why don't you like kathleen kennedy? shes the only female and she seems nice
it’s april 2017 and there are still people who dont know kk is a white demon
kk is an icon of white feminism.
when she doesn’t get involved directly, female characters’ looks get incredibly diverse (animated series or novels etc. although, we can’t say they treat women of color well.)
new female actresses who play lead roles, d ridley, f jones, and e clarke are all white brunette (just like her). this is my personal opinion but for me, f jones was the weakest part in rogue one because of her emontionless and soulless performance, but kk was the one who insisted on casting her and she’s very proud of it. we haven’t seen clarke’s performance in the upcoming han solo film yet but she’s already very famous for horrible eyebrow acting (even her fans admit it). tessa thompson and zoe kravitz, who also auditioned for clarke’s role, is obviously better than her.
(also, i think the rogue one novel was a bit better but the movie was… it focuses on the white woman, who didn’t care about the rebellion but only herself then becomes a hero. it’s not feminism when men of color are used to spotlight a white woman, especially when one of them has sacrificed everything for the rebellion from when he was a very young kid. when i heard jyn’s character was originally more like cassian i couldn’t stop groaning because THAT WOULD HAVE BEEN SO MUCH BETTER.)
‘for some reason’ she keeps thinking white brunette women are the most ideal people to get the roles. even if she’s doing it unconsciously, it doesn’t change the fact that’s racism. she’s a racist.
and when you are a racist you can’t be a feminist because feminism means you support all the women.
she seems very passionate when she talks about rey and jyn but when it’s about other actors who are men of color she suddenly becomes silent?? and she talks about this “girl power” a lot but when it’s about races, ethnicities and diversity she doesn’t say anything? it’s always the directors who sat next to her who speak about it, or actors of color themselves. her “girl power” only involves white women and yet she said star wars represented the world.
she was a producer of complete disaster : avatar the last airbender movie, where almost everyone got whitewashed, which means she learned nothing from her past.
Actually, she isn’t even a feminist. Every time someone asks questions about “girl power” in panels she gets obviously irritated. One time, she was even dismissive towards the person who asked it too.
Creators Misunderstanding Their Fan Base: Undertale
I love Undertale, so do many others. However, I love Undertale because of the fan base. I have met so many kind and determined individuals that I wouldn’t have met otherwise if not for Undertale. Many of these people are artists, and it’s nice to see the same characters drawn in so many different styles. Even better is when there is a story written about Undertale, a what if this happened instead of this? Great examples of this are Dreamtale, by @jokublog (currently not theirs more about that later), Glitchverse, by @camilaart, and Xtale/Underverse, by Jackei/@xtaleunderverse. There are many more alternate stories/universes I would love to share but I really want to focus on these two right now. As you may or may not know, both these creators make animations/comics based off their story lines, and they are incredible. The amount of effort that goes into each and every frame of animation is jaw dropping to say the least. The story is also pretty great compared to most, especially Glitchtale’s constant subversion of every expectation and Underverse’s imaginative plot and character portrayal are no small feat either. It’s immediately clear that a lot of effort goes into their work to make it as great as possible and create their animations fairly quickly. However, I’m not here to simply sing their praises because the title isn’t “Amazing Undertale Universes You Have To See To Believe” no, this is “Creators Misunderstanding Their Fan Base: Undertale”
Recently a story came out about Joku threatening to use her fan base against another person who was just giving feedback on a shirt that they made. This led to them deleting their blog and now it’s being held by a nice individual so that Joku can have the name back if she wants. Joku makes sure people know that she is getting lots of hate over this misbehavior of hers. She’s making it seem like her fan base is full of haters that demand comics every week and don’t care about the person behind the project at all. Her “fans” led her to deleting her blog that she had used for a while now, over one small incident. That’s. Not. True. Joku’s fans are passionate, without a doubt, but they have huge amounts of respect for the amount of work that goes into this complex narrative that Joku is almost always working on. Joku, you’re fans are there, making fan art, liking your posts, and sending positive words your way, but you don’t care about that, do you? You just want to show everyone that you can overcome the haters by yourself, but you can’t, nobody can on their own. You say you ignore the haters, but dealing with what I’ve heard people say about you in silence, isn’t a great idea. If you open up more to your audience, show your real fans that you still care about them, I have no doubt that there will be a shift in the types of people who view your content. I along with many others didn’t hate you for what you did, was it a bit uncalled for? Yea, a little bit, but that one incident with someone WHO’S ALREADY FORGIVEN AND APOLOGIZED FOR MAKING IT PUBLIC, shouldn’t have led to you deleting your blog. The blog is being held for you, your choices are to reset back to zero and build your blog all over again, or quit and leave everyone.
Jackei, the creator of Xtale and Underverse, is passionate about her work. Her amazing narrative and intense animations make it a joy to experience through and through, but she has her flaws as well. One day you’ll get a hilarious shitpost from Jackei about how she got braces, the next a comic about how she is having to stand against her fans barrage of negativity. I’m saying it right now that there is a difference in HATING and CRITICIZING and it’s easy to tell which is which. Hate usually is opinionated, relying on the same feeling from others to help boost their opinion into more of a fact. Fans that criticize a work however often point out actual problems with the product they were presented with. Maybe the animation was a bit low quality in some places, or maybe the dialog didn’t add anything to the situation, but whatever it is its a real problem that they just shed light on for you. Those fans care, unlike the haters you insist are your fans. Many people really love your intense devotion to your work, making comics often along with incredible animations that have breathtaking moments a plenty, but it sucks when someone you hugely respect talks down to you. You make it clear that whenever you get hate you try to deal with it in silence, and for the most part if you are a strong enough person that works out really well for you. Not only does it improve your image as a creator but it makes fans think much much more of you as a person. However, you show us that side of you way too much, and its clear you want to be that person you portray yourself as. You’ve gotten much better about showing us that you can withstand the hate sent your way, and your shitposts/memes are always a joy to behold, but why not show off the better side of your fan base, the people who really care about you and your work. It’d make a difference in how you view your fans. Just remember Jackei, haters shout loud because they want others to hear them, but when a fan comments, they don’t even expect an answer from anyone.
