This is the review I’ve been waiting my entire life to make. I’ve waited for the day that I could talk about a Power Rangers film just like that “Different colored rocks, different colored kids!” - Alpha 5.
Some early design work for my klance Swan Princess AU. I’ve got about 30 pages of notes on the plot along with some script and storyboard stuff already. Aside from this thread on twitter I haven’t reeeally yelled about it publicly, but I’m excited about it :D I have Plans.
Sometimes people walk away from love because it is so beautiful that it terrifies them. Sometimes they leave because the connection shines a bright light on their dark places and they are not ready to work them through. Sometimes they run away because they are not developmentally prepared to merge with another- they have more individuation work to do first. Sometimes they take off because love is not a priority in their lives- they have another path and purpose to walk first. Sometimes they end it because they prefer a relationship that is more practical than conscious, one that does not threaten the ways that they organize reality. Because so many of us carry shame, we have a tendency to personalize love’s leavings, triggered by the rejection and feelings of abandonment. But this is not always true. Sometimes it has nothing to do with us. Sometimes the one who leaves is just not ready to hold it safe. Sometimes they know something we don’t – they know their limits at that moment in time. Real love is no easy path – readiness is everything. May we grieve loss without personalizing it. May we learn to love ourselves in the absence of the lover.
The debate over the legality of President Trump’s Executive Order banning citizens of seven Muslim-majority countries from entering the United States continues in the courts. In the meantime, many refugees are uncertain about their futures and many Americans are uncertain about their nation’s reputation for welcoming immigrants from all walks of life.
Tumblr and the International Refugee Assistance Project have convened refugees, advocates and policy experts to discuss the potential impact of such laws and policies and test the assumptions on which they are based.
Ibrahim, aka Sham Hasan was born and raised in Baghdad, Iraq. He served as a linguist and cultural adviser to the U.S. Army in Iraq. Hearrived to the US through the Special Immigrant Visa program in 2014. Sham is a LGBTQ and refugee rights advocate.
Betsy Fisher is the Policy Director at the International Refugee Assistance Project at the Urban Justice Center. An attorney and passionate Michigan fan (go blue!), she advocates for refugees and for individuals at risk who worked for the United States in Iraq and Afghanistan.
Bader is an LGBT refugee who fled from his home country and, after a long journey, now lives in Lebanon. Bader is an LGBTIQ activist and a human rights supporter, and also has a blog where he writes and sings songs inspired by his experience. For reasons of security and privacy he is not using his real name or photograph.
Jen Smyers serves as the Director of Policy and Advocacy for the Church World Service Immigration and Refugee Program, and has been with CWS for more than ten years. A graduate of American University with a B.A. in Law and Society, B.A. in Public Communication, and Masters in Public Policy, Ms. Smyers has previously worked with Border Action Network in Tucson, Arizona and the Migration Policy Institute in Washington, D.C.
got the mimikyu (5% encounter rate why) I needed to complete my team in Moon so I doodled my team (+1) and the overwatch characters they were named after because I make wise use of my time
Gabe ‘n’ Jack w/ Gabriel the Incineroar and Jack the Mudsdale Genji ‘n’ Jesse w/ Genji the Mimikyu, Genji the Fomantis (present as an honorable mention because it was just barely edged off the team by the mimikyu), and Jesse the Lycanroc (who… wound kind of hidden, oops) and Symmetra ‘n’ Sombra w/ Symmetra the Raichu and Sombra the Crobat (who was originally a temporary member when I caught her as a zubat and now she’s indispensable to the team haha oh well)
I know it’s easy to keep stereotyping Yoongi as cold/lazy/cut off kind of person but sometimes i think it gets to a point where it’s wrong and hurtful in the fandom. And so here’s a list of reasons Min Yoongi is a warm, hard working individual with a personality that is multi-faceted and beautiful.
was a member of the student council when he was in school and was always helping people who approached him and writing them encouraging messages, contrary to popular ‘bad boy’ image belief.
