestly Toshinori would just troll the hell out of his students who are super intrigued about America. He just makes crazy things up or explains strange behavior as American. “Oh no most Americans are tall, the average is 9 feet, as you can see, I’m unfortunately quite short” “Yes before school starts we must pack our weapons and pay homage to the freedom eagle”

- For many, many years he stuck only to Japanese. He was teased and bullied too much when he was younger and struggling with his Japanese that he basically dropped his English once he got ahold of the language. Only now as a teacher, seeing how interested his students are in where he came from does he speak it more. English words pepper his speech, having whole conversations with the more fluent teachers/students. It makes him happy, he’d forgotten how much he’d enjoyed his native language.

- “Is that an American thing or an All Might thing?” is a legitimate game played by students and teachers alike.

- Except like ??? some of his weird habits are explained by his heritage. Like he can shoot a gun really well. It kind of scares people that the symbol of peace knows his way around weapons so well and he’s just like ‘I grew up in Kansas, I could shoot before I could walk’ also back in the day he could consistently outdrink everyone around him. He’d put away a 6 pack by himself.

- Maintains dual citizenship even though he never went back as Yagi and only visited the US a few times as All Might (and he never went back to Kansas). He always said he’d return home when he retired but now with everything going on he keeps putting it off. He made the mistake of mentioning going home one time and now class 1-A and 1-B are secretly raising money to send him over seas for the upcoming break.

- Still keeps up on the goings on and politics in the US. It’s not much and, especially when he was heroing, he didn’t have much time but he tries. Will frequently rant about how bad things are going in his home and how he's glad he got out when he did. Still, it genuinely upsets him when he sees other Americans in Japan and he realizes how out of touch he is with his country/culture. He’s always been the definitive American in his area and it’s startling to remember that, after nearly 40 years in Japan, in many ways he’s really not American anymore.  

A Guide to Writing Your Resume

I recently took a very helpful youth professional development course and learned some great things I’d love to share with everyone. This post will be especially helpful for first time resume writers, but there might be something in it for everyone. 

1. What is a Resume? 

A resume is a brief summary of your abilities, experience, and skills. It’s essentially a personal advertisement for your professional career, an opportunity to convince the employer that you are worth interviewing. 

  • The average employer will only take about 15-20 seconds to read your resume.
  • It’s important that your resume is neat so the reader can find important information quickly. 
  • Limit the resume to one page. 
  • Standard font size is 11-12, but you can play with the font or margins to fit everything. 

2. Headings 

  • Start with your personal information at the top of the first page (name, address, phone number, and email address). 
  • Keep the header centered and your name on top in BIG LETTERS.

3. Education 

  • If you are still in school or have little professional experience, this will likely be the first section in your resume. 
  • Document your education and graduation year.
  • Include the location (city, state), but do not include the school address. 
  • If you attend a school with a College Preparatory Curriculum, you may list that as a bullet underneath. If you are taking Honors or AP classes (or an international equivalent), feel free to list that as well. 

4. Professional Experience 

  • List your work experience in reverse chronological order - start with your most recent experience, and work backwards. 
  • Include the employer name, city, state, and position title for each. Again, no addresses.
  • Record your dates of employment consistently, using a format like June 2016 - August 2015, or 6/15 - 8/15. Staying consistent will make your resume professional. 
  • Place current jobs in the present tense, past jobs in the past tense. 
  • Write short phrases, not full sentences (”performed experiments”, not “I performed experiments”). Start each description with an action word that describes your skills, responsibilities, or accomplishments. 
  • Make sure you are specific about your responsibilities and don’t undersell yourself!

5. Skills 

  • Most commonly listed skills are computer programs and softwares you are comfortable with, and languages you are fluent/proficient in. 
  • Be honest! If you say you’re fluent in Spanish and you’re not, but your employer hires you for your Spanish abilities…. someone isn’t going to be pleased. 
  • List skills that are relevant to your job - patience might be a good skill for working with children, while organized might be more suitable for an office setting. 

6. Honors & Awards/Extracurriculars

  • List any honors or awards you have earned, including a brief explanation if the nature of the award is unclear. 
  • List any activities that you have been involved in, making sure to include years of participation (again, be consistent with formatting). These can be in-school or outside-of-school activities.

7. General & Miscellaneous

  • Some safe fonts: Times New Roman, Garamond, Calibri, or Book Antiqua.
  • Make sure your email is professional! This has been repeated to death but it’s so, so, so important. 
  • Likewise, if you list your personal cellphone number, make sure your voicemail message is appropriate. When in doubt, just revert back to the standard voicemail greeting. 

I hope this was helpful for anyone just starting out with their resume. Please share this for those who need it. Best of luck! 

- Ellie