Camila is an incredible artist as well, creating a 20 minute animation in less than 4 months is unreal. On top of that the animations feature a standard of quality not usually seen in animations made in the same amount of time. However, Camila is known to harp on people for asking when the latest episode is going to come out. Her response is usually a meme or her telling them to chill and just wait. Camila has the opposite issue that Jackei does, she will show all the asks about when the episode is coming out, making it seem like that’s all her fan base cares about. That and her talking down to her fans often, sometimes calling them stupid for not understanding a small detail in the animation. She’s who Jackei strives to be, impervious to all hate sent her way. To be honest, it’s not the best way to act towards your fans, sometimes people honestly just want to know because they are hyped for the next episode. Especially with the amount of information Camila will spoil about the episode, when in reality it’s mostly misdirection to make hers fans come to one conclusion before the episode even starts, just so she can subvert everyone’s expectations in the end. It’s incredible how many times I knew what would happen just because I followed Camila’s tumblr, @camilaart. Camila, I desperately wanted to donate $50 to you on patreon after you lost part of your house because I desired to talk to the biggest inspiration in my life at the time. To be honest I still want to, but I’m only 15 and I have no income for which to donate to either of you, sorry /;-;/. Camila, your awe inspiring, I just wish you would act more mature and be more loyal to people. After what happened to Jackei you threw her under the bus, reblogging what she said just to garner it more exposure. It’s shocking how many people you turn on after someone comes out with something bad about that person, like Jackei and Ultima almighty. You’re getting much better though about pointing out positive things, like animators and artists who have almost no exposure on youtube, is pretty amazing. It’d be amazing though, if you could use the positives to detract haters instead of memes. You’re a role model for some people whether you want to believe it or not, and sometimes people take anything that role models say as undeniable fact. Your on the right path, please don’t reset again.
(Everything I said are just my thoughts on these two amazing animators, I just really want to get these out their so that maybe they will both see this post and reflect on themselves as creators. I plan to do more of these but I don’t what topics/people to do yet. And guys, don’t hate these artists just for me pointing out a few things wrong with them, that’s the complete opposite of what I’m trying to say. If you don’t like them, then just ignore them, it’s as simple as that. Thanks for reading this, it truly means a lot to me.)
((OMG!!! THANK YOU GUYS I MADE A HUGE MISTAKE. I INTENDED TO MAKE IT 3 SECTIONS AND ACCIDENTALLY MADE TWO THE FIRST TIME COMBINING JACKEI AND JOKU I AM SO SORRY!!! THANK YOU FOR POINTING THIS OUT TO ME!))
Heart-wrenching tale of a self-aware robot forced by Aku to resume his hated former life as an evil bounty hunter when he beloved dog is kidnapped, incredibly well animated, staged in a depressing noir setting, actually manages to not only make the viewer root for the technical antagonist but to also fear and hope for his survival against the hero that has an overwhelming skill and tactical advantage over the robotic villain we've grown to love
Samurai Jack, two episodes later:
Jack tries and fails to milk an opossum in order to feed a random baby he saved from goblins
“June” is the story of a woman who becomes more connected to her community through ridesharing. Chromosphere was approached by Academy Award-winning director John Kahrs and Lyft to provide complete design and animation services for this project. We worked directly with John from the earliest concept designs through to the final frames, making sure that everything we did enhanced the story that he wanted to tell.
In the beginning we see only a small slice of the world around June in Chicago’s southside, but by the end we are taken on a whirlwind journey through all of Chicago’s diverse and colorful neighborhoods. For visualizing these environments we first tapped designer Théo Guignard whose rich color sensibilities brought out the beauty in every single place June visits.
One of our biggest challenges was to design, build, and rig June, our central character. She needed to be appealing and fit in with our graphic style, but also have the ability to exhibit subtle emotions. For her design, as well as all of the other characters in the film, we enlisted Tiffany Ford to capture her personality. Tiffany’s designs have an authentic and specific feel that is often hard to come by in mainstream animation.
To bring the characters to life we had to assemble a team of animators who could embrace the visual style of the short and also understand the subtlety of acting required to make the piece feel authentic. Leading this team was Nelson Boles, who lent his extremely sophisticated sensibilities to June’s movements and facial expressions.
The final product is a vibrant mix of 2D and 3D assembled by our skilled team of international compositors and animators. We’re incredibly proud to have been a part of this beautiful project. Check out our full production credits below:
DIRECTOR OF PRODUCTION
Feed Me Light: Felipe Hansen, Denis Bodart, Denis Bouyer, Richard Kazuo Maegaki
Jonathan Djob Nkondo
LIGHTING & RENDERING
H. Kristen Campbell
ADDITIONAL HELP FROM
Things like what you like and or dislike about each species, why you chose them (or wouldnt chose them again), and just in general your experience with them. You dont have to have owned both, only one or the other. But if you own both a kind of comparison write up would be great!
This is not meant to be a post where people argue which one is better, this is just to help someone decide which species they would like to get. So please keep drama out of it. Both are great and incredible animals.