inherited camera

lidiantheonly  asked:

Shatt. Matt has a lifetimes worth of blackmail on Shiro (I mean, he a tech nerd, what tech nerd would be caught dead without a camera?) Pigeon inherited all of it.

Shiro: why do you guys always call me dad? I’m not your father.
Pidge, raising a coy eyebrow: I thought you liked being called daddy.
Shiro, sweating nervously: w-what

-Keith and Lance spit-take-

Nobuyoshi Araki Camera Timeline

Nobuyoshi Araki: My Favorite Cameras (1961-1995)

Source: Eureka: Nobuyoshi Araki Special Issue (Vol. 28-2,  1996)

Note: Book titles in italics denote camera used when applicable.

======================================= 

-1961

 Mamiya Press  (Notes:  borrowed from his father, who used it for commemorative photographs of local schools)

-1962

35mm SLR: Minolta SR-3  (Sacchin)

35mm: Kowa Wide

-1963

35mm Rangefinder: Nikon S2 (Sacchin)

35m Half Frame: Olympus Pen S (Sacchin)

-1964

35mm Rangefinder: Nikon SP w/ 28mm lens  (Last Year’s Photographs)

(Notes: This camera was inherited from his father.  Lost after being left on a chair in a bar. It had disappeared by the time Araki returned for it.)

-1969

MF SLR: Zenza Bronica S2 w/ 50mm lens  (Yoko, My Love)

LF: Linhoff Technica 4x5

-1970

35mm SLR: Topcon RE Super w/ 25mm lens  

-1971

35mm SLR: Nikon F  w/ 20mm lens (Sentimental Journey)

35mm Half Frame: Olympus Pen FV (Sentimental Journey: Okinawa Sequel)

-1972

35mm SLR: Minolta SRT 101  w/28mm, 35mm, 58mm, 85mm lenses

MF SLR: Pentax 67 w/55mm lens  (Notes: This is his all-time workhorse camera, a model which he still currently uses.)

-1973

35mm SLR: Minolta SR-2 w/21mm lens

MF TLR:  Rolleiflex Planar 75mm  (Postwar,  I Tokyo)

-1974

35mm SLR: Canon F-1 w/ 50mm Macro lens  (My Mother’s Death)

Minolta SRT Super (I Tokyo)

-1975

35mm SLR:   Minolta XE

MF Rangefinder: Ikonta Super Six (Ikonta Story)

-1979

35mm SLR: Nikon FE (black) w/ 35mm lens (New York)

35mm Compact: Minolta Himatic SD (Pseudo-Diary)

-1980

35mm Compact: Canon Autoboy

-1981

35mm Rangefinder: Minolta CLE w/ 40mm lens  (Shashin-ron)

Olympus XA

35mm SLR: Canon A-1 w/ 35-70mm zoom lens

Nikon EM

35mm Compact: Minolta Himatic AF

MF Rangefinder: Super Ikonta (Notes: Gift from photographer Jun Miki)

-1982

35mm SLR: Pentax LX w/50mm macro lens (Erotos)

MF SLR: Pentax 645

MF Rangefinder:  Plaubel Makina 6x7, Plaubel Makina W 6x7 (Personal Sentimentalism In Photography, Seoul Story, I-Photographs)

110 subminiature: Pikarri Konica

-1983

35mm Compact: Pentax Autoron AF

-1984

35mm SLR: Olympus OM4 w/ 40mm lens (Shashin-ron)

-1986

35mm Compact: Minolta Himatic AFD (Arachy’s Tokyo Erotic Diary)

-1987

35mm Compact: Pentax Zoom 70 Date

-1989

35mm Compact: Konica Big Mini  (Winter Journey,  The First Year of Heisei)

(Notes: Araki used both the 200 and 300 series versions of this camera. The magazine did not specify which was used for either book.)

