anonymous asked:

Something I never understood clearly was Iroh's intentions. I know at least he wants the best for Zuko. How does that translate into joining Team Avatar in "The Crossroads of Destiny"? Why didn't Iroh help Team Avatar from the start if that's what he wanted for Zuko? Or it was just that he was always against the Fire Nation and found the Gaang to be a better group? Finally, was the White Lotus was just a series finale thing? Why didn't they help Iroh financially? He even became a beggar in B2.

Hey anon!

Sorry for getting to this question so late. I kind of had an idea how to answer it, but I eventually forgot about it as the inbox started to fill up. So, now that the inbox has been emptied a little, I thought I;d give it a shot. \

The first thing you have to remember is that Iroh is going through his own journey. He started out thinking his destiny was to conquer Ba Sing Se. But, as time passed, his belief in what his destiny was constantly changed. He goes from simply thinking he;s wrong, and maybe even that his destiny is to just a peaceful life in Ba Sing Se, to realizing that his destiny is to free Ba Sing Se from Fire Nation rule. 

Another thing you should remember is that Zuko too is going through his big redemption arc, And it’s really about Iroh not trusting Zuko, it’s more like there’s no way in hell Book 1 Zuko would even care to listen to Iroh. Thus, Iroh’s more subtle with his guidance, trying to calm Zuko down when his anger gets too out out hand. 

By Book 2 though, Iroh is more obvious with his guidance. After all, they’re actually on the run this time, and Iroh doesn’t want to see his nephew consumed by his obsession more than he already has. 

This leads us to “Crossroads,” with Iroh thinking he’s changed his nephew for good, or that hie nephew has changed for good. Unfortunately though, Iroh miscalculates, and Zuko betrays his uncle in favor of the one thing he wants most: his father’s love. 

As for your White Lotus questions…

Finally, was the White Lotus was just a series finale thing? 

Rewatch the series more closely. There are lotus tiles everywhere. Also, right from the very start we see the White Lotus conspiracy. Everything from Iroh’s obsession about his white otus tile in “The Waterbending Scroll” to his conspiring with the flower shop owner in “The Desert” leads up to the big reveal.

As for why they didnt attack sooner, remember what Bumi said about neutral jing? They used a lot of that, I think. Waiting for the right moment to strike. 

Why didn’t they help Iroh financially? 

The White Lotus is more of a philosophical guild. And, while we don’t know much  about their financial assets, the whole point of going to Ba Sing Se through the White Lotus network was that they could blend in with all the refugees. By the time Iroh set up his shop, it was almost like he belonged there as opposed to immigrating there from someplace else, which would have undoubtedly caught Azula’s attention. 

I just wanted to say that Uncle Iroh is by far my favorite character in this show. I love all the characters but honestly Iroh is just the best. He has so much power in side him but he knows to not let it go to his head. He’s so openminded and forgiving and happy even in the worst situations. I have such appreciation for him.

Avatar Aang, Feminist Icon?

“Who’s your favorite character?” I hear that question come up a lot over Avatar: The Last Airbender, a show particularly near and dear to me. Iroh and Toph get tossed around a lot. Zuko is very popular. Sokka has his fans. But something I’ve noticed? Aang very rarely gets the pick. When he comes up, it’s usually in that “Oh, and also…” kind of way. Which is strange, I think, considering he’s the main character, the titular airbender, of the entire show.

I never really thought much about it until a couple weeks ago when I finished my annual re-watch of the series and found myself, for the first time, specifically focused on Aang’s arc. Somehow, I never really paid that much attention to him before. I mean sure, he’s front and center in most episodes, fighting or practicing or learning big spiritual secrets, and yet, he always feels a little overshadowed. Katara takes care of the group. Sokka makes the plans. Zuko has the big, heroic Joseph Campbell journey. Aang…goofs around. He listens and follows and plays with Momo. And yes, at the end his story gets bigger and louder, but even then I feel like a lot of it dodges the spotlight. And here’s why:

Avatar casts the least traditionally-masculine hero you could possibly write as the star of a fantasy war story. Because of that, we don’t see Aang naturally for everything he is, so we look elsewhere.

To show what I mean, I want to talk about some of the show’s other characters, and I want to start with Zuko. Zuko is the hero we’re looking for. He’s tall and hot and complicated. He perseveres in the face of constant setbacks. He uses two swords and shoots fire out of his hands. He trains with a wise old man on ship decks and mountaintops. Occasionally he yells at the sky. He’s got the whole 180-degree moral turn beat for beat, right down to the scars and the sins-of-the-father confrontation scene. And if you were going into battle, some epic affair with battalions of armor-clad infantry, Zuko is the man you’d want leading the charge, Aragorn style. We love Zuko. Because Zuko does what he’s supposed to do.