works into late hours of the night, even goes without sleeping when he’s concentrating on composing a new song/lyrics and spends hours on end in the studio
on that note, it is said he recorded the way he said ‘bulteorune’ about 200 times before he was satisfied with how it sounded
despite not being the lead dancer, is almost never criticized for his dance skills because he clearly works hard on it, whether or not he’s the best
again, a side note that he spent his birthday with hoseok practicing dance that hoseok taught him
his stage presence is full of energy and he even kneeled down and bowed for a good minute of stage when he knew his parents were in the crowd, and otherwise also displays emotions on stage, including crying
gets shy and touched when members throw him a surprise birthday party
extremely considerate of what fans think/feel, unlike a lot of other idols. he’s responsible enough to know the effect his words have on fans and therefore constantly promotes a healthy body image, saying he doesn’t have ideal an outfit/weight/height/personality type
that time he spent his own money to buy personal gifts/write different messages for 300+ fans on his birthday, and then did it again the next year too
branching off to the time when he got asked on a radio interview what he’d do with the royalties of the songs he produced (jump/tomorrow) and he replied that he’d take the band and stuff out for lunch with his own money
that time he bought all the kids in bts ice cream without asking and won them toys in AHL and they were so happy about it
that time hoseok wasn’t eating because he lost and yoongi said he couldn’t eat if his dongsaegs weren’t eating and that he was full just watching him eat, giving him his share of food
doesn’t care that he’s not a good singer and sings loudly and shamelessly when he’s in the mood
the new years day yoongi didn’t spend with own family just because hoseok was lonely in the dorms
that one time jungkook jumped on yoongi and hugged him and yoongi looked like he might just die from happiness
when he laughs when something is too funny and no noise comes out and he claps around like a seal and it’s so so adorable
said he likes smart girls who he could have long conversations with/hear her stories and she was good with computers
actually gets super flattered and smug when people find his sass funny
that time they were on running man and had to run for boxes and ran so fast he was far ahead of even jungkook
that time namjoon was supposed to perform on stage and yoongi was deadpan the whole performance until it was namjoon’s turn, and then he has laughing and singing and screaming and being super supportive
once when the members were just annoying jungkook a little and yoongi sensed jungkook felt a little sad so he wordlessly reached out to him and petted him and said ‘I think he’s adorable’
on that note, always sensing the members discomfort/sadness and being a silent supporter and saying encouraging things to make them feel better
never holds back of compliments. ever.
he is a wonderful, multi-faceted man with emotions other than being ‘dead inside’ and loves the people around him so much and is full of appreciation and support for them and endlessly a source of strength for them.
He was born March 8 1922 and passed away November 30 2015 at age 93.
Mizuki-san was a manga-ka and historian, most famous for his Kitaro manga, Which he started publishing in 1960.
I could give a textbook account of him and everything he’s done and his influence on Japanese culture and revival of the interest in Yokai in Japan as a whole, but I just want to point out some very small things about him;
The first is, unlike a lot of Manga-ka of the 60s, Mizuki did not learn to draw Manga from Tezuka’s school…. or any school at all. He was one of those weird ‘natural talents’ you always hear about but actual examples of are hard to find. Mizuki was one such person. He just inately knew how to draw. And as a result, despite influences from other manga at the time, his characters generally don’t resemble what we think of when we think of ‘60s manga’
Not to mention that, despite his preferred art style, he was diverse in what he could do with how he drew, easily going from his more cartoony drawings to a more realistic style, sometimes doing both at once.
Mizuki-san was drafted into the Japanese Imperial Army during WWII, and during the war contracted malaria and lost his left arm during an explosion.
He was left-handed.
However, despite disease, losing his drawing-hand, being the only surviving member of his unit and literally being ‘ordered to die’ by his superiors, Mizuki survived the war and taught himself to draw with his right hand and just kept going.
His manga that he’s famous for were all done after he lost his dominant arm.
All his manga have a personal autobiographical touch to them. Whether it’s “Showa” which is literally a historical account of what Japan was like from the 20s to the 80s, to Kitaro, which is about the stories of Yokai told to him by his elderly neighbour, all his manga have something personal about them.
He is a cultural icon in Japan for keeping traditional ghost stories and creatures alive in the modern consciousness, as well as his contributions to Japanese history regarding WWII. He traveled the world, gathering ghost stories and traditional folklore from other countries as well.
He’s been awarded a string of awards I’m not even gonna attempt to list, although personally I feel most noteworthy is the ‘Personal of Cultural Merit’ award in 2010 and the ‘Order of the Rising Sun’ Award.