-1992

35mm Compact: Nikon Mini II  (A’s Diary)

Konica Hexar (Photo Maniac’s Color Diary)

-1993

35mm Rangefinder: Leica M6 w/ 35mm f2, 50mm f2 lenses  (Tokyo Biyori, Kyoto White Sentiment, Love By Leica, Ku)

(Notes: Camera purchased at Lemon-sha in Ginza.)  

-1994

35mm SLR: Pentax Z1 w/ 28 - 105mm lens  (Tokyo Love (with Nan Goldin)

-1995

35mm Compact: Fujifilm Tiara

Kyocera T Proof (Sentimental May, The Works Of Nobuyoshi Araki - 20)

———————————————

The timeline in the magazine in which this list was sourced ended with 1995. The following is a (partial) list of cameras Araki has used since then:

35mm Compact Cameras:

Fujifilm Klasse S

Fujifilm Classica Natura (Kaori Sex Diary, 2008)

Minolta TC-1

- - - - - - 

35mm SLRs:   

Pentax MZ-5 (in silver),  Pentax MS-S (in black & silver)

- - - - - -

35mm Rangefinders:

Contax G1 w/21mm lens (Hong Kong Kiss, 1997)

Leica M7 w/ 35mm f1.4 Summilux (chrome) lens & 50mm f2.8 Elmar-M (black) lens  

(Araki Teller Teller Araki 2014, Love By Leica 2006, Tokyo Bondage 2007, Last By Leica, 2016)

(Notes: The black M7 was a gift from Leica. It came with his name engraved on the top plate.)

- - - - - -

Medium Format Rangefinders:

Fujiflm GA645 (Tokyo Travel Diary, 2003,  May, When Even Morphine Has No Effect 2004)

Mamiya 7II (Tokyo Aruki, 2009)

Fujifilm GW690III (69 Erotic Scenes, 2009)

Fujifilm GF670 (Photographs of a Seventy Year Old, 2010)

Fujifilm GF670W (Tombeau Tokyo, 2016)

- - - - - -

Instant Cameras:

Polaroid 680 (Polart)  (Notes: currently using Impossible Project Film )

Today my task was to clean and organize my inheritance from my Grandfather. It was emotional as I took out corroded batteries, cleaned lenses, wound film that was still in some of these time machines. Film that has frozen a moment, something he saw, something he captured.  I took a few snaps of my own on the remaining frames. It felt like spending time with him. His ideas and thoughts, our eyes and actions sharing the same roll of film.  Among these treasures are beautiful lenses and light meters.  The embroidered neck straps I remember him using when I was a kid.  I remember being fascinated by the compartments in his camera bag and how beautiful and tempting the cameras were to play with.  I also remember getting in trouble for rooting through his camera bag.  This was my beginning, the first inclinations towards my life passion.  I also inherited a plethora of slides and negatives, in which I haven’t even began to scratch the surface of exploring. I can’t wait to hunt out the gems I know await me.  Out of the 17 cameras 12 work, and are now ready for use, and all the lenses are in fine form.  Now the exciting task of using these camera machines in a way that would make my Grandpa Ray proud.

Hello, I’m Bailey. This photo was taken with my Canon AE-1, which was given to me by my Grandma and Grandpa. They collect and sell antiques and had bought this camera at a garage sale for cheap. They let me take it instead of selling it, and little did I know it would become my favorite camera. The barn shown in the picture is also my Grandma and Grandpa’s, where they store a lot of their antiques.

baileycmiller.tumblr.com

Thanks for the submission and sharing the story of your camera Bailey!

“Workmen in Essaouira, Morocco” Peter Crowder

I shoot colour and Black and White film on my inherited 35mm Nikon FM Camera. When I travel I try to take respectful photographs of interesting people I come across. I do take landscape photographs and photographs in which I try to capture a pleasing texture but it’s photographs of people that I’m really drawn to. I also shoot friends who kindly model for me and fellow members of “Peanut Gallery”, a Manchester based collection of singer-songwriters.

Photography Tumblr: http://petercrowder.tumblr.com

Peanut Gallery: http://peanut-gallery.co.uk