Now let’s look at Katara. Katara doesn’t do what she’s supposed to do. She doesn’t care about your traditionally gender dynamics because she’s too busy fighting pirates and firebenders, planning military operations with the highest ranking generals in the Earth Kingdom, and dismantling the entire patriarchal structure of the Northern Water Tribe. Somewhere in her spare time she also manages to become one of the greatest waterbenders in the world, train the Avatar, defeat the princess of the Fire Nation in the middle of Sozin’s Comet and take care of the entire rest of the cast for an entire year living in tents and caves. Katara is a badass, and we love that.

So what about Aang? When we meet Aang, he is twelve years old. He is small and his voice hasn’t changed yet. His hobbies include dancing, baking and braiding necklaces with pink flowers. He loves animals. He doesn’t eat meat. He despises violence and spends nine tenths of every fight ducking and dodging. His only “weapon” is a blunt staff, used more for recreation than combat. Through the show, Aang receives most of his training from two young women – Katara and Toph – whom he gives absolute respect, even to the point of reverence. When he questions their instruction, it comes from a place of discomfort or anxiety, never superiority. He defers to women, young women, in matters of strategy and combat. Then he makes a joke at his own expense and goes off to feed his pet lemur.

Now there’s a perfectly reasonable explanation for all this, and it’s the one that shielded Aang from the heroic limelight in my eyes for ten years. The reasoning goes like this: Aang is a child. He has no presumptuous authority complex, no masculinity anxiety, no self-consciousness about his preferred pastimes, because he’s twelve. He’s still the hero, but he’s the prepubescent hero, the hero who can’t lead the charge himself because he’s just not old enough. The problem is, that reasoning just doesn’t hold up when you look at him in the context of the rest of the show.

Let’s look at Azula. Aside from the Avatar himself, Zuko’s sister is arguably the strongest bender in the entire show. We could debate Toph and Ozai all day, but when you look at all Azula does, the evidence is pretty damning. Let’s make a list, shall we?

Azula completely mastered lightning, the highest level firebending technique, in her spare time on a boat, under the instruction of two old women who can’t even bend.

Azula led the drill assault on Ba Sing Sae, one of the most important Fire Nation operations of the entire war, and almost succeeded in conquering the whole Earth Kingdom.

Azula then bested the Kyoshi Warriors, one of the strongest non-bender fighting groups in the entire world, successfully infiltrated the Earth Kingdom in disguise, befriended its monarch, learned of the enemy’s most secret operation, emotionally manipulated her older brother, overthrew the captain of the secret police and did conquer the Earth Kingdom, something three Fire Lords, numerous technological monstrosities, and countless generals, including her uncle, failed to do in a century.

And she did this all when she was fourteen.

That last part is easy to forget. Azula seems so much her brother’s peer, we forget she’s the same age as Katara. And that means that when we first meet Azula, she’s only a year older than Aang is at the end of the series. So to dismiss Aang’s autonomy, maturity or capability because of his age is ridiculous, understanding that he and Azula could have been in the same preschool class.

We must then accept Aang for what he truly is: the hero of the story, the leader of the charge, who repeatedly displays restraint and meekness, not because of his age, not because of his upbringing, not because of some character flaw, but because he chooses too. We clamor for strong female characters, and for excellent reason. But nobody every calls for more weak male characters. Not weak in a negative sense, but weak in a sense that he listens when heroes talk. He negotiates when heroes fight. And when heroes are sharpening their blades, planning their strategies and stringing along their hetero love interests, Aang is making jewelry, feeding Appa, and wearing that flower crown he got from a travelling band of hippies. If all Aang’s hobbies and habits were transposed onto Toph or Katara, we’d see it as a weakening of their characters. But with Aang it’s cute, because he’s a child. Only it isn’t, because he’s not.

Even in his relationship with Katara, a landmark piece of any traditional protagonist’s identity, Aang defies expectations. From the moment he wakes up in episode one, he is infatuated with the young woman who would become his oldest teacher and closest friend. Throughout season one we see many examples of his puppy love expressing itself, usually to no avail. But there’s one episode in particular that I always thought a little odd, and that’s Jet.

In Jet, Katara has an infatuation of her own. The titular vigilante outlaw sweeps her off her feet, literally, with his stunning hair, his masterful swordsmanship and his apparent selflessness. You’d think this would elicit some kind of jealousy from Aang. There’s no way he’s ignorant of what’s happening, as Sokka sarcastically refers to Jet as Katara’s boyfriend directly in Aang’s presence, and she doesn’t even dispute it. But even then, we never see any kind of rivalry manifest in Aang. Rather, he seems in full support of it. He repeatedly praises Jet, impressed by his leadership and carefree attitude. Despite his overwhelming affection for Katara, he evaluates both her and Jet on their own merits as people. There is no sense of ownership or macho competition.