But again, that is his importance historically and culturally, whereas I find his personal struggles regarding the loss of his arm and just relearning how to draw something more personal to know as an artist.
With this in mind, He is also noteworthy for never really following the idea that most manga-ka of the time had that ‘you only need 3 hours sleep a night’ or to keep working without rest. Mizuki never really followed that belief. He got a full night’s sleep every night, and fully believed in actually LIVING life, and not just spending your entire life behind a desk, drawing.
He later joked offhandedly that at age 90 he was still around whereas everyone else of the same time period making manga had long since died.
I feel this is incredibly important to remember. Tezuka believed in working non-stop and barely sleeping. And he is undoubtedly the most important contributor to what we think of as manga today. But Mizuki-san, who is just as important to Japanese culture, believed in sleeping well, living life, and being happy. And he was ALSO important, created amazing work, and is recognized as a master.
You don’t need to work yourself to death to be an artist.
Mizuki-san had a list of ‘7 rules to happiness’, which I honestly feel is worth remembering. It may be things we’ve heard before, but this coming from a man, who went through active war, lost limbs, nearly died,retaught himself how to draw because he wasn’t able to give up, made an impact on Japanese culture, believed in living life, refused to overwork himself and lived to the age of 93, it feels like you can trust his advice. because he’s someone who’s seen some serious shit, but he was happy, and he’d learned how to be happy. And from what I’ve heard remained happy and content until he died of natural causes.
‘Don’t try to win – Success is not the measure of life. Just do what you enjoy. Be happy.’
‘Follow your curiosity – Do what you feel drawn towards, almost like a compulsion. What you would do without money or reward.’
‘Pursue what you enjoy – Don’t worry if other people find you
foolish. Look at all the people in the world who are eccentric—they are
so happy! Follow your own path.’
‘Believe in the power of love – Doing what you love, being with people you love. Nothing is more important.’
‘Talent and income are unrelated – Money is not the reward of talent
and hard work. Self-satisfaction is the goal. Your efforts are worthy if
you do what you love.’
‘Take it easy – Of course you need to work, but don’t overdo it! Without rest, you’ll burn yourself out.’
‘Believe in what you cannot see – The things that mean the most are things you cannot hold in your hand.’
Hey look at that! A new episode! Reports of our demise were greatly exaggerated! I just want to say that the speech that I wrote for Nagisa wasn’t a huge call out against our fans. I love our fans dearly. But entertainment is a form of self expression and you always put parts of yourself into characters that you write. I’ve been doing this show for a few years now and it’s winding towards the end, so why not get a little weird? I wrote Nagisa’s little rant as some one who is a queer individual working and being privy to a culture that fetishizes the queer lifestyle. I don’t think this is MALICIOUS but sometimes its odd and upsetting. 50% Off may be a silly abridged series but it is by and large a show about queer characters, written by myself (a queer person) and made of course with love from both me and Alex alike. I hope we can have some fun with the last few episodes and continue till the end making a goofy show that treats queer people with respect while we poke a little fun. Y’now, and make jokes about supreme brain overlords, cursed amulets, and of course swimming!
I feel like I’ve never recolored so fast in my life xD But here they are. All of the toddler hairs in my pastel palette. But unlike most of my uploads, these hairs aren’t merged because my merged file kept making my game crash (?) but the individual files work fine.
I’m just gonna state this now because no one ever brings this up, but Donald Glover is hands down, one of the most talented individuals of our generation. That man can act, sing, rap, write & create a SUCCESSFUL television program, write and produce his own music, and he’s also an acclaimed comedian. this man has endless talent.
he’s one of the hardest working individuals in Hollywood but he isn’t receiving half the credit he deserves. but you know why.
When the eleventh chakra starts to open the individual will become aware of the larger picture of his or her multidimensional self; that his or her existence in physical reality is just one manifestation of many simultaneous other existences on other planes of existence. This explanation gives a hint to what awaits the individual after ascension; the working toward becoming conscious on all planes of existence, not just the physical one.
