isa machine summers
Listen to Lorde’s “Green Light” Demo | Pitchfork
The most trusted voice in music.

“Green Light” was in part inspired by Lorde and Jack Antonoff going to see Florence and the Machine, they were inspired by the “physicality” of the pianist’s playing. 

More than likely Isa’s solo in Rabbit heart!

“I wandered everywhere, through cities and countries wide. And everywhere I went, the world was on my side.”
Roman Payne, Rooftop Soliloquy

Florence Welch: A Summary
  • 2009 Florence: lots of flowers, giggling, probably drunk or high, bright orangey-red hair with fringe, thinner, seems like she's kind of surprised to be famous, like "omg wow really you're interested in me? wow"
  • 2011 Florence: beautiful, dark vintage clothing, dark red hair without fringe, heavier music, more serious attitude
  • 2013 Florence: this is Downtime Florence. She is hiding in a hermit cave. She hasn't been seen all year. No, just kidding, this Florence is really hippie, loves flowers and literature and fur coats. Lots of Florabella action :)))))))
  • 2015 Florence: Orangey-blonde hair with bangs, no makeup, pantsuits, hipster triangles that probably mean something related to album three. Seems more like a grown woman than in previous albums.

09-08-2015 Interview de Florence à Chicago.

The “machine” part of Florence and the Machine is a woman named Isabella Summers. Can you tell me about your partnership — your friendship — over these many years?

Florence : Yeah, I mean, it was a catalyst for everything, if you think about it. I met her, I think I was 16, 17. She was DJing in a room that was made out to be like a jungle. It was like, people covered in bubble wrap, I can’t remember.

Sounds like a good party.

Florence : Really good party! Well, there was a big live music and art scene where I was growing up, all these punk bands and performance artists. The first song that I wrote with her, she just gave me this old piano and was like, “Do whatever you want.” And I think the first song I wrote was “Between Two Lungs,” and then literally the next song we wrote together was “Dog Days Are Over.”

We didn’t have any equipment — that was just banging on the walls. We stole a drum from the next door studio; we used pens. And because I didn’t really know how to play things that well, I’d use my voice as an instrument most of the time, so that’s where this big choral thing came from. Once I had “Dog Days,” I think, I had a sound.

(source : )