Contrast this with Zuko’s reaction to a similar scenario in season three’s The Beach. Zuko goes to a party with his girlfriend, and at that party he sees her talking to another guy. His reaction? Throwing the challenger into the wall, shattering a vase, yelling at Mai, and storming out. This may seem a little extreme, but it’s also what we’d expect to an extent. Zuko is being challenged. He feels threatened in his station as a man, and he responds physically, asserting his strength and dominance as best he can.

I could go on and on. I could talk about how the first time Aang trains with a dedicated waterbending master, he tries to quit because of sexist double standards, only changing his mind after Katara’s urging. I could talk about how Aang is cast as a woman in the Fire Nation’s propaganda theatre piece bashing him and his friends. Because in a patriarchal society, the worst thing a man can be is feminine. I could talk about the only times Aang causes any kind of real destruction in the Avatar state, it’s not even him, since he doesn’t gain control of the skill until the show’s closing moments. Every time he is powerless in his own power and guilt-ridden right after, until the very end when he finally gains control, and what does he do with all that potential? He raises the rivers, and puts the fires out.

Aang isn’t what he’s supposed to be. He rejects every masculine expectation placed on his role, and in doing so he dodges center stage of his own show. It’s shocking to think about how many times I just forgot about Aang. Even at the end, when his voice has dropped and his abs have filled in, we miss it. Zuko’s coronation comes and we cheer with the crowd, psyched to see our hero crowned. Then the Fire Lord shakes his head, gestures behind him and declares “the real hero is the Avatar.” It’s like he’s talking to us. “Don’t you get it?” he asks. “Did you miss it? This is his story. But you forgot that. Because he was small. And silly. And he hated fighting. And he loved to dance. Look at him,” Zuko seems to say. “He’s your hero. Avatar Aang, defier of gender norms, champion of self-identity, feminist icon.”

one of my favorite things about a:tla is that everyone knows uncle iroh. everyone. the blind girl you just added to the gang? had tea with him once. that flower seller? yup. your ten-ton six-legged five-stomached flying bison? probably. that girl on the streets of ba sing se? he sent his nephew on a date with her. a whole tribe of thought-to-be-extinct sun warriors? nbd. your cranky waterbending master? they go way back. that dramatic deserter? your bro’s sword instructor? your 112 year old nuthouse friend? the next avatar 54 years later? sure

Can we talk about this scene for a minute? Because I tear up literally every damn time I watch it. 

After losing his son, Iroh fought tirelessly to save his nephew from Ozai’s brainwashing, no matter how hard Zuko tried to push him away. But even after years of sticking by him through every dead end and reckless gambit, Zuko still goes back to his awful father. Once again, Iroh couldn’t save his son and it just kills him

Then the kid shows up with team Avatar, because it turns out some of those proverbs got through to him after all.

But the part that really gets me is Zuko’s perspective.

Sitting outside that tent, he’s so damn scared. He’s so convinced Iroh hates him, he won’t even go in without a pep talk from Katara. Everyone else can see that Iroh will be proud of what his nephew has done since they last met, but Zuko can’t. When Zuko goes in to see the family he disappointed, he’s braced for yelling and fire and rage because that’s what he’s been raised to expect when he screws up. Pissing off his father got him disgraced, burned, tossed in the street, told he didn’t deserve to be alive, and shot at with lightening. A lifetime of experience says he should be scared. He doesn’t expect to be forgiven, he just wants Iroh to know he’s sorry. 

And then Iroh’s not even madNOT EVEN MAD. Mercy and compassion are so alien to Zuko that immediate forgiveness wasn’t even a remote possibility. He’s so utterly confused, but at the same time, so, so relieved. He hasn’t lost his only family. The only person who stayed by him all those years in exile. The only father who loved him.

They both thought they’d lost the only family they had left. Instead, they find themselves closer than they’ve ever been. And I tear up every damn time.

youtube

Uncle Iroh’s Prison Workout | Avatar The Last Airbender Tough Like The Toonz: EP 27

New video for those who happen to give a F*ck. Iroh the DRAGON OF THE WEST! 

One of the kindest and yet most powerful characters in the Avatar the Last Airbender franchise. While incarcerated he managed to escape by becoming a ONE MAN ARMY after months of training in his prison cell. 

Well today we can mimic his workout routine. Get your Tea Kettles ready we’re gonna brew up a kickass Firebender Body.

REBLOGS GREATLY APPRECIATED 

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GIFSET MEME: Character Development - Prince Zuko

“ You know Prince Zuko, destiny is a funny thing. You never know how things are going to work out. But if you keep an open mind, and an open heart, I promise you will find your own destiny someday. ”