Mars in the 4th House - Sleep tight, battle scarlet
People born with Mars in the 4th house have an excitable inner world. There is much inner chaos, infusing with dream, naivety, aggression, and confusion. The individual may contemplate the feeling she was abandoned on this earth, alone and unprepared. Day to day life can feel like surviving with Mars in the 4th. The individual may be reactive, emotionally charged, and dysregulated. There may be quiet and withdrawn behaviour in the workplace or around friends, but once the individual is at home amongst family the fireworks begin. Home is an energizing place. The individual may finish work and return home to re-arrange the whole house, tend to the garden, and fanatically complete domestic tasks. She may consciously or unconsciously generate conflict in the household to test the boundaries and the capacity of their love. Living much internally, the individual may hesitate and participate through imagination rather than experience. There may also be trouble with nightmares, that of being chased or violent events.
Although the individual takes pride in self sufficiency, there is a profound sensitivity present with Mars in the 4th. The emotional activity can be extremely difficult to neutralize and manage. Confrontation can be especially hurtful, not only for the things that were said to the individual, but for the guilt of said things in a moment of rage. And the individual can experience these fits of rage that can be so powerful there can be a dissociation or amnesia. There is a vulnerability with Mars in the 4th. An inner child that is often lost, puzzled about its needs, and somewhat fragmented. There may have been conflict and intimidating aggression by one or both of the parents, or the child may have been forced into independence too early, and this only exaggerated the abandonment complex. The father may have been the emotional nourishment and the sentimental influence. But life can be very exciting with Mars in the 4th. There is an ability to contemplate the daily miracle, to be inspired by new experience, and to feel like every day is fresh and sparkling. This brings a sort of radiance and sunshine to the individual’s expression. She can regenerate people who are depleted. It’s like you can feel the heat of the star she burst from.
There is a solitary nature about Mars in the 4th house. The individual appreciates being in the safety and comfort of home, and tends to provoke her own anxieties about stability and rejection. Desires are intense, and the protective instinct in Mars in the 4th can become supernatural. Swords are raised for those who dare threaten family. The individual may confront significant challenge soaking into her femininity, this part of her may have been forced into silence during childhood. There is a river of scarlet intuition flowing here. Messages from the spirit may be cataclysmic, sudden, and perceptive. Inside, the individual is being guided to what she really wants, the pure necessity beneath the emotional chaos, fear, and memories. The personality and breadth of consciousness is built from the substance of experience. Voyages through the inner and outer world generate spellbinding enchantment, a lullaby for the child inside. The destruction of the world and the softness is so apparent with Mars in the 4th, and she crosses between combat and hypnosis, fighting for a palace she hasn’t built yet.
“I don’t want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them” (Dorian Gray; ‘The Picture of Dorian Gray’).
“The good ended happily, and the bad unhappily. That is what Fiction means” (Miss Prism; ‘The Importance of Being Earnest’).
“Do you really think, Arthur, that it is weakness that yields to temptation? I tell you that there are terrible temptations that it requires strength, strength and courage, to yield to” (Sir Robert Chiltern; ‘An Ideal Husband’).
“The mystery of love is greater than the mystery of death. Love only should one consider” (Salomé; ‘Salomé’).
“Be warned in time, James, and remain, as I do, incomprehensible: to be great is to be misunderstood” (letter to James McNeill Whistler, 23rd February 1885).
“Don’t come here. I will come to you. Ever yours” (letter to Lord Alfred “Bosie” Douglas, August 1894).
“The only difference between the saint and the sinner is that every saint has a past and every sinner has a future” (Lord Illingworth; ‘A Woman Of No Importance’).
“I am so glad you like that strange coloured book of mine: it contains much of me in it. Basil Hallward is what I think I am: Lord Henry is what the world thinks me: Dorian is what I would like to be — in other ages perhaps” (letter to Ralph Payne, 12th February 1894).
“Everyone is worthy of love, except him who thinks that he is. Love is a sacrament that should be taken kneeling” (‘De Profundis’; letter to Lord Arthur “Bosie” Douglas, written during Wilde’s incarceration at Reading Gaol).
“Ideals are dangerous things. Realities are better. They wound, but they’re better” (Mrs. Erlynne; ‘Lady Windermere’s Fan’).
“…we shall have true, beautiful, healthy Individualism. Nobody will waste his life… One will live. To live is the rarest thing in the world. Most people exist, that is all” (‘The Soul Of Man Under Socialism’).
“A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world” (‘The Critic As Artist’).